Tony And The Beetles, a short story by Philip K. Dick, is PUBLIC DOMAIN.
HERE is the etext.
First published in the magazine Orbit, No. 2, (which was published in 1953), this story did not have it’s copyright renewed. HERE is the copyright renewal form showing same.
Here is the table of contents from that issue:
Posted by Jesse Willis
The Folded World (A Dirge for Prester John #2)
By Catherynne M. Valente, Read by Ralph Lister
9 hours 18 minutes [UNABRIDGED]
Publisher: Brilliance Audio
Published: November 2011
ISBN: 1597802034
Themes: / Fantasy / Creatures / Monks / Quest / Immortality / War / Crusades / Parenting
Publisher Summary: When the mysterious daughter of Prester John appears on the doorstep of her father’s palace, she brings with her news of war in the West–the Crusades have begun, and the bodies of the faithful are washing up on the shores of Pentexore. Three narratives intertwine to tell the tale of the beginning of the end of the world: a younger, angrier Hagia, the blemmye-wife of John and Queen of Pentexore, who takes up arms with the rest of her nation to fight a war they barely understand, Vyala, a lion-philosopher entrusted with the care of the deformed and prophetic royal princess, and another John, John Mandeville, who in his many travels discovers the land of Pentexore–on the other side of the diamond wall meant to keep demons and monsters at bay.
These three voices weave a story of death, faith, beauty, and power, dancing in the margins of true history, illuminating a place that never was.
To fully appreciate this book, it is essential to first read The Habitation of the Blessed (A Dirge for Prester John #1), because The Folded World starts off right where the last book left off. The mythology of this trilogy is thick, and the second book builds nicely on what is developed in the first. Where in The Habitation of the Blessed, the reader is introduced to all the fantastical creatures and the ways of the new lands, The Folded World digs deeper into the stories of some of the characters. Although Prester John himself has lived with his blemmye wife for some time, he is still experiencing life as an outsider as he tries to put his own religion through the filters of the various beings he encounters.
It doesn’t help that the Crusades are going on, and the armies are getting closer. Prester John doesn’t exactly fit in with his old life the way he used to. This conflict is central to the development of the overarching story that I’m sure will continue in book #3.
While The Folded World lacked the breathtaking impact of the first book, probably just because the overall world was familiar to me, the same elements that I loved are present here – beautiful writing, a detailed mythical place with its own history and stories, and the clash between worlds. There is one more book planned in this series, with the release date tentatively set for November 2012.
Posted by Jenny Colvin
I’ve been enjoying, with a growing admiration, the New Zealand based Spartacus television series. I like it not least for the unique grammar the writers have developed. It’s a kind of a latinized English – mighty and subjectless sentences that are admirable.
The first episode nearly made me dismiss the show entirely. I didn’t like the 300-style effects, the slow motion blood, the constant bobbling of boobs nor the wall to wall green screening. But as the season went on I realized there was more to the show that the jeering mobs, the spectacle, and the nudity. By the final episode I was hooked. That was Spartacus: Blood and Sand. It gave us our hero’s origin story and his various reactions to slavery (denial, acceptance, pride, rebellion). And just as good were a pair of intensely (un)likeable villains, played by a pair of terrrific actors, showcased a cockeyed view of morality, Roman morality. Indeed, that first season began to tell the same story as the 1960 epic film staring Kirk Douglas (which itself was based on an book by Howard Fast). It did so at a slower pace, allowing for more of the historical detail to be played out.
Then there was the prequel series, Spartacus Gods Of The Arena, showing more of the background for the villains and supporting players. That season was supposed to be a stopgap, and it was, telling stories that were themselves only a background for the later seasons. But their own resonances resonated and proved themselves worthy. And now with the second (or third season depending on how you look at it) we have Spartacus: Vengeance, which outlines the beginnings of the bigger story, the latter half of the film version, and the massive slave rebellion that began in the Roman Republic.
the time, the first century BC, approximately 25% of all persons in Italy were slaves. And that’s where the heft of Spartacus comes from. It’s like Battlestar Galactica, but with a grounding in actual history. Spartacus was a real person. As were Crixus and Oenomaus. In these current episodes we see the foundations of the Third Servile War. It is history as drama, but it’s also the history of the opressed, not the rich, not popes, or kings, or robber barons. And this makes Spartacus unique among television programs currently airing.
Here are a couple of excellent old podcasts that made the show work all the better for me:
Mike Duncan’s excellent and long running The History Of Rome podcast covered the Spartacus story back in 2008. It’s still available and still fascinating!
|MP3|
Podcast feed: http://feeds.feedburner.com/TheHistoryOfRome
Also in 2008 George Hageman, who had a great podcast called the Military History Podcast, looked at the story of Spartacus from a more battles-based-perspective. Perhaps giving us a peek at the next season?
