time travel – Page 23

LibriVox: Short Science Fiction Collection Vol. 010

SFFaudio Online Audio

Here’s the recently released Short Science Fiction Collection Vol. 010 from LibriVox! I had a chance to listen to most of the stories and I’ve highlighted a few:

1. As Long As You Wish, a cool kind of time travel tale, seems at first to have some volume problems, but it actually doesn’t, it’s a little creative interpretation that will become clear later in the story. The Coming Of The Ice is old, feels old fashioned, but isn’t so dated as to be unreadable. In fact, the story is rather terrific! It feels very much like a H.G. Wells story.

2. The Coming Of The Ice explains the strange and sad fate of a man who undergoes an operation to make him immortal (and sterile). This is a really terrific reading by the English accented Giles Baker (who could have a career in audiobooks ahead of him). The story itself is also significant in another respect – it was the first all new story ever purchased or published in Amazing Stories magazine (the first all-science fiction mag).

3. The Eternal Wall, deals similarly, offering a man another kind of one way trip to the future, this time though, not of his choosing. Speaking of Wells stories, the last tale in this collection is a Wells story – and it feels as close as Herbert George ever came to noir. From the perspective of a noir aficionado, there’s one flaw with it (and with War Of The Worlds for that matter) – in that Wells sets it all up well but he doesn’t have the guts for the all important follow through. But, speaking from a non-noir-loving perspective, it’s a damn fine story – and proves once again that Wells had more original ideas kicking around than almost anybody else before or since. Narrator Gregg Margurite’s setup isn’t perfect, he sounds a little muffled, but his reading voice is very good.

4. The K Factor Also read by Gregg Margurite, with the same setup as with all his recordings, muffled. Margurite has also recorded a full length Harrison Novel Deathworld! Societics is “The applied study of the interaction of individuals in a culture, the interaction of the group generated by these individuals, the equations derived therefrom, and the application of these equations to control one or more factors of this same culture.” It feels as if Harrision had been reading some Isaac Asimov and then Thomas Kuhn had been reading this story.

5. Star Mother while well written, is barely Science Fiction at all, seeing as the events that it reports would be happening mere 2 years after the story was originally published. Unfortunately Janet Moursund’s reading of Star Mother has too many mouse clicks in the recording.

6. Solander’s Radio Tomb is pretty funny, though more than anything else what I took away from it was an even greater fear of legal wills than I already had – if making plans are what make us human then the ability to revoke a plan does also – unfortunately, being dead you aren’t up for revoking much. So ya, I’m afraid of legal wills.

Short Science Fiction Collection Vol. 010
By various; Read by various
10 Zipped MP3 Files or Podcast – Approx. 5 Hours 38 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: February 04, 2009
Science fiction (abbreviated SF or sci-fi with varying punctuation and case) is a broad genre of fiction that often involves sociological and technical speculations based on current or future science and technology. This is a reader-selected collection of short stories that entered the US public domain when their copyright was not renewed.

As Long as You Wish
By John O’Keefe; Read by Sean O’Hara
1 |MP3| – Approx. 10 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: February 2008
If, somehow, you get trapped in a circular time system . . . how long is the circumference of an infinitely retraced circle? First published in Astounding Science Fiction, June, 1955.

The Coming of the Ice
By G. Peyton Wertenbaker; Read by Giles Baker
1 |MP3| – Approx. 40 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: February 2008
Strange men these creatures of the hundredth century …
First published in Amazing Stories June 1926, reprinted in Amazing Stories July 1961 with an introduction by Sam Moskowitz.

The Eternal Wall
By Raymond Z. Gallun; Read by Gregg Margarite
1 |MP3| – Approx. 26 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: February 2008
A scream of brakes, the splash into icy waters, a long descent into alkaline depths … it was death. But Ned Vince lived again—a million years later! From Amazing Stories April 1956, first published in Amazing Stories November 1942.

The K Factor
By Harry Harrison; Read by Gregg Margarite
1 |MP3| – Approx. 54 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: February 2008
Speed never hurt anybody—it’s the sudden stop at the end. It’s not how much change that signals danger, but how fast it’s changing…. From Analog December 1960.

Lease To Doomsday
By Lee Archer; Read by Tom Weiss
1 |MP3| – 35 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: February 2008
The twins were a rare team indeed. They wanted to build a printing plant on a garbage dump. When Muldoon asked them why, their answer was entirely logical: “Because we live here.” From Amazing Stories September 1956.

…Or Your Money Back
By Randall Garrett; Read by Tom Weiss
1 |MP3| – Approx. 51 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: February 2008
There are lots of things that are considered perfectly acceptable … provided they don’t work. And of course everyone knows they really don’t, which is why they’re acceptable…. From Astounding Science Fiction, September 1959 (published under the David Gordon pseudonym).

