The SFFaudio Podcast #049

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #049 – Jesse and Scott talk about recent arrivals, new releases, audiobooks, podcasts and plenty more!

Talked about on today’s show:
SFFaudio.com is 7 years old, So I Married An Axe Murder, San Fransisco, California, Alcatraz, recent arrivals, Brilliance Audio, military SF, Fearless: The Lost Fleet Book 2 by Jack Campbell, space opera, Gene Roddenberry‘s Andromeda, Buck Rogers, Live Free or Die: book 1 in the Troy Rising series by John Ringo, Paperback Digital, Cally’s War by John Ringo and Julie Cochrane |READ OUR REVIEW|, John Ringo can give his books away and sell books too, Time’s Eye: A Time Odyssey Book 1 by Arthur C. Clarke and Stephen Baxter, it’s not a sequel it’s an “othrquel“, time is orthogonal to space (in relativity theory), Childhood’s End by Arthur C. Clarke, benevolent aliens, malevolent aliens, H.P. Lovecraft, The Eternal Wall by Raymond Z. Gallun, LibriVox, Gregg Margarite, time travel, Blackstone Audio, Identity Theft by Robert J. Sawyer, Mars, consciousness uploading/downloading, Treason by Orson Scott Card, A Planet Called Treason by Orson Scott Card, Stefan Rudnicki, Spider Robinson, Melancholy Elephants by Spider Robinson |READ OUR REVIEW|, copyright, copyfight, the philosophy of art, The Graveyard Book |READ OUR REVIEW|, The Jungle Book by Rudyard Kipling, Harry Potter, The Dark Is Rising, A Wizard Of Earthsea by Ursula K. Le Guin, ripping off Heinlein is legit when you are Spider Robinson, Friday by Robert A. Heinlein, new releases, Wonder Audio, The Men Return & Worlds Of Origin by Jack Vance, Brilliance Audio, The Songs Of Dying Earth: Stories In Honor Of Jack Vance, Gene Wolfe, The Book Of The New Sun by Gene Wolfe, David D. Levine, Tk’Tk’Tk’ by David D. Levine, The Moon Moth by Jack Vance |READ OUR REVIEW|, Suldrun’s Garden, The Green Pearl, Madouc by Jack Vance, Swimming Kangaroo Books, Need For Magic by Joseph Swope, BBC Audiobooks America, Great Classic Science Fiction: Eight Unabridged Stories, Forgotten Classics podcast talks James Gunn’s The Road To Science Fiction series, paperback book bags, A Game Of Thrones coming to HBO, A Game Of Thrones by George R.R. Martin |READ OUR REVIEW|, Roy Dotrice, John Lee, Shogun (the TV miniseries), FlashForward, Stephen King’s Storm Of The Century, 1408, Scott’s Pick Of The Week: Steve, The First by Matt Watts |READ OUR REVIEW|, @ the CBC store, radio drama, post apocalypse, humor, Canadia: 2056 |READ OUR REVIEW|, The Hitch-hiker’s Guide To The Galaxy, Jesse’s Pick Of The Week: The Chronicles Of Solomon Kane, Roy Thomas, Howard Chaykin, Robert E. Howard, The Iliad, Ralph Macchio, Red Shadows by Robert E. Howard, religion, Solomon Kane, The Punisher.

Posted by Jesse Willis

Review of Ur by Stephen King

SFFaudio Review

Here’s the latest in our 7th Anniversary Festival of Short Stories!

Science Fiction Audiobook - Ur by Stephen KingUR
By Stephen King; Read by Holter Graham
2 Hours, 20 Minutes – [UNABRIDGED]
Publisher: Simon and Schuster Audio
Published: 2010
Themes: / Science Fiction / Time Travel / Multiple Universes / Books / Kindle /

When this story first came out, it was available exclusively for the Kindle, and King made the Kindle itself one of the main characters. A special, one-of-a-kind Kindle, of course, that lets the user flip through universes picking books that brilliant writers wrote in parts of their lives that didn’t exist in this universe. Ernest Hemingway, for example, lived a few years longer in one universe (in one UR, as they are called in the story), and wrote a novel or two more. This description feels a bit like Joe Haldeman’s “The Hemingway Hoax”, and the main character is tempted to take the story in that very direction, but doesn’t. Instead, he reads and reads for his own pleasure. Things don’t get really complicated until he uses his Kindle to take a look at our UR.

I love me some Stephen King, and this is a pretty good science fiction story. It doesn’t offer anything new to the pervasive (and tiresome) “multiple universe” sub-genre, except this is Stephen King writing it, and I like the people he writes about. It’s extremely well-narrated, too, by Holter Graham.

|HERE| is a very cool promo page from Simon and Schuster that contains an excerpt of the audiobook and an interview with Holter Graham.

