telepathy – Page 11

Review of The Standards of Creation by James Campanella

SFFaudio Review

The Standards of Creation
By James Campanella; Read by James Campanella
MP3 Download – Approx 16.5 hours – [UNABRIDGED]
Publisher: Uvula Audio
Published: 2008
Themes: / Science Fiction / Mars / cybernetics / aliens / telepathy / genetic manipulation /

J.J. Campanella is perhaps best known in audio circles as a frequent narrator on StarShipSofa, which is where I first encountered him. His website, Uvula Audio, features Campanella’s narration of a wide variety of audiobooks ranging from L. Frank Baum to Doc Savage to P.G. Wodehouse. It does not take long to discover that narration is indeed a skill at which Campanella is expert. He handles foreign accents and different voices with an ease that makes it easy for the listener to visualize each speaker.

What is easy to miss, perhaps, is that Campanella’s own written work, The Standards of Creation, is included among the archived files. This is a shame as Campanella has written a fast-paced, multi-layered book that combines the best of action thrillers and science fiction. It definitely deserves to be noticed by more people.

Just a few of the elements woven into the story include:

• Martian colonies of Chinese and Americans, each hiding their secrets while trying to discover those of the other.

• Yarrow Hayes, a Nobel Prize winning biologist born and raised on Mars, who ironically is dying of an incurable disease.

• Alex Arodyne, a young scientific genius whose cynical outlooks threatens to cripple his promise.

• Belle, an undercover NATO agent whose cybernetic enhancements give her unparalleled skills but carry with them a price that lead her to take surprising steps.

• Who are Gabe and his mysterious boss? Is he really an alien using telepathy to speak to Alex in his dreams?

• What is the mysterious alien ship voyaging through the solar system?

• Just what are the standards of creation? How will they change the lives of each person in the story?

All this is set against a background containing some of the most classic science fiction elements: terraforming on Mars, life in the Martian colony, biological scientific development in the future such as the different versions of the cloned NATO officers, and an alien device that looks like a huge black marble silently making its way toward the sun while scientists struggle to communicate. All of this is laced with characters in impossible situations for which there is seemingly no solution.

Above all this is a book of secrets. Every person and every situation has at least one secret beyond those that we think have been revealed. This leads to an indepth look at free will and personal responsibility that both surprisd and delighted me.

I am not even including some of the subplots involving drug trafficking or an order of priests with a surprising yet practical hidden agenda. It might sound as if there is too much crammed into the story to make a good book. However, Campanella handles the many elements with ease to provide us with a truly original novel that is not only thought provoking but which also hearkens back to the times when science fiction included real science. We hope that his future endeavors branch out again from narration to include more novels such as this one.

Posted by Julie D.

Review of Dr. Bloodmoney by Philip K. Dick

SFFaudio Review

Dr. Bloodmoney, or How We Got Along After the Bomb
By Philip K. Dick; Read by Tom Weiner
7 CD – 8.5 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2008
ISBN: 9781433245503
Themes: / Science Fiction / Telepathy / Post Apocalypse / Nuclear War / Satellites / Psychokinesis / California /

Philip Dick’s post-nuclear-holocaust masterpiece presents a mesmerizing vision of a world transformed, where technology has reverted back to the nineteenth century, animals have developed speech and language, and humans must deal with both physical mutations and the psychological repercussions of the disaster they have caused. The book is filled with a host of Dick’s most memorable characters: Hoppy Harrington, a deformed mutant with telekinetic powers; Walt Dangerfield, a selfless disc jockey stranded in a satellite circling the globe; Dr. Bluthgeld, the megalomaniac physicist largely responsible for the decimated state of the world; and Stuart McConchie and Bonnie Keller, two unremarkable people bent the survival of goodness in a world devastated by evil. Epic and alluring, Dr. Bloodmoney brilliantly depicts Dick’s undying hope in humanity.

