telepathy – Page 12

Review of A Galaxy Trilogy: Volume 1 by Poul Anderson, George H. Smith and Stanton A. Coblentz

SFFaudio Review

A Galaxy Trilogy: Volume 1
By Poul Anderson, George H. Smith and Stanton A. Coblentz; Read by Tom Weiner
12 CDs – 13.5 Hours [UNABRIDGED]
Publisher: Blackstone Audiobooks
Published: 2007
ISBN: 9781433202255
Themes: / Science Fiction / Politics / War / Aliens / Space Travel / Galactic Civilization / Telepathy /

“Long before Arthur C. Clarke, Ray Bradbury, or Isaac Asimov, there was an earlier generation of dreamers and writers who defined the science-fiction genre, in what today is affectionately known as the pulp era. Heralding back to the early television days of Flash Gordon and the earlier tales of Jules Verne, Bram Stoker, and H. G. Wells, these great science-fiction writers of the 1950s and 1960s included among their ranks such icons as Poul Anderson and the prolific Robert Silverberg, who would write some of the hippest genre literature of its era. Now you can experience this unique moment in genre literature with three exciting, imaginative short novellas from some of the pioneers of pulp science fiction.”

In Star Ways a mysterious plot my be behind the disappearance of a number of ships in the Terran sphere. This is the best of the three short novels in a fun collection. Star Ways posits a familiar ‘nomads in space’ idea and chucks in a plot about some truly totalitarian aliens. This short Science Fiction novel allows us to tag along on an interstellar nomad ship, with fascinating folkways. Also on board thanks to Poul Anderson’s magnetic writing are your regulation intergalactic troubleshooter, a wily space captain, a rustic crew of wanderers, an alien with telepathic powers and even a bit of romance. The tale’s end doesn’t go exactly where you’d expect, and that makes it all the more interesting.

In Druid’s World Adam MacBride is the stiff backbone of a sprawling empire, his Empress is smart but acts dumb, her lover scorns MacBride openly. When the novel begins MacBride has set his mine to retiring home to his fjords and his three wives and only an imminent threat to his beloved fleet and his unwarranted loyalty to his Empire keep him from returning home immediately. This novel is jammed to the rafters with swashbuckling action, ship-to-ship broadsides, many volleys of grapeshot, at least two rebellions and sickle wielding druids. What’s not to love? All these elements swirl about in a swift but realtively simple plot. I love the way this book was written, it’s small but denser than a neutron star. My guess, George H. Smith had just finished reading a stack of history books before sitting down to write this rollicking hodge-podge of science fiction, pre-Roman religion, and 18th century Imperialism. Druid’s World is a scattered but worthy listen – the kind of pulpy material you can crave on dark winter evenings. Druid’s World could happily sit on your audiobook shelf between The Green Odyssey and Star Surgeon. Druid’s World was the first book in Smith’s “Annwn” series and was first published in 1967.

The Day The World Stopped is set in 2020. In it the United States and “Red China” are deep into a new cold war when the testing of some super-weapons that can automate human destruction on an unprecedented scale are nearing the cusp of completion. This tale feels like a combination of The Manchurian Cantidate and The Day The Earth Stood Still. Clearly the worst of the three tales collected in A Galaxy Trilogy I’m sad to say The Day The World Stopped is weighed down by too much hokey dialogue, not enough thought given to pacing or plotting and a “deus ex-machina” ending that makes it feel like a bad Hollywood version of itself. First published in 1968 it was written at the beginning of the tail end of Coblentz’s writing career.

Narrator Tom Weiner lends a gravitas to all three novels, The Day The World Stopped needed it the most, given its weighty dialogue and scene after scene of back-room politics there was dozens of voices to work. The “Omegriconians” especially spoke English with a strange accent, Weiner does his best with it, to little avail. In Druid’s World the admiral MacBride character predominates the thoughts and dialogue of most of the novel. This works out well, Weiner’s got range but his natural growl fits just this kind of character. Star Ways has several strong characters all of which are distinctly rendered. Overall Weiner’s narrative authority elevates what really are three unremarkable pulp adventures into a worthy package.

