The SFFaudio Podcast #131 – TALK TO: Julie Hoverson of 19 Nocturne Boulevard

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #131 – Jesse, Scott, and Tamahome talk to Julie Hoverson of 19 Nocturne Boulevard

Talked about on today’s show:
how do you say “hiatus”?, “one woman butt kicking army”, third year anniversary, 74 episodes, The Dunwich Horror by H.P. Lovecraft audio drama, Bill Hollweg is in The Deadeye Kid, Maine accents, The Leech by Robert Sheckley (secretly), comedy, A Date With Dana was funny, classic storylines, The Rookie won the Mark Time Award, “line up to get killed by their favorites”, “I love creepy old ladies”, Crumping The Devil, The Imp Of The Perverse, Lovecraft’s The Thing On The Doorstep, Within The Walls Of Eryx is “straightforward sci-fi”, Dis Belief is from a Jorge Luis Borges story, puns, finding the copyright owner, finding quality audio drama, Julie’s audio blog about oversight, we need curation, Voice Hollywood does their own ratings, Julie will be at the next Balticon, Balticon Podcast, there’s never enough people to help, Geek Girl Con, editing the parts together, simultaneous recording?, Julie is in The Radio Drama Handbook by Richard J. Hand and Mary Traynor, The Grand Guignol is violent theater, The Thrice Tolled Bell is like a Hammer film, “cuz I’m crazy”, what dramas does Julie like?, We’re Alive (The Zombie Podcast, also from Blackstone Audio), why do it?, Julie tried to develop a “dead serial killer buddy movie”, Wormwood, comics, Five Fingers Of Doom, short stories, timing your podcast releases, “the mentality of slackness”, for the nasty creepiness: One Eighteen: Migration, Julie’s The Gift Of The Zombi an Xmas show, zombies in love, “zombies are the new cowboys”, a half-hour is a good length, fan dogs on Facebook, “what’s the best science fiction audio drama around?”, Kim’s Warp’d Space involves milk runs, Children Of The Gods, The Leviathan Chronicles, Julie is in Edict Zero (created by Jack Kincaid who did The Geek’s Guide To The Galaxy intro), a cop show on a future colony, how complicated can a show be?, “there’s always engaging things”, Big Finish are pros, “fanfic”, Darker Projects Star Trek tie-ins (Tamahome listened to Lost Frontier), Jesse wants A Princess Of Mars drama, who’s got the rights?, adapting a novel, William Shakespeare, Cymbeline Revisited, Edwardian Entertainments, The Yellow Wallpaper

Posted by Tamahome

Review of The Walking Dead: Rise of the Governor by Robert Kirkman and Jay Bonansinga

SFFaudio Review

Horror Audiobook - The Walking Dead: Rise of the Governor by Robert Kirkman and Jay BonansingaThe Walking Dead: Rise of the Governor
By Robert Kirkman and Jay Bonansinga; Read by Fred Berman
10.5 Hours – [UNABRIDGED]
Publisher: Macmillan Audio
Published: 2011
Themes: / Horror / Zombies / Survival / Post-apocalypse / Evil /

“It may be confidently asserted that no man chooses evil, because it is evil; he only mistakes it for happiness, the good he seeks.” — Mary Wollstonecraft, A Vindication of the Rights of Men

Because I enjoyed the TV series so much, I was eager to listen to this. My expectations were not too high because (1) it’s a media tie-in and (2) it’s an origin story. Those are not a pair of my very favorite things, but I’m delighted to report that this is a very good novel. There is plenty of zombie mayhem, but foremost this is a horror story in the tradition of Stephen King. In other words, it’s not about the zombies but about people and what monsters bring out in them.

It’s also a satisfying origin story. I knew going in that The Governor (Philip Blake) was an exceptional bad guy. The story of his journey from normalcy to that level of bad could not have been an easy story to tell, but job well done. It was both compelling and surprising. Most importantly, I found the characters and their actions believable. Often reprehensible, sometimes jaw-dropping, but believable. As Philip Blake, his brother, his daughter, and others make their way to Atlanta in their suddenly changed and extremely violent world, I was forced to ask myself what I’d do in their situation, and I wasn’t always comfortable with my answers.

As far as I know, this is the first time I’ve heard a Fred Berman narration. There’s a lot of grisly uncomfortable stuff here, and I can’t imagine another narrator handling it better. I look forward to hearing him again soon. I’m not ready for another intense zombie novel, though. Maybe he’s narrated something with puppies.

