Review of Widow’s Web by Jennifer Estep

SFFaudio Review

Widow's WebWidow’s Web (Elemental Assassin #7)
By Jennifer Estep; Performed by Lauren Fortgang
Publisher: Brilliance Audio; Audible 2012
[UNABRIDGED] – 9 discs; 10 hours, 43 minutes

Themes: / urban fantasy / assassin / southern / casinos / romance /

Publisher summary:

I used to murder people for money, but lately it’s become more of a survival technique. Once an assassin, always an assassin. So much for being plain old Gin Blanco. With every lowlife in Ashland gunning for me, I don’t need another problem, but a new one has come to town anyway. Salina might seem like a sweet Southern belle, but she’s really a dangerous enemy whose water elemental magic can go head-to-head with my own Ice and Stone power. Salina also has an intimate history with my lover, Owen Grayson, and now that she’s back, she thinks he’s hers for the taking. Salina’s playing a mysterious game that involves a shady local casino owner with a surprising connection to Owen. But they call me the Spider for a reason. I’m going to untangle her deadly scheme, even if it leaves my love affair hanging by a thread.

In this episode of Gin Blanco’s life, things are going well since her return to Ashland. Then one night after an especially nice dinner Owen and Gin run into Selena, Owen’s ex that he may or may not have gotten over. Selena is more than what meets the eye – so Gin is worried about her relationship with Owen, we have a new character who maybe setting the spider up or maybe he is a friend and in the middle of everything Eva asks Gin to do something where the stakes are almost to high.

I seem to have a love hate relationship with this series. The issue I have in most of these books is Gin is like the worst assassin ever yet she seems to think she is the best. I just want her for once to be able to kill someone without getting her butt handed to her. When we left Gin last time she was emotionally strong and I loved it. In this book she is back to being whiny and insecure. The other challenge in this book was with Owen normally he is much more decisive but this time the rose colored glasses just felt like to much.

The best thing about this book is the introduction to a few new characters. I also loved the beginning and Gins planned attack it was nice to see her with a plan!! I am also enjoying the dream sequences that Gin seems to be having in the past few books, I wonder if she or we will figure out why all these dreams now and what they mean in total not just as lessons she needs to remember to deal with the situation at hand. I was also impressed with Eva, I have always liked her as a character so it is good to see her growing up – but um the romantic factor there is very very ICKY!!

I listened to this version on audio and the reader is the lovely Lauren Fortgang. I really enjoy the voices she gives to the characters it is like the perfect amount of southern charm.

Posted by Dawn V.

Review of Gameboard of the Gods by Richelle Mead

SFFaudio Review

Gameboard of the GodsGameboard of the Gods (Age of X #1)
By Richelle Mead; Read by Emily Shaffer
Publisher: Penguin Audio
Publication Date: June 2013
[UNABRIDGED] – 16 hours

Themes: / urban fantasy / ritualistic murder / military /

Publisher summary:

In a futuristic world nearly destroyed by religious extremists, Justin March lives in exile after failing in his job as an investigator of religious groups and supernatural claims. But Justin is given a second chance when Mae Koskinen comes to bring him back to the Republic of United North America (RUNA). Raised in an aristocratic caste, Mae is now a member of the military’s most elite and terrifying tier, a soldier with enhanced reflexes and skills.

When Justin and Mae are assigned to work together to solve a string of ritualistic murders, they soon realize that their discoveries have exposed them to terrible danger. As their investigation races forward, unknown enemies and powers greater than they can imagine are gathering in the shadows, ready to reclaim the world in which humans are merely game pieces on their board.

I listened to Gameboard of the Gods on audio and to me it feels more like science fiction than urban fantasy. The book is a bit hard to review because it kind of evolves as you go a long and I would not want to spoil it for anyone.

