Review of Two Plays For Voices by Neil Gaiman

SFFaudio Review

Fantasy Audio Drama - Neil GaimanTwo Plays For Voices
By Neil Gaiman; Performed by two Full Casts
2 CDs – [UNABRIDGED]
Publisher: Harper Audio / Seeing Ear Theater
Published: 2002
ISBN: 0060012560
Themes: / Fantasy / Angels / Vampires / Fairy Tales /

Stories included:
Snow Glass Apples
Once upon a time there lived a young princess with skin as white as snow, with hair as black as coal, with lips as red as blood. Most people think they know what happens to this young unfortunate girl. Most people are wrong. Tony-award winning actress Bebe Neuwirth stars as a wise Queen who wants nothing more than to reign over her kingdom peacefully but is forced to match wits with an inhuman child who has an unnatural taste for blood.

Full Cast List:
Bebe Neuwirth as the Queen ; Martin Carey as the Huntsman; Mark Evans as the Prince; Merwin Goldsmith as the Lord of the Fair; J.R. Horne as the Archbishop & Friar; Alissa Hunnicutt as the Maidservant; Randy Maggiore as a Soldier; Kate Simses as the Princess; Nick Wyman as the King

Murder Mysteries
In this mystery noir set in heaven’s City of Angels before the fall, the first crime has been committed. It is an awful one. While the angelic hosts labor to create the world and its workings, one of their number is mysteriously slain by one of their own. Raguel, Angel of Vengeance, is mandated by Lucifer to discover both motive and murderer in this holy dominion that had so recently known no sin. Golden Globe award winning Brian Dennehy stars as Vengeance.

Full Cast List:
Brian Dennehy as Raguel ; Anne Bobby as Tink’s Friend; Christopher Burns as Saraquael ; Thom Christopher as Lucifer ; Ed Dennehy as Zephkiel ; Michael Emerson as Narrator ; Traci Godfrey as Tinkerbell Richmond ; Evan Pappas as Phanuel

I find audio dramatizations to be generally inferior to straight unabridged readings. There are certainly exceptions; it is just my personal general experience. But every once in a while an exception is so forcefully good, so sweet and so right, it makes me question my general preference in total. And no audio drama thus far has shaken this conviction better than these two “plays for voices”.

I of course heard them both back when they first turned up on the Seeing Ear Theater website, and I was blown away then. I told everyone to go check it out, and I still send people to the site every now and then, but after hearing them on crystal clear CD I’ve decided that even though the website is free, the CD set is the preferred way to listen. The sound is exquisite, the packaging elegantly designed, and when they do decide to remove the wonderful collection of audio dramatizations that makes up the Seeing Ear Theater website collection I’d be kicking myself for not owning a hard copy of both of these amazing dramatizations. I should also note that like much of Neil Gaiman’s adult fantasy, both of these stories feature explicit sexual scenes.

So what makes this collection so great? Well, Gaiman’s unique storytelling gift has something to do with it – probably most to do with it if truth be told. But where Gaiman’s writing leaves off the adaptors pick up with the same skill level – and fail to spoil it.

My main complaint with audio dramatizations in general is that they tend to be “improvements” of the text rather than adaptations. Countless stories have been ruined by incautious adaptors who failed to respect, and in many cases even understand, the story they are adapting. This is most emphatically not the case with these two dramas. The cast and crew of both have achieved that same level of artisanship as Neil Gaiman himself. The casting is brilliant! Bebe Neuwirth, who most people would recognize from her film and television work, is a stage trained actress with two Tony awards to her credit. I can think of no one better than she for the role of the unfairly maligned queen in Snow Glass Apples. In Murder Mysteries, a bit more of an ensemble piece, two actors stand out as achieving similar greatness. Brian Dennehy in the lead role, and Michael Emmerson as the British accented narrator. But in lauding all three of these perfectly cast actors I must be careful to note that several uniformly talented players in their own right support them. Their parts may be small but they do them exceedingly well.

Much praise also must be given to sound designer John Colluci, who had a hand in nearly every Seeing Ear Theater production. The music, foley work and stereo effects are perfect. And of course the producer and director of both these dramatizations, Brian Smith deserves the highest praise. Without him neither would have been possible. Everything has come together in both these productions. There was not one small disappointment, not a single minor flaw, not one awkward moment. Two Plays For Voices is flawless, flawless, flawless.

