The SFFaudio Podcast #108

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #108 – Jesse talks with Trent Reynolds (of The Violent World Of Parker blog) about Donald E. Westlake’s Hard Case Crime novel 361 (available as an audiobook from BBC Audiobooks America).

Talked about on today’s show:
Richard Stark, the meaning of the title “361“, Roget’s Thesaurus entry #361, “killer’s don’t run around with a thesaurus”, Hard Case Crime, The Hunter, George Washington Bridge, New York, Those Sexy Vintage Sleaze Books blog‘s review of 361, Westlake and the USAF, Backflash, Westlake loves theatre people, actors, Hollywood, “dangerous and scary”, Stark had fans in prison, Parker vs. Dortmunder, The Man With The Getaway Face, revenge, stoic vs. existential, our podcast on Memory by Donald E. Westlake, Gregg Margarite, finding purpose in the purposeless world,

“Yeah. All right, this is what I’ve been thinking. To begin with, every man has to have either a home or a purpose. Do you see that? Either a place to be or something to do. Without one or the other, a man goes nuts. Or he loses his manhood, like a hobo. Or he drinks or kills himself or something else. It doesn’t matter, It’s just that everybody has to have one or the other.”

drinking, “there’s no one more pissed off than this guy”, “the drifter mentality”, how Westlake handles supporting characters, the lawyer’s secretary, the cowardly private detective, honesty vs. duplicity, hardboiled vs. noir, House Of Lords (whiskey), get a job at Walmart vs. take over the mob, Florida, Bill’s suicide, going on a drunk, identity, solider vs. airman, he’s not his father’s son, he’s not his brother’s brother, Charles Ardai, the absence of women, the Hard Case Crime cover (by Richard B. Farrell), Lawrence Block, “A Sound Of Distant Drums” is a long running literary joke, Westlake characters generally read paperbacks, Paul Kavanagh novels, Not Comin’ Home To You, Such Men Are Dangerous, a purposeless ex-military guy living on a deserted island in the Florida Keys, The Green Eagle Score, The Black Ice Score, The Blackbird, Grofield, University Of Chicago Press editions with introductions by Lawrence Block, Block’s Bernie Rhodenbarr’s “Burglar” books, murder mystery vs. identity mystery, Burglars Can’t Be Choosers, The Burglar Who Traded Ted Williams, The Burglar Who Painted Like Mondrian, did Westlake mature out of Parker?, Flashfire, Jason Statham as Parker, Payback, The Hunter, The Man With The Getaway Face, The Mourner, The Score, Two Much, Cops And Robbers by Donald Westlake, the way Westlake paints characters, The Hot Rock, humorous writing, the competent Parker vs. the hapless (bad luck) Dortmunder, Robert Redford, What’s The Worst That Could Happen, The Comedy Is Finished, Donald E. Westlake: an annotated bibliography by David Bratman, coffee, Idi Amin, sadly there is no biography of Donald E. Westlake, Matthew Scudder’s drinking problem, Eight Million Ways To Die, Telling Lies For Fun And Profit: A Manual For Fiction Writers, Lawrence Block should write a Parker book, race-walking, LawrenceBlock.com, Dan Simmons, Garry Disher, Hard Case, “361 is as hard-boiled as fiction comes”, Jim Thompson, The Jugger, Stephen King’s Misery is a spiritual successor to The Jugger, the pragmatism of celebrity/writer privacy, wheelbarrows full of books, too much of a good thing: “too many fans can interfere with your operation”, receiving unsolicited books, advanced reading copies, “it really clarifies your understanding of what your purpose is if you are confronted by a barrage of things that aren’t your purpose”, book tours do two things: sell books and reward the readers, Sheldon Lord, Lawrence Block’s sleaze books are coming to ebook, Random House, Lynn Monroe, Hellcats And Honey Girls, Subterranean Press, Robert Silverberg, Marion Zimmer Bradley, The Triumph Of Evil, Double Indemnity, The Postman Always Rings Twice, Bravo Two Zero by Andy McNab, A Drop Of The Hard Stuff, Getting Off by Lawrence Block (Jill Emerson).

Posted by Jesse Willis

The SFFaudio Podcast #107

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #107 – Scott, and Jesse talk about new audiobooks, recent arrivals, new releases, the theatre and and comics too!