The story takes place in the RUNA (Republic of North America) think a future country that is a unified Canada and USA. Dr. Justin March was a servitor who has been exiled to Panama, his citizenship has been taken from him and emotionally he is barely surviving life. Back in the RUNA there is a serial killer who likes to kill on the full moon. Other servitors have been unsuccessful in solving the crimes. Out of desperation Justin’s old employers have come to Panama with Mae and elite soldier with the RUNA to find and bring Justin back to the RUNA with the hope of getting the murders solved. Justin is dying to come home but he decides to get as much out of the deal as possible and he ends up bringing his friends daughter home with him so she can have the chance at a better education. But things don’t go as planned and Justin and Mae find themselves in an almost hopeless situation.

The story is told from three points of view, Justin, Mae and Tessa. Justin and Tessa make total sense you get a feel for two very different sides of the world and you also find out how similar they actually are to one another. I liked both Justin and Mae. Mae is a beautiful killer yet she is still a sensitive soul despite her upbringing – Justin on the other hand is crazy smart, his mind is continuously working so he uses drugs and alcohol to cope and to relax. I did not care for his comfort in using people to meet his ends especially with women and sex. Tessa on the other hand feels like an afterthought – I did like her character but she did not add much to the plot but perhaps in future books she will do something.

A major challenge with this book is you really do not know what is going on until you are about halfway in. Like it took me forever to figure out what the is a servitor?? It took a bit longer to figure out Horatio and Magnus. SO while it works because it made me curious it was also annoying because I never found answers to some questions like what happened to cause the government to sanction religion?? While I would classify this book as sci-fi the world is clearly challenged with technology – so we have a car that can drive itself and a tablet that does it all but other than that it feels kind of like life here in the old USA which rather sucks for sci-fi. Last but not least I would have liked a bit more mythology – we get a glimpse of them with various cults but I think it could have made for an even better story.

As I mentioned I listened to this book on audio, for me a narrator can make or break a book. Emily Shaffer was not a terrible narrator but I do not think she was the best person for this book. Reading a book with so many POV’s means she should have sounded different but to me she always sounds the same. Justin and Mae are rather hardened people they hide who they are from everyone all the time but Emily made them sound so chipper and curious which for me was the opposite of how they were described. My issues with the narration and the lack of world building information made this a slow going audio book.

The book totally has challenges but in the end I still enjoyed the story and I am looking forward to the next one in the series.

Posted by Dawn V.

Review of Carniepunk

SFFaudio Review

CarniepunkCarniepunk
By Rachel Caine, Rob Thurman, Kevin Hearne, Seanan McGuire, Jennifer Estep, Allison Pang, Kelly Gay, Delilah S. Dawson and Kelly Meding
Narrated by Candace Thaxton and Kirby Heyborne
Publisher: Simon & Schuster Audio
Publication Date: 23 July 2013
[UNABRIDGED] – 14 hours
Themes: / carnivals / urban fantasy / paranormal romance / mind-readers / synaesthesia / imprisoned goddesses / mermaids / short stories / tie-ins /
Publisher summary:
Come one, come all! The Carniepunk Midway promises you every thrill and chill a traveling carnival can provide. But fear not! Urban fantasy’s biggest stars are here to guide you through this strange and dangerous world. . . .

RACHEL CAINE’s vampires aren’t child’s play, as a naïve teen discovers when her heart leads her far, far astray in “The Cold Girl.” With “Parlor Tricks,” JENNIFER ESTEP pits Gin Blanco, the Elemental Assassin, against the Wheel of Death and some dangerously creepy clowns. SEANAN McGUIRE narrates a poignant, ethereal tale of a mysterious carnival that returns to a dangerous town after twenty years in “Daughter of the Midway, the Mermaid, and the Open, Lonely Sea.” KEVIN HEARNE’s Iron Druid and his wisecracking Irish wolfhound discover in “The Demon Barker of Wheat Street” that the impossibly wholesome sounding Kansas Wheat Festival is actually not a healthy place to hang out. With an eerie, unpredictable twist, ROB THURMAN reveals the fate of a psychopath stalking two young carnies in “Painted Love.”

