Review of Crucible by Troy Denning

SFFaudio Review

Crucible Star WarsCrucible (Star Wars)
By Troy Denning; Read by Marc Thompson
Publisher: Random House Audio
Publication Date: 9 July 2013
ISBN: 9780385362924
[UNABRIDGED] – 12 hours, 8 minutes
Listen to an excerpt: | MP3 |

Themes: / Star Wars / Jedi / space / science fiction /

Publisher summary:

When Han and Leia Solo arrive at Lando Calrissian’s Outer Rim mining operation to help him thwart a hostile takeover, their aim is just to even up the odds and lay down the law. Then monstrous aliens arrive with a message, and mere threats escalate into violent sabotage with mass fatalities. When the dust settles, what began as corporate warfare becomes a battle with much higher stakes—and far deadlier consequences.
 
Now Han, Leia, and Luke team up once again in a quest to defeat a dangerous adversary bent on galaxy-wide domination. Only this time, the Empire is not the enemy. It is a  pair of ruthless geniuses with a lethal ally and a lifelong vendetta against Han Solo. And when the murderous duo gets the drop on Han, he finds himself outgunned in the fight of his life. To save him, and the galaxy, Luke and Leia must brave a gauntlet of treachery, terrorism, and the untold power of an enigmatic artifact capable of bending space, time, and even the Force itself into an apocalyptic nightmare.

Star Wars Crucible takes place after the Fate of the Jedi series and is the furthest in the Star Wars timeline to date. I came to this book without having read Fate of the Jedi but didn’t have any trouble what was going on in the story and Denning explained sufficiently for those of us not in the know. Luke, Han, and Leia are getting pretty old at this point, and this novel seems to represent something of a retirement for them or a passing of the torch to the new generation. Denning plays to the characters’ strengths throughout most of the novel. You can’t have Han getting up to his full antics without a buddy, so a healthy dose of Lando is also in there too. If anyting, I liked how this is a nice standalone Star Wars book from that era of Star Wars instead of being part of some 9+ book series.

The general plot of the story has to do with Luke, Han, and Leia going to visit Lando (the ever present entrepreneur) to help him with problems at his mining operation in the outer rim. Cue the bad guys that can even give Jedi problems and the story gets going. The plot is interesting because it pits the gang against highly intelligent organized crime figures (Qrephs) who have an old grudge to settle. There is an element of Battlestar Galactica in here too because anyone could be working for the bad guys so you don’t know who is a cylon…err…agent of the Qrephs. I liked the novel for the most part except near the climactic battle when things to all trippy and weird like anime (Evangelion I’m looking at you).

Luke and Leia were pretty good in this book but Denning really made Han and Lando fun in this book. Since this takes place so far out and they’ve done so many great things, the characters are pretty well revered by people they encounter in the book. Han and Lando setting up a sabaacc game to draw in competition was definitely fun to go through. The sabaacc time goes kind of heavy into logic and tactics sometimes and really makes it look like Han is stronger in the Luck than Luke is in the Force any day.

As for the audiobook, Marc Thompson does as good a job with this book as any other Star Wars book I’ve listened to. All of the background music, ambient sounds, and special effects you’d expect are there and they do a great job of adding that little bit of extra immersion to the experience. Thompson does a great job impersonating the main cast down to Lando pronouncing “Han” with the ‘a’ instead of ‘o’ sound. I also really liked the stoic and simpering voices he used for the Qrephs.

Posted by Tom Schreck

The SFFaudio Podcast #233 – READALONG: Oryx And Crake by Margaret Atwood

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #233 – Scott, Luke Burrage, and Jenny talk about Oryx And Crake by Margaret Atwood.

