Review of Dune, Messiah by Frank Herbert

SFFaudio Review

Dune Messiah by Frank HerbertDune, Messiah
By Frank Herbert, Read by Scott Brick, Katherine Kellgren, Euan Morton, and Simon Vance
9 hours – [UNABRIDGED]
Publisher: Macmillan Audio
Published: 2007
Themes: / Science Fiction / ESP / Religion / War / Charismatic Leader /

Its 12 years after the triumph of Paul Atriedes on Arrakis, as presented in Dune. But “happily ever after” wasn’t the kind of book that Frank Herbert was interested in writing. Nor was a “Dune Part II” in which Paul would be presented with another challenge, maybe greater than the first, which he would conquer – with much rejoicing. (Yayyyyy!) Instead, Frank Herbert gave us something (here it comes) completely different.

Dune, Messiah opens with a discussion between members of the Spacing Guild, the Bene Gesserit, the Bene Tleiaxu, and the Princess Irulan about how to bring about the fall of the Emperor Paul, making it immediately apparent that things are not going well for Paul. The known universe has not fared well under his rule. The religious fervor around Paul has increased over time, with people, acting in Paul’s name, performing atrocities on various planets. The Fremen way of life has been completely devastated by the changes brought about by Paul’s government. Paul’s ability to see the future has become something of a burden. He’s often acting in ways to fulfill his role rather than of his own volition. He acts to fulfill fate rather than to fight against it.

It’s not hardly the stuff of heroic literature, like Dune was. Instead, it’s decidedly anti-heroic, which is precisely what Frank Herbert was aiming for. He was writing a book in which his hero makes mistakes in order to illustrate the danger presented by a charismatic leader. From Dreamer of Dune, a biography of Frank Herbert written by his son, Brian:

Among the dangerous leaders of human history, my father sometimes mentioned General George S. Patton, because of his charismatic qualities — but more often his example was President John F. Kennedy. Around Kennedy a myth of kingship formed, and of Camelot. His followers did not question him, and would have gone with him virtually anywhere.

To Frank Herbert, this kind of thing was extremely dangerous. This is an especially interesting counter-viewpoint here in 2009, where the United States has another very charismatic leader. One can’t help but to wonder what Herbert would have to say today.

So Dune can be considered to be the rise of Paul Atreides, and Dune, Messiah could be considered the fall. There’s no question that Dune, Messiah is not the masterpiece that Dune is, but it’s still very interesting. Besides the continued exploration of science fiction ideas like the ghola (Duncan Idaho returns as a ghola in this book – a reanimated man that is Duncan Idaho, but is he really?), the overall exploration of an anti-hero is something that is rare enough in science fiction to make it an refreshing read. Children of Dune, the next book, was definitely on Herbert’s mind as he wrote this one, so it’s difficult to present any kind of final judgment until I read that one. Perhaps the fact that I’m interested enough to continue is judgment enough.

Macmillan Audio’s presentation of the book was excellent. There are multiple narrators, each reading sections of the book. All the narrators are top-notch, so I was very pleased with it.

I found some of the history of Dune, Messiah‘s publication to be interesting as well. John W. Campbell couldn’t wait to serialize Dune in Analog magazine, and did so. But when Dune, Messiah came around, he was disappointed enough in the direction of the story that he wouldn’t buy it for his magazine, despite the popularity of Dune. Galaxy Magazine ended up serializing it.

In Road to Dune, Brian Herbert and Kevin J. Anderson quote a letter from John W. Campbell about Dune, Messiah:

The reactions of science-fictioneers, however, over the last few decades have persistently and quite explicitly been that they want heroes – not anti-heroes. They want stories of strong men who exert themselves, inspire others, and make a monkeys uncle out of malign fates!

Perhaps that’s so, but I enjoyed the book very much, partly because it was different.