The subtitle, of Dr. Bloodmoney is or How We Got Along After the Bomb, the idea for it came from the original publisher (ACE Books) who wanted to capitalize on the subtitle of the movie Dr. Strangelove. I can almost see it too. For me, this wasn’t Philip K. dick’s best novel. But, if you liked his best novel, you’ll like this one. I did. The thing is, no matter which one of Dick’s novels is your favourite, Doctor Bloodmoney will remind you of it – if only for the author’s voice. Dick, more than with any other emotion, writes with sympathy. You feel for his characters, their petty goals, their yearnings, their little prejudices. The plot on this one is almost unimportant, it’s also hard to sum up in a sentence, but I’ll try: A radio repairman with no limbs (due to phocomelia) has superpowers, which he uses to predict/cause WWIII, then becomes ultra-powerful as a big fish in a small pond.

The rule about writing what you know is more difficult in Science Fiction. Nobody’s been to Mars yet. Nobody has met an alien. But you can clearly see what Dick knows showing up on the pages of his SF novels. When he wrote Dr. Bloodmoney he was really into Jungian and Freudian analysis, he was reading Of Human Bondage and was probably an avid mushroom picker. The plot doesn’t really matter as this is a situation with a set of Dickian characters. What stands out, what will remain in my memory are the scenes, characters interacting with each other and themselves. Thinking their thoughts, acting their acts. When we meet the title character, Bruno Bluthgeld, for the second time later in the book, (he’s not the star), he’s showing off his talking sheep dog to a little girl. She asks to hear the dog speak. It does, and the tears came to my eyes. When Stuart McConchie goes into San Fransisco he parks his horse only to come back and find it eaten by the city’s underclass. It really is all there: The salesmen, the repairmen, the cheating wives, the murderous children and the sympathetic animals. Everything we expect from a Dick tale.

Blackstone Audio narrator Tom Weiner is fast becoming a new favourite. His natural timbre is basso but he can do a lot with it. Performance is the key, everybody gets a voice of their own. In this novel that’s especially necessary as there are more than a dozen characters sharing the plot and dialogue. Blackstone has more Dick headed to audiobook too. The Man In The High Castle has already been released. Ubik is winging it’s way to us right now and Flow My Tears, The Policeman Said, Valis, The Three Stigmata of Palmer Eldritch should be released over the next few months. We are living in very Dickian times my friends.

Posted by Jesse Willis

Review of Now and Forever by Ray Bradbury

SFFaudio Review

Now and Forever
By Ray Bradbury; Read by Paul Hecht
4 CDs – 4.75 hours – [UNABRIDGED]
Publisher: Recorded Books
Published: 2008
ISBN: 9781428198258
Themes: / Fantasy / Collection / Novella / Small town / Nostalgia / Starship / Aliens / Telepathy /

In some ways the most interesting part of the two novellas that make up this book are Ray Bradbury’s introductions. He explains that both “Somewhere the Band is Playing” and “Leviathan ‘99” have their origins in his long ago days as a Hollywood screenwriter. These explanations hang on in the listener’s mind and provide insights and color for the stories that follow.

“Somewhere the Band is Playing” evokes the memories of the idyllic towns that Bradbury loves to write about, a la “Mars is Heaven” in The Martian Chronicles. One wonders if this bucolic turn-of-the-20th-century setting has its roots in his own youth in Waukegan, Illinois. The story is told by James Cardiff, a reporter who awakens one morning mysteriously drawn to Summerton, Arizona, which does not appear on the map although the train stops there. As he explores the town he finds it is full of mysteries that seemingly defy explanation such as adult inhabitants, but no children; a graveyard, but no dates of death on the tombstones. This story gently invites the listener to consider questions of immortality, paradise, and the consequences of our choices.

