zombies – Page 16

Darker Projects completes Autumn a ZOMBIE audio drama

SFFaudio Online Audio

Darker Projects, in association with Infected Books presents David Moody’s vision of apocalyptic horror: Autumn.

In less than twenty-four hours a vicious and virulent disease destroys virtually all of the population. Billions are killed. Thousands die every second. There are no symptoms and no warnings. Within moments of infection each victim suffers a violent and agonizing death. Only a handful of survivors remain. By the end of the first day those survivors wish they were dead. Then the disease strikes again, and all hell breaks loose…

Yep, it’s a zombie audio drama! Cool huh? All six parts of the complete adaptation are available now. I’ve been listening, it’s dark and moody, well paced with good acting and is getting eerier every episode. Check it out for yourself…

Or subscribe via the feed:

http://www.darkerprojects.com/feeds/Autumn.xml

posted by Jesse Willis

Review of Jeffrey Combs Reads H.P. Lovecraft’s Herbert West Re-Animator

SFFaudio Review

Jeffrey Combs Reads H.P. Lovecraft’s Herbert West Re-Animator
By H.P. Lovecraft; Read by Jeffrey Combs
1 CD – 72 Minutes [ABRIDGED]
Publisher: Beyond-Books.com
Published: 1999
UPC: 619981033428
Themes: / Science Fiction / Horror / Death / Immortality / Zombies / WWI / 1900s / 1910s / 1920s /

“Human it could not have been — it is not in man to make such sounds.”

The “Herbert West, Reanimator” serial is a cycle of six ghoulish tales inspired by Mary Shelly’s Frankenstein. This audiobook is an abridged reading of that serial. We first meet the titular Herbert West as a third-year medical student attending New England’s Miskatonic University in 1904. We are introduced to West by an unnamed companion, a fellow student at M.U., who like a Watson to his Sherlock Holmes, narrates the adventures of his fascinating ~~fiend~~ friend. West is the inventor of an extraordinary reagent, one that when injected into the body of a recently deceased person, cause rudimentary living functions to return. West seeks to perfect his reagent, but in order to do this he must find freshly deceased bodies. The six seperate episodes recount the various grusome attempts by West and his bizzarely-loyal companion to do just this. One minor wrinkle, most of the subjects that undergo the “re-animation” process become violent, incommunicative and don’t typically and retain their ‘higher’ mental faculties.

Jeffrey Combs Reads H.P. Lovecraft’s Herbert West Re-Animator will make you become, like West, utterly fascinated by the desire to know what will happen in the next experiment. What will the dead have to say? Can death truly be conquered? As the unnamed narrator puts it – “I, myself, still held some curious notions about the traditional ‘soul’ of man, and felt an awe at the secrets that might be told by one returning from the dead.” The prose is rich, fast and pregnant with that special adjectival allure that only Lovecraft knew the formula for. Though it appears that Lovecraft himself was not overly-fond of this serial, it makes for a straightforward introduction to his work and I found it appealingly nefariousness.

The abridgement here is relatively minor, and even, I am surprised to say, forgiveable. It appears to have been done to try to smooth out the connectity of the six seperate stories that make up the entire Re-Animator cycle or possibly to make the entire set of tales fit onto just one CD. The original stories offered a recap of the previous instalment’s events, reading them back to back like this, it makes sense that those sections would be disposable. Either way, it is forgivable. Far more disheartening than the abridgement is the addition of sound effects. The sounds are intermittent, completely redundant and nearly ruin the atmosphere the text naturally generates in a reader. Horror stories, if they are well written, generate a mood by words alone. I’d like to say this is just a case of gilding the lily, but that makes it sounds like it was merely superfluous to add in sound effects, and I don’t want to say that. In fact it is far worse than that – the added effects will sometimes completely break the spell that Lovecraft’s words and Combs’ reading of them are weaving together – the sound effects bring the listener out of the story. This is a major flaw.