Question Of Comfort
By Les Collins; Read by Tom Weiss
1 |MP3| – Approx. 52 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: February 2008
From Amazing Science Fiction Stories March 1959. The Gravity Gang was a group of geniuses—devoting its brilliance to creating a realistic Solar System for Disneyland. That was the story, anyway. No one would have believed all that stuff about cops and robbers from outer space.

Solander’s Radio Tomb
By Ellis Parker Butler; Read by qqqsimmons
1 |MP3| – 18 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: February 2008
First published in Amazing Stories June 1927, later in Amazing’s April 1956 issue. “I first met Mr. Remington Solander shortly after I installed my first radio set. I was going in to New York on the 8:15 A.M. train and was sitting with my friend Murchison and, as a matter of course, we were talking radio.”

Star Mother
By Robert F. Young; Read by Janet Moursund
1 |MP3| – Approx. 13 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: February 2008
A touching story of the most enduring love in all eternity. From Amazing Stories January 1959.

Story Of The Late Mr Elvesham
By H.G. Wells; Read by James Christopher
1 |MP3| – Approx. 38 Minutes [UNABRIDGED]
“I set this story down, not expecting it will be believed, but, if possible, to prepare a way of escape for the next victim. He, perhaps, may profit by my misfortune. My own case, I know, is hopeless, and I am now in some measure prepared to meet my fate.”

Podcast feed:

http://librivox.org/bookfeeds/short-science-fiction-collection-010.xml

Posted by Jesse Willis

Review of Slaughterhouse-Five by Kurt Vonnegut

SFFaudio Review

Slaughterhouse-Five
By Kurt Vonnegut; Read by Ethan Hawke
5 CDs – 6 hours – [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2009
ISBN: 9781433269691
Themes: / Science Fiction (or maybe not) / World War II / Time Travel / War / Aliens / Mind /

And Lot’s wife, of course, was told not to look back where all those people and their homes had been. But she did look back, and I love her for that, because it was so human.

So she was turned to a pillar of salt. So it goes.

—Kurt Vonnegut, Slaughterhouse Five

During World War II, author Kurt Vonnegut was taken prisoner by the Germans and held captive in the city of Dresden, which was later reduced to flaming rubble during a harrowing fire-bombing by American forces. According to Vonnegut, the city was a gorgeous center of art, architecture, and fine civilian life; its value as a military target was negligible. “What I’ve said about the firebombing of Dresden is that not one person got out of a concentration camp a microsecond earlier, not one German deserted his defensive position a microsecond earlier,” Vonnegut said.

Somewhere between 25,000 and 120,000 civilians (the upper figure is an early estimate, which has since been revised downward to 25,000-40,000) were killed in the inferno of incendiary and high explosive bombs. As such, Dresden remains a controversial, dark chapter of America’s involvement in the war.

Slaughterhouse-Five is Vonnegut’s look back on this dreadful event. It’s not a traditional biography, but a modified account of his own experiences as seen through the eyes of Billy Pilgrim, a tall, awkward, disconnected dreamer who is drafted into the army and thrust into combat. Pilgrim is a pathetic soul with the appearance of a “filthy flamingo,” involved in tragic events beyond his control.

Captured during the Battle of the Bulge, Pilgrim and 100 other soldiers are shipped to Dresden to serve as prison-labor. At night they sleep in a storage-cave beneath a slaughterhouse amidst the butchered carcasses of animals, and it’s this arrangement that allows them to survive the attack. After the firebombing, they emerge the next morning to find the once-beautiful Dresden so utterly destroyed that it resembles the surface of the moon.

A part of me feels guilty for reviewing Kurt Vonnegut’s Slaughterhouse-Five on a science fiction/fantasy Web site. The connections of this classic anti-war novel to the science fiction genre are tenuous, but it attains this designation (in some circles) due to the presence of the Tralfamadorians, a race of aliens that capture Pilgrim and bring him back to their planet for examination. During his months on Tralfamadore, Pilgrim is placed in a sort of zoo, his body and mind laid bare to the curious aliens.

The Tralfamadorians may be simply the imagination of an unwell, traumatized mind. Pilgrim is emotionally unbalanced, suffers a head injury after the war, and reads voraciously of the novels of science fiction writer Kilgore Trout, one of whose novels concerns an alien abduction that sounds suspiciously like Pilgrim’s own experiences on Trafalmadore. But the Tralfamadorians—real or not—allow Vonnegut to explore the concept of time and our place in it, which is the larger theme of the novel. The Tralfamadorians can see in four dimensions and have no concept of time; life just is, and human existence is a series of events and happenings with no beginnings and ends. Events simply occur; wars are fought, we are powerless to stop them and it’s ridiculous to think we can. Free will is a farce.