Moby Dick was the inspiration for “Leviathan ‘99”. In Bradbury’s tale, the white whale has become a huge comet, Ishmael is a young astronaut, Queequeg is a mind-reading alien, and Captain Ahab a nameless starship captain who is madly pursuing his nemesis after their original encounter left him blind. Ray Bradbury is known for his love of words which comes through strongly in in the Shakespearean-like soliloquies through which The Captain shows his descent into madness. I especially liked the use of Quell the mind-reader to show us The Captain’s true frame of mind when he was elsewhere. Even the reader who has barely a speaking acquaintance with Moby Dick will appreciate the parallels that Bradbury employs and thrill to the question of how he will choose to end the story.

Neither of these stories has the depth of Ray Bradbury’s great works such as Something Evil This Way Comes or Fahrenheit 451. However, they are novellas and perhaps it may be better to compare them to his short stories. On a first listening, they left me rather flat, wondering, “Is that all there is?” However, further contemplation made it obvious that there is a common theme of man’s blindness, the wonders that are just within reach, and the consequences of our choices. I would not recommend these as a first outing for someone who hasn’t read Bradbury before but to the reader who already appreciates this author, they have much to recommend them.

Paul Hecht’s narration is perfect and his ability to voice characters is exceptional. It is a mystery to me how such a deep voice can portray a woman so well without using falsetto or sounding ridiculous but Hecht does it with little effort. His characters spring to life within the listener’s mind and add depth to the story.

Highly recommended for those who enjoy Ray Bradbury’s writing.

Posted by Julie D.

ed. – This is our first review of an audiobook from the new Sci-Fi imprint from Recorded Books. Click here for a look of what’s coming up from this imprint, which is shaping up to be a fine selection from the literary end of science fiction and fantasy.

Review of The Ghost Brigades by John Scalzi

SFFaudio Review

The Ghost Brigades
By John Scalzi; Read by William Dufris
Audible Download – 10 Hours 28 Minutes [UNABRIDGED]
Publisher: Macmillan Audio / Audible.com
Published: March 2008
Themes: / Science Fiction / Military SF / War / Telepathy / Space Travel / Galactic Civilization / Consciousness Uploading / Colonization /

The Ghost Brigades are the Special Forces of the Colonial Defense Forces, elite troops created from the DNA of the dead and turned into the perfect soldiers for the CDF’s toughest operations. They’re young, they’re fast and strong, and they’re totally without normal human qualms. For the universe is a dangerous place for humanity – and it’s about to become far more dangerous. Three races that humans have clashed with before have allied to halt our expansion into space. Their linchpin: the turncoat military scientist Charles Boutin, who knows the CDF’s biggest military secrets. To prevail, the CDF most find out why Boutin did what he did.

The Colonial Defense Forces brass have stumbled upon a device containing a copy of the consciousness of one of their foremost research scientists. In order to find out what he knows they’ll embody him in a genetically modified clone body – and name that being Jared Dirac. But when the transfer happens Dirac doesn’t seem to have the memories he’s supposed to – and so Dirac is enlisted in the Special Forces (AKA the “Ghost Brigades”) only to eventually become involved in a search for his missing progenitor.

The Ghost Brigades is a thoughtful extension of the ideas created in Old Man’s War. I’m of two minds on series books, I understand the appeal – you get more of what you liked – but the drawbacks are usually the exact same thing – you get more of the same and thus fewer new ideas! But, on the other hand you do get more of the same feeling. Scalzi’s writing style is streamlined, efficient and good humored. I really zipped through The Ghost Brigades too, it took the space of three days or so. One thing that lessened my enthusiasm was the perspectival change. In Old Man’s War we follow one character’s first person POV from beginning to end. Whereas in The Ghost Brigades the closest we get to a central character is Jared Dirac, who occupies about three fifths of the POV. The rest is either Jean Sagan (a memorable character from OMW) or various minor characters. Still, there are plenty of interesting curly-cues coming off of the ideas established in OMW. The Gameron’s (a group of purpose built space-faring soldiers) and the various aliens and villains all have interesting things to say. Also welcome are the speculations on the nature of consciousness and memory as well as more on everybody’s favorite piece of future tech – the “BrainPal”! The BrainPal, I am certain, is something Scalzi will be forever remembered for. Beyond the central plot, which involves two BrainPal researchers, one human, one not, there is the classic ‘galactic human empire at constant war’ motif. It’s cool.