Posted by Jesse Willis

Review of Dead Until Dark By Charlaine Harris

SFFaudio Review

Dead Until Dark by Charlaine HarrisDead Until Dark
By Charlaine Harris; Read by Christine Marshall & William Dufris
1 MP3-CD – 10 Hours 31 Minutes [UNABRIDGED]
Publisher: Paperback Digital
Published: 2004
ISBN: 1584390018
Themes: / Fantasy / Horror / Mystery / Romance / Vampires / Telepathy /

Roadhouse waitress Sookie Stackhouse has a problem: she can read minds. And who wants to go on a date with a guy when you can’t get near him without seeing the images of yourself flitting through his head. It was just easier to stay home and watch TV. Until the night she got a bottle of beer for a new customer and found one man whose mind was a blank wall to her. What difference did it make that he was a vampire?

Dead Until Dark is the first book in Charlaine Harris’s Southern Vampire Mystery series.

Told in the first person through our viewpoint character Sookie Stackhouse, we get a slice of life story small town southern USA. The only difference is that’s part horror, part fantasy and part mystery. The horror element comes in with the vampires.

Sookie, our southern belle viewpoint character, lives in a pretty normal world with her grandmother in an old house. She waitresses at the local bar. There are just a few things that make Sookie different from thousands of real life women like her. She’s “disabled” with telepathy and has been since childhood. Oh and vampires not only exist but are quite common. You see, vampires, in this otherwise normal world have ‘come out of the coffin’ as it were, and thanks to new federal legislation are to be treated as regular human people with rights and responsibilities under the law. It’s now illegal to kill vampires, either by staking them or draining them for their healing blood. And of course they’re not allowed to attack humans and this is all possible thanks to the new artificial blood products designed to keep them alive. But not everything is in equilibrium in this world, a few human “fangbangers” slavishly worship the vampires and some vampires want to keep their old status and be outlaws. So when “Bill,” a civil war veteran, returns to his home town and wanders in to Sookie’s bar the community isn’t exactly ecstatic – but they figure if he’s willing to “mainstream” they’ll let him be, for now. But soon old family feuds and carpetbagger Vampires stir up trouble for Bill and Sookie both. And when poor young women all over town end up murdered all eyes turn to the vampires and those who sleep with them.

I really enjoyed this novel; Charlaine Harris made a brilliant decision to tell this story first person through Sookie’s eyes. Sookie is a bright, fun character who loves the life she leads – even if she is a little lonely. Every other character in the book stands up too. The mystery elements start slowly and the plot creeps up on you. What I liked best is the originality, vampires and telepaths are nothing new, but the way Harris puts it all together is fresh and fun. I don’t know if I’d continue enjoying the characters in their further adventures, but I enjoyed the heck out of them in this one. I should also mention there is one historical celebrity, never mentioned by name, who turns up in a minor role, that performance alone made the novel worthwhile. It’s hilarious. One heck of a lot of the enjoyment came from the masterful performances by lead reader Christine Marshall. Her southern belle voice is so just much fun, she truly inhabits the role like no other reader I could imagine. But she didn’t do it all alone; she’s assisted by veteran reader, the always enjoyable William Dufris. Dufris shows an even broader range than I’ve ever heard from him before. You’d swear there were half a dozen male actors reading his lines. Sound quality is as good as anything I’ve heard on mp3, this is high bit-rate easy access fun listening in a slick package. Recording levels are high and Paperback Digital has their own introductory music. Track spacing is also good. Together they do an absolutely marvelous job in performing Harris’s sparkling prose. I’d venture to say this is the best novel yet from newly minted audiobook publisher Paperback Digital.

Paperback Digital hired artist Jason B. Parker to do the cover art for each of their novel releases. When I first saw them I wasn’t too impressed with Parker’s covers, but the more I see the more I like them. Either he’s getting better or my tastes are changing! I’ve here reviewed the mp3-cd version this is audiobook, it is also available via download from both Fictionwise.com and the Paperback Digital website. Hardcopies (mp3-cds) come in DVD style cases with insert paper covers, CD-Roms come with disc art. Downloads are slightly less expensive but nearly as easy to load onto an mp3 player. A must listen for any fantasy fan who’s happy to have a little romance thrown in.

Posted by Jesse Willis

Review of Salem’s Lot by Stephen King

Salem’s Lot
By Stephen King; Read by Ron McLarty
11 Cassettes – 17.5 Hours [UNABRIDGED]
Publisher: Simon and Schuster Audio
Published: 2004
ISBN: 0743536959
Themes: / Horror / Vampires / Maine / Small town /

Simon and Schuster recently published this unabridged version of ‘Salem’s Lot, the only appearance of this 1975 Stephen King novel on audio of which I’m aware. This is the second novel published by King, and in my opinion is one of his finest.

Ben Mears, a successful author, returns to the small town of Jerusalem’s Lot to research a book he’s writing. Things get complicated quickly when a man named Barlow moves into town and folks start disappearing. Even more complicated – they start re-appearing. As vampires. As Ben Mears absorbs this fact, he meets the young Mark Petrie, and together they fight Barlow and his growing army.