Posted by Scott D. Danielson

19 Nocturne Boulevard: An adaptation of H.P. Lovecraft’s The Thing On The Doorstep

SFFaudio Online Audio

19 Nocturne Boulevard19 Nocturne Boulevard, created and run by audio dramatist Julie Hoverson, features original and adapted “strange stories” – the podcast alternates between completed productions, like the one below, and diary entry style production notes. I was mightily impressed by Hoverson’s adaptation of Robert Sheckley’s Science Fiction short story The Leech when I heard it back in February! It’s a terrific production by a talented cast. Hoverson has crafted her skill to a keen edge. I was jazzed to hear that she’d undertaken a new production of an H.P. Lovecraft classic, The Thing On The Doorstep which is a novelette first published in the January 1937 issue of Weird Tales.

I’m a sucker for stories with “Thing” in the title. A THING is not a he or a she. It isn’t a describable something – in fact, it’s very indescribability makes it damn intriguing – you, and the characters in the stories, ask questions “What the hell is that thing?!?!?!”

Now DC Comics had the Swamp Thing (a plant elemental) and Marvel had the Man-Thing (a “slow-moving, empathic, humanoid” that had once been a man). But it’s in short fiction especially that I find THINGS compelling. And when you start looking for these THINGS you’ll find dozens and dozens of stories with THING in the title. A couple of other good ones include The Damned Thing by Ambrose Bierce and The Thing On The Roof by Robert E. Howard. And in movies, of course, there is John Carpenter’s The Thing.

Now the particular THING in on this particular doorstep in Julie Hoverson’s adaptation is a whole other thing. I won’t give away, but I will say it certainly lives up to the mysterious nouny goodness of the title.

Lovecraft’s tales can be difficult to adapt, as they’re unusually wholly bereft of actual dialogue between characters (if there is even more than one character!). Julie Hoverson dramatizes the story’s form, which is a kind of confession/statement to police, using a combination of flashbacks and interrogation room scenes to tell the tale. The sound design is good, allowing us to tell who is who and where is where. The acting is also pretty solid with most of the lines coming off as if recorded live on set. Have a listen!

19 Nocturne Boulevard - The Thing On The DoorstepThe Thing On The Doorstep
Based on the story by H.P. Lovecraft; Adapted by Julie Hoverson; Performed by a full cast
1 |MP3| – Approx. 33 Minutes [RADIO DRAMA]
Podcaster: 19 Nocturne Boulevard
Podcast: August 15, 2011
|ETEXT|
What does a man do when his new bride really, really wants his body?.

Cast:
Dan Upton – Mark Olson
Officer Flatbush – Reynaud LeBoeuf
Officer Malone – Danar Hoverson
Edward Derby – Paul Cram (imdb)
Asenath Derby – Angela Kirby
Jean – Julie Hoverson
Clerk – Suzanne Dunn
Orderly – Gene Thorkildsen
Dr. Castle – Marshal Latham
“Roman” girl – Gwendolyn Jensen-Woodard

Music from the first soundtrack album from the H.P. Lovecraft Literary Podcast

Editing and Sound – Julie Hoverson
Cover Design – Brett Coulstock

Podcast feed: http://nineteennocturne.libsyn.com/rss

Posted by Jesse Willis

The SFFaudio Podcast #123

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #123 – Scott, Jesse, Tamahome, Matthew Sanborn Smith (Hairy Mango), and Jenny (Reading Envy) talk about audiobooks, recent arrivals and new releases.