Posted by Jesse Willis

Review of Old Man’s War by John Scalzi

SFFaudio Review

Old Man’s War
By John Scalzi; Read by William Dufris
Audible Download – Approx. 10 Hours [UNABRIDGED]
Publisher: macmillan audio / audible.com
Published: October 2007
Themes: / Science Fiction / Military SF / War / Telepathy / Space Travel / Galactic Civilization /

John Perry did two things on his 75th birthday. First, he visited his wife’s grave. Then he joined the army. The good news is that humanity finally made it into interstellar space. The bad news is that planets fit to live on are scarce – and alien races willing to fight us for them are common.

There’s an excellent subgenre of science fiction that produces a novel every dozen years or so. “Tributes to Robert A. Heinlein’s Starship Troopers“, I call it. First in this subgenre was The Forever War (1974) – a kind of anti-Starship Troopers novel. Second was Ender’s Game (1985) a kind of micro/macro version of ST. There was even a satire called Bill The Galactic Hero (1965), which parodied ST. The latest novel in this little branch of SF is Old Man’s War, a faithful ode to Heinlein’s original tale of Earther civilian turned hardened space soldier. The war of the title is both familiar and different. Gone are the powered armor and accompanying fission bomb launcher of Heinlein’s mid-twentieth century novel. In are genetically engineered soldiers and nanotech weapon systems. Another innovation in Old Man’s War includes is the BrainPal™, a neural implant that makes battlefield communication exacty like telepathy. Tech and lineage aside this is one hell of a story all on its own. All of the previous novels in this niche spent a great deal of time in training their protagonist. Same goes here, Old Man’s War has the requisite gruff staff sergeant of the “Colonial Defense Forces” who trains the hero, John Perry, and his fellow recruits. It also has the first shock of combat, a learning curve towards mastery and some twists and turns you can’t see coming. Old Man’s War also has the pure brutality of war, the comradely companionship a love story (of sorts). New to the series is a light touch of humor here and there, John Perry was writer before he joined the army. The alien enemies he fights aren’t bugs (nor “buggers”), but are memorable and varied. The Consu, for instance, are deeply religious, and though having a superior technology to every known alien race – including humans – will fight only with roughly equal technology to any species they encounter. The Salong, meanwhile, are a deer-like species that while appearing shyly doe-eyed, fight humans because they find us extremely tasty – a case of the hunters become the hunted. One scene of combat has Perry and his platoon stomping like Godzilla a city of lilliputian aliens that the Humans have somehow made a grudge with. Later in the book we discover that there are some soldiers in the CDF who don’t share the common background of Perry and his platoon. These “Ghost Brigades” as they are called, are a fascinating new twist all on their own, and judging by the title of the already written sequels (The Ghost Brigades, The Sagan Diary and The Last Colony) were going to be learning more about them. This is delightfully compelling listening, like any little genre it comforts with the familiarity of form and entertains with the variations on the theme.

Audible.com (and the iTunes Audiobook Store) has made itself a must-try service by the very exclusivity of this audiobook. If you want to hear this Hugo nominated adventure, you have to sign up with audible.com or iTunes to get it. Narrator William Dufris is his reliable self, injecting battalions of charm and humor into the voices of John Perry and his various companions. Old Man’s War is a righteous addition to Heinlein’s Troopers legacy. The name of John Scalzi can now stand in Science Fiction pantheon proudly beside the likes of Orson Scott Card, Joe Haldeman and Robert A. Heinlein.

Posted by Jesse Willis

Zombie Astronaut collects BBCR4’s Chillers – Four Tales Of Terror

Online Audio

In early 2002 a limited run series of chilling Science Fiction tales aired on BBC Radio 4. The series was entitled Chillers (or Chillers – Four Tales of Terror). The scripts were by Gold Sony award winning dramatist Mike Walker, the original stories were by top SF authors. Before today I’d recommended to everyone who’d listen, the first of these, Who Goes There?. It is the finest half-hour of Science Fiction Audio Drama I’ve ever experienced. But now the entire four episode series is available in the Zombie Astronaut‘s latest issue. I’m going to be savoring the rest thanks to ZA!

