CBC’s Day 6 blog has a lengthy, November 1985, interview Ray Bradbury (conducted by Vicky Gabereau for her self titled Gabereau show). This is a terrific long-form and ramblingly awesome interview – as Bradbury himself puts it, it’s a “discussion about ideas.”
In it Bradbury talks about:
Moving out to California as a kid, how he gets around Los Angeles, his appearance on Groucho Marx’s You Bet Your Life, movies, directing vs. writing, Fahrenheit 451, Raymond Chandler, Dashiell Hammett, Ross Macdonald, James M. Cain, Norman Mailer, a discussion about ideas, bad male drivers, Blackstone the magician, Paris, France, the American Revolutionary War, architecture, Federico Fellini, Amarcord (1973), horror movies, The Fog Horn, The Beast From 20,000 Fathoms, Godzilla, dinosaurs, Moby Dick, William Shakespeare, John Houston, The Carrot People, The Horror Of Dracula, Christopher Lee, The Omen, Diabolique, Jean Harlow, Burns and Allen, The Trojans and sporadically his then current novel Death Is A Lonely Business.
And here’s that appearance on You Bet Your Life (featuring Ray Bradbury in a crew cut):
The SFFaudio Podcast #162 – The New Mother by Lucy Clifford, read by Heather Ordover (of Craftlit). This is a complete and unabridged reading of the short story (21 Minutes) followed by a discussion of it by Jesse, Tamahome, Julie Davis, and Heather Ordover.
Talked about on today’s show:
Brownies!, The Mote In God’s Eye by Larry Niven, what is the lesson of The New Mother, naughtiness will be punished without chance of redemption, Lucy Clifford’s children were good, the big people, Coraline by Neil Gaiman, button eyes, crafty, The Father Thing by Philip K. Dick, Philip K. Dick had two fathers, glass eyes and a wooden tail, stand the baby on it’s head, “don’t talk to strangers”, free range children, scared straight, dancing dogs, hopelessness, don’t give in to temptation, “listen to your mother”, the magic cupboards, cargo cult mindset, is the girl the devil?, Something Wicked This Way Comes, creepy warnings, has the girl been the victim of a curse?, a moral story, evil things sometimes look attractive, Anyhow Stories: Moral And Otherwise, the Wikipedia entry for Coraline, The Father Thing and Coraline have hope, horror, The Shining by Stephen King, G.K. Chesterton “fairy tales are more than true”, The Hanging Stranger by Philip K. Dick, To Kill A Mockingbird, Stand By Me, BB guns vs. aliens, did Dick read The New Mother?, Beyond The Door by Philip K. Dick, fantasy, the world is a magical place for children, the magic of housework, mom’s like God providing manna, the “good clock” that tries to keep going, frozen peas and creamed corn, the McCarthy era, The Twilight Zone, The Monsters Are Due On Maple Street, Invasion Of The Body Snatchers, child abuse, untrustworthy parents, “this is real”, stepping into adulthood, 19th century, 1950s, Coraline’s ineffectual parents, the Turkey and Blue Eyes, what happened to the turkey?, what’s up with the peardrum?, the Dictionary Of American Regionalisms, horrormasters.com, “it’s too heavy“, deception vs. self-deception, when do we learn do we naughty?, or do we learn it?, is it a game?, naughty vs. evil, reverse psychology, Tom Sawyer, a dead rat on a string, what’s the deal with the missing father?, fairy tales, Persuasion by Jane Austen, away at sea, fun garages, the feeling of bigness, Julie makes it all sound homey, Philip K. Dick’s father was a WWI veteran, pastoral vs. mechanized hell, Vietnam veterans, the new father in Coraline, the s-word, the movie of Coraline, a giant spider with bony arms, Neil Gaiman’s inspirations are classic literature, The Graveyard Book, The Jungle Book, Silas, Nobody Owens’ governess is named Mrs. Lupescu, Mr. Lupescu by Anthony Boucher, Weird Tales, Neil Gaiman is a fantasy master like J.R.R. Tolkien or Robert E. Howard, The Sandman, Aladdin, The Sandman: Season Of Mists, rescuing readers with Neil Gaiman, the teacher’s conundrum, there’s nothing better for a young reader than comics, Red Nails by Robert E. Howard, comic adaptations, don’t play down to your audience, Gargoyles, William Shakespeare, don’t pile on memorization, pile on fun, everything of value is learned through story, if you invert everything the girl in The New Mother you still don’t know what’s going on, is she just evil?, did she sit upon a baby?, are the two dogs the man and woman missing from the box?, many locks and many keys, unanswered questions, “perhaps you’ve lost yourself”, levels of naughtiness, being naught isn’t following orders, truth in advertizing, critical thinking, Grimm’s fairy tales, the etymology of “grim”, the University of Arizona, Grima Wormtongue, Harry Potter, Grimm, Once Upon A Time, Lee Arenberg, “to wend the grim tooth” (to recourse to harsh measures).