Talked about on today’s show:
Where’s Jesse?, Eric S. Rabkin, SPOILER TERRITORY, Jenny loves post-apocalyptic dystopian novels, it ends with more questions than answers, a man wandering on the shore, a back and forth structure, Earth Abides by George R. Stewart, big disease, a week, Jimmy’s story, the story of the apocalypse, pigoons and rakunks, The Year Of The Flood, corporate compounds, New New York, dystopia, a future world and then an apocalypse, Octavia Butler, religion, Parable Of The Sower, a parallel story with backstory and humor, a sermon and a hymn by God’s gardeners, the audiobook, a planned trilogy?, the Culture series by Iain M. Banks, extinctathon, Madadam, expert splicers, a hacker genius, the world’s best ever minds, the floor model crakers, war is misplaced sexual aggression, they could eat their own poop, it seems like Jimmy survived through the plague because he wasn’t entirely human, he doesn’t have the right smarts, creating a creation myth, the blood and roses game, nothing was a mystery anymore, yup and tick, Quicktime Osama, Civilization V, is Oryx really Oryx?, SPOILER, “I’m counting on you.”, “If only he’d paid attention to his fridge magnets.”, the way that Jimmy comes to conclusions is kinda different, “he knew why he picked Oryx”, the First Law series, Joe Abercrombie, the music at the end of the audiobook started way too early, narrator Campbell Scott, Jenny hates the convenience of canned and frozen food, wolvogs, any other complaints?, Luke really didn’t like reading about people getting off on child pornography, Jimmy is obsessed with having people tell them stuff while he’s having sex with them, Atwood’s larger point, nighty-night.com, satire, in other parts of their brains and gonads, a big turn off, do I really have to listen to this now?, why is Crake destroying humanity?, neuronormative, there will be no child abuse, random levels of technology, a good novel, good Science Fiction?, technology, DVDs, most SF writers know, Colossus: The Forbin Project,

“Although ‘MaddAddam’ is a work of fiction, it does not include any technologies that do not already exist, or bio-beings that do not already exist, are not under construction, or are not possible in theory.”

it didn’t feel intentional, it felt clunky and badly thought out, Margret Atwood doesn’t want to call it Science Fiction, she’s just not interested, a lot different in tone and feel than most SF, the Booker prize list, this is a book about humans, super-reductive, what does it tell us about humanity?, social Science Fiction, this is pretty bad Science Fiction (but a good novel), the Science Fiction falls out of Crake’s brain, J.G. Ballard, Jenny’s book club experience, boycotted, people refusing to read Oryx And Crake because it is SF, SF lumpers try to deny, Star Wars isn’t SF, a literature of ideas, “the fear of this battlestation”, a perfect description of SF, literary fiction that’s SF, Gravity’s Rainbow, Infinite Jest, Luke doesn’t like sub-genres, gmail has tags, assigning, where do you shelf it?, in the modern world a book can be shelved in many shelves, Goodreads, own-poetry-unread, STAR RATINGS!, the Force is a fantasy element, “oh, here’s another Death Star.”

Jimmy's Father Worked For Organ Farms Inc. by Mat Roff

Jimmy Went In To See The Pigoons by Jason Courtney

Oryx And Crake illustration by Jeremy Wheeler

Posted by Jesse Willis

Review of Kenobi: Star Wars by John Jackson Miller

SFFaudio Review

kenobiKenobi: Star Wars
Written by John Jackson Miller; Read by Jonathan Davis
Publisher: Random House Audio
Publication Date: 27 August 2013
ISBN: 9780804148221
[UNABRIDGED] – 13 hours; 36 minutes
Download Excerpt: | MP3 |

Themes: / Star Wars / Jedi /
Publisher summary:

The Republic has fallen.
Sith Lords rule the galaxy.
Jedi Master Obi-Wan Kenobi has lost everything . . .
Everything but hope.
 
Tatooine—a harsh desert world where farmers toil in the heat of two suns while trying to protect themselves and their loved ones from the marauding Tusken Raiders. A backwater planet on the edge of civilized space. And an unlikely place to find a Jedi Master in hiding, or an orphaned infant boy on whose tiny shoulders rests the future of a galaxy.
 
Known to locals only as “Ben,” the bearded and robed offworlder is an enigmatic stranger who keeps to himself, shares nothing of his past, and goes to great pains to remain an outsider. But as tensions escalate between the farmers and a tribe of Sand People led by a ruthless war chief, Ben finds himself drawn into the fight, endangering the very mission that brought him to Tatooine.
 
Ben—Jedi Master Obi-Wan Kenobi, hero of the Clone Wars, traitor to the Empire, and protector of the galaxy’s last hope—can no more turn his back on evil than he can reject his Jedi training. And when blood is unjustly spilled, innocent lives threatened, and a ruthless opponent unmasked, Ben has no choice but to call on the wisdom of the Jedi—and the formidable power of the Force—in his never-ending fight for justice.

Star Wars Kenobi takes place between the events of Episode III and Episode IV and explains how Obi-Wan Kenobi settled in on Tatooine and became “Old Ben” that we see at the beginning of Episode IV. While that is mostly true, the feel I got from this book was more like, “The adventures of a bunch of frontier settlers on Tatooine who have problems with Tusken Raiders and each other with a Jedi in hiding mixed in”. While the title of the novel is “Kenobi” more of the story is centered around those settlers and their problems than around Obi-Wan himself. The book isn’t bad for it, it’s just not necessarily what I would have expected based on the title and description.