This was a short story collection with urban fantasy, paranormal romance, and carnival themes. On the whole, the book was fairly average. There were some fantastic stories and there were some terrible stories. I’ve reviewed each story individually, below. The narration was mostly done by Candace Thaxton, though Kirby Heyborne narrated a few including “Painted Love” and “The Demon Barker of Wheat Street.” All in all, I found Thaxton’s narration preferable to Heyborne’s, but that might have been because I liked more of the stories she narrated than Heyborne. Heyborne’s narration bordered on creepy, and while it fit the genre/story, it also made me kind of uncomfortable. In honesty, I’m not sure I can recommend this book unless someone is looking for a specific short story from one of the authors. There were a few stories that I read that I’m now interested in the world, but most were either very average or downright terrible. This is also not a book for younger readers–some of the stories are quite graphic, mostly sexually. So if you want the book, be warned that it’s probably not “good family listening.”

Stories:
“Painted Love” by Rob Thurman. A creepy tale of a carnival manager and his killer tendencies, seen through the eyes of a demon that escaped from Hell. The demon, called “Doodle,” wants to see the world and so latches onto people as he makes his way around, seeing people of all types. Unexpectedly, Doodle finds that he’s awed by the strength of the psychic at the carnival–and steps in when Bart, the manager, tries to kill her and rape her sister. It was an interesting idea, made all the more creepy by the narrator’s voice. Unfortunately, most of the story was character development of the members of the carnival; the actual meat of the story felt like it was fairly rushed.

“The Three Lives of Lydia” by Delilah S. Dawson. I believe this was said to be a story of “Blud,” though I haven’t read any of Dawson’s work to have familiarity with the story or the characters. This was a sad story of a girl who woke up on the outskirts of a carnival in a different world, a world called “Sang.” The girl, Lydia, is a “stranger” in the world, a transient. She falls in (and in love?) with a vampire, and takes a job at the carnival. Unfortunately, she’s also stalked by some of the less-nice members of the carnival, and skates the line between her waking life and the life in her “dream.” While this was a sad story and somewhat predictable, I actually kind of liked it. I think I might want to read more in this world, if it’s more of the carnival “dream” world.

“The Demon Barker of Wheat Street” by Kevin Hearne. A story from the world of The Iron Druid Chronicles, therefore starring the Druid Atticus O’Sullivan, his Irish wolfound, and his student Granwael (spelled wrong I’m sure). This is supposed to take place a few years after the events in Tricked, which I haven’t read yet (I’ve only read the first book in the series, Hounded). This time, Atticus and Granwael decide to go into a “freak show” in a carnival and find something much more sinister than a typical carnival freak show. It results in a battle with some ghouls, as might be expected. Just like Hounded, this story is pretty light but entertaining enough with a good bit of action, if slightly formulaic.

“The Sweeter the Juice” by Mark Henry. A terrible and disgusting story about a transvestite looking for a new street drug to help pay off her debt at a sex change clinic. This story had a lot of unnecessary detail. It was also needlessly disgusting. I regretted eating while listening. If I could give negative stars, this story would get them.

“The Werewife” by Jaye Wells. Be careful what you wish for, even if it’s only in the darkest recesses of your mind. That goes double when you’re at a carnival with a freak show run by someone who can read minds. A story, as you might guess from the title, about a man and his werewolf-wife. The ending in this was almost “happy” and the story didn’t go where I thought it would. It was a welcome relief after the last story.

“The Cold Girl” by Rachel Caine. A short story in the vein of Twilight, down to the emo teenager “in love.” This particular emo teenager’s boyfriend turns out to be a murderer and she looks to be his next victim. She’s warned by a psychic at the carnival, but is also told that there is nothing she can do, and that she will meet The Cold Girl soon. This was utter rubbish. I suppose that if you liked the Twilight series, you might like this, but the truth is, the Twilight series did terrible things for a wonderful genre, the least of which was inflicting further crap like this on unsuspecting readers.