Posted by Scott D. Danielson

Review of The Steel Remains by Richard K. Morgan

SFFaudio Review

Science Fiction Audiobook - The Steel Remains by Richard K. MorganThe Steel Remains
By Richard K. Morgan; Read by Simon Vance
[UNABRIDGED]
Publisher: Tantor Media
Published: 2009
ISBN: 9781400139637
Themes: / Fantasy / Noir / Hard Boiled / Magic / War / Homosexuality /

“Men were like blades, they would all break sooner or later, you included. But you looked around at the men you led, and in their eyes you saw what kind of steel you had to hand, how it had been forged and tempered, what blows, if any, it would take.”

—Richard Morgan, The Steel Remains

With his new book The Steel Remains, Richard Morgan sets out to (as main character Ringil Eskiath might say) “prick the bloated arse” of J.R.R. Tolkien and post-Tolkien fantasy. Elsewhere on the web Morgan has expressed his deep dissatisfaction with traditional high fantasy, which often pits stainless forces of good against hordes of irredeemable evil in bloodless, antiseptic sword play. He’s accused Tolkien of the same shortcomings (a flawed analysis with which I vehemently disagree). Against this backdrop, Morgan set out to write The Steel Remains as a deliberately gray, grimy, alternative viewpoint. His book succeeds in sliding cold steel into the lie of childlike fantasy, with which my favorite genre of fiction is admittedly littered.

But when the screaming of gutted men and the skirling of steel dies down, and the full extent of the destruction is laid bare for us to see, The Steel Remains does not have much to offer. The old cliché that it’s easier to tear down and destroy than to build anew applies here. In its falling over itself desire to slice and dice fantasy’s traditional conservatism, The Steel Remains indulges in plenty of its own predictable clichés: Every priest is a religious fanatic and a sex fiend, every leader a morally and ethically corrupt, egotistic blowhard, for example. The book lacks a moral compass; Morgan the author’s world view must be a bleak one, indeed.

The action of The Steel Remains focuses on the converging storylines of three uneven characters—one very well done (Ringil, a sarcastic, war-weary, homosexual master swordsman), one middling (Egar, a brawling, boisterous, randy barbarian from the steppes), and one rather forgettable (Archeth, a black, female half-breed of human and Kiriath, deadly with throwing knives and hooked on drugs). All three are veterans of a recent war against an invading race of “scaly folk,” in which humanity staved off utter destruction at a very high price. Ringil, a war hero but now combat- and world-weary, has retreated from his mercenary lifestyle and is living a slothful, under-the-radar existence, until he’s summoned by an urgent message from his mother: Ringil’s cousin, Sherin, has been sold into slavery to repay a debt, and Ringil’s mother wants her back. Ringil reluctantly agrees.

Soon Ringil finds out that the slavery web in which Sherin has been caught is very dark, wide, and sinister. At its centre are a race of alien beings called the dwenda—tall, attractive, human-like, magic-using creatures that are a combination of Michael Moorcock’s Melniboneans with their cruel and alien immorality, and Poul Anderson’s Nordic-inspired, haughty, and warlike elves (Morgan lists Anderson and Moorcock as two of his sources of inspiration; the third is, unsurprisingly, Karl Edward Wagner). The dwenda are planning to incite a second war on earth and then destroy the victor, taking back their ancestral lands (the dwenda dwelled on earth many years ago). The dwenda require the sacrifice of barren human females to fuel the dark powers that are the source of their sorcery.

There’s much to like in The Steel Remains. Morgan’s prose is sharp and highly readable, and he shows a fine eye for detail and realism in his culture and city-building. Trelayne—a nasty, sprawling, brawling city in which whoring, slavery, and public executions are practiced openly—feels real. Egar’s Majak culture is based on pre-colonized North American Indians, and is well-done with its shamans and superstitions, trade in vast herds of buffalo, and armor and weapons suited to a nomadic lifestyle on the plains.

In addition, if you like your battles bloody and realistic, Morgan is your man. His fight scenes are well-done and you get a great sense of Ringil’s skill with his deadly broadsword of Kiriath steel, and Egar’s brutal butcher’s work with his two-bladed Majak lance. Disembowelings, beheadings, and other ghastly wounds are rife.