On the bright side, the reading itself is excellent. Jeffrey Combs is probably best known for his role as Herbert West in the Re-Animator films. You’d probably also recognize his voice and mannerisms from his supporting work. Were he better known I have no doubt he’d have many a stand-up comedian doing impersonations of his unique vocal cadance. Combs has been all over Science Fiction on TV, he even played two recurring characters on the same episode of Star Trek: Deep Space Nine at one point! His reading is of course dead-on. He knows this material well and revels in the loquacious language of H.P. Lovecraft.

Recommended, but with reservations.

Posted by Jesse Willis

Recent Arrivals – Resnick’s Kirinyaga and Brooks’ World War Z

Kirinyaga: A Fable of Utopia
By Mike Resnick; Read by Paul Garcia
9 CDs – 1 MP3CD – 10 hours – [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2006
ISBN: 9780786167906 (CD), 9780786174218 (MP3CD)

World War Z: An Oral History of the Zombie War
By Max Brooks; Read by a Full Cast
5 CDs – 6 hours – [ABRIDGED]
Publisher: Random House Audio
Published: 2006
ISBN: 0739340131

Posted by Scott D. Danielson

Review of Cell by Stephen King

SFFaudio Audiobook Review

Editor’s note: Our newest reviewer, a mysterious gent from the future known only as The Time Traveler, debuts on SFFaudio with this review of Stephen King’s latest. Be sure to sit down and read it before you pick up your cell phone.

Cell
By Stephen King; Read by Campbell Scott
8 Cassettes or 12 CDs – 12.5 Hours [UNABRIDGED]
Publisher: Simon & Schuster Audio / Recorded Books
Published: 2006
ISBN: 0743554329 (Cassette), 0743554337 (CD)
Themes: / Horror / Science Fiction / Apocalypse / Zombies/ Journey /
Survivors / Terrorism

There’s a reason why cell rhymes with hell.

Stephen King’s latest book is a return to form for this master of horror. In it, everyone with a cell phone goes stark raving mad after they receive some kind of pulse through their cell. The pulse, likely sent by terrorists, wipes the victims’ minds clean. This story takes no time to get started. Within the first few minutes, you are drawn into this nightmare scenario, steeped in gore and horror.

The main character, Clayton Riddell, finds himself in Boston when the pulse drives the majority of people biting, scratching, and murderously mad. He is joined by a band of likable characters as they set off to get out of Boston. Meanwhile the victims of the pulse start behaving more like Zombies and start flocking together and evolving with even more unexpected behavior.

Much of this material is familiar ground for King. But the narrative drive is strong, and it doesn’t drag with shear verbosity as King’s writing sometimes does. Campbell Scott reads the audiobook. Scott is a very competent narrator who’s also a film actor and has appeared in movies like The Exorcism of Emily Rose. His narration is restrained and subdued which works well with the apocalyptic horror being described. His Boston accents are excellent without being overdone. He’s also the son of the late George C. Scott.

I’ve got two qualms with the audiobook. If it’s unabridged, shouldn’t it contain the dedication? I picked up the hardcover edition at the store and found it was dedicated to George Romero and Richard Matheson. George Romero was the director and writer of the Night of the Living Dead and it’s sequels. Richard Matheson wrote the seminal post-apocalyptic vampire novel, I am Legend, in 1954. There is no dedication on the audiobook. Doesn’t unabridged mean word for word? The dedication definitely foreshadows what kind of novel Cell is to be.