“A Duet with Darkness” by Allison Pang. This story is listed by Goodreads as “book 0.5” in the Abby Sinclair series. I’ve never read the series, but I do like the idea of music and synaesthesia as a tie to the magical world. In this story, Melanie is a violinist tied to a fallen angel, Numo (the description of whom reminds me of Sephiroth from Final Fantasy VII a bit). She is insanely talented and her pride gets the best of her while at a gig she “duels” (plays violin with/against) someone who is better than her. Her opponent turns out to be the Devil’s violinist. This story was a bit heavy on introduction of characters that didn’t seem to matter much for this story (but probably makes sense for the larger world context). I may have to give this series a go.

“Recession of the Divine” by  Hillary Jacques. Can you imprison a goddess? What happens if you try? This story attempts to answer that as Mnemosyne (Goddess of Memory, a Titan) has renounced her Olympian ways and (in this century) is a loss specialist for an insurance company. She ends up at a carnival which has had a string of accidents. She finds that there is much more than meets the eye as one of the carnival members is using other divine techniques to have his way about things–including wooing/luring customers. Realizing what Olivia (Mnemosyne) is, he tries to use her abilities as a part of the show…and that may just be his undoing.

“Parlor tricks” by Jennifer Estep. This is an Elemental Assassin short story, another series I haven’t read but might look into based on this short story. This time, a girl goes missing while at a carnival and “The Spider” and her sister (a police detective) go there to search for her. What they uncover is a fairly typical trope in fantasy, but that doesn’t stop this story from being pretty good. One other thing that I really liked that not many of the stories in this collection have done well is that it only gave us detail we needed. Too many of the other stories in this collection have a lot of detail that is irrelevant to the story. The detail would be needed for a full-length novel or maybe even a novella…but not for the short story. So, in addition to enjoying this story, I have to give Estep credit for the focus in the story.

“Freak House” by Kelly Meding. Another concise story, and another one I was surprised to enjoy. This time, it’s a story of a daughter trying to find her kidnapped father. The twist? Well…how does one exactly kidnap a djinn to start with, and how does one rescue the djinn from whoever was powerful enough to kidnap him in the first place? Shiloh, half-djinn, teams up with a werewolf and a human to do just that…the narration said this was a “Strays” short story, but I can’t find any reference to that series on GR or on Meding’s website. Either way, it was another story, just enough detail without going overboard.

“The Inside Man” by Nicole Peeler. After a few strong stories, I guess I can’t complain too much when this one was not nearly as strong–or as interesting. The concept was interesting: a soul-stealer and those trying to fight against him, to reclaim the souls. The execution, though, was boring. I routinely found myself getting distracted during this story in the Jane True universe.

“A Chance in Hell” by Jackie Kessler. A story that starts and ends with gratuitous sex scenes, this one was also pretty boring. Jezebel used to be a succubus, but she has escaped hell and is living “topside” as a human, getting trained in the ways of being human by her roommates. One of her roommates, Cecilia, wants to go to a carnival, to show her a new view of humanity. What Cecilia doesn’t know, can’t know, is that this carnival is run by a powerful demon. A story in the Hell on Earth series, it was another that was predictably un-entertaining.

“Hell’s Menagerie” by Kelly Gay. At its crux, a story about a girl and her dog with some coming of age thrown in for good measure. This story is from the Charlie Madigan world, though from reading the description of the books in that series, I think it’s just set in the same world, not necessarily with the same character. In this story, Emma travels with her hellhound, Brim, to Charbydon to rescue Brim’s puppies and their mother. They track them to a menagerie and are forced to make the decision to trade Brim for the pups. Now on a mission to rescue Brim, Emma realizes she has some special powers, powers that extend above and beyond her connection with Brim. This story was cute, if predictable. Really, how can anybody not like a story with hellhounds?