Chillers – Four Tales of Terror
Dramatized by Mike Walker; Performed by full casts
4 x 30 Minute Programs – Approx. 2 Hours [RADIO DRAMA]
Broadcaster: BBC Radio 4
Broadcast: Jan. – Feb. 2002

“Who Goes There?”
Based on story by John W. Campbell; Performed by a full cast
1 |MP3| – Approx. 28 Minutes [RADIO DRAMA]
Penned under the name Don A. Stuart, the novelette that this play was based on was first published in the August 1938 issue of Astounding Stories.
An alien being is found frozen in the ice of Antarctica. When it is thawed, it awakens, to become a threat to the small base camp. In fact, it’s a threat to all life on earth, as it can change shape and absorb the life and bodies of every living thing it comes in contact with.

“I Have No Mouth, And I Must Scream”
Based on story by Harlan Ellison; Performed by a full cast
1 |MP3| – Approx. 28 Minutes [RADIO DRAMA]
The Hugo Award winning short story this play was based on first appeared in the March 1968 issue of Worlds Of If.
This is a tale of five people kept alive by AM, a computer that came alive, waged war and won against mankind. It’s hatred of mankind is so profound, that it kept these five alive only to torture them.

“Delta Sly Honey”
Based on story by Lucius Shepard; Performed by a full cast
1 |MP3| – Approx. 28 Minutes [RADIO DRAMA]
First appeared in a 1987 anthology entitled In the Field of Fire, which was a collection of SF and Fantasy stories dealing with Vietnam.
Taking place in the Vietnam War era, this is the story of a Southern country boy who exorcises his demons making late night broadcasts to phantom military units. Then, one answers.

“Corona”
Based on story by Samuel R. Delaney; Performed by a full cast
1 |MP3| – Approx. 28 Minutes [RADIO DRAMA]
First published in Fantasy And Science Fiction Magazine‘s October, 1967 issue.
This is the story of an injured man and a girl who seeks death to free her from the pain that comes from her telepathic ability. Their common bond is a pop musician who offers peace to both.

posted by Jesse Willis

Review of The Quantum Rose by Catherine Asaro

The Quantum Rose
By Catherine Asaro, read by Anna Fields
1 CD (MP3) – 13 ½ hours [UNABRIDGED]
Publisher: Blackstone Audiobooks
Published: 2004
ISBN: 0786186232
Themes: / Science fiction / Fantasy / Romance / Space opera / Telepathy /

I’ve always been a big fan of math. I like the chumminess of commuting, associating, and distributing; the edginess of integrating by parts; and the sharp antiseptic sting of differentiating exponentials. In The Quantum Rose, Catherine Asaro brings the robust methodology of a table of cosines to romantic space opera. Like a seasoned mathematics professor, she begins by defining the variables: A fantastically beautiful heroine; her strong, handsome but brutish betrothed; and a mysterious stranger who takes a sudden interest in the heroine. She then lays out the equations for us: fear, mutual need, and strange loyalty between her and the betrothed; fear, mistrust, sexual attraction, and a hidden wound that must be healed between her and the stranger. From there, she manipulates the terms using standard algebraic operations such as nudity, well-meaning ignorance, revenge, treachery, self-sacrifice for the greater good, declarations of undying love, and first time sex so amazing it humbles those of us with decades of experience.

Asaro’s story-solving skills are honed to such an atom-splitting edge that only halfway through the book, she derives the main quantity of interest: True love. Not satisfied with so straightforward a proof, however, she dashes diligently on to lead us through a desperate, if leisurely (and admirably bloodless), rescue of an exiled royal family halfway across the galaxy. It’s all quite rigorous.

Never does Asaro skip a step. In fact, for the elucidation of the reader, she will often review a step several times to ensure we’ve understood each point before moving on to the next. She also provides enlightening chapter headings, which contain both a plain English title and a subtitle composed from quasi-quantum mechanical terms (for those hopelessly muddled by such clever cryptology, I’ll provide a clue: Substitute the word “person” for “particle” in these subtitles, and you’ll crack the code for over half of them). Thus, we are duly apprised of all developments well before they occur in the text. As a final touch, Asaro has defined most of the significant variables to be empaths or telepaths, which means we are never in doubt of what anyone in the story is thinking or feeling unless some misunderstanding is required by the plot.

Anna Fields adds to the proceedings by reading the text out loud for us. As an intriguing counterpoint to Asaro’s linear clarity, Fields adds a note of mystery by using female character voices that are quite similar to one another and by occasionally using the voice of one lead male to deliver the dialog spoken by another. The drunken mutter she maintains for the most prominent male throughout the entire length of the book also tends to soften the hard edges of understanding that sometimes seem too prominent for comfort.