During the listening I was reminded of a pen and paper RPG in the space adventures game I made after reading Starship Troopers and The Forever War in the 1980s. The missions the CDF-SF soldiers undertook in The Ghost Brigades could have come from one of the “modules” I made (I was pretty proud of that stuff so think of it as a serious compliment). As the novel progressed I came to like the ideas of The Ghost Brigades more and more, especially those espoused by a traitor to humanity – giving a very noir spin to the common thread connecting the universes of Starship Troopers, The Forever War and Old Man’s War. If you loved Old Man’s War you’ll definitely like The Ghost Brigades.

One of the coolest parts of the book came in a speech about one of the alien species – Scalzi takes the David Brin “uplift” idea and mixes in a little Daniel Dennett – namely Dennet’s brilliant reply to John Searle’s Chinese Room Argument (a thought experiment on artificial intelligence) – to terrificly thoughtful effect. Scalzi’s philosophy degree pays off yet again!

Narrator William Dufris reprises his SFFaudio Essential reading duties with this, the second Scalzi novel to be audiobook’d. Dufris has a secret weapon, he’ll sneak up on you – delivering simple lines in ways you might not have if you picked up in the paperbook and read it aloud for a friend. He’s reading all the words, but he’s performing the characters. His experience in the reading OMW contributes to the continuity of pronunciation and line delivery. I hope Macmillan Audio will consider Dufris when audiobooking some of Scalzi’s non-series novels too.

*And remember folks, after listening to The Ghost Brigades you can pick up the FREE AUDIOBOOK of The Sagan Diary HERE.

Posted by Jesse Willis

Brain Twister by Mark Phillips

SFFaudio Online Audio

Maureen O’Brien of the Maria Lectrix podcast, has finished up a very cool sounding novel called Brain Twister. The author, Mark Phillips, “marries SF adventure with slapstick comedy” in what ended up being a Hugo Award nominated novel (it lost to Robert A. Heinlein’s Starship Troopers.

Astounding Science Fiction Magazine September 1959 That Sweet Little Old Lady by Mark Phillips

“Hmmmm…. Mark Phillips? Who’s that?” you ask.

Well, Mark Phillips was the pseudonym used for SF collaborations between Randall Garrett and Laurence M. Janifer. As Mark Phillips, Garrett and Janifer produced three SF novels featuring FBI agent Kenneth J. Malone. The stories originally appeared in slightly shorter versions in Astounding Science Fiction magazine, edited by John W. Campbell, in the late 1950s and early 1960s. In fact, the first novel, Brain Twister (AKA That Sweet Little Old Lady) made the cover of the September 1959 issue (pictured above) and had several wonderful internal illustrations too HERE, HERE, HERE, HERE, HERE, HERE, HERE, HERE, and HERE (all of the pics and the text can be found at Project Gutneberg HERE). Have a listen after you have a look…

Brain Twister
By Mark Phillips; Read by Maureen O’Brien
13 MP3 Files – Approx. 5 Hours [UNABRIDGED]
Podcaster: Maria Lectrix
Podcast: 2007
Agent Malone, FBI, is charged with investigating leaks in a secret government program. For assistance, he recruits a powerful psi from a mental institution who believes she is Queen Elizabeth I of England. The problem is, she may be right.