“Daughter of the Midway, the Mermaid, and the Open, Lonely Sea” by Seanan McGuire. I don’t really know what to make of this story. It wasn’t bad…but I’m not sure I “got” it. There didn’t seem to be much real story…it was about a young woman who was part (or entirely) mermaid, visiting with a traveling carnival the city where her mother (also mermaid) was found (and subsequently joined the traveling carnival). There is a lot of discussion of a “possible” problem but the actual action was only in the last 10 minutes or so of the 45-minute story…and even then, it was pretty mundane. I haven’t read any of Seanan McGuire’s (or her alter ego, Mira Grant) works, and I’m not sure that this enticed me to do so. I wonder how similar this story is to others she’s written.

Posted by terpkristin.

Review of Through the Door by Jodi McIssac

SFFaudio Review

Through the DoorThrough the Door (The Thin Veil #1)
By Jodi McIssac; Performed by Kate Rudd
Publisher: Brilliance Audio
Publication Date: 23 April 2013
[UNABRIDGED] – 10 hours

Themes: / Celtic mythology / faerie / motherhood / urban fantasy /

Publisher summary:

Single mom Cedar McLeod leads an ordinary but lonely life, balancing the demands of her career and her six-year-old daughter, Eden. One day, a fight between the two leads to the stunning discovery that Eden can open portals to anywhere she imagines. But before they can learn more about Eden’s extraordinary gift, the young girl mysteriously disappears. Desperate to find answers and her daughter, Cedar seeks out Eden’s father, who left before Eden was born. What she discovers challenges everything she’s ever known about the world around her: Magic is real — and mythical beings from an ancient world will stop at nothing to possess Eden’s abilities. Now, Cedar may have to put her faith in all of them if she hopes to save her daughter’s life. The first in the Thin Veil series, Through the Door is a pulse-pounding adventure that takes listeners across the globe and into the ancient realm of Celtic myths, where the stakes are high and only the deepest love will survive.

Through the Door has an unusual protagonist – a single mother. Cedar is raising her daughter, Eden, with the sometimes critical help of her mother, Maeve. Eden’s father, Finn, left before he even knew Cedar was pregnant. The story follows Cedar’s trials, beginning with the day Eden opens a door and finds not her bedroom, but Egypt.

I was very excited to get this audiobook, as I love Celtic mythology, but I found myself passing on chances to listen to it. I think some of the repeated uses of the Celtic words threw me out of the story a little, and the plot dragged in the beginning and end. Cedar was very refreshing. She was flawed and complicated, and felt like a real person who sometimes make mistakes. Eden acted like a strong little girl, and Maeve seemed like someone’s mother who didn’t approve of all of her choices. It was well-written, and I could tell the author was trying to cover all her bases, but that attention to detail slowed down the action too much. I will definitely be picking up her next book, so I would recommend this to anyone looking for a novel dealing with modern fae, wonderfully drawn characters, and unexpected protagonists.

The narrator is to be commended for her pronunciation of many Celtic words and her clear, emotive work throughout the story. Each disk had a short bit of music to smooth the transition, and the first few sentences from the previous track were repeated before continuing on.

Posted by Sarah R.

The SFFaudio Podcast #229 – NEW RELEASES/RECENT ARRIVALS

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #229 – Jesse, Jenny, Tamahome, and Paul Weimer talk about NEW RELEASES and RECENT ARRIVALS.