Much of the book passed under my eyes as well-oiled but heartless machinery producing graphic combat carnage and highly explicit sex (I’ll pause here to state that the blood and semen-soaked pages of The Steel Remains would make George R.R. Martin blanch, and Eric Van Lustbader—author of The Ninja—green with envy). I found the characters rather unlikeable and unengaging, and the plot fair at best. Very little actually clicked with me until the concluding act, in which Ringil, Egar, and Archeth reunite to fight a desperate last stand against the duenda. This was one of the few moving scenes in the book in which I actually felt some measure of concern and identification with our heroes. Ringil’s rousing speech is of the stuff with which great heroic fantasy is made. I wish there was more like this.

In summary, we know that life is can be dirty and horrible. War is hell, yes, and men are weak and piggish. But Morgan drives the same points home, again and again, over 400 dark, cynical, iconoclastic pages of The Steel Remains, which by the end is too one-note and sacrifices story at the expense of the author’s agenda.

Narrator Simon Vance does a terrific job as narrator, changing his voice to suit the temperaments and personalities of the various characters in Morgan’s novel. Clarity and precision are among Vance’s strengths as a reader and he does not disappoint here. When I began listening to The Steel Remains, and before I had seen the narration credits, I recognized Vance’s distinctive voice from his wonderful depiction of Count Dracula and the rest of the characters from Bram Stoker’s Dracula (Blackstone Audiobooks). For unknown reasons Vance performed Dracula under the pseudonym, Robert Whitfield.

[For more of Brian’s thoughts on The Steel Remains check out The SFFaudio Podcast #034]

Posted by Brian Murphy

Review of By Heresies Distressed by David Weber

SFFaudio Review

Science Fiction Audiobooks - By Heresies Distressed by David WeberBy Heresies Distressed
By David Weber; Read by Jason Culp
Approx. 25 Hours [UNABRIDGED]
Publisher: Macmillan Audio
Published: 2009
ISBN: 9781427206794 (CD)
Themes: / Science Fiction / Empires / Religion / War /

The Empire of Charis has been founded out of the marriage between King Cayleb of Charis and Queen Sharleyan of Chisholm, and further expanded by the annexation of Charis’ enemy Emerald. Now Cayleb and Merlin go on the offensive. Sharleyan stays behind to construct the new government out of the former Kingdoms, while Cayleb leads their Navy and tens of thousands of Charisian Marines against the League of Corisande and Prince Hektor. Hektor was the willing puppet of the Church of God Awaiting when he led an armada from several of Safehold’s nations against Charis. That armada was defeated with the aid of the technologies introduced by Merlin, but not before Cayleb’s father, King Haarahld, was killed.

Retribution is also dealt against the Kingdom of Delferahk, greatly offending the Church in the process when the priests responsible for the massacre are called to account. Merlin’s SNARCs, autonomous flying, invisible spy cameras, continue to provide a massive tactical advantage and help to solidify Cayleb’s reputation as a master tactician especially as the battle moves onto land. Some of the advances hinted at in the previous books are seen in action and their effects, amounting to almost two centuries of advancement in our history, are somewhat predictable. Unfortunately, the SNARCs can’t be everywhere, and Merlin and his A.I., Owl, can’t review everything that they record. The Church loyalists manage to slip past Merlin’s security, and target Empress Sharleyan in an attempt to break the new Empire.

Being the third book in the series, Weber brings the anticipated final conflict with Mother Church several steps closer. There is less focus on the new technologies being introduced in this book than in those that proceed it. The tactics and politics assume much more the focus. The land battles are clearly drawn, and the narrator, Jason Culp, keeps the back and forth between the combatants clear.

There are a noticeable number of lengthy monologues, in some cases in the middle of what was a normal conversation. They could have been more concise, however Jason delivers them well. He brings all of the many characters to life with ease, from the lowest soldier in the middle of a battle to the nobility and the priesthood.