The Swerve: How the World Became Modern, and its author Stephen Greenblatt, are the subject of the latest CBC Ideas podcast. The Swerve is the story of the recovery of a lost epic Roman poem, by Titus Lucretius Carus, titled On The Nature Of Things – Greenblat makes the case for it being a work that changed the world, made it modern, by bringing ancient philosophy into an age ready for enlightenment. It’s an absolutely fascinating discussion. Host Paul Kennedy, as usual, shows that Canadian tax dollars can be used incredibly well when put in the right hands.
The poem in question is available as a LibriVox audiobook HERE.
And The Swerve: How the World Became Modern is available from Recorded Books (narrated by Edoardo Ballerini).
Here’s the book’s description:
Renowned historian Stephen Greenblatt’s works shoot to the top of the New York Times best-seller list. With The Swerve, Greenblatt transports listeners to the dawn of the Renaissance and chronicles the life of an intrepid book lover who rescued the Roman philosophical text On the Nature Of Things from certain oblivion.
Nearly six hundred years ago, a short, genial, cannily alert man in his late 30s took a very old manuscript off a library shelf, saw with excitement what he had discovered, and ordered that it be copied. That book was the last surviving manuscript of an ancient Roman philosophical epic by Lucretius – a beautiful poem containing the most dangerous ideas: that the universe functioned without the aid of gods, that religious fear was damaging to human life, and that matter was made up of very small particles in eternal motion, colliding and swerving in new directions.
The copying and translation of this ancient book – the greatest discovery of the greatest book-hunter of his age – fueled the Renaissance, inspiring artists such as Botticelli and thinkers such as Giordano Bruno; shaped the thought of Galileo and Freud, Darwin and Einstein; and had a revolutionary influence on writers such as Montaigne and Shakespeare, and even Thomas Jefferson.
Talked about on today’s show:
Science Fiction and Fantasy sort of undercut the scholastic meaning of metaphor, my friend Bill, metaphors come in two parts – the vehicle and the tenor, giants vs. ogres, denuding the metaphor, Aldebaran 6 has astonishingly beautiful humanoids, unknown vehicles deliver us, The Monsters by Robert Sheckley, The War Of The Worlds, a Tolkienesque task, A Voyage To Arcturus by David Lindsay, Dark Universe by Ron Goulart, Plato’s cave, blindness, dead metaphors, the Burning Bush, Saul vs. Paul, a sound idea, Germanic grounds for divorce, Star Maker by Olaf Stapledon, The Door Into Summer by Robert A. Heinlein, 1984 by George Orwell, “the clock stuck thirteen”, constructing meaning, William Shakespeare, awful as in creating awe, Moses and Mount Sinai, “shining like the sun”, a sun god, Sampson, hairy like the sun, bald like the moon, Genesis, “you may look upon my hindparts”, Childhood’s End by Arthur C. Clarke, unconscious metaphors, Frankenstein by Mary Shelley, wretch, catwomen from Venus, voluptuous sex objects, building up the vocabulary, Halting State by Charles Stross, Neuromancer‘s opening line, text adventure, Enoch lived 365 years (the sun god), The Tower Of Babel by Ted Chiang, comparing the constructed worlds of video games with the constructed worlds of Science Fiction, Battlefield 2, a meta-metaphor for understanding what Science Fiction does for understanding our world, hamartia needs range finding, The Time Machine by H.G. Wells, “any fool can see”, a system of metaphors for the characters and the reader provides meta-uses, metaphor means “carry across”, Greek moving vans are called metaphore, the Morlocks are the workers, the Eloi are the owners, the Time Traveler is the manager, Get That Rat Off My Face by Luke Burrage, Science Fiction as thought experiment, Michael Crichton, deus ex machina, The War With The Newts by Karel Čapek, Finnegan’s Wake, experimental novels, Germinal by Émile Zola, Flatland by Edwin A. Abbott, allusion vs. metaphor, Sampson vs. Goliath, Luke and Eric prime each other, is Science Fiction useful?, should SF be useful?, Science Fiction and Personal Philosophy (SFBRP #100), reading only the Bible, The Cold Equations by Tom Godwin, the hard lesson namely: “sometimes you’re just fucked”, Star Trek