Talked about on today’s show:
Tam is back, Haruki Murakami, Kafka On The Shore, magic realism, Japan, kafkaesque, surrealism, 1Q84, The Wind-Up Bird Chronicle, pretty books, Chip Kidd, rice paper, Requiem by Ken Scholes, Julie Davis, Tor, magic staff, earth in the future, The Steel Remains, “oh crap this is the future”, Gene Wolfe, Happy Hour In Hell by Tad Williams, Bobby Dollar, The Dirty Streets Of Heaven, urban fantasy, demoness tangling, Lankhmar, urban fantasy => a certain kind of fantasy, noir/detective => hardboiled, Otherland, Luke Burrage, cats, “the Walter Jon Williams effect”, MaddAddam by Margaret Atwood, mostly dystopian, Oryx and Crake, quasi-humans, The Year Of The Flood, genetic engineering, racoon-pigs, storytelling mode, listening at 2X speed, competitive debate, Margaret Atwood’s preview of a review of Doctor Sleep by Stephen King, a sequel to The Shining, Atwood’s weakness for horror and terror, “because he’s Stephen King”, Will Patton, “don’t judge me people”, is there a stigma in literary circles?, Zoomer magazine’s profile of Margaret Atwood as “Queen Of The Nerds”, Twitter, tweetalong?, a genuine literary reputation, poetry, Orson Scott Card, does it matter?, dystopia, Dreamscape Audiobooks, The Night Lands by William Hope Hodgson, The House On The Borderlands, a very daunting book, big and ambitious, Lovecraftian?, The Scarlet Plague by Jack London, Earth Abides, class, mainstream post-apocalypse, Alas Babylon by Pat Frank, a toothless grandfather, Drew Ariana, Goslings by J.D. Beresford, plague talk!, The Children Of Men, Y: The Last Man, the newspapers, HiLoBooks, “Radium Age” Science Fiction, Gweek, The Road To Science Fiction, classicism, sexism, barbarism, The Iron Heel, numeracy and literacy, the size of the universe or the age of the Earth, Simon & Schuster Audio, Rivers by Michael Farris Smith, Jenny loves destroying the earth, wiping the slate clean, Fallout, Tobias Buckell, Interrupt by Jeff Carlson, Hunter Davis, Brilliance Audio, simultaneously published with print, Neanderthals, the pronunciations, Robert J. Sawyer, Discover Magazine, literally means not literally anymore, it’s figuratively raining cats and dogs, The Darwin Elevator by Jason M. Hough, Julie Davis, Simon Vance, science fiction thrillers, John Scalzi, plague, space elevator, working for the enemy?, a compressed schedule, writing 2X, a first novel!, military SF, “we’ve complinished everything”, Reflex by Steven Gould, Jumper, the physical audiobook industry (is it mostly for libraries), Paperback Audio, William Dufris, The Stars My Destination by Alfred Bester, innate teleportation, the Jumper movie, Portal, post-humans, Nightcrawler without the bad smell, BAMFless, The Clockwork Man by E.V. Odle, Ralph Lister, no introductions makes Jesse sad, are there audio previews?, Affliction: An Anita Blake, Vampire Hunter Novel (#22) by Laurell K. Hamilton, The Lord of Opium (Matteo Alacran #2) by Nancy Farmer, The Midnight Heir (Bane Chronicles #4) by Cassandra Clare and Sara Rees Brennan, building on The Hunger Games, Untouchable (Immortals After Dark #8) by Kresley Cole, Robert Petkoff, The Hunt or Capture, the reality TV version of The Hunger Games in The Hunger Games would be very boring, The Truman Show would be a very boring show to actually watch, in fiction the TV shows are without narrative, TVtropes show with an show, Hamlet, William Shakespeare did meta 500 years ago, epic traditional fantasy, traditional epic fantasy marriage, Crown Thief (Tales Of Easie Damasco #2) by David Tallerman, Giant Thief, sword and sorcery, golem or gollum?, Witch Wraith: The Dark Legacy of Shannara by Terry Brooks, Rosalyn Landor, , “Tolkien with the serial numbers filed off”, “its all about the elfstones”, The Lord Of The Rings, questing, trilogy vs. endless series, the Wikipedia entry for Shannara, a magical cataclysm, “a richer broader universe”, Revolution, S.M. Stirling, Robert Jordan, the Dragonlance series, Daniel Abraham, subverting the quest trope, The Eye Of The World, George R.R. Martin, gathering forces and subverting expectations, children’s fantasy, Roald Dahl, Matilda is read by Kate Winslet!, the musical of Matilda, The Twits, Charlie And The Chocolate Factory, Charlie And The Great Glass Elevator Futurama, Fry and the Slurm factory, Gene Wilder, great character names!, Dickensian names, The BFG, biography, crime, thriller, JFK’s Last Hundred Days: The Transformation Of A Man And The Emergence Of A Great President, Death Angel (Alexandra Cooper #15) by Linda Fairstein, The Kill List by Frederick Forsyth, George Guidall, “now it’s personal”, Penguin Audio, adding heat urgency of character development, adding a baby, Breaking Bad babies, the invisible baby or worse the artificially aging child syndrome, Mork & Mindy, Shaman by Kim Stanley Robinson, 30,000 years ago, prehistorical romance, hard edged scientific, Clan Of The Cavebear, Monsters Of The Earth by David Drake, Seanan McGuire, Soldier by Harlan Ellison, The Terminator, The Outer Limits, James Cameron, Philip Wylie, Tomorrow!, John Wyndham, When Worlds Collide, The Answer, nuclear war with angels, The End Of The Dream, The Murderer Invisible.