|MP3|
Podcast feed: http://geo47.libsyn.com/rss
Posted by Jesse Willis
Blake’s 7: The Early Years: Zen: Escape Velocity (Volume 2.1)
By James Swallow; Directed by Andrew Mark Sewell; Performed by a full cast
1 CD – Approx. 1 Hour [AUDIO DRAMA]
Publisher: B7 Productions
Published: April 26, 2010
ISBN: 978190657709
Themes: / Science Fiction / Artificial Intelligence / Cloning / War / Aliens /
Based on Terry Nation’s seminal 70s science fiction TV series, The Early Years is a prequel series of audio stories that explores the origins of key Blake’s 7 characters prior to them meeting rebel leader Roj Blake. This latest entry to the ever-expanding series takes a new twist, concentrating on a character that doesn’t breathe or have any parents, the synthetic intelligence known only as Zen. When Roj Blake first stepped on board the mysterious, derelict alien spaceship Liberator, his every movement was monitored by the ship’s controlling intelligence, Zen Luckily, Blake and his rebel crew managed to gain the ‘confidence’ of this creation from an alien world and so he was able to use the Liberator in their quest for justice against the Federation. But the origins of Zen have remained a mystery, until now. What terrible catastrophe left the Liberator drifting and shattered? What drove the ship’s intelligence to murder its original crew? What dark secrets lie at the heart of this alien machine? And are Blake and his crew really safe on board the Liberator?
Often, you’ll want to know somebody’s back-story, and then later, when you actually get it – in a prequel story – you’ll find that it is far, far, far less interesting than whatever was going on in your imagination. For me, the years between 1980 and 1999 were ones filled with near-reverence for a fascinating character, the ultimate baddie: Darth Vader. But no amount of apologetics can possibly remove the sickly saccharine story of a nine-year-old Darth Vader filled with “a high concentration” of midichlorians. Yuck. And yet “prequel” is not always a dirty word. I don’t feel that way about The Young Indiana Jones Chronicles, and likewise the Blake’s 7 prequel stories (1.1 |READ OUR REVIEW|, v.1.2 & 1.3 |READ OUR REVIEW|, 1.4 |READ OUR REVIEW|). By far the most mysterious character in the original TV series was Zen, the artificial intelligence. Zen was pretty closed-circuit about its past, not revealing much over the two years it appeared in the series (1978 – 1980). In life Zen “projected a dour, non-committal personality” and would “reply to certain questions with the phrase ‘That information is not available.'” This left left open the possibility that Zen was hiding secrets or “secretly executing its own agenda.” In this magnificent audio drama we are given a genuinely interesting explanation as to why Zen was so very melancholic, why the ship was found crew-less, seemingly abandoned and drifting near Cygnus Alpha.
Zen: Escape Velocity clearly reveals the frightening truth about all of Zen’s character quirks and its cryptic answers from the TV series. But it also shows more. Back in 2008 I reviewed the Blake’s 7 – Audio Adventures boxed set |READ OUR REVIEW| – the first three episodes of the new B7 audio drama series. One detail found within that review was that Zen was, unlike the original series, suicidal at the time of its discovery. Listening to Zen: Escape Velocity you will discovery exactly why that was so.
Six actors, Zoë Tapper, Jason Merrells, Tracy-Ann Oberman, Alastair Lock, Sam Woodward and Pamela Banks play different members of the original crew of the Liberator (back when it was still called “Deep Space Vehicle 2” and when Zen was called “SHIP-MIND”). The story, told by a careful cross-cutting backwards and forwards in time, shows the original crew welcoming their new PILOT, Zoë Tapper, aboard DSV2. Strangely, she is having memory problems and needs shepherding by the ship’s doctor. As the crew takes its positions and readies themselves for battle, we learn about their fascinating society. This is wonderful social Science Fiction like nothing exactly I’ve read or seen or heard before!
Zen (SHIP-MIND) only used the first-person, singular personal pronoun (“I”) once on the television series – it is used multiple times in this production. Zoë Tapper (who appeared in another Terry Nation re-imagined series) and Jason Merrells (playing the doctor), are the central sympathetic heroes of Zen: Escape Velocity. Alastair Lock, who also acts as a post-producer, musician and sound effects man for the CD, portrays SHIP-MIND (Zen). Sounds are rich, deep and best experienced in a quiet room. The stereo effect and a good set-of headphones,as I used, will bring an immense visual experience that belies the fifty-six minute running time. A five minute “Bonus Music Track” (original to this episode) rounds out the disc.
Posted by Jesse Willis
The SFFaudio Podcast #133 – Beyond The Black River by Robert E. Howard, read by Todd McLaren (courtesy of Tantor Media’s The Conquering Sword Of Conan). This is a complete and unabridged reading of the novelette (2 Hours 29 Minutes) followed by a discussion of it (by Jesse and Tamahome).
