Review of Already Dead by Charlie Huston

SFFaudio Review

Science Fiction Audiobook - Already Dead by Charlie HustonAlready Dead
By Charlie Huston; Read by Scott Brick
8 CDs – 9 hours – [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2008
ISBN: 9781433235795
Themes: / Horror / Hard-boiled / Detective / noir / Vampires / Zombies /

I lent this audiobook to a friend. Later, listening to me waxing enthusiastic over the book, he said in a dubious tone, “That’s the book where the zombies and vampires are fighting?”

Hardly.

It is true that vampirism is a key element of detective Joe Pitt’s character as practically everything he does entails watchful details to stay alive and undetected for what he is. Already Dead is, first and foremost, heart and soul, a hard-boiled detective novel. One might be forgiven for thinking that Charlie Huston is merely another author taking advantage of the recent trend featuring vampires as key characters in fiction. However, they would be dead wrong. What becomes very clear is that Huston is taking advantage of this fantastical setting to examine good versus evil, rising to humanity versus sinking to the level of animals, the societal urge to define oneself by the group one joins, and, of course, what constitutes true love. It is no surprise then to find that some of the greatest intentional evil is perpetrated not by vampires but by mere human beings. All of these themes are set forth for us in crackling dialogue that hearkens back to the best of Raymond Chandler and Billy Wilder, who one is irresistibly reminded co-wrote the screenplay for the film-noir classic Double Indemnity. In fact, a scene toward the end of the book between Joe and his girlfriend Evie is a noir-style dialogue masterpiece that sends thrills through the listener and that would not be out of place in that movie.

The nub of the story is that Joe Pitt is hired to track down the runaway teenage daughter of a wealthy couple. He delves deeper into the case and increasingly complex and sordid details come to light. Naturally, this is set against a background of New York City vampirism which is the result of catching a virus. The zombies also are the result of a virus, albeit quite a different one which robs the victim of any brain power and leaves them with an insatiable urge for human flesh. It is through tracking down a zombie in order to dispose of it before regular human attention is drawn to the existence of various virus-challenged individuals that Joe is drawn into the case. A loner, Joe must walk a careful line between the Coalition, the Enclave, and various other gang-like power brokerages that exist in vampire society, all of which are interested in some aspect of the investigation. Joe’s girlfriend, Evie, is a regular human infected with HIV, who knows nothing about Joe’s infection. The mutual affection and the need between two such lonely people makes an interesting contrast when one considers Joe’s virus is keeping him alive while Evie’s will eventually kill her.

I have read descriptions comparing Huston to Elmore Leonard and that didn’t ring true until considering The Society, which always made me giggle. (Yes, giggle. Deal with it.) The Society is made up of progressive vampires who are committed to diversity and look forward to the day when vampires are accepted in society as merely another minority. Joe occasionally winds up in their custody and the scraps of conversation he overhears before they realize he is conscious are always humorous. Consider the fact that zombies are termed “Victims of Zombification” as per The Society vote. All conversation halts when someone mistakenly uses the politically incorrect “zombie” until they can be patiently corrected. Extremely Elmore Leonard-esque indeed.

I originally checked the hardback out of the library but it failed to hold my interest for reasons I cannot now remember. However, the narrative fairly blazes alive the second one hears the world-weary Joe Pitt voiced by Scott Brick. My admiration grew as a suave mob boss, The Society leader Terry exhorting Joe to “be cool,” a loving mother who is nonetheless a lush, and a host of other characters all sprang instantly to life with subtle but masterful voicing. I didn’t realize the narrator was the well-known Brick, whose occasional blogging and podcasting I have followed with interest. Listening to this book I realized how skillful he is at his trade. I’m now a fan, not only of author Charlie Huston, but also of Scott Brick.

Highly recommended.

Warning: The language and situations are explicit although not to an unnecessary degree in most cases. This is a modern, gritty novel and listener discretion is advised.

Posted by Julie D.

Review of Fangland by John Marks

SFFaudio Review

Science Fiction Audiobook - Fangland by John MarksFangland
By John Marks; Read by Ellen Archer and others
10 CDs – Approx. 12.5 Hours [UNABRIDGED]
Publisher: Tantor Audio
Published: 2007
ISBN: 1400103592
Themes: / Horror / Fantasy / Vampires / Romania / New York / Television /

In the annals of business trips gone horribly wrong, Evangeline Harker’s journey to Romania on behalf of her employer, the popular television newsmagazine The Hour, deserves pride of place. Sent to Transylvania to scout out a possible story on a notorious Eastern European crime boss named Ion Torgu, she has found the true nature of Torgu’s activities to be far more monstrous than anything her young journalist’s mind could have imagined. The fact that her employer clearly won’t get the segment it was hoping for is soon the very least of her concerns.