II, cannibalism, Eric objects, the physical world vs. unconditional love, NASA staff need to read The Cold Equations, Steve Jobs (and his reality distortion field), a world full of things other than minds, smart by accident, Apollo 13, give the astronauts poetry, the title itself crystallizes the meaning, The Scarlet Letter by Nathaniel Hawthorne, a parametric center, how do we maintain individuality in the face of fascism?, the vehicle/tenor heuristic, The Great Gatsby by F. Scott Fitzgerald, Nick Carraway, the car is the parametric central of The Great Gatsby, martian vampires, Apollo 1 disaster, Velcro and oxygen, “a failure of imagination”, learning from the past, the metaphor falls and leaves behind a lesson about reality.
Discussed on the show: A Connecticut Yankee In King Arthur’s Court by Mark Twain, a flexible chronology, Luke’s first Isaac Asimov review for SFBRP, Robert A. Heinlein, Nightfall by Isaac Asimov (and Robert Silverberg) is bad, Isaac Asimov has ideas to spare, the Wikipedia entry for The End Of Eternity, “what clever idea can I use, in time travel, that hasn’t been used before”, time loops, time barriers, “are you your own grandpa?”, Poul Anderson’s time corps, bureaucracy, how does time travel work?, time travel is discovered, eternity is a place outside of time, powering a time travel technology is easy if you can time travel, The Time Machine by H.G. Wells, the “kettle”, Ray Bradbury’s A Sound Of Thunder, A Gun For Dinosaur by L. Sprague de Camp, time lords?, Adjustment Team by Philip K. Dick, Back To The Future, remembering the works of culture and developments in realities that no longer exist, 13 different versions of the complete works of William Shakespeare, the academic background of professorial jockeying, are there two different endings for The End Of Eternity?, being outside of time, “the outside of the inside of eternity”, the malleability of reality through time travel, a limited butterfly effect, the inertia of history, killing Hitler, William The Conqueror vs. King Harold Godwinson, Genghis Kahn’s descendants, computers (the vocation) vs. computers (the devices), technicians don’t get any respect, “They feel an unspoken collective guilt which causes them to scapegoat the ‘Technicians’, the experts who actually execute Reality Changes by doing something that will alter the flow of events.”, a caste system, Minding Tomorrow by Luke Burrage, making changes by setting your mind to it, Bill And Ted’s Excellent Adventure, Harlan is a bit of a dim bulb, Demolition Man, time travel as a secret (paralleling magic as a secret), The Accidental Time Machine by Joe Haldeman, mutable realities, the grandfather paradox, unmanipulated reality, alternate history, Sidewise In Time by Murray Leinster, later Heinlein novels, unrestricted freedom in multiple realities can be extremely disheartening, Groundhog Day, infinite universes are boring, By His Bootstraps by Robert A. Heinlein, All You Zombies by Robert A. Heinlein, making a knot out of your own timeline, giving a young William Shakespeare a copy of The Complete Works Of Shakespeare, motherless objects and motherless ideas, giving your younger self an object (or advice), multiple timelines, “if that’s possible then that’s not possible”, time traveller’s convention, BoingBoing’s time travelers (I and II), European Juggling Convention 2003, Time Travel #2 Advanced Time Travel Techniques, Paradoxes For Beginners, Harlan Ellison, Murder At The ABA by Isaac Asimov, Darius Dust (dry as dust), Tales Of The Black Widowers, sexism, women are not suitable time travelers, an apocryphal tale of the Obamas, energy bodies, sending a message from the past to the future, you have an energy body but paper magazines?, a future vs. the future, The Door Into Summer, Escape Pod’s recording of All You Zombies, Asimovian characters, The End Of Eternity is about Earth, House Of Suns by Alastair Reynolds, something so big and so mind bogglingly complex, SFFaudio Podcast #073 George R. Stewart’s Earth Abides, “Gregg Margarite and that other guy (Jesse) are losers”, batshit theories, Eric S. Rabkin, Adam and Eve, fairy tales, sex, “the unconscious does exist”, Luke’s original fiction, “we do these podcasts for ourselves”, interesting bullshit, Luke’s Creative Podcast (with Gregg Margarite), “make your own podcast if you don’t like one.”
