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Review of The God Engines by John Scalzi

SFFaudio Review

The God Engines
By John Scalzi; Read by Christopher Lane
3 CDs – Approx. 3 Hours 15 Minutes [UNABRIDGED]
Publisher: Brilliance Audio
Published: December 2010
ISBN: 9781441890795
Themes: / Science Fiction / Fantasy / Religion / Galactic Civilization / Space Travel / War /

Captain Ean Tephe is a man of faith, whose allegiance to his lord and to his ship is uncontested. The Bishopry Militant knows this — and so, when it needs a ship and crew to undertake a secret, sacred mission to a hidden land, Tephe is the captain to whom the task is given. Tephe knows from the start that his mission will be a test of his skill as a leader of men and as a devout follower of his god. It’s what he doesn’t know that matters: to what ends his faith and his ship will ultimately be put — and that the tests he will face will come not only from his god and the Bishopry Militant, but from another, more malevolent source entirely… Author John Scalzi has ascended to the top ranks of modern science fiction with the best-selling, Hugo-nominated novels Old Man’s War and Zoe’s Tale. Now he tries his hand at fantasy, with a dark and different novella that takes your expectations of what fantasy is and does, and sends them tumbling. Say your prayers… and behold The God Engines.

The God Engines is the strongest John Scalzi audiobook since Old Man’s War |READ OUR REVIEW|. It provokes thought, flies off in an unexpected direction and doesn’t overstay its welcome. The setting is in an unnamed galaxy, at an unknown time. But space travel, interstellar communication, and bodily healing aren’t technological developments. Instead, they are derived from a rigorous faith in actual, existing gods! These gods are so real, so embodied, that there is one in the center of each starship. It lies their enslaved, guarded and harnessed so as to achieve the ends to which they are put. Command over these powerful beings is achieved by a combination of torture and reward. Their masters are human beings, members of a religion with their own completely manifested god. Their purpose is to war with other religions, enslave new gods and bring more human beings to the worship of their own god. It is an unending holy war, in a fully realized universe, and it works.

I like to see the examination of an interesting idea, without an endless parade of pointless activity to dilute its core of goodness. We have that in this book. There’s something very neat about the running of what is essentially the starship Enterprise on faith. To hear that an officer is changing his prayers to adjust what’s showing up on the viewscreen – that’s something definitely worth seeing. Scalzi’s universe is run on prayer, faith, and relgious belief. It’s a kind of realization of what religions always claim, but shown to be actually functioning in a replicable manner. It’s theology as physics. The whole story feels like it comes from the same place J. Michael Straczynski’s Babylon 5 came from. Where Arthur C. Clarke’s Childhood’s End came from. There’s an indisputable space opera with Lovecraft vibe to it, but unlike so much space opera, the thinking just isn’t mushy and placative. In fact, there was nary a moment where I wasn’t completely engaged with this made up Fantasy/SF tale. The storytelling is expertly intertwined with a careful exposition of the universe’s rules. This works to fully enrich the ideation without coming off as merely a writer going through a checklist. I’d love to see Scalzi, or any other SF writer, write a dozen more books just like this – take a break from the series universe, and write some more idea based SF. Take a simple little premise or vignette, throw in a few characters and have them explore the concomitant interestingness of that idea. The God Engines does exactly that. It shows, very simply what SF storytelling is supposed to look like. This audiobook stands well, on its own, though I could easily imagine it as one half of an old Ace Double. This is very good work. Well done Mr. Scalzi.

Narrator Christopher Lane has about five major characters to play with. The captain is commanding and thoughtful. The second in command is calm and loyal. The ship’s high priest (who also acts as a kind of political commissar) is jealous but clever. The one female role, a rook (which is kind of a cross between a ship’s whore and a priestess), is wise and womanly. But it’s the unnamed god’s voice that is the real standout. Lane’s god is tortured, twisted and devious. It is a very precise performance, one that allows for the sympathy Scalzi was aiming at. The art for the cover comes from Vincent Chong‘s illustration of the Subterranean Press edition.