Pilgrim’s time among the Tralfamadorians allows him to experience his life in this fourth dimension, moving his mind back and forth to the past and future, seemingly at will. He is able to see his own death, and relive events from his childhood, his marriage, and his career as an optometrist. But Pilgrim’s wandering, time-traveling mind returns again and again to the terrible events of Dresden, an experience so powerful that his mind is unable to make sense of it. It just is, and all he can do with the rest of life is to try and look upon the good times in his life, the moments of joy, and not linger too long over the blackened, shrunken bodies, or a fellow American and friend executed for salvaging a teapot from the ruins.

Actor Ethan Hawke (of Dead Poets Society and Hamlet fame) serves as the narrator and does a nice job reading with an understated, dispassionate voice that perfectly fits the tone of the novel. This Blackstone Audio production also includes an unexpected and enlightening 10-minute interview with Vonnegut on the final disc. Here Vonnegut reveals that Pilgrim’s character was based on a real person, Edward Crone, an American who died in Dresden. “He just didn’t understand the war at all, what was going on, and of course there was nothing to understand—he was right,” Vonnegut says.

Posted by Brian Murphy

LibriVox: The Edge Of The Knife by H. Beam Piper

SFFaudio Online Audio

Here’s a new FREE LibriVox H. Beam Piper audiobook, it took a little while for the podcast feed to appear but its all ready for listening now…

The Edge Of The Knife
By H. Beam Piper; Read by Julio Martini
6 Zipped MP3 Files or Podcast – Approx. 1 Hour 48 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: February 12, 2009
The Terro-Human Future History is Piper’s detailed account of the next 6000 years of human history. 1942, the year the first fission reactor was constructed, is defined as the year 1 A.E. (Atomic Era). In 1973, a nuclear war devastates the planet, eventually laying the groundwork for the emergence of a Terran Federation, once humanity goes into space and develops antigravity technology. The story “The Edge of the Knife” (collected in Empire) occurs slightly before the war, and involves a man who sees flashes of the future. It links many key elements of Piper’s series.

Podcast feed:

http://librivox.org/bookfeeds/the-edge-of-the-knife-by-h-beam-piper.xml

Posted by Jesse Willis

Review of The Cat Who Walks Through Walls by Robert A. Heinlein

SFFaudio Review

The Cat Who Walks Through Walls
By Robert A. Heinlein; Read by Tom Weiner
11 CDs – 13.5 Hours [UNABRIDGED]
Publisher: Blackstone Audiobooks
Published: December 2007
ISBN: 1433212918
Themes: / Science Fiction / Marriage / Time Travel / Parallel Worlds / The Moon / Space Station /

When a stranger attempting to deliver a cryptic message is shot dead at his dinner table, Ames is thrown headfirst into danger, intrigue, and other dimensions where Lazarus Long still thrives, where Jubal Harshaw lives surrounded by beautiful women, and where a daring plot to rescue the sentient computer called Mike can change the direction of all human history.

There are a lot of things to dislike about The Cat Who Walks Through Walls:

1. Characters: Heinlein’s characters are either ultra-confident know-it-alls or utterly buffoonish straw-men. Heinlein will happily spend a good ten minutes explaining to you the workings of suborbital flight in a vacuum, but won’t explain (and worse yet – will have the other characters agree) to highly improbable societal systems in cast off sentences like – ‘all sexual options are invested in women’ (on the moon). Then he follows it up with jury trials of accused rapists lasting 30 seconds. Personally, I suspect that any system that threw away habeas corpus in favour of whatever one gender said was good – wouldn’t last very long. It’s possible to imagine a society in which women play a dominant role – but I don’t find it plausible to find any society in which one gender can say one word “rape” (true or not) – and have the accused rapist be instantly ripped apart. Heinlein ignores the problems of: No evidence, no witnesses, no trial. It doesn’t fly Mr. Heinlein.

2. Things missing: First, the internet, especially email, everyone is still mailing paper letters from Lagrange space stations to the Moon! Second, DNA testing. Talk of positively identifying someone all runs along the lines of “fingerprints” and “blood types.” Third, GPS. On Heinlein’s moon you can only tell where you are by using inertial trackers or getting a starfix.

3. A glaring omission: There’s one more thing missing, the last half of the book. Seriously, this book is all prologue, with lots of interesting action, but the entire build up is concluded on the last disc.

4. Too much: There are also things this book has too much of. First, all the many male characters are always calling themselves, denying that they are, or accusing each other of being “henpecked.” This, no matter what universe or era they come from! I’ve never heard any of my married friends use that term. Second, no matter which continent, planet or timeline, the many husbands in this novel come from, they all playfully joke about “beating” their wives. I just don’t know what to do with that information. Is this common in your marriage?