Talked about on today’s show:
Todd McLaren, Conan’s voice is confident, Balthus is the Jimmy Olsen to Conan’s Superman, Robert E. Howard’s avatar in Beyond The Black River is Balthus, “the damnedest bastard who ever lived”, “buckets of mead”, a noble death, a prominently displayed dog, barbarism vs. civilization, Red Nails, “the viking hat”, The Savage Sword Of Conan, Roy Thomas, John Buscema, Tam is a Conan novice, The Last Of the Mohicans by James Fenimore Cooper, western, “alabaster skin”, the triumph of Barbarism (is the coda for the story), Texas, would the 1% agree with Howard?, Picts, the world of Hyboria, Cimmeria was a real place, history, historical romance, physical display, don’t overblow the homo-eroticism, Edgar Rice Burroughs, H.P. Lovecraft, autodidacts, Margaret Atwood’s interview on CBC’s Q, “occasionals”?, Walt Whitman and Henry James, The Turn Of The Screw, sword and sorcery, did Howard invent the barbarian as a character?, Genghis Khan, forbidden knowledge, Howard and Jack London, The Call Of The Wild, California, Alaska, Yukon, slavery, civilization to barbarism, “a Conan dog”, atavism, Zogar Sag is the Jesus to Jhebbal Sag’s God, secret language magic, secret symbols, Conan The Barbarian, Conan is at the height of his power, atavistic magic, “what was I missing”, chatty Conan, Brian Wood’s new Conan comic (adapting Queen Of The Black Coast), Barry Windsor Smith, “he’s busy getting revenge”, a distillation of what’s in the stories, Conan and the philosophers, Oliver Stone and John Milius, Conan The Destroyer, sword vs. sorcery, Berserk (manga), “if you were in the Hyborian age which god would you worship?”, “a Klingon god”, “who is the good guy in Beyond The Black River?”, why does Conan side with the Aquilonians?, “swarthy white men”, Conan is bronzed by the sun not swarthy, end the Jersey Shore references, “this is a war story”, Conan doesn’t believe in an external valuation, why is there only one Devil?, Gullah the Gorilla God – the hairy one who lives on the moon, Africa, Aquilonia is France, Hyboria is Europe, Hyperborea (boreal + hyper = far north), Stygia = Egypt, Texas history, the Picts are the Comanche in this story, Julius Caesar, degenerating white men, Kull, Brule The Spearslayer, “noble savage”, a “symphony of racism”, Bran Mak Morn: The Last King by Robert E. Howard, Kings In The Night, The Whole Wide World, The One Who Walks Alone by Novalyne Price Ellis, Vincent D’Onofrio as Robert E. Howard channeling Conan, photographs of Robert E. Howard, Howard was a LARPer, “Howard was a rough-hewn intellectual”, boxing, gun culture vs. cat culture, WWII, Lidice, “even a white man’s dog is worth more than seven Picts”, Bill Hollweg’s Queen Of The Black Coast audio drama, would Beyond The Black River make a good audio drama?, Lou Anders’ Hollywood Formula doesn’t work here, philosophy of the woods, audiobooks and comics are better than movies, SSOC #26 & #27, Dark Horse’s Savage Sword Of Conan, Volume 3, ostrich feathers tell a story, a frontier story, Weird Tales covers by Margaret Brundage, the Hulk, supple, Red Nails would be a good readalong, laser beams and dinosaurs.
Posted by Jesse Willis
The SFFaudio Podcast #129 – Jesse, Tamahome, Julie and Jenny discuss the Audible Frontiers audiobook of The Mote In God’s Eye by Larry Niven and Jerry Pournelle.
Talked about on today’s show:
Aliens, first contact, alien aliens, Theodore Sturgeon, Microcosmic God by Theodore Sturgeon, evil genius inventor, a society in a bottle, how do we figure out which information is true, L.J. Ganser, “Fyunch(click)”, space empire, the Horse-Head Nebula, the depth of the alien alienness, who has free will in The Mote In God’s Eye?, “there was little of free will in an engineer”, “humans have free will – we know that”, Ron Paul has gone Crazy Eddie, Outies, The Gripping Hand, Renner is an independent minded contrarian, the CoDominium Series, “an American eagle holding the hammer and sickle”, MacArthur and Lenin, brownies, espionage, Sally never questioned her Fyunch(click), the characters are peripheral to the novel’s power, Niven and Pournelle arguing with each other, perfunctory romance, The Sandkings by George R.R. Martin, Treehouse of Horror VII, god games, Populous, Sid Meier’s Civilization, Master Of Orion, Science Fiction is not really about the future it’s about the present (except for Niven/Pournelle books), Protector by Larry Niven (in which humans are infantilized aliens), “only bad girls take birth control”, Footfall by Larry Niven and Jerry Pournelle, The Mote In God’s Eye is a yellow peril story!, Philip K. Dick’s The Man In The High Castle, gunboat diplomacy, “China has fake Apple stores”, the exotic East, “I asked myself … would that be so bad?”, “they’re not evil, they’re just our enemies”, Declare by Tim Powers, Soviet goals, “every place should be communist”, Russia vs. The USA, an unsustainable quarantine, this book is really about “the pill”, overpopulation, Malthus, Moties are people too (at least most of them are), a non-ideological clash of species, what “sentient” means, Eric S. Rabkin, do they have souls?, is it “scientifically proven” that an untrained kitten can never hunt?, “I don’t eat monkeys”, “nuclear war is the continuation of evolution by other means”, the long pig, is there an unused Chekov’s Gun in this book?, ozone smells good, imitations and perma-smiles, anti-yellow peril blinders, John W. Campbell, “give me an alien that thinks as well as a man but not like a man”, “if only the humans wee more human.”
Posted by Jesse Willis
