It’s A Good Life is a 1953 short story by Jerome Bixby. Set in the small town that used to be in Ohio. It’s entire population loves and fears three year old Anthony Fremont. Anthony is omnipotent.
Here’s the audiobook, as podcast in two parts on Rick Jackson’s The Time Traveler Show (along with an interview with the narrator, William Dufris).
It’s A Good Life
By Jerome Bixby; Read by William Dufris
Part 1 |MP3| Part 2 |MP3| – Approx. 2 Hours 4 Minutes [UNABRIDGED]
Podcaster: The Time Traveler Show
Podcast: August 2006 Anthony Fremont can go anywhere he wants, he can read thoughts, he can project sensory information, he can create, he can destroy, he can mold reality, he can kill. Anthony Fremont is three years old. First published in Star Science Fiction Stories No.2.
The SFFaudio Podcast #117 – Scott, Jesse and Tamahome talk about audiobooks, the recent arrivals and the new releases.
Talked about on today’s show:
We have some genuine Science Fiction!, The Year’s Top Ten Tales Of Science Fiction Vol. 3 edited by Alan Kaster, Damien Broderick, Robert Reed, Steve Rasnic Tem, Ian R. Macleod, Luke Burrage, The Mars Phoenix has Science Fiction (2008), John W. Cambell, The Things by Peter Watts, 8 Miles should be title 12.1 Kilometers, the metric system can’t be sold politically in the U.S.A., florescent lightbulbs are unamerican, Corner Gas, Larry Niven, Harvest Of Stars by Poul Anderson, totalitarianism, Jerry Pournelle, The Boat Of A Million Years by Poul Anderson, immortality, utopia, Blackstone Audio, the French meter stick (is actually made of platinum and iridium not silver), Charles Stross, Free Apocalypse Al, Where are all the Ted Chiang audiobooks?, Steal Across The Sky by , The Astounding, The Amazing, And The Unknown by Paul Malmont, Robert A. Heinlein, Isaac Asimov, L. Ron Hubbard, The Chinatown Death Cloud Peril, Lester Dent, Doc Savage, H.P. Lovecraft, remixing pulp era authors with pulp era stories, Edgar Allan Poe, the boring cover of The Astounding, The Amazing, And The Unknown, Shadow On The Sun by Richard Matheson (a western that’s also supernatural horror), I Am Legend, Gatherer Of Clouds by Sean Russell, Vancouver Island, Dragon’s Time by Anne McCaffrey and Todd McCaffrey, Brian Herbert, Citadel Of The Lost by Tracy Hickman, is Harriest Klausner a robot?, Phil Gigante, SFSignal.com’s podcast interview with Tracy Hickman, Patrick Hester, Titus Awakes by Maeve Gilmore, Mervyn Peake, Simon Vance’s YouTube videos, Gormenghast (TV series), The Hitch-hiker’s Guide To The Galaxy, grotesque, fantasy with no magic and no intelligent species other than humans, “a fantasy of manners”, “a comedy of manners”, metaphors are not spoilers, The Iron Druid Chronicles: Hammered by Kevin Hearne, viking vampires, “someone give that dog a bacon latte”, Very Bad Men by Harry Dolan, Stories Of Your Life And Other Stories by Ted Chiang, Tower Of Babylon, Story Of Your Life, Hell Is The Absence Of God, The Prophecy, Christopher Walken, Viggo Mortensen, Elias Koteas, Combat Hospital (kind of a dramatic remake of MASH), Keanu Reeves, Blair Butler, comics, Northlanders Vol. 5: Metal And Other Stories, non-vampiric vikings, Brian Wood, Blade Vs. The Avengers, Marvel Zombies, Iron Man has a blonde twin brother, The Walking Dead, Robert Kirkman, George R.R. Martin, Dust by Joan Frances Turner |READ OUR REVIEW|, Rule 34 by Charles Stross, A Colder War, Saturn’s Children by Charles Stross |READ OUR REVIEW|, Friday by Robert A. Heinlein, interstellar sex, I Will Fear No Evil by Robert A. Heinlein, the meaning of “Rule 34”, “Space Porn – that’s one sexy nebula”, Luke Burrage’s