Time Warner Audio

Commentary: SFSignal Mind Meld on favourite audiobooks (and audio drama) of all time

SFFaudio Commentary

John DeNardo, of the magnificent SFSignal blog, recently asked me to participate in another “Mind Meld.”

Here’s the topic:

“What are your favorite SF/F/H audiobooks and/or audio fiction stories of all time?”

Here’s what I wrote:

As one of the people behind SFFaudio, a website devoted to SFF in the audio format, this is about the hardest question you could possibly ask me. I can’t even begin to start ranking all the gloriously wonderful audio I’ve had the honor of listening to over the last 20 years (unless you count SFFaudio as exactly that). But, I can throw out some titles that are absolutely terrific!

Since I began listening in earnest (around 1991), and to make it manageable, I’ll limit myself to just one audiobook (or audio drama) per year (sorted by publication date). To make it even easier, I’ll list only commercial productions – we have plenty of love for podcasts and other amateur audio on SFFaudio.com. For starters check out our series called Five Free Favourites.

1991: The Best Fantasy Stories Of The Year 1989 (Dercum Audio – ISBN: 1556561431)
1992: The Wind From A Burning Woman by Greg Bear (Recorded Books) |READ OUR REVIEW|
1993: The Children Of Men by P.D. James (Recorded Books) |READ OUR REVIEW|
1994: Do Androids Dream of Electric Sheep? by Philip K. Dick (Time Warner – ISBN: 9781570420528)
1995: Mind Slash Matter by Edward Wellen (Durkin Hayes) |READ OUR REVIEW|
1996: Friday by Robert A. Heinlein (Blackstone Audio – ISBN: 0786110546)
1997: Sci-Fi Private Eye ed. Isaac Asimov and Martin H. Greenberg (Dercum Audio) |READ OUR REVIEW|
1998: Martian Time Slip by Philip K. Dick (Blackstone Audio) |READ OUR REVIEW|
1999: Ringworld by Larry Niven |READ OUR REVIEW|
2000: The Reel Stuff edited by Brian Thomsen and Martin H. Greenberg |READ OUR REVIEW|
2001: Minority Report And Other Stories by Philip K. Dick |READ OUR REVIEW|
2002: Two Plays For Voices by Neil Gaiman (Seeing Ear Theatre / Harper Audio) |READ OUR REVIEW|
2003: The Terminal Experiment by Robert J. Sawyer |READ OUR REVIEW|
2004: Ender’s Game (25th Anniversary Edition) by Orson Scott Card |READ OUR REVIEW|
2005: The Dark Worlds Of H.P. Lovecraft Volume 1 by H.P. Lovecraft (Audio Realms) |READ OUR REVIEW|
2006: The Chief Designer by Andy Duncan (Infinivox) |READ OUR REVIEW|
2007: Blake’s 7 – Audio Adventures (Trilogy Box Set) (B7 Media) |READ OUR REVIEW|
2008: The Accidental Time Machine by Joe Haldeman (Recorded Books) |READ OUR REVIEW|
2009: Earth Abides by George R. Stewart (Audible Frontiers/Brilliance Audio ) |SFFaudio Podcast #073|
2010: The Stainless Steel Rat by Harry Harrison |READ OUR REVIEW|

Posted by Jesse Willis

The finalists for this year’s Audie Awards were an…

The finalists for this year’s Audie Awards were announced on Feb. 23rd. Here are some genre-related nominees:

The finalists for the SCIENCE FICTION award are:

The Callahan Chronicles

Written by: Spider Robinson

Read by: Barrett Whitener

Blackstone Audiobooks

Darwin’s Children

Written by: Greg Bear

Read by: Scott Brick

Books on Tape, A Division of Random House, Inc.

Dune: The Machine Crusade

Written by: Brian Herbert and Kevin J. Anderson

Read by: Scott Brick

Audio Renaissance, A Division of Holtzbrinck Publishers, LLC, and Books on Tape, A Division of Random House, Inc.

Monstrous Regiment

Written by: Terry Pratchett

Read by: Stephen Briggs

Harper Audio

Still Life With Crows

Written by: Douglas Preston and Lincoln Child

Read by: Rene Auberjonois

Time Warner AudioBooks

Among the nominees for CHILDREN’S TITLES FOR AGES 8+ is:

Harry Potter and the Order of the Phoenix

Written by: J.K. Rowling

Read by: Jim Dale

Listening Library

Phoenix also shows up in the PACKAGE DESIGN category, and as a nomination for Jim Dale for SOLO NARRATION – MALE. George Guidall is up for the same award for Don Quixote from Recorded Books, and Campbell Scott for Margaret Atwood’s Oryx and Crake.

And in the AUDIO DRAMA category:

The Chronicles of Narnia

Written by: C. S. Lewis

Performed by a Full Cast

Focus on the Family

which also appears in the PACKAGE DESIGN and ACHIEVEMENT IN PRODUCTION categories.

See all the nominees at the Audio Publisher’s Association website. The winners will be selected on June 4 at the Audie Awards, a black-tie event at the Harold Washington Public Library Center in Chicago.