Talked about on today’s show:
Little Women, Louisa May Alcott, Pride And Prejudice, Charlie’s Aunt, 1776, John Hancock, John Adams, Thomas Jefferson, David McCullough, Penguin Audio, Across The Universe by Beth Revis, generation ship, murder, “earth is nowhere new the final frontier”?, Hamlet, A Discovery Of Witches by Deborah Harkness, “he loves yoga and he’s a vampire?”, history, wine, the multiple meanings of discovery, Christopher Columbus DID (in a sense) discover North America, uncover vs. discovery, WWW: Wake by Robert J. Sawyer |READ OUR REVIEW|, “mining the same ideas” in a trilogy, Seth Wilson, Spirit Blade a christian audio drama, Pilgrim’s Progress |READ OUR REVIEW|, comicbookjesus.com’s review, An Accidental Adventure: We Are Not Eaten By Yaks by C. Alexander London, Stormbreaker by Anthony Horowitz, GoodReads.com, Ranger’s Apprentice: Book 10 – The Emperor Of Nihon-Ja by John Flanagan, the Ranger’s Apprentice Wiki, The Lord Of The Rings, Blackstone Audio, Sweep: The Coven by Cate Tiernan, Dreamhouse Kings: Book 6 – Frenzy by Robert Liparulo, Aural Noir, Silent Mercy by Linda Fairstein, the Alex Cooper series, series Crime/Mystery vs. series Fantasy/Science Fiction, Sue Grafton, Star Trek, Star Trek: The Next Generation, Star Trek: Deep Space Nine, Star Trek: Voyager, Star Trek: Enterprise, SFSignal.com’s Which SciFi Series Should You Watch on NetFlix? This Handy Flowchart Will Help You Decide!, Night Vision by Randy Wayne White, the extremely negative reviews on Amazon.com, When The Thrill Is Gone by Walter Mosley, Blue Light, Futureland, John DeNardo’s review of Blue Light, Bell Air Dead by Stuart Woods, Strategic Moves by Stuart Woods, “Stuart Woods is a writing machine”, Richard Ferrone, Tamahome got bogged down in the Martian sand (of Kim Stanley Robinson’s Red Mars), Buried Prey by John Sanford, kidnapping, “this dude has other dudes as well”, the Virgil Flowers series, Bad Blood, the next readalong is 361 by Donald E. Westlake, Port Mortuary by Patricia Cornwell, the Kay Scarpetta series, forensic detection, Kathy Reichs, Bones, new releases, Hachette Audio, Consider Phlebas by Iain M. Banks, space opera, Coruscant, extremely detailed strange stuff, Audible.com, Recorded Books, Glasshouse by Charles Stross, Hard Magic: Book I of the Grimnoir Chronicles by Larry Correia, Audible Frontiers, Monster Hunter International by Larry Correia, Second Variety and Other Stories by Philip K. Dick, William Coon, The Most Dangerous Game, The Variable Man by Philip K. Dick, Buffalito Destiny, David Drake’s Hammer’s Slammers series, military SF, The Collected Stories Of Arthur C. Clarke Vol. 5, Bronson Pinchot, The Alchemy of Desire by Crista McHugh, Cormac McCarthy’s The Road (translated into Danish), The Stress Of Her Regard by Tim Powers, The Broken Sword by Poul Anderson, Orion And The King by Ben Bova, The Automatic Detective by A. Lee Martinez, robot detective vs. femme fatale, “satisfying conclusion, clever, twisty, fast” = good, Monster: A Novel, Divine Misfortune, The Stainless Steel Rat Book 8, Too Many Curses, FREE COMIC BOOK DAY, Criminal: Bad Night by Ed Brubaker and Sean Phillips, The League Of Extraordinary Gentlemen Vol. 2 by Alan Moore, Listening For The League’s Gentlemen, Mars, aliens, H.G.Wells, The War Of The Worlds, Allan Quatermain, Bongo Comics, The Simpsons, Baltimore, Mike Mignola, Hellboy, Fafhrd And The Gray Mouser, Civil War Adventure, Locke & Key, Blair Butler, Joe Hill, TV version of Locke & Key, DMZ, Brian Wood, Fables, Y: The Last Man, The Boys: Highland Laddie, Garth Ennis, 361 by Donald E. Westlake, Hard Case Crime, Charles Ardai, Memory by Donald E. Westlake, The Comedy Is Finished by Donald E. Westlake, The King Of Comedy, Getting Off by Lawrence Block, James M. Cain, David Morrell, Stephen King, John D. MacDonald.