Posted by Scott D. Danielson

Audiobook DJ: Public Allan Poe

SFFaudio News

Audiobook DJBrian Price, of Great Northern Audio, has written an essay over on the Audiobook DJ blog entitled Public Allan Poe. In it Price discusses the ubiquity of audio dramatizations and audiobooks based on the fiction of Edgar Allan Poe. His thesis seems to be that because Edgar Allan Poe stories are such a hot property and don’t have any licensing costs associated with them that producers of modern AD based on original scripts are finding it hard to compete. Sez Price:

“From the independent audiobook writer/producer vantage point the public domain is tough to compete against. If I write, produce and try to distribute an original piece and a perspective buyer goes on-line and sees my title and then sees The Tell-Tale Heart he or she is 90 percent of the time going to buy what they’ve heard of. New writers have a hard enough time battling the likes of Stephen King without fighting his Uncle Edgar, as well.

He’s right, of course, but it isn’t all thorns and tears. Price also points out how good most of those adaptations are. One thing he doesn’t consider is that for every version some audio producer creates of an Read the whole essay |HERE|.

Posted by Jesse Willis

BBC R7: Chandler, Daly, Wells, Matheson, King!

SFFaudio Online Audio

BBC Radio 7 - BBC7The coming week on BBC Radio 7 is chock full of must listen content. These are all re-runs so you’ve probably heard at least one or two of them before. Myself, I’m most excited about hearing Anton Lesser’s reading of the Wells story. I’ve only known his work in one series, that FALCO radio drama series I’m always telling everyone about. Also, this 1970s by Wally K. Daly “Scream” series could be good. I’ll check it out, as this week sees its first two (of three) stories airing. Likely next week will see the rebroadcast of the final chapter. So which of these draws your interest?

BBC Radio Collection - The Little Sister by Raymond ChandlerThe Little Sister
Based on the novel by Raymond Chandler; Performed by a full cast
1 Broadcast – Approx. 90 Minutes [RADIO DRAMA]
Broadcaster: BBC Radio 7
Broadcast: Saturday at 1pm and 1am
The search for a missing man deepens into an investigation of several brutal murders. Philip Marlowe’s enquiries take him to a Hollywood film set where he wonders which of the suspects is putting on the best performance. Ed Bishop stars as Raymond Chandler’s quick-witted, sharp-talking private eye in a 1977 production dramatised by Bill Morrison and produced by John Tydeman.

Before The Screaming Begins
By Wally K. Daly; Performed by a full cast
3 Broadcasts – [RADIO DRAMA]
Broadcaster: BBC Radio 7
Broadcast: Monday to Wednesday at 6pm and Midnight
When Tom Harris is abducted by aliens whilst celebrating his wedding anniversary, the police are understandably sceptical of his wife’s account. But the disappearances continue. Stars
Hannah Gordon, James Laurenson, Patrick Troughton, Jennifer Piercey and Robert Trotter, First broadcast in 1978.

The Silent Scream
By Wally K. Daly; Performed by a full cast
2 Broadcast – [RADIO DRAMA]
Broadcaster: BBC Radio 7
Broadcast: Thursday and Friday at 6pm and Midnight
James Laurenson returns as Tom Harris in the sequel to Before The Screaming Begins. The threat from the aliens increases. First broadcast in 1979. Martin Jenkins production co-stars Hannah Gordon, Donald Hewlett and Colin Douglas.

BBC Radio 7 - Fantastic JourneysFantastic Journeys: The Door In The Wall
By H.G. Wells; Read by Anton Lesser
1 Broadcast – [UNABRIDGED?]
Broadcaster: BBC Radio 7
Broadcast: Saturday at 6.30 pm and 00.30am
On the eve of great success in public life, Lionel Wallace is troubled by the vision of a lost childhood paradise behind a mysterious door in a wall. Will he concentrate on his career – or succumb to the temptation to pursue this vanished world? First heard earlier this year (2009). The first of a five part series of short stories.

Duel by Richard MathesonDuel
By Richard Matheson; Read by Nathan Osgood
1 Broadcast – Approx 20 Minutes [UNABRIDGED]
Broadcaster: BBC 7 / 7th Dimension
Broadcast: Saturday at 6.30pm and 12.30am
“Driving to San Francisco, a businessman finds himself the victim of a deadly game being played by the driver of a huge, mysterious truck. Later to become Steven Spielberg’s classic 1971 film.” Previously broadcast in 2006 and 2007.

I Am Legend
By Richard Matheson; Read by Angus McInnes
9 Broadcasts – approx 5 Hours [UNABRIDGED?]
Broadcaster: BBC Radio 7
Broadcast: Monday to Friday at 6.30pm and 00.30am
“Taking place in New York, it’s a tale of vampires and a man immune to the plague that has decimated most of the population.” Adapted by Scott Stainton Miller.Produced by Eilidh McCreadie. Previously broadcast in 2006 and 2007.