The characters are the most striking attribute of any Stephen King novel, and this early novel is no exception. The numerous characters breathe with detail, and they all seem like people that I’ve met or could meet today. King lays the small town of Salem’s Lot out for all to see, warts and all, and then commences to destroying it while the reader watches. The actions and fates of the small town characters King has brought to life are where the story lies – not in Barlow himself.

Ron McLarty performs the novel, and does a fine job of it. He handles all the characters with great skill, reading in a clear and often tense manner. As you can probably tell, I really like Salem’s Lot. It’s one of the few novels that I revisit every so often. McLarty treated it well, and I thank him.

Now, I’d love to hear an unabridged audio version of the other two of what I’ve heard called King’s Trinity: one of The Shining, and one of the uncut version of The Stand. I’ll wait patiently…

NOTE: Did anyone catch that recent USA Network TV version of Salem’s Lot? Why the heck did they change so many small details? OK, OK, it’s a different medium, yadda yadda yadda, but wow. They had a perfectly good story to start with. ‘Nuff said. Back to the audio.

Posted by Scott D. Danielson

Review of Legends: Stories from the Masters of Fantasy: Volume 1

SFFaudio Review

Legends: Stories From The Masters of Fantasy: Volume 1 edited by Robert SilverbergLegends: Stories From The Masters of Fantasy: Volume 1
Edited by Robert Silverberg; Read by Frank Muller and Sam Tsoutsouvas
4 Cassettes – Approx. 6 Hours [UNABRIDGED]
Publisher: Harper Audio
Published:
ISBN:
Themes: / Fantasy /

Robert Silverberg, himself a prolific fantasy author, has gathered with this series a collection of the longer novellas by the most popular living fantasy authors. Each of the authors was asked to write a new story based on one of his or her most famous series.

In Volume One there are two novellas. The first belongs to Stephen King and is set in his popular Gunslinger/Dark Tower universe. Silverberg’s contribution is set in his Majipoor universe. An intriguing premise but did it turn out to be any good?

The Dark Tower: The Little Sisters Of Eluria by Stephen King; Read by Frank Muller
Roland of Gilead, badly needs to find a horse doctor. His horse is ailing and won’t last long, but when he comes across a lonely desert town he quickly ends up needing a doctor for himself. Unfortunately, the only medical attention he’s getting comes from a vampire like sisterhood intent on both healing AND bloodletting.

I’ve never been overly fond of Stephen King, I find his writing like his ideas at best mildly interesting and at worst boring. But, being as I’d not tried anything of his work in some time, I was willing to give him another try. This piece seemed ideal. It was supposed to be fantasy, and not pure horror that he’s so well know for. It was also a prequel to a long series that I’d heard good things about (The Dark Tower series). But alas, I was not impressed in the least. While there are interesting elements, the setting is what appears to be a post-apocalyptic cross between the Zane Grey and The Road Warrior, which while not completely original is at least not a setting that has been done to death. Unfortunately the story is very long winded. I normally don’t care for overly long fantasy tales, The Lord of The Rings being a notable exception, but I am in the minority here. Stephen King fans don’t seem to mind a thicker than thick novel. This production of the Little Sisters of Eluria has the benefit of clarity, at all times I knew what was going on, and Frank Muller’s reading was okay, barring his usual difficulty with women’s voices. There are some writers who while not writing in the clearest manner manage to hold your attention by their very ideas. In the case of the Little Sisters Of Eluria, the clear writing and clear production just made the boredom more obvious for me. If you like the Dark Tower series you may enjoy this novella, but I found it a vulgar, mildly gross, hard to finish and ultimately pointless.

Majipoor: The Seventh Shrine by Robert Silverberg; Read by Sam Tsoutsouvas
Majipoor, a planet settled long ago by human colonists, is ruled by Valentine, once Lord Valentine now Pontifax of the whole planet. Valentine and his court entourage are on an expedition to an ancient city where they intend to investigate the murder of archeological team leader.

First let me say I like a lot of Silverberg’s work, some of his short stories are really good, but I’ve found his work very uneven. Being unfamiliar with the Majipoor stories I thought this novella would be a good introduction to Robert Silverberg’s fantasy series. This story though is a murder mystery, set on an alien world full of traditions and history. Silverberg does a fairly good job of bringing newbies like me up to speed, informing us of Pontifax Valentine’s personal history, and the strained species relations between the native Metamorphs (shapeshifting intelligent aliens) and the Human colonists of Majipoor. That being said, the story isn’t at all enthralling, it has a lot of “your majesty this” and “your majesty that” found in some of the more derivative fantasy fiction. The mystery element is unsolvable by the reader, something that I dislike as a general rule. But on the other hand Sam Tsoutsouvas does a good job, saving his different voices only for important plot characters. As with the other story in this audiobook, perhaps it will be more enjoyable for someone who likes the universe in which it is set. I can imagine never listening to another Majipoor story, and the idea doesn’t worry me in the least.