I liked the book overall. There were some points where it felt like the story could have resolved sooner but I found the overall conclusion satisfactory. The western/frontier setting is pretty interesting with the sets of problems that frontier life and sand people can give you. I liked John Jackson Miller’s portrayal of Obi-Wan as this passive guy that perpetually avoids conflict but gets forced reluctantly into action. You get some more insights into how Obi-Wan is reacting to the events of Episode III and where he thinks things went wrong.

If you like Star Wars books, this is a definite read. If you don’t haven’t read many, this book is not a bad place to start since it doesn’t rely on any back story beyond the movies. The pace of the book keeps up pretty well throughout with only a few slow moments so overall this was a quick fun book. I have to admit that I was into the book enough that I wanted to hit some of the characters if they didn’t get theirs eventually.

Jonathan Davis does a great job reading this book. His Obi-Wan impression does not disappoint and he does a great job with the other characters. One of the main characters is a bit of a schmoozer and he pulls it off really well (I just wanted to smack that guy sometimes.) The sound effects and music are always a plus in Star Wars books. My only grief here is that there are many scenes at a local store and the background sounds are that of a grocery store scanner – which I found incredibly distracting.

Posted by Tom Schreck

Review of Star Wars: Dawn of the Jedi: Into the Void

SFFaudio Review

Star Wars: Dawn of the Jedi: Into the VoidStar Wars: Dawn of the Jedi: Into the Void
ISBN: 978-0804148153
[UNABRIDGED] 10 hours 18 minutes
Themes: / star wars / space / jedi / force /

Publisher summary:
On the planet Tython, the ancient Je’daii order was founded. And at the feet of its wise Masters, Lanoree Brock learned the mysteries and methods of the Force—and found her calling as one of its most powerful disciples. But as strongly as the Force flowed within Lanoree and her parents, it remained absent in her brother, who grew to despise and shun the Je’daii, and whose training in its ancient ways ended in tragedy.
 
Now, from her solitary life as a Ranger keeping order across the galaxy, Lanoree has been summoned by the Je’daii Council on a matter of utmost urgency. The leader of a fanatical cult, obsessed with traveling beyond the reaches of known space, is bent on opening a cosmic gateway using dreaded dark matter as the key—risking a cataclysmic reaction that will consume the entire star system. But more shocking to Lanoree than even the prospect of total galactic annihilation, is the decision of her Je’daii Masters to task her with the mission of preventing it. Until a staggering revelation makes clear why she was chosen: The brilliant, dangerous madman she must track down and stop at any cost is the brother whose death she has long grieved—and whose life she must now fear.

The “Dawn of the Jedi” series was first produces in comic form and of course the logical progression is novelization. It takes Star Wars back to its roots. As the title says, it’s the origin story to the Jedi, the beginning of our favorite protectors of the universe, users of the force (and lightsabers!), and purveyors of piety.


(It was radioactive spiders that created the Jedi!)

And you’ll never believe how they began. In fact, if I gave you infinite guesses, you’d never get it. And it’s not for the reason you think.

The “Je’daii” have a mysterious society that does its own thing, which tends to be for the betterment of the universe, saying “may the force go with you.”

Yeah, you’d never be able to guess because you’d be going for something new. Also, they use the force and swords and have masters and apprentices. So it’s definitely an origin story and not just an exact replication of the jedi we know and love.

Okay, so if you’re reading Star Wars books, you really can’t go into it expecting a whole lot. And sadly, any of the newer books have the added reputation of being bloated series with little plot.

However, what you can expect is lots of action and lots of fun. Into the Void delivers on both counts. While I make fun of the “origin story” it’s still an entertaining and interesting look at the beginnings of the Jedi. These Je’daii go through an interesting training period on an incredibly dangerous planet.

Into the Void follows Lanoree Brock, a Je’daii Ranger, who spends most of her time on her own in solitary missions ranging around the galaxy. She’s called in for a special mission that could result in the salvation or destruction of the galaxy as they know it, and it’s all because of her brother Dal, once thought dead.

The narrative switches between the present where Lanoree is in pursuit of her brother in her current mission and her past training where she and her brother participated together. It’s a great way to introduce Dal and find out what his motivations are for his dark pursuits later in his life.

