Subterranean Press – Page 3

The SFFaudio Podcast #058

Podcast

The SFFaudio Podcast #058 – Jesse and Scott talk with John DeNardo from SFSignal.com about Science Fiction books, audiobooks, TV, movies and comics.

Talked about on today’s show:
SFSignal.com, Charles Tan (of the Bibliophile Stalker), books vs. movies, Blade Runner, SFSignal reviews audiobooks, the Warhammer 40K series, Infinivox, Aliens Rule edited by Allan Kaster, James Swallow, the Blake’s 7 audio dramas, Black Library, Dresden Files, Jim Butcher, WWW: Wake by Robert J. Sawyer |READ OUR REVIEW|, Mike Resnick’s Starship series, Orson Scott Card, Theodore Sturgeon, Alastair Reynolds, Hard SF, Pandora’s Star and Judas Unchained by Peter F. Hamilton, Consider Phlebas by Iain M. Banks, The Space Opera Renaissance edited by David G. Hartwell and Kathryn Cramer, The New Space Opera 2 edited by Gardner Dozois and Jonathan Strahan, Isaac Asimov, Martin H. Greenberg, The Science Fiction Hall Of Fame – Volume One, Terminal World by Alastair Reynolds, Tantor Media, steampunk, airships, Deep Navigation by Alastair Reynolds, NESFA Press, Subterranean Press, Phases Of The Moon by Robert Silverberg, “Book Cover Smackdown,” Ender’s Game by Orson Scott Card, Gentlemen Of The Road by Michael Chabon, interior magazine art, The Lifecycle Of Software Objects by Ted Chiang, The Merchant And The Alchemist’s Gate by Ted Chiang, The Story Of Your Life by Ted Chiang, reviewing Science Fiction books, PC Gamer, the philosophy of reviewing, The Turn Of The Screw by Henry James, Star Trek, Doctor Who, deus ex machina, social Science Fiction, Fringe, Eureka, Paul Bishop, Bish’s Beat, Flashforward, Robert J. Sawyer’s episode, Luke Burrage, iO9: Good Character Development Includes The All-Important “F*@% Yeah” Moment, Terry Pratchett Explains Why Doctor Who Is Ludicrous, Frequency, CERN, HBO, True Blood, Dead Until Dark by Charlaine Harris |READ OUR REVIEW|, A Game Of Thrones, Ringworld as an audio drama or a miniseries, V, Shogun, “In the interest of full disclosure”, books received vs. books reviewed, the ethics of reviewing free books, Karen Burnham, Spiral Galaxy Reviewing Laboratory, paranormal romance, Lisa Paitz Spindler, Danger Gal, recent arrivals, The Unincorporated War by Dani Kollin and Eytan Kollin, Brilliance Audio, Cory Doctorow, For The Win, Little Brother, Jesse’s Pick Of The Week: Logicomix: An Epic Search For Truth by Apostolos Doxiadis and Christos Papadimitriou, Bertrand Russell, Ludwig Wittgenstein, Watchmen, Zeus: King Of The Gods by George O’Connor, Scott’s Pick Of The Week: The Polysyllabic Spree by Nick Hornby, About A Boy, Fever Pitch, John’s Pick Of The Week: Terminal World by Alastair Reynolds, We, Robots edited by Allan Kaster, The Complete Drive-In by Joe R. Lansdale.

Posted by Jesse Willis

Subterranean Press: Rude Mechanicals by Kage Baker (PODCAST)

SFFaudio Online Audio

Back in the spring of 2007 Subterranean Press was offering a free audiobook version of SF&F author Kage Baker’s “short novel” Rude Mechanicals. The files are still active and downloadable. Which is cool as the audiobook is read by Mary Robinette Kowal!

Now, thanks to the science of HuffDuffing, there’s a podcast feed for it too!

Rude Mechanicals
By Kage Baker; Read by Mary Robinette Kowal
10 MP3s – Approx. 2 Hours 43 Minutes [UNABRIDGED]
Publisher: Subterranean Press
Published: April 2007
|MP3 Chapter 1|MP3 Chapter 2|MP3 Chapter 3|MP3 Chapter 4|MP3 Chapter 5|MP3 Chapter 6|MP3 Chapter 7|MP3 Chapter 8|MP3 Chapter 9|MP3 Chapter 10|
The year is 1934, the scene is a Wood Near Athens — temporarily relocated to the environs of the Hollywood Bowl, as German theater impresario Max Reinhardt attempts to stage his famous production of Shakespeare’s A Midsummer Night’s Dream. Fortunately for Reinhardt, he has immortal assistance in the person of Literature Specialist Lewis, a cyborg working undercover for Dr. Zeus Incorporated, masters of time travel. Lewis is tasked with preserving Reinhardt’s promptbooks for future Company profits at auction. Unfortunately for Reinhardt, there are complications… For Joseph, Lewis’s fellow cyborg, is on the case as well, attempting to salvage a botched mission of his own. It involves the lost treasure of the Cahuenga Pass, a missing diamond, a third-century pope, burglary, disguises, car chases, and a legendary Hollywood party spot. All of which interact, more or less disastrously, with Lewis’s mission and Reinhardt’s Shakespearean extravaganza. Will the show go on?