Posted by Jesse Willis

Review of The Big Time by Fritz Leiber

SFFaudio Review

The Big Time
By Fritz Leiber; Read by Suzanne Toren
4 CDs – Approx. 5 Hours [UNABRIDGED]
Publisher: Brilliance Audio
Published: August 2010
ISBN: 9781441875129
Sample: |MP3|
Themes: / Science Fiction / Mystery / Locked Room Mystery / Time Travel / Sex / Aliens / War / History /

Have you ever worried about your memory because it doesn’t seem to recall exactly the same past from one day to the next? Have you ever thought you might be changing because of forces beyond your control? Have you ever thought that the whole universe might be a crazy, mixed-up dream? If you have, then you’ve had hints of the Change War. It’s been going on for a billion years and it’ll last another billion or so. Up and down the timeline, the two sides – “Spiders” and “Snakes” – battle endlessly to change the future and the past. Our lives, our memories, are their battleground. And in the midst of the war is the Place, outside space and time, where Greta Forzane and the other Entertainers provide solace and R and R for tired time warriors. The Big Time was first published in two two issues of Galaxy Science Fiction magazine, March and April 1958.

When I finish reading an old Science Fiction novel like this one I pick-up my copy of The Dictionary Of Science Fiction Places (by Brian Stableford) and see if there’s an entry for it. There is one for The Big Time. It’s listed under “Place, The” on pages 238 and 239. Here are a couple of descriptive passages therefrom:

“[The Place is a] safe haven established outside the cosmos while infinity and eternity were undergoing the continual upheavals of the Change War, in order to serve as a Recuperation Station for soldiers fighting on the side of the Spiders against the Snakes. Its female staff were officially categorized as Entertainers and quite rightly thought of their work as nursing rather than whoredom.”

and

“The Place was midway in size and atmosphere between a fair-sized nightclub and a cramped Zeppelin hangar.”

As other reviewers have pointed out this is essentially a stage play, and as such, the stage for The Big Time is “The Place.” Now given that it won a Hugo Award, for the Best Novel of 1958, I’m kind of surprised how lightweight and compact The Big Time is. The entirety of the action takes place in just the one location and over a very short period of time. Adding to the oddness, it’s narrated in first person, by a resident/worker in what is essentially an quasi-bar-brothel (or bawdy house) for military personnel. That’s actually a very good thing in terms of storytelling as The Big Time is actually a locked room mystery tale, a mutiny and a variation on Edgar Allan Poe’s The Purloined Letter. The whole book is chock-full of allusions, historical details and notable quotations (one for each chapter in fact). The plot doesn’t really get rolling until about half-way through, at which point you’ve learned nearly enough to play along with the mystery aspect. I liked how it was resolved, and found that the process had me both suitably and appropriately buffaloed with it’s many Agatha Christie-style red-herrings.

There’s a nice description of this novel’s uniqueness on the Wikipedia entry: “The Big Time is a vast, cosmic back story, hidden behind a claustrophobic front story with only a few characters.” That’s it precisely. Now to the question I turned over and over in my mind after hearing it. “Is The Big Time a classic for the ages?” Upon long consideration I’m thinking that it is not. It is a good story, but it’s nowhere near that vaunted class of SF greatness. The idea of time travelers fighting a war across time and space isn’t a particularly original or interesting. And it isn’t an idea that is thoroughly exhausted in this story. But, for what this story is, and how it’s done, The Big Time is definitely worth reading if you’re in a mood for a locked room tale.

I’m sad to report a couple of minor blemishes mar this otherwise excellently produced audiobook version. First there’s the music. Each disc in the CD set ends and begins with music that absolutely does not fit the novel’s atmosphere. This problem may be entirely avoided by getting the original Audible Frontiers version, or perhaps mostly (or completely) eliminated with the MP3-CD edition.