Review of I Am Legend / The Shrinking Man by Richard Matheson

SFFaudio Review

I Am Legend / The Shrinking Man
by Richard Matheson
Read by Walter Lawrence
9 Cassettes – Approx. 12 hours UNABRIDGED
List Price: USD $72.00 – CURRENTLY OOP (out of print)
BOOKS ON TAPE INC.
(February 26, 1992)
ISBN: 0736621474

Read by Walter Lawrence, this double audiobook features two novels by Richard Matheson. Lawrence does a fine job in narrating both, Matheson’s prose is clear and powerful. I highly recommend this audiobook. Unfortunately, finding a copy to listen to may be rather difficult, this unabridged audiobook is out of print, you can try ADDALL.com or eBay, even better check the shelves of your local library.

I Am Legend
“From out of the night came the living dead with one purpose: destroy Robert Neville, the last man on earth. A mysterious plague has swept the planet leaving in its wake this one survivor. But there is still life of a sort–vampires, the strengthless half-dead who press on Neville from every side. He is almost tempted to join them in I AM LEGEND.”


I Am Legend is a vampire story and a psychological story, the hero, Neville, is the last man on Earth. Every night undead and living vampires pelt his suburban Los Angeles home with rocks. Every day he repairs the night’s damage, restocks his supplies, finds ways to keep himself from going mad, and – oh yes – hunts down the vampires and drives wooden stakes through their hearts. The novel jumps back and forth in Neville’s history, between when the plague first hits, killing his wife, to a few months after he the last man alive, to three years later when Neville is resigned to his new life as the last man on Earth. Neville is an everyman with a scientific disposition, when he isn’t killing vampires he’s studying the disease that causes it in the local library. He develops theories, tries to iron out the inconsistencies in it and performs gruesome tests on the vampires. He lives in hopes that maybe he’ll find someone else still alive, or be able to cure one of the still living vampires.

Richard Matheson has a pretty low profile for such a well known writer. I’d heard his name, but never read any of his books before this one. I knew that he been involved with the original “The Twilight Zone” (1959-1965) television series, had written the book that had been turned into the movie The Omega Man (1971) starring Charlton Heston, but had no idea what a great writer he was until I listened to this double audiobook. First let me tell you this, I think I Am Legend is one of the best audiobooks I’ve ever listened to, and I’ve heard hundreds. I won’t spoil the ending, but I’ll tell you this, its revolutionary, thought provoking and satisfying – and as I would find out after listening to The Shrinking Man, its one of Matheson’s on-going ideas.

The Shrinking Man

“It started simply enough in THE SHRINKING MAN. One moment Scott Carey was in the sunlight, the next he was being soaked by a warm, glittering spray. His skin tingled, and soon he began to change, to grow smaller and smaller, until his mere existence was at stake.”

The Shrinking Man is a good story, not a good science fiction story, but a good fable. In fact you probably heard the plot before, or saw the movie based on it, The Incredible Shrinking Man (1957). Scott Carey is shrinking, everyday he loses 1/7th of an inch in height. The doctors don’t know what to make of it, the press loves the story and his family life is falling apart. Everyday Scott keeps shrinking, nothing can stop it, soon he can’t sit in chairs anymore, people on the street mistake him for a child, treat him as a child. He becomes a resentful, unable to do anything for himself he must depend upon his wife, his brother and eventually his own daughter, who now towers over him, for everything. At one point his own cat becomes dangerous to him. Scott is utterly alone and overtime he begins to cope with his diminutive height a new danger confronts him.

There are many frightening scenes in this novel, most notably a battle with a black widow spider that towers over our hero. There are poignant scenes, a visit to Mrs. Tom Thumb at the circus, a woman as short as he who lives in a doll house and to who being tiny is the only thing she’s ever known. There are also disturbing scenes, teenage toughs beat up and tease what they assume to be a child, and in perhaps the most disturbing scene Scott becomes the target of a drunken pedophile! But the novel is only surfically a science fiction story, and Matheson seems resigned only to the barest of explanations for what is happening to Scott. We’re told that it must have been an exposure to a concentrated insecticide that is causing the shrinkage, that the nitrogen is going out of Scott’s body at a regular rate. But as any student of subtraction knows a constant loss of 1/7th of an inch a day will eventually result in no height at all.

Pulp Cover images:
I Am Legend By Richard Matheson © 1954 Gold Medal Books
The Shrinking Man By Richard Matheson © 1956 Gold Medal Books