Authors are supposed to write what they know. If John Marks is writing what he knows there’s one hell of a story that 60 Minutes never aired. As a former producer for that show Marks brings what feels like a pure authenticity to all the scenes revolving around the New York office politics and what it takes to make a show like 60 Minutes. Those office characters really do feel like those craggy faced reporters we’ve seen on 60 Minutes all these decades. And if for nothing nothing else, this makes Fangland a unique experience.

The plot should be very familiar to most, it’s a fairly faithful retelling of Bram Stoker’s Dracula. Differences being that Fangland is set in the modern day, a post-9/11 New York and a post-Soviet Romania. Like the original novel Fangland is told in epistolary form. That is, its chapters are entire emails, letters or notes, written by witnesses recalling recent events. But, at the novels culmination Marks breaks out of letter writing. The transition isn’t too jarring. Making the Jonathan Harker character female adds a new flavor to the flow. I can’t say as how the paperbook was received, but with this audio version, we get four terrific readers. This is a well selected cast of familiar Tantor voices. Ellen Archer predominates, as she voices Evangeline. She’s sympathetic, a little naive, but a confident modern woman confronted by a terror from Transylvania’s ancient past. Todd McLaren, Michael Prichard, and Simon Vance then take turns playing her 60 Minutes The Hour producers, other on-air reporters, a concerned father, the fiance and more. The novel runs a little too long, mostly in the middle. In terms of pay-offs though, the only thing this novel didn’t deliver on was an Andy Rooney (or equivilent) column at the end. I kept expecting Andy to show up and start telling us what bugs him about ‘being undead’ or some such.

This is not a classic, but if you dig vampires, Stoker’s Dracula, or Horror fiction that doesn’t come out of a modern horror tradition, you’ll quite dig Fangland. I’d stake my reputation in it.

Posted by Jesse Willis

Carpe Jugulum at Forgotten Classics

SFFaudio Online Audio

Forgotten Classics PodcastHi everyone! Jesse very kindly has invited me to do occasional reviews here. I am really looking forward to this as I am a longtime SFF Audio fan.

By way of introduction, I invite you to pick up the latest bit of lagniappe (a little something extra) at my podcast. This is a favorite bit of Terry Pratchett’s Carpe Jugulum which means that it includes, of course, vampires. Here is the |MP3|.

Or get the feed for the podcast:

http://feeds.feedburner.com/forgottenclassics

Posted by Julie D.

This just in from the future… Dick Dynamo self destructs ?!?!

SFFaudio Online Audio

Dick DynamoHoly wazzengas! The latest Dick Dynamo: The 5th Dimensional Man show (show #5) starts off normal, then turns into an absolute train-wreck!! It appears the show is ending. The DD team has broken up (?). Jon Baker tells why the show is ending (?) in this, the last (?) podcast.

I am saddened.

On the other hand, this is probably one of the more original endings (?) for a show you’ll ever hear. I loved the poem. Have a listen to the final (?) show |MP3|. And normally I’d suggest you subscribe to the podcast, but what’d be the point? Anyway I guess that’s still here:

http://dickdynamo.libsyn.com/rss

Posted by Jesse Willis

P.S. This new “tech man” show – it sounds kind of kewl.

P.P.S. J.C. is so totally a Yoko Ono.

P.P.P.S. Is it just me or does Deck Rhynamo sound exactly like Decoder Ring Theatre’s Deck Gibson?

Review of I Am Legend and Other Stories by Richard Matheson

SFFaudio Review

Science Fiction Audiobook - I Am Legend by Richard MathesonI Am Legend
By Richard Matheson; Read by Robertson Dean and Yuri Rasovsky
10 CDs – Approx. 11 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2007
ISBN: 9781433203299
Themes: / Science Fiction / Horror / Vampires / Noir / Science /

“Come out Neville!”

Would it be fair to say that I Am Legend is one of the greatest novels of the 20th century? No, I personally wouldn’t argue that. I’d argue that instead it is one of the greatest novels of all time. The very first review on SFFaudio was an out of print audiobook from Books On Tape. I bought it on eBay in 2003, I haven’t seen it for sale since. It was a “double novel” audiobook entitled I Am Legend / The Shrinking Man two of Richard Matheson most famous works. As I said in that review, “I Am Legend is one of the best audiobooks I’ve ever listened to.” That same recommendation goes for this edition. The novel alone is worth killing for. If you’re a fan of Matheson, the included short story collection is a bonus.