The SFFaudio Podcast #144 – Jesse, Tamahome and Gregg Margarite talk about the audiobook of Robert Sheckley’s 1959 novel Immortality, Inc..
Talked about on today’s show: Time Killer was nominated for a Hugo, the Blackstone Audio audiobook, Sheckley’s family of themes, a collage of images, Immortality, Inc. is a comedy, Bronson Pinchot’s narration, Peter Lorre, Midnight Cowboy, “those are real tears”, a cartoon, Buddhism, reincarnation, the yoga machine, “manipulation catches up to theory”, surviving beyond death, Futurama, suicide booths, New New York, Douglas Adams, Matt Groening, zombies, are we chicking or egging, Mindswap by Robert Sheckley (SFFaudio Podcast #076), Richard K. Morgan’s Altered Carbon, “you are not…”, are you your memories?, hundreds of trillions of assumptions, “why did communism fail?”, Tam knits, sweet sweet coffee, Harrison Bergeron, we need the CPU as well as the memory, Gregg would still be Gregg in another body, a body as an automobile for genes, aren’t skills a part of your mind, your memories?, bayoneting skills, Gregg wants longer pinkies, dynamic finger growth is optimal, episodic, the hunt, have the lawyer leave the room, “what if there is nothing more?”, this is a book about death, ghosts, walking through all the explanation for what happens after they die, tomb like an Egyptian, sane ghosts vs. nutjob ghosts, “the competition never ends”, “different dimension, same shit”, “transplant”, a black-market copy of a sensory recording of our hero’s story, interest in the twentieth century is waning, 1950s New York, Jesse has never been to New York, security theater, Gregg promises to take Jesse to New York, a private Winnebago?, the suspension of habeas corpus, Canada is a country that doesn’t work in theory (but works in practice), the United States as a utopian experiment, Australia has mandatory voting, Mayberry, “the right to die”, death is exactly like before you were born, you can only look forward to death, Mark Twain, death is just one damn thing after another, What Dreams May Come by Richard Matheson, Dante’s Inferno, does love conquer all?, Cinderella, happily ever after, arguments that get all of us killed, Pakistan vs. India, tribalism, Ghandi vs. Jinnah, “the enemies of progress”, China, Buddhism, Confucianism, Shinto, ancestor worship, Khmer mythology, Hanuman the monkey king, “reality is only inside you”, are most people half-believers?, Sheckley doesn’t pick one way, did the serialization inform the storytelling, The Status Civilization, Sheckley looks at the world and laughs, there’s no thesis Sheckley is trying to explicate, Sheckley is “a sane Phil Dick”, horror vs. humor, Freejack is a loose adaptation of Immortality, Inc., Emilio Estevez and Mick Jagger, the role of the reader, the magic of radio (drama), The World According To Garp (film vs. novel), converting the nonconvertible, a romantic relationship, Aristotle’s Poetics, plot should follow necessarily (or at least probably) from that which came before, Accessory Before The Fact by Algernon Blackwood, “it all happens at the same time”, flat characters vs. round characters, do we live in a serial world?, if Hamlet was a television series, Gilgamesh still works, Star Trek, Gene Roddenberry vs. J.J. Abrams, an anthologic approach, Babylon 5 as the counter-example, Neil Gaiman, J. Michael Straczynski, Doctor Who, the vehicle of the series, will the dancing toilet paper company care?, Gregg: “I’m no longer god”