Download the complete and unabridged audiobook HERE. Or subscribe to Maureen’s Science Fiction podcast feed:

http://marialectrix.wordpress.com/category/fiction/science-fiction/feed/

Posted by Jesse Willis

Review of A Galaxy Trilogy: Volume 1 by Poul Anderson, George H. Smith and Stanton A. Coblentz

SFFaudio Review

A Galaxy Trilogy: Volume 1
By Poul Anderson, George H. Smith and Stanton A. Coblentz; Read by Tom Weiner
12 CDs – 13.5 Hours [UNABRIDGED]
Publisher: Blackstone Audiobooks
Published: 2007
ISBN: 9781433202255
Themes: / Science Fiction / Politics / War / Aliens / Space Travel / Galactic Civilization / Telepathy /

“Long before Arthur C. Clarke, Ray Bradbury, or Isaac Asimov, there was an earlier generation of dreamers and writers who defined the science-fiction genre, in what today is affectionately known as the pulp era. Heralding back to the early television days of Flash Gordon and the earlier tales of Jules Verne, Bram Stoker, and H. G. Wells, these great science-fiction writers of the 1950s and 1960s included among their ranks such icons as Poul Anderson and the prolific Robert Silverberg, who would write some of the hippest genre literature of its era. Now you can experience this unique moment in genre literature with three exciting, imaginative short novellas from some of the pioneers of pulp science fiction.”

In Star Ways a mysterious plot my be behind the disappearance of a number of ships in the Terran sphere. This is the best of the three short novels in a fun collection. Star Ways posits a familiar ‘nomads in space’ idea and chucks in a plot about some truly totalitarian aliens. This short Science Fiction novel allows us to tag along on an interstellar nomad ship, with fascinating folkways. Also on board thanks to Poul Anderson’s magnetic writing are your regulation intergalactic troubleshooter, a wily space captain, a rustic crew of wanderers, an alien with telepathic powers and even a bit of romance. The tale’s end doesn’t go exactly where you’d expect, and that makes it all the more interesting.

In Druid’s World Adam MacBride is the stiff backbone of a sprawling empire, his Empress is smart but acts dumb, her lover scorns MacBride openly. When the novel begins MacBride has set his mine to retiring home to his fjords and his three wives and only an imminent threat to his beloved fleet and his unwarranted loyalty to his Empire keep him from returning home immediately. This novel is jammed to the rafters with swashbuckling action, ship-to-ship broadsides, many volleys of grapeshot, at least two rebellions and sickle wielding druids. What’s not to love? All these elements swirl about in a swift but realtively simple plot. I love the way this book was written, it’s small but denser than a neutron star. My guess, George H. Smith had just finished reading a stack of history books before sitting down to write this rollicking hodge-podge of science fiction, pre-Roman religion, and 18th century Imperialism. Druid’s World is a scattered but worthy listen – the kind of pulpy material you can crave on dark winter evenings. Druid’s World could happily sit on your audiobook shelf between The Green Odyssey and Star Surgeon. Druid’s World was the first book in Smith’s “Annwn” series and was first published in 1967.

The Day The World Stopped is set in 2020. In it the United States and “Red China” are deep into a new cold war when the testing of some super-weapons that can automate human destruction on an unprecedented scale are nearing the cusp of completion. This tale feels like a combination of The Manchurian Cantidate and The Day The Earth Stood Still. Clearly the worst of the three tales collected in A Galaxy Trilogy I’m sad to say The Day The World Stopped is weighed down by too much hokey dialogue, not enough thought given to pacing or plotting and a “deus ex-machina” ending that makes it feel like a bad Hollywood version of itself. First published in 1968 it was written at the beginning of the tail end of Coblentz’s writing career.

Narrator Tom Weiner lends a gravitas to all three novels, The Day The World Stopped needed it the most, given its weighty dialogue and scene after scene of back-room politics there was dozens of voices to work. The “Omegriconians” especially spoke English with a strange accent, Weiner does his best with it, to little avail. In Druid’s World the admiral MacBride character predominates the thoughts and dialogue of most of the novel. This works out well, Weiner’s got range but his natural growl fits just this kind of character. Star Ways has several strong characters all of which are distinctly rendered. Overall Weiner’s narrative authority elevates what really are three unremarkable pulp adventures into a worthy package.

Posted by Jesse Willis