Lebbon does a great job with these characters and his narrative structure works well to set things up for an exciting ending while providing plenty of excitement throughout the training on this dangerous planet. I’m interested to try out Lebbon’s other works because he obviously knows what he’s doing.

Like other Star Wars audiobooks, Into the Void is filled with suspenseful music and every type of sound effect they can possibly fit in. Like a movie in your head, I can’t recommend Star Wars audiobooks enough. And January LaVoy does an excellent job bringing Lanoree and every other character to life.

But what I really can’t wait for the origin of the origin story. That’s where the money is.

3.5 out of 5 Stars (recommended)

Posted by Bryce L.

Review of Brick By Brick: How LEGO Rewrote the Rules of Innovation and Conquered the Global Toy Industry by David Robertson and Bill Breen

SFFaudio Review

Brick By Brick - How Lego Rewrote The Rules Of Innovation And Conquered The Global Toy IndustryBrick By Brick: How LEGO Rewrote The Rules Of Innovation And Conquered The Global Toy Industry
By David Robertson and Bill Breen; Read by Thomas Vincent Kelly
Approx. 10 Hours 23 Minutes [UNABRIDGED]
Publisher: Random House Audio
Published: June 25, 2013
ISBN: 9780449806524
Themes: / Non-Fiction / Business / LEGO / STAR WARS / Denmark / Copyfight /

Sample |MP3|

I’m not one for business books, and this is explicitly a business book. The closest I’ve come to one, in the last decade, was Joseph Finder’s corporate espionage thriller Paranoia. On the other hand, I really am one for LEGO and Brick By Brick: How LEGO Rewrote The Rules Of Innovation And Conquered The Global Toy Industry is an audiobook about The LEGO Group.

Most of the book is about the recent history of LEGO, how it became unprofitable, and how it, through controlled innovation, recovered from that unprofitably. Along the way there is a fair amount about the company’s history – and even more importantly about the philosophy behind the “system” of The LEGO Group’s core product, the LEGO bricks themselves.

I started with LEGO in the mid-1970s, and barring a few pieces (lost, vacuumed, and stolen) along the way I still have much of it. But, similar to many other AFOLs (adult fans of LEGO) I experienced a decline in interest in LEGO as I entered my teens. As a kid I appreciated that LEGO allowed you to build your own toys, as a tween I programmed my own robotic LEGO creations (LEGO LOGO for Apple II) – but shortly thereafter the corporation seemed somehow go off track – creating products that were less LEGO sytem than LEGO branded toys. That is until around the mid-1990s. And that’s about when my re-invigoration of interest in LEGO started. No coincidence there, as this was also about the same time as the company’s financial revival. It seemed that the more I got more into LEGO the more the company became financially viable – but, of course, it was actually the reverse.

Indeed, Brick By Brick is essentially Robertson and Breen trying to figure out how the company works, where it went wrong, and how it recovered. In doing this they have looked at a number of failed projects, how they came to fail, how the company reorganized itself and how, with help from both adult LEGO fans and child LEGO fans they learned to operate without patent protection.

One of the more interesting comparisons between companies that Robertson and Breen make is that of LEGO to Apple. The parallels between the companies’ aesthetic philosophies (and cult like devotion by their customers) are many. I myself am a committed Apple iPhone user, not because I buy into the ecosystem, but rather because of the sculptured discipline of the technology. Likewise, though Megablocks and other LEGO competitors are making bricks that are 100% compatible with (and cheaper) than LEGO I am scrupulously careful to weed out MEGABLOCKS and other “fake lego” from my collection. The iPhone’s competitors aren’t really competitors, and the LEGO system’s competitors aren’t really competitors.

Back to the book, David Robertson and Bill Breen talk about a number of LEGO lines that I like, particularly the CITY, SPACE, and CASTLE lines but they also explain the thinking behind popular licensed IPs like STAR WARS, INDIANA JONES, and THE LORD OF THE RINGS. Several chapters cover the creation of the successful BIONCLE line (originally conceived as a line called “VOODOO HEADS”), the innovative board game division (that sneakily gets moms to buy more LEGO), and the massively expensive failure of the LEGO UNIVERSE project (an ambitious project aimed at disrupting LEGO’s own core market). And that last one is one of the most fascinating sections of Brick By Brick. By trying to make the experience perfect, by trying to produce a graphically rich massively multiplayer online game without bugs, then charging a whopping $40 to start playing it LEGO screwed up royally. The failure of the LEGO Universe project is all the more ironic in that a lone computer game programmer, Markus “Notch” Persson, came to create a sucessful kind of digital competitor to LEGO system, in the form of Minecraft. Peterson’s success, using almost no resources and no money, make the error of LEGO hierarchy all the clearer. But in an even more ironic move LEGO has since produced a Minecraft set!