Posted by Scott D. Danielson

Review of Neuromancer by William Gibson

SFFaudio Review

Neuromancer
By William Gibson; Read by William Gibson
4 Cassettes – Approx. 6 hours [ABRIDGED]
Publisher: Time Warner AudioBooks
Published: August 1994
ISBN: 1570420599
Themes: / Science Fiction / Cyberpunk / Dystopia / Artificial Intelligence /

Neuromancer sent massive shockwaves though science fiction and popular culture upon its release in 1984. Those shockwaves can still be felt after 20 years. Neuromancer is the tale of Case, a console cowboy, otherwise known as a computer hacker who goes on a futuristic Odyssey spanning a nihilistic near-future Earth and slightly beyond. A rich background, experimentalist prose, cuttingly future-modern dialogue and a prophetic dystopian vision combine with a heist plot reminiscent of Elmore Leonard to make a novel that will undoubtedly win William Gibson an eventual title of GRANDMASTER.

Created for the 10th anniversary of the publication of William Gibson’s first and best novel, this audiobook is a SFFaudio listener’s delight! A careful abridgment and a masterfully executed production, this is perhaps the best version of Neuromancer in any form. While Gibson is by no means a trained actor or even a professional narrator, his voice is uniquely suited to this novel and his characters. Supplementing the terrific reading is a unique soundtrack made up of two U2 remixes, which really does amazing things. Now normally I’d say that the combination of accenting music, a non-professional narrator and an abridgment of the novel all would be a recipe for disaster. But this version of Neuromancer defies all my expectations, and makes this my candidate for perhaps THE BEST ABRIDGED AUDIOBOOK EVER PRODUCED!

Posted by Jesse Willis

Review of The Diamond Age by Neal Stephenson

Science Fiction - The Diamond Age by Neal Stephenson The Diamond Age: Or, a Young Lady’s Illustrated Primer
By Neal Stephenson; read by Jennifer Wiltsie
12 Cassettes; Approx. 18 hours [UNABRIDGED]
Publisher: Time Warner Audio
Published: 2001
ISBN: 1586211145 (Cassette)
Themes: / Science Fiction / Nanotechnology / Computer Programming / Victorian Culture / Cyberpunk /

Earlier, I reviewed Neal Stephenson’s Snow Crash. It was one of the finest audiobooks I’d ever heard, and I feel that this one may be even better. Snow Crash was irreverent and whimsical, and The Diamond Age is that and more, with a plot that is both epic and personal.

Nell is a little girl, 4 years old when we first meet her. Her brother, Harv, gives her a stolen copy of the Young Lady’s Illustrated Primer, an interactive (“ractive”) book that was designed by an engineer who wanted his own daughter to experience a bit more than the traditional education. Nell’s mother flits from abusive relationship to abusive relationship, with Nell and Harv protecting themselves as they can. Nell spends more and more time with the Primer, which teaches Nell through stories told by real interactive actors (“ractors”) via the Net.

The story is complex and mature. The main storyline follows Nell’s life, and along the way we see an amazing world. The world has become nearly tribal again with people gathering in Claves, each with their own rules and culture. Much time is spent in a neo-Victorian Clave, a place where Victorian culture is adopted because it is felt that one has to go back to the 19th century to find a viable model for society.

Stephenson explores two technologies in the novel as well, and they are both of equal influence on the story. The first is the Net and the entire idea of interactive entertainment, which makes the Primer possible. The second is nanotechnology, which is used in everything from planet building to the creation of stuffed animals in a Matter Compiler. There are also nano-mites which float in your bloodstream and can do anything from carry information to kill you with thousands of tiny explosions.

The drawback to this novel is its ending, which, though inadequate, would not keep me from recommending it. The rest of the book is so astonishingly strong, that to miss it would be missing one of the major works of modern science fiction.

The Diamond Age could not have been an easy novel to perform, but Jennifer Wiltsie did so admirably. This is the first I’ve heard her, and I hope to hear her voice often. She had just the right tone for this, and I had no trouble at all discerning the characters in this complex novel. An excellent job.

This title is also available on Audible.com.

posted by Scott D. Danielson

Review of Snow Crash by Neal Stephenson

Science Fiction Audiobooks - Snow Crash by Neal Stephenson Snow Crash
by Neal Stephenson; Read by Jonathan Davis
12 Cassettes, 18 hours [UNABRIDGED]
Publisher: Time Warner Audio
Date Published: August 2001
ISBN: 158211137
Themes: / Science Fiction / Computers / Virtual Reality / Religion / Mythology / Cyberpunk /

Snow Crash is one of those rare novels; one of those that stand out, tall and unique, amongst all the novels I’ve read in my life. I know of nothing with which to compare it, but I can say that it ranks amongst my favourite novels. Neal Stephenson impressed me both with his fearless, irreverent tone and with the astonishing range of subjects touched by his characters.

Snow Crash reveals a picture of the not-too-distant future, where the only things the USA is good at are “music, movies, microcode (software), and high-speed pizza delivery.” It’s a world where people spend part of their lives in the Metaverse, a highly developed yet realistic virtual world where they use avatars of their own design to interact with each other. It’s a world divided into burbclaves, or city-states, each with its own identity, laws, and law-enforcement. In stark contrast to this future society, the main character finds himself entangled in a mystery that requires him to explore ancient Sumerian mythology and the roots of biblical religion.

All of this in an extremely fast-paced adventure story. Remarkable. This is an exciting, impressive novel.

For the audio version, Time-Warner selected a first rate reader in Jonathan Davis. I never tired of his effortless inflection changes as different characters spoke — very important in a quick moving story like this one. The production quality was excellent; I found the sounds used to mark breaks in the text to be particularly effective.

And with that, my current list of all-time favorites is complete! See the whole list here!

posted by Scott D. Danielson