Rita Hayworth And The Shawshank Redemption by Stephen KingRita Hayworth And The Shawshank Redemption
By Stephen King; Read by Clarke Peters
5 Broadcasts – [UNABRIDGED?]
Broadcaster: BBC Radio 7
Broadcast: Monday to Friday at 1.30pm, 8.30pm and 1.30am
In a brutal American prison, wrongly-convicted Andy Dufresne develops an ingenious method of survival – and conceives an even more resourceful plan of escape. This was the story that inspired the film The Shawshank Redemption.

Posted by Jesse Willis

Review of Desperation by Stephen King

SFFaudio Review

Desperation by Stephen KingDesperation
By Stephen King; Read by Kathy Bates
8 CDs – 9 hours – [ABRIDGED]
Publisher: Penguin Audio
Published: 2009 (reissue from 1996)
ISBN: 9780143143895
Themes: / Horror / Possession / Small town / Spirits / God / Writers /

I had high hopes for Stephen King’s Desperation (small band of people held captive in a demon-haunted mining town, breaking loose to battle possessed corpses, scorpions, and wolves—what’s not to like?), but alas, it failed to deliver on its intriguing premise. I’d give it an above average 3 ½ out of 5 stars. It contains some interesting ideas and is worth a read, but is not in the class of King’s best works.

Desperation contains some effective action sequences and the usual dollop of King-ian gross-out horror scenes, though there’s little actual frightening stuff in here. The book walks a hazy middle ground between a straight-up horror story and an examination of the nature of faith and the personage of God, and at least (for me) never really succeeds with either objective.

The basic problem I had with Desperation is that it contains no memorable or even particularly likeable personalities. The closest we get to a main character is John Edward Marinville, a pretty obvious stand-in for King himself (Johnny is a graying popular writer and member of the Baby Boomer generation whose career is starting to flag, and embarks on a cross-country motorcycle trip to attempt to find inspiration for his next novel. Which is apparently identical to how King arrived at the idea for Desperation). But after his introduction Johnny gets placed on the back burner as King juggles a bunch of other introductions, and we don’t learn what makes him tick until the book is nearly through.

I will give King some benefit of the doubt as the Penguin audio book I listened to for this review was abridged, and King’s original text is cruelly slashed. It’s apparent that some character development was left on the Penguin cutting room floor. The audio version is (somewhat) saved by narrator Kathy Bates of Misery fame, who does a fine job as the reader.

The rest of the characters are your standard cast of interchangables, save for David Carver, an 11-year-old boy who is able to communicate directly with God. King was certainly ambitious with Desperation: Like he did with The Stand, King inserts God directly into this book. He also spends some time exploring the nature of God through David’s struggle to reconcile a being that is supposedly all-knowing and all good, but is also cruel and demands borderline unbearable sacrifices of his worshipers here on earth. In the cruelest act of all, King writes, sometimes God lets His broken and suffering people live.

Opposing our band of heroes is the demon Tak, an evil spirit penned up in a 19th century mine—the China Pit—located on the outskirts of the small, secluded town of Desperation, Nevada. Tak is freed when a modern-day mining company accidentally unearths the ancient shaft. There’s an old legend in Desperation that a group of Chinese miners were buried alive in the mine after the shaft caved in, and the white miners outside sealed them in, alive, after deciding a rescue was too risky. In another weakness of the book, it’s not apparent whether the Chinese had stumbled onto Tak, or whether he was summoned by the curses of the dying, vengeful workers trapped inside.

Tak has the ability to inhabit the bodies of his victims, and he uses his hosts to embark on a murderous rampage that wipes out nearly the entire population of Desperation. Last of all Tak takes possession of Collie Entragian, the hulking town sheriff, and using his body and his cruiser rides up and down Highway 50 snaring unwitting hostages one by one.

Entragian/Tak locks his hostages in the Desperation town jail for use as human hosts (demon-possessed bodies wear out rather quickly and gruesomely, we learn). But spurred on by a vision from God, David manages to squirm through the bars of his cell and free the group. The rest of the book follows David as he accepts God’s command to defeat Tak. But first he has to overcome the group’s skepticism of God and his own shaken faith, which is cruelly tested again and again.

The middle of the book is a rather uninspired, drawn-out sequence of the group holed up in Desperation’s movie theatre. The book ends in a final showdown at the China Pit as the survivors attempt to seal the shaft. I wanted to see more of the inside of the mine, which seemed to have lots of potential as a set-piece, but the book ends rather abruptly.

I’d be remiss if I didn’t mention a scene in which Johnny/King shouts out, “God forgive me, I hate critics!” before detonating a cache of explosives. I have to believe that King wrote the scene with a big grin on his face, and I certainly got a laugh out of it, even though I’m likely among the critics for which King has little use.

