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Review of Canadia: 2056 – Season One

SFFaudio Review

Canadia: 2056: Season 1
By Matt Watts; Perfomed by a full cast
5 CDs – Approx. 5 Hours [AUDIO DRAMA]
Publisher: CBC Audio
Published: January 21, 2008
Product ID: ERART00217
Themes: / Science Fiction / Humor / Canada / War / Toilets / Audio Drama / CBC /

This entertaining sci-fi comedy series is written by one of Canada’s best-loved comedy writers, Matt Watts. The United States has launched an armada to destroy an alien threat. Canada sends the nation’s only publicly-funded spacecraft, The Canadia – a ship with a single purpose – to plunge the Americans’ toilets.

There are lots of audio dramas out here on the internet, but if you want to hear a professional piece of work that will make you laugh out loud, you should give Canadia 2056 300 minutes of your time. Matt Watts and the entire cast and crew of Canadia 2056 have created something special. The show is an absolute gem.

The Canadia of the series is a Canadian spaceship that has been sent to war with a United States fleet, which in turn has been sent to perform a pre-emptive strike on a planet called Ipampilash. Midshipman Max Anderson is the only American member of the crew, and his relations with all of the Canadians is central to the comedy of the show. I’m not a Canadian, so I’m certain that I’m missing the deeper meaning of some of the jokes, but the scripts are crafted and performed in such a way that I really didn’t feel I was missing out.

An example of this occurs in the very first episode. The captain of the Canadia (hilariously performed by Paul O’Sullivan) is choosing a voice for the computer. He goes through a few, then settles on a gravelly female voice. I found the scene funny without knowing what I was told later – the voice selected was Shauna MacDonald, who is known as the Promo Girl in Canada. Apparently, her voice was heard all the time on CBC, and the debate between the folks that wanted her off the air and the folks who wanted her to stay made her famous. (I’d have wanted her to stay, by the way. I adore her voice.)

Max Anderson (played by series writer Matt Watts) makes an interesting representative of the United States. He’s cowardly, geeky, selfish, and his mother is an admiral in the US fleet. He feels his way around the crew, and finds his place among them eventually. Holly Lewis was captivating as Amanda Lewis, the engineer that Max spends the most time with. There’s a lot of tension between the two, and it’s wonderfully played.

I could sit here and start listing my favorite moments, but it’s suffice to say that I loved these shows enough that I listened more than once. There’s a short list of audio drama that’s really excellent, and even a shorter list of comedic audio drama that’s really excellent. Canadia 2056: Season One is one of those, and I urge you to give it a listen. It’s cruckin’ fanatastic!

Season Two of Canadia: 2056 starts next week on CBC Radio! It looks like the first airing will be at 11:00pm, Wednesday, March 19th. Click here to keep your eye on the CBC Radio schedule.

Posted by Scott D. Danielson

New World Army podcast audio drama

SFFaudio Online Audio

New World Army is a new podcast audio drama by Jeff Roney. Its described as a “Sci-Fi, audio thriller” – it seems to be set in some post-apocalyptic future. Think The Terminator, a Skynet future and zondercommandos. Read the official description:

“New World Army, a futuristic, Sci-Fi, audio thriller. It involves the story of a band of rebels fighting for survival under the tyrannical regime of a powerful, droid army. Patterned after the storytelling models of Lost and the new Battlestar Galactica, this original story looks at a female hero who battles mechanical enemies, as well as her own flaws. NWArmy is a multi-episode, multi-season story that will take the listener on a sonic journey that will take them from the past, to the present, and future of our characters.”