Dreamscape Audiobooks - Goslings by J.D. Beresford

Posted by Jesse Willis

Review of The Age Atomic by Adam Christopher

SFFaudio Review

The Age AtomicThe Age Atomic (Empire State #2)
By Adam Christopher; Performed by Phil Gigante
Publisher: Brilliance Audio[UNABRIDGED] – 10 hours

Themes: / parallel universe / urban fantasy / superheroes / detectives / noir / airships /

Publisher summary:

The Fissure connecting the alternate New York to its counterpart has vanished, plunging the city into a deep freeze. The people are demanding a return to Prohibition and rationing as energy supplies dwindle. Meanwhile, in the real 1954 New York, the political dynamic has changed. Nimrod finds his department subsumed by a radical new group, Atoms For Peace, led by the mysterious Evelyn McHale. Their goal is simple: total conquest – or destruction – of the Empire State. Adam Christopher returns with the thermonuclear sequel to Empire State – the superhero-noir fantasy thriller set in the other New York.

The Age Atomic continues where Empire State left off. Some time has passed since the events of Empire State but the fissure has disappeared from the Empire State. Since the fissure in Battery Park is the source of sustenance to The Empire State, the climate begins to edge toward an ice age as time goes on. While this is happening, Rad Bradley uncovers a plot involving robots. On the other side of the fissure in New York City, a mysterious blue woman made purely of energy (I’m looking at you Watchmen) heads up a secret organization that seems to be researching Empire State technology for no good.

It would be hard to comment on this book without comparing it to Empire State. The Age Atomic is a little lighter on the detective noir and heavier on the robots, airships, and odd superheroes. I found the story much easier to follow than it’s predecessor because the plot was a bit more direct and the character’s loyalties weren’t in such a state of flux. I enjoyed the book more because of these differences – especially the more straight forward plot.

In the end, the book was a fun listen, the characters were enjoyable, and I had some serious flashbacks of Watchmen (down to the blue energy character). I especially like Captain Carson/Nimrod as the old-timey adventurer and would love to see a book involving his adventures. I would recommend this book to people who like comic books, robots, super heroes, and detective stories…or at least a decent subset of that group.

As for the audiobook performance, Phil Gigante did a great job as usual. He was easy to understand and did some good voices for the different characters. I also found this book much easier to audiobook than it’s predecessor because of the straightforward plot. I didn’t feel the need to back up as if I missed anything this time around.

Posted by Tom Schreck