Second, more serious, and entirely unavoidable, there is a lyrical song in the text, which I will reproduce to illustrate the problem. This comes at the end of Chapter 3:

Standing in the Doorway just outside of space,
Winds of Change blow ’round you but don’t touch your face;
You smile as you whisper tenderly,
“Please cross to me, Recuperee;
The operation’s over, come in and close the Door.”

Given the number of references I got, this one must be Fritz Leiber’s nod to the immortal Lili Marleen. But Suzanne Toren, who is otherwise absolutely fantastic, doesn’t use Lilli Marlene as the melody. And that is a small, but very real shame.

By the way, here are three of several cool Virgil Finlay illustrations from the original Galaxy publication:

The Big Time by Fritz Leiber - Illustrated by Virgil Finlay

Posted by Jesse Willis

New Releases: The March Of Folly by Barbara W. Tuchman

New Releases

The other day I was at the library, looking for trade paperback comics, and I spotted A Thousand Ships, the complete first volume in Age Of Bronze series.

EXCITEMENT AT THE LIBRARY!

I knew I’d enjoy the TPB of A Thousand Ships because I had purchased the first issue of the comic earlier this summer, and had quite liked what I had seen. Then, in reading the subsequent 8 issues edition, I spotted this, the first page of Eric Shanower‘s fascinating 7 page afterword:

A Thousand Ships - Afterword

Cool hey? I looked into it and while it seems the edition Shanower was referring to is out of print (likely the Books On Tape edition as read by Grover Gardner in 1984) it seems that a year ago this week Blackstone Audio released their edition of The March Of Folly: From Troy To Vietnam…

The March Of Folly: From Troy To Vietnam
By Barbara W. Tuchman; Read by Wanda McCaddon
15 CDs or 2 MP3-CDs – Approx. 17.9 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: September 2009
ISBN: 9781433295072 (cd), 9781433295102 (mp3-cd)
In The March Of Folly, two-time Pulitzer Prize winning historian Barbara Tuchman tackles the pervasive presence of folly in governments through the ages. Defining folly as the pursuit by governments of policies contrary to their own interests, despite the availability of feasible alternatives, Tuchman details four decisive turning points in history that illustrate the very heights of folly in government: the Trojan War, the breakup of the Holy See provoked by the Renaissance popes, the loss of the American colonies by Britain’s George III, and the United States’ persistent folly in Vietnam. The March of Folly brings the people, places, and events of history magnificently alive for today’s reader.

Posted by Jesse Willis

LibriVox: The Iron Heel by Jack London

SFFaudio Online Audio

The Iron Heel, one of the books from our 4th Annual SFFaudio Challenge. It is now complete and available free from LibriVox! Narrator Matt Soar sez:

I have just this afternoon finally finished the last chapter of Jack London’s The Iron Heel. Phew! It’s been quite an experience – begun in Montreal, completed in France, six months in the making.

He actually wrote that two months ago. See, Matt decided to make a planned creative commons release release PUBLIC DOMAIN! Woohoo! It’s on LibriVox and it has now been catalogued!

And, over in the “about” section of Matt’s site, TheIronHeel.net Matt wrote:

The entire experience has been intriguing, if not uncanny: The story, about an overbearing, immoral government characterized by deception, torture, and warmongering, against a background of civilian exploitation and religious zealotry, is mainly remarkable for the fact that it was written a hundred years ago — rather than, say, five.

Perhaps the only aspects of The Iron Heel that really age it are its breathlessly romantic heroine, occasionally prosaic language, and the author’s fleeting use of dubious terms to describe ethnic minorities. These quibbles aside, I’m really glad I took the time to record it, and hope you enjoy it too.