Check out the promo |MP3|, listen to episode 1 “After” |MP3| or get it through the RSS feed:

http://feeds.feedburner.com/NewWorldArmy

Posted by Jesse Willis

Review of A Galaxy Trilogy: Volume 1 by Poul Anderson, George H. Smith and Stanton A. Coblentz

SFFaudio Review

A Galaxy Trilogy: Volume 1
By Poul Anderson, George H. Smith and Stanton A. Coblentz; Read by Tom Weiner
12 CDs – 13.5 Hours [UNABRIDGED]
Publisher: Blackstone Audiobooks
Published: 2007
ISBN: 9781433202255
Themes: / Science Fiction / Politics / War / Aliens / Space Travel / Galactic Civilization / Telepathy /

“Long before Arthur C. Clarke, Ray Bradbury, or Isaac Asimov, there was an earlier generation of dreamers and writers who defined the science-fiction genre, in what today is affectionately known as the pulp era. Heralding back to the early television days of Flash Gordon and the earlier tales of Jules Verne, Bram Stoker, and H. G. Wells, these great science-fiction writers of the 1950s and 1960s included among their ranks such icons as Poul Anderson and the prolific Robert Silverberg, who would write some of the hippest genre literature of its era. Now you can experience this unique moment in genre literature with three exciting, imaginative short novellas from some of the pioneers of pulp science fiction.”

In Star Ways a mysterious plot my be behind the disappearance of a number of ships in the Terran sphere. This is the best of the three short novels in a fun collection. Star Ways posits a familiar ‘nomads in space’ idea and chucks in a plot about some truly totalitarian aliens. This short Science Fiction novel allows us to tag along on an interstellar nomad ship, with fascinating folkways. Also on board thanks to Poul Anderson’s magnetic writing are your regulation intergalactic troubleshooter, a wily space captain, a rustic crew of wanderers, an alien with telepathic powers and even a bit of romance. The tale’s end doesn’t go exactly where you’d expect, and that makes it all the more interesting.

In Druid’s World Adam MacBride is the stiff backbone of a sprawling empire, his Empress is smart but acts dumb, her lover scorns MacBride openly. When the novel begins MacBride has set his mine to retiring home to his fjords and his three wives and only an imminent threat to his beloved fleet and his unwarranted loyalty to his Empire keep him from returning home immediately. This novel is jammed to the rafters with swashbuckling action, ship-to-ship broadsides, many volleys of grapeshot, at least two rebellions and sickle wielding druids. What’s not to love? All these elements swirl about in a swift but realtively simple plot. I love the way this book was written, it’s small but denser than a neutron star. My guess, George H. Smith had just finished reading a stack of history books before sitting down to write this rollicking hodge-podge of science fiction, pre-Roman religion, and 18th century Imperialism. Druid’s World is a scattered but worthy listen – the kind of pulpy material you can crave on dark winter evenings. Druid’s World could happily sit on your audiobook shelf between The Green Odyssey and Star Surgeon. Druid’s World was the first book in Smith’s “Annwn” series and was first published in 1967.

The Day The World Stopped is set in 2020. In it the United States and “Red China” are deep into a new cold war when the testing of some super-weapons that can automate human destruction on an unprecedented scale are nearing the cusp of completion. This tale feels like a combination of The Manchurian Cantidate and The Day The Earth Stood Still. Clearly the worst of the three tales collected in A Galaxy Trilogy I’m sad to say The Day The World Stopped is weighed down by too much hokey dialogue, not enough thought given to pacing or plotting and a “deus ex-machina” ending that makes it feel like a bad Hollywood version of itself. First published in 1968 it was written at the beginning of the tail end of Coblentz’s writing career.

Narrator Tom Weiner lends a gravitas to all three novels, The Day The World Stopped needed it the most, given its weighty dialogue and scene after scene of back-room politics there was dozens of voices to work. The “Omegriconians” especially spoke English with a strange accent, Weiner does his best with it, to little avail. In Druid’s World the admiral MacBride character predominates the thoughts and dialogue of most of the novel. This works out well, Weiner’s got range but his natural growl fits just this kind of character. Star Ways has several strong characters all of which are distinctly rendered. Overall Weiner’s narrative authority elevates what really are three unremarkable pulp adventures into a worthy package.