Also there are places in the second half of the book where the narrative voice totally changes. It sounds as if they needed some pick-ups done, to fix small mistakes, and Mr. Scott was not available so they plugged someone else in. Overall these are small distractions, and the audiobook is a hard to turn-off listen.

posted by The Time Traveler

Review of Nightmares on Congress Street Part IV

SFFaudio Review

Nightmares on Congress Street Part IV
by Various, performed by the Rocky Coast Radio Theatre
1 MP3-CD – 2 Hours 35 Minutes [AUDIO DRAMA]
Publisher: Paperback Digital
Published: 2004
ISBN: 1584390069
Themes: / Horror / Poetry / Zombies / Poe / Cremation /

“Nightmares on Congress Street” is a radio show that has been broadcast each Halloween Eve since 2001. This is “Part IV” because it’s a recording of the 4th annual broadcast. It’s not “Part IV” in the sense that you need to run out and find parts I-III before listening to this one. As far as I know, they aren’t available. The shows are recorded by a group of theatrical professionals from the Portland, ME area, and are broadcast on Maine Public Radio.

It’s rare that I hear something modern that captures the spirit of Halloween. Sure, there’s some scary stuff out there, and some funny scary stuff out there, but “Nightmares on Congress Street” really catches the fun spirit of Halloween. There are scares and laughs in good measure throughout, and you’d be hard-pressed to find better production quality anywhere.

Included here are six productions:

The Monkey’s Paw by W.W. Jacobs
A mummified monkey’s paw seems to grant wishes, but, as always, a person should be careful what he wishes for.

The Cremation Of Sam McGee by Robert W. Service
The cover doesn’t list who does which part, but the actor who performed this horror poem was just fabulous. The poem tell the story of Sam McGee, who stumbles into the camp of a cowboy, and who asks that cowboy to make sure to cremate him if he dies.

The Cabin in the Woods by Clay T. Graybeal
A bunch of folks go to a cabin to spend some time, but doesn’t that plant outside look like someone we know? Ridiculous.

The Cask of Amontillado by Edgar Allan Poe
One of the finest renditions of this Poe classic that I’ve ever heard.
The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult I vowed revenge. You, who so well know the nature of my soul, will not suppose, however, that gave utterance to a threat. At length I would be avenged; this was a point definitely, settled –but the very definitiveness with which it was resolved precluded the idea of risk. I must not only punish but punish with impunity.
And punish he does. Bravo to the actors on this one.

The Librarian by Rhonda Carlson
This piece is done by Rhonda Carlson, Rocky Coast Radio Theatre’s composer. Delightful mayhem, this one.

The Horror of Walker Point by Anthony S. Marino
This one is an excellent tale right out of George Romero’s playbook. It is performed in a kind of “War of the Worlds” style – regular programming is interrupted for important news about a chemical spill. As more and more people are affected by these chemicals, the newscasters bravely stay on the air.

I thoroughly enjoyed this production, and am eager to hear this year’s show!

You can get this title at Paperback Digital, Audible, and at Tantor.

Posted by Scott D. Danielson

Here are this month’s new releases: AUDIO RENAI…

New Releases

Here are this month’s new releases:

AUDIO RENAISSANCE

There and Back Again: An Actor’s Tale by Sean Astin with Joe Layden, read by Sean Astin

I’m looking forward to this memoir of Astin’s experience working on the Lord of the Rings trilogy. I’m one of the folks who watched every extra goodie on the massive Extended LOTR DVD’s.

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BLACKSTONE AUDIO

Callahan’s Con by Spider Robinson, read by Barrett Whitener

Barrett Whitener read Spider Robinson’s The Callahan Chronicals, which we reviewed on SFFAudio a while back. The Callahan stories are among the most empathic high-quality stories you’ll find in the world of science fiction, and this title is likely no different. The description says that Death himself walks into the bar this time…

Jesse:

I just finished listening to Callahan’s Key, also read by Barrett Whitener. Where you’ve described Robinson’s work as “empathic high-quality stories” I would describe it as “high-functioning fan-fiction”. That isn’t a bad thing, I like the stuff myself, but it certainly won’t be to everyone’s taste.

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HARPER AUDIO

A Coyote In The House by Elmore Leonard

This is a kids book in the tradition of “Call of The Wild” – told from the animal’s perspective.