I Am Legend is a classic vampire story with the standard man against nature, man against himself themes. It is the psychological journey, of Robert Neville, is the very last man on Earth. Every night male vampires pelt his suburban Los Angeles home with rocks and the female vampires expose their nakedness to him – these, his former neighbors – lust for his blood. During daylight hours, Neville repairs the damage to his home, restocks his larder, and his bar, with canned foods, and whiskey. He needs the whiskey, for his other tasks are to suppress the lustful desires he has. He has a deadly lonliness within him. He’s found the only way to keep himself from going mad is to keep busy, drink heavily and try not to think about what’s happening outside his home at night. Since the plague hit, and his wife died, Neville has had to learn the lathe, for turning stakes, and become a microbiologist – he’s used all sorts of techniques to keep the vampires at bay – and he’s curious as to why some work and some don’t. Garlic works, but mirrors don’t. Holy water doesn’t, but crosses do, at least sometimes. It’s enough of a puzzle to turn an everyman into an experimental scientist – and that journey of science, and the lessons of about the world Neville learns along the way are rewarded in what I can only describe as the best ending to a novel ever.

Some will argue that I Am Legend is one of the greatest novels of the 20th century. I’d argue that it is one of the greatest novels of all time. But that said, I’d still argue that Richard Matheson is a very limited writer. He can’t seem to tell more than one kind of story. As I learned from the ten short stories that round out the later discs of this audiobook, (and my previous experience reading The Shrinking Man), breadth of storytelling is not Matheson’s strength. His strength in I Am Legend is the perfect storm of the “psychology,” “science fiction”, and “noir.” In his other works Matheson doesn’t hold all three, (or any other two) in such a perfect molecular bond. The elements that make up I Am Legend play-out absolutely perfectly. But in the later horror stories of this collection, written between the early 1950s and the late 1980s the psychological element is always present, but that’s about all. Stories included are:

Buried Talents,” “The Near Departed,” “Prey,” “Witch War,” “Dance of the Dead,” “Dress of White Silk,” “Mad House,” “The Funeral,” “From Shadowed Places,” “Person to Person.”

The premises in these tales are all drowned out by the continuing theme of ‘solitary psychology’, repetitions of ‘solitude and isolation’ in everymen, becomes wearisome and frankly boring. I found my mind wandering off in nearly every short story. None held my attention very well. There was one story about a house haunted by an angry writer “Mad House“, and that was an interesting premise, but it didn’t pay off. Another, about an everyman’s visit to a witch-doctor sounded interesting, but then it made me sleepy. The final story in the collection, “Person To Person,” started off very promisingly. An everyman is woken up by a telephone ringing late at night. But the ringing doesn’t stop when he picks up the phone. He consults doctors about this ringing, found only in his head, but there is no medical reason why it should happen. Soon thereafter, a psychiatrist suggest he try to stop the ringing by visualizing the act of answering a phone in his head. Lo and behold this works, and on the other end of the line is a man claiming to be from a top secret government agency! They are conducting telepathy trials – or at least that’s what the voice says. Unfortunately, the premise then is completely overwhelmed by that same recurrent theme: Psychology, psychology, psychology. Is the man crazy? Is it a mad scientist? Sadly you won’t care. These stories all disappoint. As a booster of short fiction I find myself surprised to be writing this – just forget about these short stories, the novel alone will provide more than enough value. But on the other hand, fans of Matheson’s short work should take note that the short stories are not included in the audible.com and iTunes versions. All ten short stories are exclusive to the CD and MP3-CD hard copies available through Blackstone Audiobooks.

Narrators Robertson Dean and Yuri Rasovsky split duty on this collection. Dean reads the novel and Rasovsky the short stories. Dean has a deep voice, and paints effective emotion in what is essentially a straight reading. I think I still prefer Walter Lawrence’s version (out of print) but this is a good reading. Rasovsky, on the other hand, injects a ferocity into the emotions of Matheson’s characters, his voice is raspy, almost scarred. Unfortunately the stories were not engaging, this despite Rasovsky’s best efforts. Blackstone has outfitted the audiobook with a dark out of focus cover that depicts a silhouette of a man walking a lonely street in the big city. Meh. Finally, I saw the latest movie version recently, I had low expectations so I was happy to see it was pretty good. I bring this up because, I think it important to note that the “Legend” of Robert Neville is a legend for an entirely different group in the book than in this film version. That is to say, if you only watched the movie, listen to the novel – it has a big surprise in store.