Posted by Jesse Willis

Review of Old Man’s War by John Scalzi

SFFaudio Review

Old Man’s War
By John Scalzi; Read by William Dufris
Audible Download – Approx. 10 Hours [UNABRIDGED]
Publisher: macmillan audio / audible.com
Published: October 2007
Themes: / Science Fiction / Military SF / War / Telepathy / Space Travel / Galactic Civilization /

John Perry did two things on his 75th birthday. First, he visited his wife’s grave. Then he joined the army. The good news is that humanity finally made it into interstellar space. The bad news is that planets fit to live on are scarce – and alien races willing to fight us for them are common.

There’s an excellent subgenre of science fiction that produces a novel every dozen years or so. “Tributes to Robert A. Heinlein’s Starship Troopers“, I call it. First in this subgenre was The Forever War (1974) – a kind of anti-Starship Troopers novel. Second was Ender’s Game (1985) a kind of micro/macro version of ST. There was even a satire called Bill The Galactic Hero (1965), which parodied ST. The latest novel in this little branch of SF is Old Man’s War, a faithful ode to Heinlein’s original tale of Earther civilian turned hardened space soldier. The war of the title is both familiar and different. Gone are the powered armor and accompanying fission bomb launcher of Heinlein’s mid-twentieth century novel. In are genetically engineered soldiers and nanotech weapon systems. Another innovation in Old Man’s War includes is the BrainPal™, a neural implant that makes battlefield communication exacty like telepathy. Tech and lineage aside this is one hell of a story all on its own. All of the previous novels in this niche spent a great deal of time in training their protagonist. Same goes here, Old Man’s War has the requisite gruff staff sergeant of the “Colonial Defense Forces” who trains the hero, John Perry, and his fellow recruits. It also has the first shock of combat, a learning curve towards mastery and some twists and turns you can’t see coming. Old Man’s War also has the pure brutality of war, the comradely companionship a love story (of sorts). New to the series is a light touch of humor here and there, John Perry was writer before he joined the army. The alien enemies he fights aren’t bugs (nor “buggers”), but are memorable and varied. The Consu, for instance, are deeply religious, and though having a superior technology to every known alien race – including humans – will fight only with roughly equal technology to any species they encounter. The Salong, meanwhile, are a deer-like species that while appearing shyly doe-eyed, fight humans because they find us extremely tasty – a case of the hunters become the hunted. One scene of combat has Perry and his platoon stomping like Godzilla a city of lilliputian aliens that the Humans have somehow made a grudge with. Later in the book we discover that there are some soldiers in the CDF who don’t share the common background of Perry and his platoon. These “Ghost Brigades” as they are called, are a fascinating new twist all on their own, and judging by the title of the already written sequels (The Ghost Brigades, The Sagan Diary and The Last Colony) were going to be learning more about them. This is delightfully compelling listening, like any little genre it comforts with the familiarity of form and entertains with the variations on the theme.

Audible.com (and the iTunes Audiobook Store) has made itself a must-try service by the very exclusivity of this audiobook. If you want to hear this Hugo nominated adventure, you have to sign up with audible.com or iTunes to get it. Narrator William Dufris is his reliable self, injecting battalions of charm and humor into the voices of John Perry and his various companions. Old Man’s War is a righteous addition to Heinlein’s Troopers legacy. The name of John Scalzi can now stand in Science Fiction pantheon proudly beside the likes of Orson Scott Card, Joe Haldeman and Robert A. Heinlein.

Posted by Jesse Willis

U.K. Audio Drama Podcast: Estalvin’s Legacy

SFFaudio Online Audio

SFFaudio Challenge entrant Paul Campbell (he’s working on Rebels Of The Red Planet) has been podcasting his Science Fiction audio drama series Estalvin’s Legacy since early this summer. This promising series features “Mystery, Adventure, Romance, Disaster and War across Alternate Realities” – all that and a cast of a dozen U.K voice actors! There are three episodes out so far. I’ve listened to the first, it drops you straight into the middle of a cast of complex characters with a backstory that begins to be revealed – very promising! And Estalvin’s Legacy has possibly the best tagline for an audio drama series I’ve ever heard:

“The universe exists – for now.”