Posted by Brian Murphy

Review of Thinner by Stephen King

SFFaudio Review

Thinner by Stephen KingThinner
By Stephen King; Read by Joe Mantegna
9 CDs – 10 Hours [UNABRIDGED]
Publisher: Penguin Audio
Published: 2009 (reissue from 1984)
ISBN: 9780143143901
Themes: / Fantasy / Horror / Gypsies / Curses / Magic /

I put off reading Stephen King’s Thinner for the better part of two decades. The dust jacket description—lawyer runs down gypsy and is cursed to become, well, thinner—seemed like a decent short story stretched out into a novel. The premise just didn’t grab me.

As it turns out, my fears proved ill-founded. Thinner is an entertaining little novel that is, at its heart, about big concepts, including guilt, the dangers of not accepting responsibility for one’s actions, and the ruinous, generation-spanning cycle of destruction wrought by revenge. Thinner is positively short by King standards (about 300 pages), moves quickly, and contains a couple nasty little shocks that keep you on your toes and leave you feeling unsettled.

I’ve stated before that Stephen King was, in his early career, batting very nearly 1.000 as a writer. If you take a look at his work from 1973’s Carrie through 1987’s Misery and The Eyes of the Dragon, King was consistently great. I submit that The Tommyknockers (1988), written at the height of his drug and alcohol problems, was the first true misstep in King’s career. Now that I’ve finally read Thinner (released in 1984), I find that my rule holds true. It’s a fine book from King’s classic period.

Thinner tells the story of Billy Halleck, an overweight lawyer who gets distracted while driving home (his wife is giving him a handjob) and accidentally runs down an old gypsy woman crossing the street. Halleck avoids what should have a manslaughter conviction because the judge is an old golfing buddy and lets him off the hook. But Halleck can’t escape the scales of justice. The ancient father of Halleck’s victim curses Halleck by laying a scaly finger upon him and uttering the single word, “thinner.”

In the coming weeks, Halleck’s weight begins to drop alarmingly. When the doctors rule out cancer, Halleck realizes that the gypsy’s curse has taken root. The rest of the novel features Halleck chasing down the gypsies to get the curse lifted as his weight plunges from a high of 252 pounds to half that.

King has the problem of trying to convince the reader that a steadily weakening lawyer from a wealthy Connecticut suburb is capable of exerting enough pressure on a stubborn gypsy clan to lift the curse. He neatly sidesteps this problem by introducing the character of Richie “The Hammer” Ginelli, a minor mafia boss and a former client of Halleck’s. Ginelli assists Halleck by lending his unique and persuasive “services” learned in the hard-knock school of organized crime.

There’s a lot to recommend in Thinner. Taduz Lemke, the old gypsy with the power to curse, is a wonderful character, an ancient soul (over 100 years old) from the old world, the last of the Magyar chiefs. Although he’s initially unlikeable, King renders Lemke and the rest of his gypsy clan sympathetic. Though they are dirty and uneducated, and routinely skirt (and cross) the boundaries of the law, the gypsies are treated with open hostility from the hypocritical communities that they visit. Men like Halleck view the gypsies as an unwelcome disease in their safe and pure suburban communities, which are actually corrupt at the core with their unequal systems of justice, “old boy” networks, and inherent prejudices. When Halleck claims that Lemke’s daughter is equally at fault for the accident, since she didn’t look before crossing the street, he shows his unwillingness to accept responsibility for his own actions. Worse, Halleck took advantage of an unfair system of justice and never had to pay for his (and his wife’s) carelessness. Lemke’s curse is a painful lesson in admitting one’s guilt: “There is no push, white man from town,” Lemke says, again and again throughout the story. “No push.”

If you’re a Generation X-er you’ll appreciate the 1980’s time machine that is Thinner. In it you’ll find references to Apples and TRS-80s, Thunderbirds and Novas. Halleck’s family physician casually blows cocaine during a checkup and it doesn’t seem out of place here, given the period. Halleck’s daughter is mentioned as playing a year long game of Dungeons and Dragons.

Thinner contains very little horror until the end and is more accurately classified as a thriller, which may be why King adopted his (unsuccessful) pseudonym Richard Bachman during the book’s initial release. In Thinner, King was attempting something a bit outside his reputation as a horror author.

Veteran actor Joe Mantegna provides the narration for Thinner and he is magnificent, particularly in his portrayal of Ginelli (no surprise here, given that Mantegna has appeared in various gangster films). I’ve previously railed against the inclusion of music in audio books, but this version by Penguin makes excellent use of it, in particular its use of a chilling, off-putting theme whenever the gypsies—or Halleck’s alarmingly plunging weight—are mentioned.

Posted by Brian Murphy