Posted by Jesse Willis

The SFFaudio Podcast #089 – TALK TO: James Campanella

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #089 – Jesse talks to James Campanella, Ph.D. Jim is an associate professor in the department of Biology and Molecular Biology at Montclair State University in New Jersey. He’s also an audiobook narrator, and podcaster.

Talked about on today’s show:
J.J. Campanella watches very little TV, Lost, The Big Bang Theory, Antarctica, MSU, molecular biology, genetics, plant genetics, philology vs. phylogeny, the Science News Update podcast, “a funny Geordie sounding dude” (Tony C. Smith), duck penises, cloaca, sexing birds, African Grey parrots, ants, What Technology Wants, technology as an extension of evolution, “microscopic brains”, plant intelligence, tropism, phototropism vs. gravitropism, auxins, The Secret Life Of Plants, dowsing, plant signaling (with jasmonic acid), StarShip Sofa, The Merchant And The Alchemist’s Gate by Ted Chiang, knitting and cross-stitching, narrating skills, Uvula Audio, I, Libertine, The Call Of The Wild by Jack London, L. Frank Baum is seriously weird, violence vs. bloodless violence, the Tin Woodsman and his enchanted axe, goiing from cyborg to robot (via a Ship of Theseus metaphor), Sky Island, genocide in kids books, Doc Savage, The Avenger, Lester Dent, Hamlet And Eggs by J.J. Campanella, a comedic detective story, Georgia, 9/11, how to be always wrong, private detectives, The Code Of The Poodles by James Powell, what accent would a talking dog have?, The Friends Of Hector Jouvet by James Powell, Monaco, A Dirge For Clowntown by James Powell, Ellery Queen’s Mystery Magazine, Divers Down by Hal Gordon, were kids in the ’70s were more respectful?, the Rick Brant series, Tom Swift, The Rocket’s Shadow (Rick Brant #1) by John Blaine, Jonny Quest, adventure, The Venture Bros., The Flintstones, Harold L. Goodwin, serial books, house names, The Bobbsey Twins, Edward Stratemeyer, “electronic adventures”, who read and bought those serial books?, the end of the pulp era, The Mystery Of The Stratemeyer Legacy, Nancy Drew, has paranormal romance replaced kids books?, the Twilight series, the Harry Potter series, Rick Riordan, The Wizard Of Oz, H.P. Lovecraft, Stephen King, the rich and amazing language of Lovecraft, Miskatonic University, Craig Nickerson, At The Mountains Of Madness by H.P. Lovecraft, Professor William Dyer, The Shadow Out Of Time by H.P. Lovecraft, Brazil, proper Portuguese pronunciation, “lethp listhping”, Doctor Who, Silurians, yithians, Horror vs. Science Fiction, Astounding Stories, time travel, “shoggoths etc.”, The Statement Of Randolph Carter, a really serious (and difficult) question: Are zombies Science Fiction or Fantasy?, Romero-style zombies, 28 Days Later, real zombies in nature (mostly in the insect world), Herbert West, Re-Animator, the source matters, if the zombie was dead then it is Fantasy, why are zombies so popular?, people like the idea of being able to kill without remorse, mummies vs. werewolves vs. vampires vs. zombies, Zombieland, Bill Murray, contemporary Fantasy, Neil Gaiman, comics, sword and sorcery, Elric, the Thomas Covenant series, Stephen R. Donaldson, Douglas Adams, American Gods |READ OUR REVIEW| vs. The Long Dark Tea-Time Of The Soul, James Alan Gardner, Expendable is an “absolute masterpiece”, Star Trek, why are there no James Alan Gardner audiobooks?, Lara Croft Tomb Raider: The Man Of Bronze is terrible, The Girl With The Dragon Tattoo by Stieg Larsson |READ OUR REVIEW|, Jim Campanella describes it as “turgid”, Metropia, “photo-realistic Swedish anime”, baby eyes, Steamboat Willie, the evolution of Mickey Mouse’s appearance, infanticide, why do your big eyes prevent me from kill you?, saccharin, the sucralose story (is in the Dec. 2010 podcast of Science News Update).