Now, having stated off this review with the above it may sound as if I dislike the novel. And that’s not strictly true. I don’t, not really. But, on the other hand, this is the third audiobook release of it and some of the novelty is starting to wear off. The Cat Who Walks Through Walls has a crackerjack opening scene, some amazing hard SF early on, and a goodly amount of redeeming entertainment value. This is a novel for the truly die-hard Heinlein fans. It was written with the intent of rewarding them for their many years of dedicated reading. It does that. It contains dozens and dozens of characters, many of whom are cameoing from previous Heinlein novels. Lazarus Long (Methusela’s Children), and Hazel Stone (The Rolling Stones) both play substantial roles in the novel. Other characters making appearances include Jubal Harshaw (Stranger In A Strange Land) and Manuel Garcia O’Kelly Davis aka Manny (The Moon Is A Harsh Mistress). In fact, as a reward to loyal readers, The Cat Who Walks Through Walls pairs rather nicely with Heinlein’s The Number Of The Beast in that both it and The Cat Who Walks Through Walls are fond examinations of both the Science Fiction/Fantasy genre and Heinlein’s own career. The key that ties both together is Heinlein’s idea of “pantheistic solipsism.” The idea behind which is that many universes exist under an explanation of ‘the world is myth.’ “The World as Myth” means that influential authors, like L. Frank Baum, Edgar Rice Burroughs, and Heinlein himself are actually creating real parallel universes simply by writing vividly about them. In other words, the fictional stories we really enjoy, ARE ACTUALLY REAL. It’s a neat idea, but it’s better explored in The Number Of The Beast. The Cat Who Walks Through Walls, other than being a rewarding odyssey for fans, is more about marriage than any particular SF idea. Richard Ames gets married in chapter two, and honeymoons on Luna – all the while being chased by assassins and hounded by officious bureaucrats. And that’s where the schism comes in. Heinlein has a no-nonsense, no compromises attitude towards bureaucracy, every situation is black or white. And that holds true for marriage too. Except when it doesn’t. ~~Robert Heinlein~~ Richard Ames will put his foot down, draw a line in the sand, and say “this far no farther”. He’ll hold fast, when confronted by social or bureaucratic interaction not too his liking. He’ll do the same in marriage… and then redraw the lines of his convictions to preserve the marriage. I find the latter rather realistic, but the former utterly unrealistic.

Narrator Tom Weiner has been given the thankless task of voicing about three dozen characters. Worse, there are few attributions in the text itself. Pages and pages of dialogue go by without any breaks. This being the third audiobook edition of The Cat Who Walks Through Walls I think back to George Wilson’s solid reading for Recorded Books, and Robert Vaughn’s abridged reading for Simon & Schuster. Vaughn’s is still my favourite, despite it being abridged to hell. Vaughn should have become a professional audiobook narrator. Weiner’s version, Blackstone’s release, is a close second.

Posted by Jesse Willis

Review of The Little Book by Selden Edwards

SFFaudio Review

The Little Book
By Selden Edwards; Read by Jeff Woodman
13 CDs – 15 Hours – [UNABRIDGED]
Publisher: Penguin Audio
Published: Aug 2008
ISBN: 9780143143512
Themes: / Fantasy / Time Travel / Vienna / 19th Century / Philosophy /

The Little Book is the extraordinary tale of Wheeler Burden, California-exiled heir of the famous Boston banking Burdens, philosopher, student of history, legend’s son, rock idol, writer, lover of women, recluse, half-Jew, and Harvard baseball hero. In 1988 he is forty-seven, living in San Francisco. Suddenly he is—still his modern self—wandering in a city and time he knows mysteriously well: fin de siècle Vienna. It is 1897, precisely ninety-one years before his last memory and a half-century before his birth.

The genre aspects of this novel are not, well, novel. At least to the genre-savvy. Like Mark Twain’s Connecticut Yankee in King Arthur’s Court, the method of time travel is irrelevant. What’s important and interesting is the interaction of Selden Edwards’s fictional characters with their forebears and with historical characters, most notably Sigmund Freud and Mark Twain.

Wheeler Burden has lengthy discussions with Freud, seeming to shape in some way the later ideas that Freud published. He also spends a great deal of time with his own father, who was also in the past for an unknown reason. Since Wheeler’s father had died during World War II, this was an opportunity to get to know each other. Add a very beautiful grandmother, and one can almost hear Freud furiously scribbling notes in the background.

Jeff Woodman is a terrific narrator. He performs accents in a completely believable (and completely understandable) manner. Also notable is his performance of female characters, which is subtle and effective. I’m looking forward to hearing more of his audiobooks.

Posted by Scott D. Danielson