The SFFaudio Podcast #382 – READALONG: Scaramouche by Rafael Sabatini

The SFFaudio Podcast #382 – Jesse, Paul, Julie Davis, and Maissa talk about Scaramouche by Rafael Sabatini.

Talked about on today’s show:
1921, Captain Blood, The Sea Hawk, The Count Of Monte Cristo by Alexandre Dumas, the morality of this character, on his high horse, betraying the Revolution, completely detached, everybody in this novel is morally gray, maddeningly indistinct, not a hero, historical explanation, that is why the book is named “Scaramouche”, he is the goad, acting as Scaramouche, Aline holds up the virtue, the epitaph on Sabatini’s gravestone, a Prisoner Of Zenda situation, based on somebody real, “A Romance Of The French Revolution”, incendiary speeches, the “Paladin of the Third”, critiquing the excesses of the French Revolution, pro-Jacobean, the character has knowledge of the future, excusing a lot of the morality, we don’t know what he’s thinking until he opens his mouth, good writing, “the tiger is the great lord of the jungle…”, hunting the tiger, solidifying what the revolution meant, dual (duel) motivation, playing the actor, foreshadowing, acting, taking on the role of actor (orator and paladin), a Heinleinian hyper-competent character, the author forces the other Scaramouche off-stage, the comedy and drama, a great sequence, becoming the mask, the inner portion of his life is reflected out on to the stage, he is himself as his purest expression, he is best as Scaramouche, he’s happiest and most content as himself as Scaramouche, you did WHAT with WHO?, we are all the sport of destiny, why look at adaptations, the 1952 movie, dad vs. brother, liberty, equality fraternity, the Robe, Omnus Omnibus, the Buskin, the Sword, enraging the audience, the privileged estates, it becomes very meta, William Shakespeare, a horrible sequel (Scaramouche: The Kingmaker), the puppetry, the author is puppetting the characters, traditional swashbuckler, The Princess Pride without the comedy, other ways of telling the story, a revenge tale, A Tale Of Two Cities, Nicholas Nickleby, reading old books, writers who were ravenous readers first, Donald Westlake (Richard Stark), the Parker series, roll and repeat adventures, Scaramouche is just living, accessory criminals, Alan Grofield is an actor/criminal who gets his own spin-off series, The Score by Richard Stark, The Damsel, The Dame, The Blackbird, Benet, there is the other way…, Sabatini’s weakness is his third act, in the center of Islam, Simon Vance’s narration of Scaramouche, Gord Mackenzie’s narration (for LibriVox), expletive deleted, name of name!, in keeping with the 19th century literary tradition, a lost tale of the French Revolution, Lord Valentine’s Castle by Robert Silverberg, wandering Scaramouche-style, juggling, waking-up with amnesia, quasi-global government, The Old Curiosity Shop, commedia dell’arte, pantomime, improv, Who’s Line Is It Anyway?, pantaloon, harlequin, the little skirmisher, Shakespeare’s types, a learned-fool, a brooding older man, the maiden -> the nurse -> the matron, you’re playing pantaloon, more meta, reading books to become a fencing master, the opening is rather boring, but soon after we’re in a sword-fight, the man-on-the-run genre, as a lawyer, taking sides, raising and destroying a company, the trainee becomes the master, friendship, friendships that betray him, caring enough, carrying on a legacy, sucking up to power, at heart a good guy despite the threats, in bed or on board, the 1952 adaptation’s ending is better than the novel’s, a young Corsican officer, played for comedy, the seven-minute fight in the theater, I will meet you behind the cathedral, killing members of the titled classes, weird morality, shooting a good guy and forgiving the man you’re after revenge for, Mel Ferrer, “he had a string of wives and I understand why”, The Taming Of The Shrew, Stewart Granger, he’s not handsome, aha!, an unhandsome Errol Flynn, Tyrone Power, star-quality, The Prisoner Of Zenda, deep into French Revolution politics, the Revolutions Podcast, aristocrats vs. the Third Estate, deep into the weeds, we’re on a powder keg politically (brexit), biting off your own to spite your face, the 2016 U.S. presidential election, the titled (and entitled) classes, the estates: Nobility 1st, Church 2nd, 3rd People, 24% of the population of with 90% of the power, justice for the rich vs. justice for the poor, production efficiency since the French Revolution, the food industry, 1% of the 1%, everybody is fed, far away to the left, the sucking up to power is still around, class betrayal, bastard children, I was betrayed!, everybody is secretly noble, never mind all that revenge, that’s the reality we live in, the book is very realistic, people are people are people, there’s something noble about liberty, equality, fraternity, the resistors to change were pulling dirty tricks, sabotage and betrayal, “noble” and “honorable”, a calculated attack, a professional boxer challenging me to a fist-fight in the street, why dueling is banned, UFC, we should use our words (lawyers), Jesse went off, same sex relationships in 1796, can we not get passed this?, they freed every slave, a very honorable action, high morality, Alexandre Dumas’ father, The Black Count: Glory, Revolution, Betrayal, and the Real Count of Monte Cristo by Tom Reiss, Napoleon is a sketchy character, the Haitian Revolution, the Church’s stranglehold on France is gone, Quebec, the Quiet Revolution, Napoleon literally sold Louisiana out, Captain Blood, slavery in Barbados, many many pirates, given our success with Scaramouche … could a LibriVox narrator record Captain Blood and The Sea Hawk?

Posted by Jesse Willis