The Iron Heel
By Jack London; Read by Matt Soar
26 Zipped MP3 Files or Podcast – Approx. 8 Hours 18 Minutes [UNABRIDGED]
Publisher: LibriVox / TheIronHeel.net
Published: July 16, 2010
Generally considered to be the earliest of the modern dystopian novels, The Iron Heel chronicles the rise of an oligarchic tyranny in the United States. It is arguably the novel in which Jack London’s socialist views are most explicitly on display. A forerunner of “soft science fiction” novels and stories of the 1960s and 1970s, the book stresses future changes in society and politics while paying much less attention to technological changes.

Podcast feed: http://librivox.org/rss/4342

iTunes 1-Click |SUBSCRIBE|

[Thanks a ton Matt!]

Posted by Jesse Willis

Review of Armor by John Steakley

SFFaudio Review

SFFaudio Essential Armor
By John Steakley; Read by Tom Weiner
11 CDs – Approx. 13.5 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2009
ISBN: 1433294834
Themes: / Science Fiction / Military SF / War / Leadership / Drugs / Psychology /

The planet is called Banshee. The air is unbreathable, the water poisonous. It is the home of the most implacable enemies that humanity, in all its interstellar expansion, has ever encountered. Felix is a scout in A-team Two. Highly competent, he is the sole survivor of mission after mission. Yet he is a man consumed by fear and hatred. And he is protected not only by his custom-fitted body armor, the culmination of ten thousand years of the armorers’ craft, but also by an odd being which seems to live with him, a cold killing machine he calls “the Engine.” This best-selling science-fiction classic is a story of the horror, the courage, and the aftermath of combat and also of how strength of spirit can be the greatest armor of all.

Armor is a novel that was clearly inspired by Robert A. Heinlein’s Starship Troopers. It makes use of both powered exoskeletons and insect-like alien enemies. But, instead of being a novel of politics and leadership it is a very different kind of story. At first I thought it was about the psychological effects of violence and the various kinds of heroism that can exist within a person. I was wrong because that isn’t enough. This novel is not one or two things. It isn’t the normal kind of idea driven SF that I so love – instead its ideas flow more through the emotions, eliciting our sympathies. I think this was acomplished by it changing, turning over and over, with it’s many plot surprises.

Early on Felix, our viewpoint character, refers to something he calls an “engine.” I thought he was describing the powered armor of the title. That would make sense, there was a video game called Heavy Gear that, like than Mechwarrior, had men and women doing battle in humanoid shaped tanks. I think it refereed to its “mechs” as “engines.” Felix seems pretty much like any of the other soldiers he’s been dropped with on planet Banshee. Maybe he’s a bit more of a hick – he doesn’t know the names of the winners at the Powered Olympics. Felix makes no waves, volunteers for nothing. He just wants to survive the battle to come. But when the waves of enemy aliens pour out of their holes only Felix survives – and keeps on surviving.

Armor has taut battle scenes, flowing exposition, and realistic dialogue. Had John Steakley written more, and his other novel Vampire$ |READ OUR REVIEW|, I think he’d be a very well known author.

The first third (or so) of the novel follows Felix, a low ranking scout in the invasion of the planet Banshee. Here the action somewhat resembles that of Starship Troopers. Then there is an abrupt switch – the novel seems to lurch into an an entirely different scene and setting. Set a few years later and following in first person perspective this time we meet a man named Jack Crow. Crow is a notorious galactic scoundrel. A well known thief, pirate, and adventurer – his legend is long and precedes him even to an obscure research station on a planet called Sanction. Crow is there to infiltrate, but eventually finds himself involved in an experiment – one that drains him of his half-hearted bravado and changes his life. If were talking about where this novel fits in the SF library I’ll say this: Armor synthesizes the action of Heinlein’s Troopers with the emotional impact of Haldeman’s The Forever War – but still comes off as a completely unique story.