Podcast feed:

http://huffduffer.com/jessewillis/tags/rude_mechanicals/rss

iTunes 1-Click |SUBSCRIBE|

posted by Jesse Willis

Review of Posing As People: Three Stories, Three Plays by Orson Scott Card

Posing As People: Three Stories, Three Plays
By Orson Scott Card, Scott Brick, Emily Janice Card, and Aaron Johnson
Performed by 3 FULL CASTS and Various Readers
Limited Edition Hardcover with 4 CDs – 4.5 Hours [UNABRIDGED]
Publisher: Subterranean Press
Published: 2005
ISBN: 1596060158
Themes: / Science Fiction / Love / Time Travel / Psychology / Aliens / Artificial Intelligence /

“Clap Hands and Sing” shows us a lonely — but rich and powerful — old man who has only one wish before he dies: To go back in time and take an opportunity for love that he once let slip by. But what will it do to the young girl who used to love him?

“Lifeloop” pretends to be reality TV twenty-four hours a day. In fact, they’re really actors. But when your character is you, without any break, how exactly do you have a “real” life? And how can a fellow actor tell you that he loves you, when that’s what the script also calls for him to say?

“Sepulchre of Songs” is about a heartbreakingly lovely girl who lost her arms and legs many years ago, and now yearns to be free, not just of the rest home where she lives, but of her body. So is the alien being who wants to trade places with her real or the product of her own imagination? And can her therapist’s growing love for her keep her from fleeing — either into space or the dark recesses of her own mind?

Three Orson Scott Card short science fiction stories and three one-act adaptations of the same comprise the bulk of this limited edition (only 750 were published) hardcover book and audio CD set. Posing As People: Three Stories, Three Plays was released in the wake of the 2004 premiere of the stage play of the same name. Everything found on the four Compact Discs can be found in the paper book – minus the actual aural performances. The paper book also includes a foreword by Card, an introduction to the play “Clap Hands And Sing” by author Scott Brick, an afterword to play “Life Loop” by author Aaron Johnston, an afterword to the play “A Sephulcre of Songs” by author Emily Janice Card, and three afterwords, one for each of the original short stories, by Orson Scott Card.

The CDs of course are the heart of our real interest here at SFFAUDIO. On the CDs, first come the three plays, all multi-actor performances with sound effects – basically exactly what you would have experienced were you sitting in the theater in Los Angeles with your eyes closed. Following the three plays are the original three short stories as read by one individual reader each.

I think the plays all fail to deliver as audio drama. This is not due to any adaptational problems of the play’s adaptors, rather I think it was a mistake not to make the plays video DVDs. Each play was specifically adapted for the stage – and not constructed to work on their own as audio dramas. For instance – there is very little sense of place in the audio of the plays – but there is a great sense of place in the audiobooks that the plays are based on. By simply recording the audio they’ve cut off that sense of space. Thus I think they don’t work on their own as audio dramas. On the other hand, if you saw the original plays in Los Angeles these might adequately allow you to revisit the performances.

All three adaptations, or what I experienced of them, are very well performed and the sound effects are used to good effect but the true power of the stories doesn’t materialize without the visual component. Contrarywise, the readings of the original short stories all work perfectly. The original text is very evocative visually, and provide a emotional richness lacking in the soundtrack to the three plays. That said, some work better than others. “Lifeloop” is the best of the three plays as it the most talky of the dramatizations. Of the unabridge short story readings “A Sephulcre Of Songs” works best, narrator Robert Forster reads with a poignant sadness that is truly heart-rending. The only drawback is there is a slight hiss in this particular recording.

The Plays:
“Clap Hands And Sing”
By Scott Brick, based on the Short story by Orson Scott Card; Directed by Orson Scott Card
Lawyer 1 — Eric Artell
Lawyer 2 — Sara Ellis
Sportscaster — Lara Schwartzberg
Lucy Host — Sara Ellis
Ronco Pitchperson — Victoria Von Roth
News Anchor — Kelly Lohman
Charlie — Stefan Rudnicki
Jock — Scott Brick
Rachel Carpenter — Emily Janice Card
Mrs. Carpenter — Victoria Von Roth

“Lifeloop”
By Aaron Johnston, based on the Short story by Orson Scott Card; Directed by Orson Scott Card
Aaron Handully — Lara Schwartzberg
Felice — Kelly Lohman
Hamilton — Eric Artell
Truiff — Victoria Von Roth
Technician — Scott Brick

“A Sepulchre Of Songs”
By Emily Janice Card, based on the Short story by Orson Scott Card; Directed by Orson Scott Card
Therapist — Kirby Heyborne
April — Kelly Lohman
Elaine — Emily Janice Card
Doug — Eric Artell
Wallace — Stefan Rudnicki
Becky — Lara Schwartzberg

The Stories:
“Clap Hands And Sing”
By Orson Scott Card; Read by Scott Brick

“Lifeloop”
By Orson Scott Card; Read by Emily Janice Card

“A Sepulchre Of Songs”
By Orson Scott Card; Read by Robert Forster

Posted by Jesse Willis