Posted by Jesse Willis

The SFFaudio Podcast #087 – READALONG: Hyperion by Dan Simmons

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #087 – Jesse talks with Gregg Margarite and Mark Douglas Nelson (two terrific LibriVox and iambik audiobook narrators) about the Brilliance Audio (Audible Frontiers) audiobook Hyperion by Dan Simmons.

Talked about on today’s show:
SciPodBooks.com (Mark Douglas Nelson’s audiobooks), Mark’s double understanding of Hyperion, “make it internally consistent”, Jurassic Park, living in forward and backward time, “The Scholar’s Tale”, setting reality aside, “why can’t stories be written in less than 600 (or 1100) pages”, “the nomenclature was great”, Hyperion made Gregg sad (it reminded him of Walmart), The Canterbury Tales, The Decameron, was Hyperion a near miss?, “The Priest’s Tale”, Robert Sheckley, if they were self contained stories would it have worked better?, The Fall Of Hyperion, comparing the Hyperion Cantos to Philip Jose Farmer’s Riverworld series, “The Diplomat’s Tale”, the stories get worse as you go along, Kurt Vonnegut Jr.’s Slaughterhouse Five |READ OUR REVIEW|, “The Soldier’s Tale”, making a link between sex and violence, Starship Troopers, Colonel Fedmahn Kassad is a good character, “The Poet’s Tale”, Martin Silenus (the Satyr) and Sad King Billy (William XXIII of the Kingdom of Windsor-in-Exile), “The Detective’s Tale” (the long goodbye), cybrids are very cool, John Keats, Ezra Pound, combining a hardboiled/noir detective story with William Gibson’s Neuromancer, talking to dolphins, narrator duties, you don’t fall in love with the client!, “when a detective‘s partner is killed he’s supposed to do something about it”. The Hitchhiker’s Guide To The Galaxy, “The Scholar’s Tale”, Sol Weintraub, The Curious Case Of Benjamin Button, Merlin sickness (Merlin’s disease), David Hume‘s explanation of miracles: a miracle would be “a transgression of a law of nature”, if speculative fiction exists this is what they were talking about, time debt, if anything can happen then I don’t care what happens, the story of Abraham and Isaac (the binding of Isaac), is Hyperion a religious book?, Abraham’s ethics were childish compared to Sol, The river Lethe (was one of the rivers in Hades – it was river of unmindfulness, The Green Odyssey |READ OUR REVIEW|, why was the windwagon late?, Agatha Christie’s Murder On The Orient Express and Ten Little Indians, what happened to the Templar?, We’re Off To See The Wizard, The Wizard Of Oz, the confrontation with the Shrike, it’s a grab bag of everything, Simmons must have been inspired by all sorts of sources, the half-hour blender metaphor, Gregg is upset we all came to the same (and correct) conclusion, Simmons set himself a Titanic task with Hyperion, where was the editor?, listening to a multi-voiced audiobook, Full Cast Audio, Hyperion‘s narrators (Marc Vietor, Allyson Johnson, Kevin Pariseau, Jay Snyder, Victor Bevine), having to fend off the legions of audiobook groupies, Gregg gets emails about the pronunciation of “prestidigitation”, the generic American sitcom accent, Norse mythology, Yggdrasil (the world tree), Stephen King’s the Dark Tower series and Kevin J. Anderson’s Saga of Seven Suns series, Kevin J. Anderson‘s writing secret (he goes hiking with a voice recorder), Frank Herbert’s Dune, David Lynch’s Dune, Dune Messiah is a let-down but it has the Golah!, Gregg wants a copy of The Orange-Catholic Bible, “would you be a Bene Gesserit or a Mentat?”, Gregg would be a Morlock, look elsewhere for a cannibal podcast, Larry Niven and Jerry Pournelle‘s Oath Of Fealty, Jonathan Swift‘s Gulliver’s Travels, Julie Davis of Forgotten Classics, Gregg says Julie is really a horse!