Have a listen to the slick promo |MP3| and then check out the series itself…

Estalvin’s Legacy
By Paul W. Campbell; Performed by a full cast
Podcast – [AUDIO DRAMA]
Podcaster: Cossmass Productions
Podcast: Started June 2007
Ranging across the many parallel, and not so parallel, alternate realities of the Cossmass. Things aren’t right in the greater reality know as the Cossmass. It encompasses thousands upon thousands of alternate realities. The stability of the Cossmass has been weakening. The collapse of an entire reality stream is no longer a mere theory. The Kalsorin have an uneasy truce with the La’Shareti. Both have influence across several Reality Clusters. But the Kalsorin are keeping a secret from the La’Shareti that would bring a war that they could not win. In a remote Cluster: Nicolas is older than he looks, and his memory is fading fast. Sarah and Peter have only known each other a short time when Liam appears. Liam has travelled the Cossmass for many years, always keeping out of sight of the Kalsorin. Until now.

Subscribe to the podcast via this feed:

http://cossmass.co.uk/series/estalvinslegacy/feed

Posted by Jesse Willis

Review of Ascent by Jed Mercurio

SFFaudio Review

Ascent
By Jed Mercurio; Read by Todd McLaren
6 CDs – 7.5 7.5 Hours [UNABRIDGED]
Publisher: Tantor Audio
Published: 2007
ISBN: 9781400103683
Themes: / Science Fiction / Alternate History / War / Cold War / The Moon /

The sun swings behind the world. Night engulfs him. The dull metal craft plunges through space, its portholes pale beacons containing the silhouette of a man, and the only other lights are the stars themselves.

This alternate history novel is a faithful depiction of the Soviet Union’s race against the United States to put a man on the Moon. The sad reality is that it never happened this way, but that doesn’t nullify a tremendously magnetic story of how it very well could have done. The viewpoint character is Yefgeni Yeremin an orphan of WWII, a fighter pilot and a Korean air-war ace. His story is as compelling a depiction of a quasi-Nitzchean overman as I’ve seen in fiction. Yeremnin is a more human, more plausible kind of Ayn Randian character – but he’s also hard to empathize with. He’s a man who can’t quite break free of his upbringing, his colleagues, his country, but who despite this achieves what must be viewed as the ultimate in overcoming. The Ascent of the title is not just that of a man from the surface of the Earth, but of mankind from Earth and that which came before. Just as birth is the obvious, but arbitrary line in the moral sand of personhood, so too is the actual landing of a human being on the surface of the moon.

Ascent starts with a shock, builds brilliantly during the Korean War scenes and then plateaus. Mercurio tells a powerful story – the first half of the audiobook absolutely riveted the headphones to my head. That which follows is engaging, but not as impactful. Perhaps the tale could have been told in another manner. Perhaps part of the problem is in the novel form itself. I wonder if it might not have been better, shorter – as a novella say. Yeremnin too is hard to take at this length – he is a hard man, from a hard world, with little in him other than will. The technical jargon that predominates his space voyage, while I’m certain accurate, is burdensome, and the problems that face the protagonist are less thrilling than those in the first half of the book. The end, when it comes, simply…. is. It isn’t wrong for the book, but it isn’t right either. It may be that this kind of tale, with this kind of character, is not actually tellable another way. Todd McLaren helps, he does Russian accented English but doesn’t overplay it – this is a matter of fact delivery. I hope Mercurio can find another topic within Science Fiction with as much passion as that which he put into Ascent, this was a tremendously compelling listen.

Posted by Jesse Willis