The most exciting aspect of this audio book, however, is the medium it is recorded on. That MP3 technology allows nearly 14 hours of spoken text to be recorded on a single, handy CD is like a divine response to listeners’ prayers. There is only one nicely packaged jewel box to open–no snarling tapes nor floppy CD sleeves that produce obligingly but accept only grudgingly, the sound quality is excellent, and the production is clean. Maybe someday I will have the opportunity to actually enjoy an audio book in this format.

Posted by Kurt Dietz

Review of Inside Man by H.L. Gold

Inside Man
By H.L. Gold; Read by William Mills, Sam Gartner and
Roxanne Mills
1 MP3 File – Approx. 32 Minutes [ABRIDGED]
Publisher: Renaissance E Books / REB Audio
Published: 2005
Themes: / Science Fiction / Humor / Empathy / Telepathy / Psychology / Domesticity /

Why would Lester Shay need anything new to occupy his mind? He is a newlywed of just 3 months! But, when you can’t shut out the pained emotions and feelings of the machines with which you live, even a passionate young bride isn’t quite enough!

First published in the October 1965 issue of Galaxy magazine, the 15th Anniversary issue, Inside Man garner a Nebula nomination for best science fiction short story of the year. But despite the nomination this is, by no means, a classic of the genre. Horace Gold was a far better editor than he was a writer. Despite the caveats this is a well produced multiple voice reading of the exact sort of story that appeared in Galaxy magazine under Gold’s editorial reign. Funny and original. And though hearing the mid-twentieth century values voiced today seem at best rather quaint, this short story still yields an interesting twist. The readers’ voices are clear and this a relatively straightforward and professional production. The highlight for me though is actually the three minute biographical and historical introduction to the story written by Jean Marie Stine. It is always a good idea to place an older story in its context. But I must say the spacey music that accompanies the introduction doesn’t actually improve it. Inside Man is available now as a high quality MP3 through Fictionwise.com.

Posted by Jesse Willis

Review of The Worthing Saga By Orson Scott Card

The Worthing Saga
By Orson Scott Card; Read by Scott Brick
Additional Readers: Emily Card, Harlan Ellison, Aaron Johnston, Eric Luke, Corinne Melançon, Stefan Rudnicki, and Orson Scott Card.
15 CD’s – 18 hours [UNABRIDGED]
Publisher: Blackstone Audio
ISBN: 0786181869
Themes: Science Fiction / Pain / Organization and Destruction / Telepathy / Space Travel

“If you try to eliminate the pain from your life, you destroy all hope of pleasure too.” This is from the character Stipock, and summarizes the main theme of the story. Like C.S. Lewis’ The Problem of Pain, Card’s work makes an interesting argument for the function of pain in our lives. Mr. Card effectively tears us from the safe, innocent comfort of Eden into an existence filled with overwhelming pain and genuine joy.

Like the author’s tales of Alvin Maker, this story explores tensions between forces that create and forces that destroy. It unfolds as a world previously spared suffering is allowed to experience pain and loss. Jason and Justice come to Flat Harbor for Lared, a boy who would write for them the story of how people had come to be spared suffering, and why that protection ended on the Day of Pain. It highlights the importance of human attachments and the destruction that comes from a society in which human relationships are sacrificed for more self-serving interests.

It had been a few years since I read the book in print, and I’d forgotten how good it is. The book is an interesting mix of stories, and like Hoom’s boats, Mr. Card fits them together “tight as a barrel”. It’s a gripping story, and after following the climax and denouement you realize, “wait, I’m only two-thirds of the way through the book!” The story of Jason and Lared ends there, but the book includes a number of stories of people living their lives in the worlds presented in The Worthing Saga. Even though the book is decades old, it could pass for being written this year. Technology advances but relationships and moral dilemmas are timeless, and both are Mr. Card’s stock in trade.

Scott Brick does a great job on the audio. I enjoyed his voice without being unduly distracted by it. Others read the later stories. None of them are unpleasant, and one of them added a great deal of personality to the story by sounding more like Jeff Foxworthy than Leonard Nimoy. Orson Scott Card himself read the introduction.

posted by Mike