Merlin is a magical character to the inhabitants of Safehold, but of Arthur C. Clarke’s variety: sufficiently advanced technology. Although that technology plays an important part in the events, it doesn’t really intrude. Merlin’s visions are provided by his SNARCs and the explanation of, what amounts to a mobile phone, in one scene is as intrusive as it gets. Weber’s Safehold series should appeal to fans of alternate history as well as fantasy and Science Fiction.

Posted by Paul [W] Campbell

Maria Lectrix: Tanks by Murray Leinster

SFFaudio Online Audio

Over at the Maria Lectrix blog and podcast Maureen’s posted all three parts of her reading of Murray Leinster’s Tanks. This is a Military Science Fiction story from the January 1930 issue of Astounding Stories of Super-Science (the very first issue). Sez Maureen:

“I liked this story. It has the Leinster sense that ordinary people with their ordinary habits and ordinary weaknesses, are still strong and capable of doing big things, and what is important often goes unnoticed by the eye. This is more or less the opposite of the nastier side of sf/f’s tendency to tell stories of wish fulfillment, where one Supuh Speshul Geenyus saves all those declasse morons who laughed at him in school. Spinrad’s The Iron Dream is not particularly kindly, but he’s right that if you take elitist Speshulness too far, it’s where totalitarianism comes from.

Astounding Stories Of Super Science January 1930Tanks
By Murray Leinster; Read by Maureen O’Brien
3 MP3 Files – Approx. 77 Minutes [UNABRIDGED]
Podcaster: Maria Lectrix
Podcast: August 2009
In an eerie future that never was, but might have been, two ordinary soldiers hold the fate of a war in their nicotine-stained hands.
Part 1 |MP3| Part 2 |MP3| Part 3 |MP3|

[Tanks so much Maureen!]

Posted by Jesse Willis

Review of On Basilisk Station by David Weber

SFFaudio Review

Ed. – Welcome to Paul [W] Campbell, prestidigitator with Cossmass Productions. This is his first review for SFFaudio.

Science Fiction Audiobook - On Basilisk Station by David WeberOn Basilisk Station (Book One in the Honor Harrington Series)
By David Weber; Read by Allyson Johnson
15 Hours, 15 Minutes – [UNABRIDGED]
Publisher: Brilliance Audio
Published: 2009
ISBN: 9781423393382 (CD)
Themes: / Science Fiction / Military SF / War / Space Opera / Politics /

On Basilisk Station is the first of Weber’s Honor Harrington series. A great space opera that quickly builds up to a full out war between the Star Kingdom of Manticoran and her allies against the aggressive and expansionist Republic of Haven. So far there are eleven main novels in the series in print, plus over a half-dozen anthologies and spin-offs.

Mankind has spread out into the stars using a form of Hyperspace which offers the ability of sail along dangerous gravity waves at hundreds, even thousands, of times the speed of light. Some star systems are linked by wormhole termini that offer instantaneous travel between their end points. The benefit to interstellar trade and to fleet maneuvers that this offers is significant. Thus, Basilisk Station is the Royal Manticoran Navy’s picket at one such wormhole. In fact it is a collection of several wormholes that turn the star system of Basilisk into a major hub for commerce. Unfortunately the Republic of Haven’s economy is straining and they are looking at the worlds on the
far side of Basilisk as candidates to bolster their economy. Of course, having Basilisk Station under their control would make their annexation efforts and resultant ‘trade’ much simpler.

Commander Honor Harrington finds her aged and understrength ship being responsible for the entire picket On Basilisk Station. Her crew blame her for their posting to this punishment detail. Honor has been set up to fail. The Havenites are plotting to invade, the aboriginals on the planet below are taking homicide inducing drugs and her Executive Officer hates her.