Talked about on today’s show:
Scott’s recent arrivals, The Magician King by Lev Grossman, a gritty Harry Potter?, Ghost Story by Jim Butcher has a new narrator John Glover (not Crispin Glover), Southern Gods by John Hornor Jacobs, the Crossroads film, We’re Alive — A Story Of Survival zombie audiodrama, originally a podcast, The Walking Dead comic, Terry Goodkind’s The Omen Machine, long sentences on the cover, Mango version?, The Keeper Of Lost Causes by Jussi Adler-Olsen, The Girl With The Dragon Tatoo, the scandanavian thriller genre, Henning Mankell, Jo Nesbø, we make an exception for noir, straight science fiction, Poul Anderson’s Genesis, singularity?, the cover, several Joe Ledger stories (like Patient Zero) by Jonathan Maberry, it’s like evil corporations and terrorism, he adapted The Wolfman (2010) movie, Ghost Road Blues, something for October, Blackstone interview with Maberry and Gardner, two by Abaton Radio Theater, Cat Wife, Baby, radio scripter Arch Oboler, Tam could use a radiodrama, L. Ron Hubbard’s Greed, yellow peril, dramatized kind of like Graphicaudio, Dianetics, Kevin Hearne’s Hexed, they begin with ‘H’, Witchy Woman (song), an adult The Lightning Thief, Lost Voices by Sarah Porter, mermaids, where’s the older mermaids?, sirens, werewolves, Out Of The Waters by David Drake is not military science fiction, the periodic table series, Dead End In Norvelt by Jack Gantos, read by the author, it’s YA, (41:38) Matt tells us about Grant Morrison’s Supergods, it’s a autobiography/comic book history, All-Star Superman comic, narrator John Lee swears well, Grant experimented with everything, Voltaire, does the audio need pictures?, We3, artist Frank Quitely, New X-Men, Dan DiDio on the DC Comics relaunch, Jenny doesn’t read comics (but she reads graphic novels), superheroes don’t stay dead, Criminal comic, the George R.R. Martin effect, The Boys comic satirizes superheroes, (52:18) Jenny is listening to James Joyce’s Ulysses (wow), The Testament Of Jesse Lamb by Jane Rogers, kind of a prequel to Children Of Men, not on audio yet, the Man Booker prize longlist, Ulysses radiodrama, listening for 24 hours in a row, Beyond This Horizon by Robert Heinlein (our next readalong), The Quantum Thief by Hannu Rajaniemi exclusively on Audible, (one of narrator Scott Brick’s favorites) glossary of terms in The Quantum Thief, made-up terms, The Dervish House by Ian McDonald, fictional thief character Arsène Lupin (oh yeah, Lupin III is an anime), differentiating the voices of characters, how to win a Hugo, Blackstone new releases, The Holloween Tree by Ray Bradbury, animated movie version, Bronson Pinchot is the narrator, Balky, Beverly Hills Cop, Robert Heinlein’s The Unpleasant Profession of Jonathan Hoag, reddish substance, Hardwired by Walter Jon Williams, it’s the old legit cyberpunk, Nancy Kress’s Beggars In Spain, Ghost In The Wires (non-fiction) by super hacker Kevin Mitnick, Mitnick on Triangulation, (1:09:00) Audible new releases,The Moon Maze Game: A Dream Park Novel by Larry Niven and Steven Barnes, Ready Player One by Ernest Cline, it’s about the 80’s, Return To 20,000 Leagues Under The Sea by Barlow and Skidmore, Jules Verne, John Brunner’s Stand On Zanzibar, it’s new-wave-y, paranormal romance filter, Downward To Earth by Robert Silverberg, sounds like John Scalzi’s Fuzzy Nation, T. C. McCarthy’s Germline, McCarthy’s Big Idea on Scalzi, The Mandel Files by Peter F. Hamilton (when’s the audiobook coming?), Noir by Richard Matheson, the upcoming film Real Steel, fighting robots, The Twilight Zone, it’s heart wrenching like the last Harry Potter movie, Wheat Belly (diet book), Jenny’s gluten-free brownies, self-help audiobooks, Eckhart Tolle books, the word “healthy”.


Posted by Tamahome

Review of Guilty Pleasures (Anita Blake, Vampire Hunter #1) by Laurell K. Hamilton

SFFaudio Review

Penguin Audio - Guilty Pleasures by Laurell K. HamiltonGuilty Pleasures (Anita Blake, Vampire Hunter #1)
By Laurell K. Hamilton; Read by Kimberly Alexis
8 CDs – Approx. 10 Hours [UNABRIDGED]
Publisher: Penguin Audiobooks
Published: August 2009
ISBN: 9780143144014
Themes: / Fantasy / Vampires / Zombies /

Published almost 10 years ago, Guilty Pleasures marked the debut of a writer who was destined to grow from cult favorite to a major best-selling author. Now, for long-time Anita Blake aficionados and new-found fans, Guilty Pleasures makes its debut in downloadable audio. Listeners will learn how Anita Blake started raising the dead – and killing the undead. And how she met Jean Claude, the master vampire destined to become not only her biggest nemesis but her greatest lover.

Guilty Pleasures was probably one of the original ‘urban fantasy’ books, along with the first Dresden Files book. But I found it to be well done. Anita Blake is kind of a strong female ‘Kolchack: The Night Stalker‘ with a gun, although she can raise the dead herself. It seemed a weird mix that she both raises the dead and kills vampires. This is the original novel in the series, way before she got the ardeur (or a strong sexual addiction) later in the series. The audio production is above average, and frequently provides incidental music when a scene gains tension (if that doesn’t bother you). Though I found the vampire Nikolaos to be childlike, she was also very intimidating, partly due to Kimberly Alexis’s acting. And I found the ending to be unusually strong. If you don’t like romance, don’t worry, you won’t find much of it here. But be warned that there are some grisly scenes. It bothered me a little that the narrator would do a fake ‘yell’, but at low volume. Maybe there’s some technical way to really yell at a microphone, but be able to keep it from clipping (limiter?)?  How do they do it in the movies?  This novel has also been adapted to comics.  I hear the first four books in the series are pretty tight.  I’ll go along with Felicia Day’s Goodreads ratings on this one, but I’ve only read the first book, and some of the comics.  I’ve also been reading Narcissus in Chains, #10 in the series, for months and months, on and off.  It has some very sexy scenes, but is pretty long and meandering.  I think the author Laurell K. Hamilton once said in a podcast, that these days Americans think her writing is too sexy, and Europeans think it’s too violent.  Maybe I should move to Europe.

Posted by Tamahome