Jesse:

If nothing else, crime and western writer Elmore Leonard has a great ear for dialogue, so this should be a fun tale with respect to that. But he’s never written juvenile fiction before, so its also unknown territory in some respects.

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PAPERBACK DIGITAL

Cally’s War by John Ringo and Julie Cochrane, read by William Dufris and Christine Marshall

A novel by military SF writer and Baen author John Ringo and Julie Cochrane. Cally had been fighting for the future of the human race, but now she is in a war for survival: the survival of her soul…

Paperback Digital has also released several OTR audio dramas on Fictionwise.com: “The Green Hills of Earth” by Robert A. Heinlein, “Drop Dead” by Clifford D. Simak, “Destination: Moon” by Robert A. Heinlein, and “With Folded Hands” by Jack Williamson.

And look for Charlaine Harris’ Vampire Mystery novel Dead Until Dark, which will be released on Halloween. Paperback Digital titles can be purchased on their site (http://www.paperbackdigital.com) or on Fictionwise.

Jesse:

It should also be noted that Paperback Digital has remastered and cleaned up these 1950s era radio dramas. Something which they sorely needed.

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RANDOM HOUSE AUDIO

Legends II: New Short Novels by the Masters of Modern Fantasy, Volume III, edited by Robert Silverberg

This volume of the Legends II series contains stories by two of my favorites: “The Monarch of the Glen” by Neil Gaiman and “The Yazoo Queen” by Orson Scott Card. I’m a fan of the short novel length – there is so much treasure out there in the novella and novelette size. While I’m talking about these, Legends II, Vol. 1 contains “The Sworn Sword” by George R.R. Martin and “Beyond Between” by Anne McCaffrey, and Legends II, Vol 2 contains “Lord John and the Succubus” by Diana Gabaldon and “Indomitable” by Terry Brooks.

Jesse:

I look forward to hearing these! The first Legends anthologies were released by HarperAudio last time. Hopefully Random House Audio will do as good a job.

Star Wars: Jedi Trial by David Sherman and Dan Cragg, read by Jonathan Davis

Random House’s Star Wars titles rival Simon and Schuster’s Star Trek titles in production value and style. If you enjoy Star Wars stories, these books are quite good. Also quite good is Jonathan Davis, who I first heard when he read Neal Stephenson’s Snow Crash.

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RECORDED BOOKS

Raketty Tam by Brian Jacques, read by Brian Jacques

A title in the Redwall fantasy series!

Another note from Recorded Books – they have a rental program that looks a lot like Netflix. Unlimited audiobook rentals for $29.99/month. Check it out here.

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SIMON AND SCHUSTER AUDIO

Night of the Living Dead by John Russo and George Romero

An audio drama featuring the original cast!

Dark Tower VII by Stephen King, read by George Guidall

The final volume of Stephen King’s epic series. Stephen King read by George Guidall? Yeah, baby. I’m a Stephen King fan, but have not kept up with this series. I’ve heard “The Gunslinger” and “The Drawing of the Three“, and enjoyed them both – time to start on the rest of them.

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COMING SOON!

Wil Wheaton, of wilwheaton.net, has published a book called Just a Geek (which is excellent) and I’m thrilled to report that he’s recording an audio version. Wil says the audiobook has some extra asides, and that it’s more like a performance, or director’s cut, than a straight-forward reading. Look for it on his website in the coming weeks! In the meantime, ITConversations has posted audio of Wil’s recent performance at Gnomedex, where he read excerpts from the book.

Jesse:

This sounds like a terrific idea! Wheaton experimented a little with audio blogging a while back – posting to his website by telephone. He’s also read at least one audiobook short story that I know of. It can be found in Dove Audio’s The Greatest Science Fiction Stories of the 20th Century (which is available on Audible.com). The story is called “Why I left Harry’s All Night Hamburgers” by Lawrence Watt-Evans.

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If you’ve got something you’d like to show up on our monthly New Releases post, write me and let me know. Enjoy, everybody!

Posted by Scott D. Danielson