In my view the only thing missing from Brick By Brick is talk about the very successful, collectible Minifigures line (now up to Series 10). To my ears Minifigs get very short shrift in Brick By Brick. I’d love to hear a two or three hour audiobook about that alone.

There’s very little to say about narrator. Thomas Vincent Kelly is a relatively new narrator, his reading is clear and precise, like the LEGO system. The occasional Danish place-name pronunciation, and the names of the LEGO products themselves are the only real narrative challenges. Kelly delivers.

David Robertson: The Story of LEGO from BrightSightGroup on Vimeo.

Posted by Jesse Willis

The SFFaudio Podcast #199 – NEW RELEASES/RECENT ARRIVALS

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #199 – Scott, Jesse, Tamahome, and Jenny talk about NEW RELEASES and RECENT ARRIVALS (audiobooks).

Talked about on today’s show:
Recent arrivals first, here’s Jenny’s list, Harry Harrison’s Deathworld, Speculative! Brilliance audiobooks (from public domain works), “he’s super clear”, author of Make Room! Make Room! (aka Soylent Green), Planet Of The Damned, “nice font”, Ursula K. Le Guin’s The Telling is in the Hanish Cycle, the out of print Harlan Ellison version of A Wizard of Earthsea, The Lathe Of Heaven and the PBS TV-movie with Bruce Davidson (trailer), Work Of The Devil by Katherine Amt Hanna, “the devil has no time for long novels”, Joe Hill’s Horns and In The Tall Grass (with Stephen King), Philip K. Dick’s Vulcan’s Hammer, similar to Colossus: The Forbin Project (film), “goes Skynet on your ass”, The Game-Players Of Titan has slug aliens, good names for bands, Time Out Of Joint, Tears In Rain by Rosa Montera is inspired by Blade Runner (it has a female Rutger Hauer), translated from Spanish, The Woodcutter by Kate Danley has fairy tale characters, Beowulf, Jeff Wheeler’s Legends Of Muirwood series released all at once, House Of Cards is a great British show, Dead Spots by Scarlett Bernard sounds like one of those Lifetime movies, The Mad Scientist’s Daughter by Cassandra Rose Clarke has a disturbing android romance, ewww!, Tam knows who Steven Erikson is (Forge Of Darkness), re-read of the Malazan series, we need urban fantasy and military SF people, Tenth Of December by George Saunders, prefers short stories, on Colbert, Vampires In The Lemon Grove by Karen Russell, her novel Swamplandia has been optioned by HBO, New releases start, Poe Must Die by Marc Olden, Ben Bova’s Farside comes out soon (hard SF), narrated by Stefan Rudnicki, Stefan’s Fantastic Imaginings, where’s James P. Hogan’s Inherit The Earth?, the movie Frequency didn’t star Kevin Bacon, the entire X Minus One radio drama run, short story audio collections having chapters and a table of contents, Star Wars audiobooks with enhanced sound, Bryce’s review of Star Wars: Scoundrels, more Star Trek novel audio books, more classic sf, Leigh Brackett, Jerry Pournelle, Harlan Ellison, Arthur C. Clarke, George R.R. Martin, “you’re welcome, Audible”, The Mad Scientist’s Guide To World Domination by John Joseph Adams, short fiction is back, Olaf Stapelton, like a science fiction The Silmarillion, SF Crossing The Gulf podcast will discuss Olaf Stapledon and others, Mary Doria Russell, where’s the audio version of Karen Lord’s The Best Of All Possible Worlds? (actually it came out the same day as the print version), Jenny loved it, what is the Candide connection Karen?, indie Scifi Arizona author Michael McCollum on Audible (Steve Gibson approved), the Audible Feb2013 Win-Win $4.95 sale, get the first in a series cheap, Sharon Shinn’s Archangel Samaria series, Image Comics’s first issue sale, The Red Panda audio drama becomes a comic (cover), John Scalzi’s The Human Division serial, wish science fiction authors in TV series, George R.R. Martin to develop more shows for HBO, football jerseys vs Star Trek uniforms.

Monkey Brain Comics - Mask Of The Red Panda

Posted by Tamahome