review of Halting State, Choose Your Own Adventure, “turn to page 61 for the acidic death bath”, Infocom, Lesiure Suit Larry, Heaven’s Shadow by David S. Goyer, William Coon, Resume With Monsters by William Browning Spencer, “just added” vs. “new releases” on Audible.com, Steven Gould audiobooks, Vortex by Robert Charles Wilson, iambik audio, Open Your Eyes by Paul Jessup, Flashback by Dan Simmons, a brand new UNABRIDGED release of Neuromancer by William Gibson, Penguin Audio, American Gods by Neil Gaiman (multi-narrator), George Guidall’s reading of Neil Gaiman’s American Gods |READ OUR REVIEW|, American Gods as a TV series, Anansi Boys by Neil Gaiman |READ OUR REVIEW|, Odd And The Frost Giants by Neil Gaiman |READ OUR REVIEW| (even though it is too expensive), Deathworld by Harry Harrison is available on LibriVox narrated by Gregg Margarite, The City And The City by China Meiville, Embassytown, Hexed by Alan Steele, A Dance With Dragons by George R.R. Martin, NPR’s On Point podcast interview with George R.R. Martin, Sandkings, Nighflyers, A Song For Lya, Dreamsongs, Roy Dotrice, drones (unmanned aerial vehicles), Forever Peace by Joe Haldeman will be the subject for an upcoming podcast readalong, Upon The Dull Earth by Philip K. Dick will be the next SFFaudio readalong, what contest should we hold to give away The Selected Stories Of Philip K. Dick Volume 1 (and 2)?, rural fantasy, A Good Story Is Hard To Find podcast #009 The Mystery Of Grace by Charles de Lint, The Space Merchants by Frederik Pohl and C.M. Kornbluth.
The Fall Of The City Based on the script by Archibald MacLeish; Perfomed by a full cast 1 CD – 32 Minutes 11 Seconds [RADIO DRAMA] Producer / Publisher: Willamette Radio Workshop / LodestoneCatalog.com Produced / Published: 2004 / 2006 Themes: / Fantasy / Allegory / Prophecy / Utopia / Dystopia / Totalitarianism /
“- In a time like ours seemings and portents signify -“
What few of the pre-WWII fantasy radio dramas produced tended to be allegorical, The Fall Of The City is no different in that respect. This one however has a unique feature – it was written as an extended dramatized poem “verse for radio” as they called it. The original production starred the then ubiquitous Orson Welles and a number of other Hollywood stars. This is the modern re-recording of the original 1937 radio drama. The folks at Willamette Radio Workshop have put the results to CD, but it was actually broadcast on WMNF 88.5 FM in Tampa, Florida in the fall of 2004. The production asks several questions appopriate for totalitarian times: ‘What freedom is worth?’ ‘What is freedom?’ And most importantly, “freedom from what?”
As Fall Of The City begins, a ghostly almost prophetic figure has appeared in city’s cemetary for three days running. When she finally speaks to the gathered mob she fortells the arrival of a conqueror, warning “The city of masterless men will take a master, there will be shouting then, blood after.” The citizenry, shocked that their advanced state may be under dire threat are agitated into a debate about the possible actions they might take to ensure their continued freedom. I found it an experience not unlike that of a staged Greek tragedy, thus it is all three high-browed, reflective and wise. To say more might be to reveal to much. What I can say without fear of spoiling the experience for you is that this is an artful production, sound design and music are beautifully rendered with voice acting in absolute top form. I’d be interested to hear if the team at Willamette will be taking on MacLeish’s 1938 follow up Air Raid another of his poetry dramas.