As an opening volume in a series of this size, On Basilisk Station sets the initial pieces on the board for the following books and the war that develops. However, it doesn’t feel like that is what it is doing. The story is self contained and complete, as are all of the books in the series. Later books do benefit from reading the preceding ones, but it isn’t required. But, I’m not reviewing the series here. It can be a little heavy on the info-dumps at times, such as the history of the Founding of the Manticoran Nobility, Gravity Sails and a few others. Allyson Johnson gets through them well enough, but in audio they do interrupt the flow of the story. Otherwise she brings all the characters to life very well and covers quite a range, from Honor’s soprano all the way down to some gruff old sailors indeed.

Actually hearing Honor’s dialog in a soprano was quite jarring at first as I had read the books before and hadn’t properly assimilated that aspect of her character. Allyson stays truer to the characters and their voices than I had when reading myself. A good performance overall.

There was some slight confusion at times during the climactic battle as the point of view jumped from ship to ship. In print there would be a clear break in the text, but here the scenes flow together perhaps a little too quickly. They do resolves with a few seconds that there has been a scene change, but it still threw me a couple of times.

If you like your space opera with a well thought out political backdrop and with space battles that take into account the danger aboard ship and the scale of space, then On Basilisk Station should keep you happy.

Posted by Paul [W] Campbell

Review of Anne Manx and the Empress Blair Project

SFFaudio Review

Science Fiction Audio Drama - Anne Manx and the Empress Blair Project - RRCAAnne Manx and the Empress Blair Project
Starring Claudia Christian, Ellen Muth, and Robin Atkin Downes
2 CDs – 2 Hours [AUDIO DRAMA]
Publisher: RRCA (Radio Repertory Company of America)
Published: 2009
ISBN: 0977134210
Themes: / Science Fiction / Humor / Private Eye / Government / War /

Before she meets the Empress Blair, Anne Manx (Claudia Christian) wants nothing more than to spend her quiet vacation getting a tan. Empress Blair (Ellen Muth), though, has a compelling problem. Her father has been killed, and she fears she’s next. If Anne Manx can keep the Empress alive for a mere two months, she’ll reach her eighteenth birthday and take over for her father. Complicating things is Mr. Logan (Robin Atkin Downes), who shows up just in time – but whose side is he on? Nothing is ever easy for Anne Manx, and she’s rapidly running out of lives.
|MP3 SAMPLE|

This is the fifth installment of the Anne Manx audio drama series from Angelo Panetta and the good folks over at The Radio Repertory Company of America. Anne Manx is a superhero of sorts in this series, which can best be described as a comic book for audio. What’s special about Anne Manx? She doesn’t stay dead, but the number of her lives are limited. She’s got a job that requires those lives, too – she’s a planet-hopping private eye, and each episode presents new problems. In Anne Manx and the Empress Blair Project we find her on vacation at the Caraboo Islands, but the Empress Blair (of the planet Eranix), who’s sure she is a target for murder, interrupts Anne’s holiday. It takes a little convincing, but Manx agrees to help, and we’re caught up in another entertaining episode.

There are several things that set these RRCA productions apart from others. The quality of the actors is the most obvious. In this episode: Claudia Christian (Babylon 5), Ellen Muth (Dead Like Me), and Robin Atkin Downes, who is is a superior and popular voice actor that we’ve also seen on a B5 episode or two. I’ve enjoyed Claudia Christian as Anne Manx since the first episode (Anne Manx in Lives of the Cat). She’s tough, sexy, and I can’t imagine another actress in this role. Her co-stars in this one make the production an all-around joy to hear.

Another thing that I’ve mentioned in previous reviews is the script. This is a smart script that, though it doesn’t miss too many chances for sexual innuendo, is really funny at just the right places. Kudos to Larry Weiner for another job well done.

And lastly, the quality of the sound. Effects, music, and words combine in a way that I never wonder what the setting is, never wonder who is speaking, and I never lose the story. It’s easy to become completely immersed as a listener. My mind fills in the pictures, and I thoroughly enjoy listening.

So much so that I may just go find the first one and start over… back soon.

Posted by Scott D. Danielson