Posted by Jesse Willis

Review of The Long Walk by Stephen King

SFFaudio Review

Horror Audiobook - The Long Walk by Stephen KingThe Long Walk
By Stephen King; Read by Kirby Heyborne
9 CDs – Approx. 11 Hours [UNABRIDGED]
Publisher: Penguin Audio
Published: 2010
ISBN: 9780142427835
Themes: / Horror / Walking / Alternate History / Maine /

Every year, on the first day of May, one hundred teenage boys meet for an event known throughout the country as the “Long Walk.” Among this year’s chosen crop is sixteen-year-old Ray Garraty. He knows the rules: Warning are issued if you fall under speed, stumble, sit down. After three warnings, you get your ticket. And what happens then serves as a chilling reminder that there can be only one winner in the Walk: the one who survives.

One of the things that generally makes me not connect with fiction is what’s missing. That is to say, if the story isn’t talking about some idea (the human condition, society, or how the world works) I probably won’t connect with it. I therefore always assume that a novel has some message. A lesson it is trying to impart to me. Perhaps this is a mistake as The Long Walk, by Stephen King, lives on the surface of what it is. It’s 100 boys walking across the United States in a kind of slow motion deathrace. Unlike the the traditional death march, these walkers are all volunteers, and are supplied with food and water. “That’s the premise.” I told myself. But what message had King planted underneath it? What idea was he trying to convey in novel form?

At first I was wondering if King was addressing the Vietnam War. But that didn’t pan out, not exactly. The way the book is structured, the premise is never flatly stated, we only learn how the boys ended up where they are (walking across Maine) when they discuss it amongst themselves. So, we’re learning the premise as we go. I figured that if there was a message in The Long Walk it needed to be decoded. My first suspect for the key to the message was the soldiers who passively enforce the Long Walk’s rules. Their faces were strangely blank, providing no bounce or reaction to their work or the insults the walkers hurl at them. I thought their blankness might be a hint, a symbol, or something. But if so, it didn’t work out for me. In fact, by the end, never having learned the names of any of the nearly faceless soldiers, it was quite the opposite. The only idea I could come up with to explain this was that they were designed to represent the unfeeling laws of nature. Kind of an embodiment physics, unfeeling and inalterable. That got me thinking that perhaps the whole of the The Long Walk was kind of a metaphor for mortality – you know, the idea that no matter your station, no matter your talent, none of us can escape our coming demise. But, the more I read, the less that seemed likely. In fact, no matter which intellectual straw I grasped at I kept coming away with a figurative handful of nothing.

Another angle of attack I took was to look at the world. What kind of a world would allow this horror race? What was the meaning of “the prize” for the winner? The world, what little we get to hear of it, was pretty interesting. We learn that there are 51 states in the Union, that before then end WWII some kind of air raid from Nazi Germany hit the American East Coast, and that the government may be entirely in the hands of a military dictatorship. Nice! These and other small details slip out in the many varied conversations between the boys in the Walk, amongst trash talk, sex talk and the discussion of literature. With nothing much left to go on I tried to think about the literary references, tried to see if there was some key there, to unlocking the meaning of this novel. At one point one of the walkers says that ‘the Walk is like living in a Shirley Jackson story.’ He was right! And later on, when ruminating on the effect of being watched by the public, another of the boys says he’s ‘reminded of a Ray Bradbury story.’ And he was right! In fact, there are maybe a half dozen literary references alluded to in this novel. But none of them, not any one of them, was the key to decoding the meaning for me. So, in the end, I didn’t come away with was any sense of what this novel was about, other than what it would be like to be force marched across the United States.

Apparently The Long Walk was originally written in 1966 and 1967 while King was in his first two semesters of university. I’m assuming it was somewhat updated or re-written before it’s 1979 debut in paperback under King’s Richard Bachman pseudonym. I first heard Kirby Heyborne’s narrative abilities with Little Brother |READ OUR REVIEW|. That novel was told in the first person, and Heyborne’s youthful voice was up for the job there. Here, voicing more than a dozen young men and boys, all in the third person, he renders an acceptable, if not stellar, performance. He adds the occasional regional American accent to each kid and it always sounds appropriate for what we know about his background. Also of note: There is an interesting introductory essay on Disc 1 entitled The Importance Of Being Bachman. It does not, however, provide any particular details about The Long Walk.