Posted by Jesse Willis

A plethora of pleasures from BBC7

OnlineAudio

BBC 7's The 7th DimensionThe next will be one of the busiest weeks ever heard on BBC7, with dramatizations and readings galore! Thankfully, all will be available through the BBC7 ‘listen again’ service. There are two novels by John Wyndham, a vintage Sherlock Holmes vs. vampire story (there have been severals by many hands over the years) as well as a rebroadcast of a popular new original drama (fans of which will be pleased to hear that a second series is set to air in early 2008)…

Undone
By Ben Moor; Performed by a full cast
5 Broadcast (5 Episodes) – [RADIO DRAMA]
Broadcaster: BBC7 / The 7th Dimension
Broadcast: Sundays at 6pm and midnight (for 5 weeks)
Edna Turner has just moved to London to work on a listings magazine and is naturally excited. Her boss is the friendly Carlo and while her bedsit isn’t exactly a palace, she gets down to work. An encounter at a music club with the strange Tankerton Slopes leads her to travel to the bizarre parallel city of “Undone” and a mission to send radical TV developer Marlboro Fagpacket back home. Read more about Undone on Ben Moor’s site.

A “gripping dramatisation by John Constable”, first broadcast in 1998 airs this Saturday…

Radio Drama - BBC7 - ChockyChocky
Based on the novel by John Wyndham; Performed by a full cast
1 Broadcast – 90 Minutes [RADIO DRAMA]
Broadcaster: BBC7
Broadcast: Saturday @ 12pm (rerun @ 1am) UK Time
Many children have imaginary friends but one father becomes rather concerned that his son, Matthew, is a bit old to have one. His concerns deepen as his son becomes increasingly distressed and blames it on arguments with this unseen companion. As the story unfolds, it becomes clear that the friend is far from imaginary, but is an alien consciousness residing inside Matthew’s mind—a fact that is of intense interest to shadowy government forces.

First broadcast on Saturday Night Theatre back in 1981…

Sherlock Holmes vs. Dracula (AKA The Case of the Sanguinary Count)
Based on a novel by Loren D. Estleman; Performed by a full cast
1 Broadcast – [RADIO DRAMA]
Broadcaster: BBC7
Broadcast: Sunday at 10am and 8pm
Doctor Watson’s account of how the great detective Sherlock Holmes battled the evil forces of Count Dracula.

A “chilling” 1982 production that first aired on BBC Radio World Service…

Radio Drama - BBC7 - The Midwich CuckoosThe Midwich Cuckoos
Based on the novel by John Wyndham; Performed by a full cast
3 Parts – [RADIO DRAMA]
Broadcaster: BBC7 / The 7th Dimension
Broadcast: Wednesday – Friday at 6pm and midnight
Another alien impregnation theme – but this is where it all started – a sleepy English village may be the birthplace for the end of the world.

A season of four tales from around the world exploring the weird and the wonderful, first broadcast as a special commission on BBC 7 earlier this year…

Fantastic Tales – Hell Screen
By Ryunosuke Akutagawa; Read by Togo Igawa
2 Parts – [UNABRIDGED?]
Broadcaster: BBC7 / The 7th Dimension
Broadcast: Monday – Tuesday at 6.30pm and 12.30am
A horror story set in medieval Japan in which a powerful Lord clashes with an arrogant painter, leading to tragedy.

Fantastic Tales – Alarm Clock On The Night Table
By Zoran Zivkovic; Read by Anna Massey
1 Broadcast – [UNABRIDGED?]
Broadcaster: BBC7 / The 7th Dimension
Broadcast: Wednesday at 6.30pm and 12.30am
An unusual occurrence forces an elderly woman to confront a tragedy from her past.

Fantastic Tales – The White People
By Arthur Machen; Read by Ioan Meredith and Louise Collins
1 Broadcast – [UNABRIDGED?]
Broadcaster: BBC7 / The 7th Dimension
Broadcast: Thursday at 6.30pm and 12.30am
An intriguing tale which explores the nature of good and evil and the origins of sin.

Fantastic Tales – Delhi
By Vandana Singh; Read by Shiv Grewal
1 Broadcast – [UNABRIDGED?]
Broadcaster: BBC7 / The 7th Dimension
Broadcast: Friday at 6.30pm and 12.30am
A man living in present-day Delhi is haunted by visions of the city as it was in the past and how it will be in the future.

Posted by Jesse Willis