Tom Weiner, who seems to be narrating almost every Blackstone Audio audiobook that I’m listening to these days, delivers his usual letter perfect narration. Weiner animates Felix with a weary melancholy of a veteran scout, brightens audibly with the cocksure Crow, pulls a vocal Tom Bombadil with Louis, feminizes for Lya, and geeks it all up for Holly (a star-struck scientist). That’s pretty impressive. Check this audiobook out!

Posted by Jesse Willis

Aural Noir Review of Gentlemen Of The Road by Michael Chabon

Aural Noir: Review

RANDOM HOUSE AUDIO - Gentleman Of The Road by Michael Chabon Gentlemen Of The Road: A Tale Of Adventure
By Michael Chabon; Read by Andre Braugher
Audible Download – Approx. 4 Hours 13 Minutes [UNABRIDGED]
Publisher: Random House Audio
Published: October 2007
Provider: Audible.com
Themes: / Adventure / Crime / Jewishness / War / Politics / Mercenaries / Con-men / Khazaria /

Gentlemen Of The Road was first published as a serial in The New York Times Magazine. Despite it’s sword and sorcery feel, it is not actually a Fantasy novel, but is instead a “swashbuckling adventure” set in an obscure, but real, historical setting. Its heroes, Amram and Zelikman, are an odd, but vaguely familiar, pair. Familiar in their companionable rivalry and clearly inspired by Fritz Leiber’s famed pair of characters: Fafhrd and Grey Mouser. But, instead of one being a short, urban thief and the other a hulking Northern barbarian, the two are instead the titular gentlemen of the road, wandering Jews, or as Chabon himself states in the audiobook’s afterword “Jews With Swords.” And that’s what was really important in this story; though each of these two Jews looks entirely unalike from the other, they are tied together by far flung tradition, common heritage and similar tales of woe. The larger of the pair is Amram, a swarthy Abyssinian with a penchant for shatranj and quite literally an axe to grind. The slighter and paler of the pair is Zelikman, a fair haired Frank, who far from being a member of the thieves guild is actually a doctor (he wields an “over-sized bloodletting lance as a rapier”). Together they are a neat pair of dark age sell-swords/con-men, working the taverns and inns of southern Eurasia. It is, all in all, one of the neatest set-ups for a book I’ve ever heard. And you couldn’t find a funner fictional premise for illustrating the Jewish diaspora in an adventure novel.

One evening (circa AD 950), a chance encounter at a roadside inn in the kingdom of Aran leads to a body-guard job. The job involves a journey to the neighboring khaganate of Khazaria. Along the way they meet many a fellow road traveler and have some less than polite encounters. Eventually, Amram and Zelikman (A & Z) find themselves fully entangled in a rebellion and plot aimed at restoring a displaced Khazar prince to the throne.

Narrator Andre Braugher is a television actor that I’ve admired since his portrayal of the unwaveringly professional detective Frank Pembelton on Homicide: Life on The Street. Braugher has a powerful voice that he uses to deliver Chabon’s ornately constructed descriptive scenes and dialogue. You can tell, with every sentence of Braugher’s delivery, that Chabon loves language. I thoroughly enjoyed the book after I got into it. But it wasn’t easy, I really had to shift gears. This is embellished storytelling, it feels both old-fashioned and unrepentantly ostentatious. It has very little of the usual fantasy stylings, it dumps any ordinary flat or prosaic description in favour of the deliberately lavish. Once I did get into it, I loved it. There’s a lot of detail to enjoy here. Chabon’s hulking Abyssinan, for instance, has a battle-axe. He gained it after combat with the Varangian Guard in Byzantium. A runic inscription on it roughly translates into “defiler of your mother.” Another writer would have done it another way – another writer wouldn’t have done it at all. This is what makes Chabon, his books and this novella in particular so special.

Sadly, the audiobook lacks the map and the 15 terrific black and white illustrations (by Gary Gianni ) found in the paperbook. Here is a peek at both:

Gentlemen Of The Road - MAP

Gentlemen Of The Road - PAGE 161

Posted by Jesse Willis