Posted by Jesse Willis

The SFFaudio Podcast #074

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #074 – Jesse and Scott talk about the recently arrived audiobooks with assistance and commentary by Luke Burrage

Talked about on today’s show:
New York, “your whole life is a holiday”, The Way Of Kings by Brandon Sanderson, The Wheel Of Time series, “the entire world is imagined from the ground up”, Blackstone Audio, The Shadow Hunter by Pat Murphy, neanderthals, cave bear, “a little cave dude”, The Ugly Little Boy by Isaac Asimov, Robert Silverberg, Robert J. Sawyer’s Neanderthal Parallax trilogy, shamanic or shamanistic, The Science Fiction Book Review Podcast, Urban Fantasy Alert, City Of Ghosts by Stacia Kane, the Chess Putnam series, First Drop Of Crimson by Jeaniene Frost (Book 1 in the The Night Huntress World series), paranormal romance vs. urban fantasy, spade vs. Spade, vampires, by , southern Gothic, Flannery O’Connor with zombies, the full zombie vs. the half zombie vampire, The Reapers Are The Angels by Alden Bell, The Walking Dead by , Being Human (tv show), Dark Shadows, Hawaii 50, V, Half Blood Of Brooklyn by Charlie Huston, Stephen King, noir urban fantasy?, On Stranger Tides by Tim Powers, Subterranean Press, Bronson Pinchot, pirates, magic, voodoo, Brilliance Audio, Bearers Of The Black Staff by Terry Brooks, Caviar by Theodore Sturgeon, Shannara, Audiofile Magazine, Connecting the Robots and Empire (Foundation) series, demon war, war dudes and siege engines, The Speed Of Dark by Elizabeth Moon, autism, Mary Robinette Kowal’s review of the Books On Tape edition of The Speed Of Dark |READ OUR REVIEW|, Luke’s idea for a paranormal romance set in the stone age, “urban cave fantasy”, Quicksilver by Neal Stephanson, audiobooks are being shaped to the length of an Audible credit, The Baroque Cycle, The Lies Of Locke Lamora by Scott Lynch |READ OUR REVIEW|, “it ends in Gibraltar”, Penguin Audio, Zorgamazoo by Robert Paul Weston, Dr. Seuss, Roald Dahl, science fiction, Zero History by William Gibson, Max Headroom, Elmore Leonard, great writing is not enough, Michael May’s Adventure Blog article on back of the book copywriting, taking the risk of writing only the keywords, Starship: Mutiny by Mike Resnick |READ OUR REVIEW|, Kirinyaga by Mike Resnick |READ OUR REVIEW|, Finch by Jeff Vandermeer, StarShipSofa, weird fantasy vs. new weird, the George Zarr talk (The SFFaudio Podcast #071), Stephen King’s Salem’s Lot a BBC radio drama, “if you’re 14 years old and you’re listening to this…”, fantasy women, Ranger’s Apprentice by John Flanagan, Young Adult fiction, the The Ruins of Gorlan series, I Am Number Four, Battlestar Galactica, The Hunger Games by Suzanne Collins, This Immortal by Roger Zelazny, Dune by Frank Herbert, Children Of Dune, Bad Blood by John Sanford, James Lee Burke, Santa Fe Edge by Stuart Woods, by Michael Kramer, the Richard Stark Parker books (Books On Tape), Ed Eagle vs. Eddie The Eagle, New Mexico, puzzling murder, false identity, lush and exclusive resorts, family, vegetarian, car, crash, human, not human, zombie, mystery, maggot infested corpse, brink of death, flesh off her bones, Dust by Joan Frances Turner, should be able to know it, OVERLORDS!, Childhood’s End by Arthur C. Clarke, The Time Machine by H.G. Wells, The Caves Of Steel by Isaac Asimov, Have Spacesuit, Will Travel by Robert A. Heinlein, futuristic gadgetry, Snow Crash, Virtual Light by William Gibson, “the first really good augmented reality book”, The Steel Remains by Richard K. Morgan.

Posted by Jesse Willis