Star Wars – Page 4

Review of Lockdown: Star Wars (Maul) by Joe Schreiber

SFFaudio Review

Lockdown: Star Wars (Maul)
By Joe Schreiber; Read by Jonathan Davis
Publisher: Random House Audio
Publication Date: January 2014
[UNABRIDGED] – 12 hours, 24 minutes

Listen to an excerpt: | MP3 |

Themes: / Star Wars/ Sith Lords / horror /

Publisher summary:

Set before the events of Star Wars: Episode I The Phantom Menace, this new novel is a thrilling follow-up to Star Wars: Darth Plagueis.

It’s kill or be killed in the space penitentiary that houses the galaxy’s worst criminals, where convicts face off in gladiatorial combat while an underworld gambling empire reaps the profits of the illicit blood sport. But the newest contender in this savage arena, as demonic to behold as he is deadly to challenge, is fighting for more than just survival. His do-or-die mission, for the dark masters he serves, is to capture the ultimate weapon: an object that will enable the Sith to conquer the galaxy.

Sith lords Darth Plagueis and Darth Sidious are determined to possess the prize. And one of the power-hungry duo has his own treacherous plans for it. But first, their fearsome apprentice must take on a bloodthirsty prison warden, a cannibal gang, cutthroat crime lord Jabba the Hutt, and an unspeakable alien horror. No one else could brave such a gauntlet of death and live. But no one else is the dreaded dark-side disciple known as Darth Maul.

Star Wars: Maul: Lockdown is a Science Fiction/Horror prominently featuring Darth Maul that shows some of the darkest sides of prison life and organized crime the Star Wars universe has to offer. The story and characters are interesting but the sheer violence really seems to be the main point behind this novel. Don’t discount that “horror” part either – this book features some serious violence, gore, and other things that will make many cringe…especially with some of the sound effects that accompany the audiobook version.

The premise of the novel is that Darth Maul goes to a prison undercover for Darth Sidious to find an arms dealer running out of that prison. The prison makes money by running a gambling racket pitting inmates against each other in fight to the death. The twist is that Sidious has forbidden Maul from using the Force so that observers don’t know he is really a sith lord in disguise.

When you were a kid, did you ever sit around with friends talking about who would win in a fight between two of your favorite comic book characters? Batman vs. Superman, Wolverine vs. Cyclops, etc? Those would sometimes devolve into arguments like, “well what if Batman didn’t have kryptonite while fighting Superman” or something like that. Well this novel is the Star Wars equivalent of that in which Darth Maul is pitted against a gamut of different creatures from the Star Wars universe that get more and more difficult. While the danger of these fights is definitely recognizable, this becomes more of a question of how Darth Maul defeats his foe than if he will survive since we all know when his character really dies.

Truth be told, I did not realize this novel was horror when I first started it. Joe Schreiber also wrote Death Troopers and Red Harvest but I didn’t realize this until I was a bit into the book. Star Wars is not a universe in which you’d expect to encounter horror but I have to say that Schreiber pulls it off well in this book with a fairly believable premise. It didn’t feel like a horror novel shoe horned into the Star Wars universe. My only gripe would just be that some things mentioned are more from our world and felt like anachronisms in a Star Wars novel. They didn’t detract much from the story but nagged me a bit at times.

Jonathan Davis did a great job as usual with his work in the Star Wars universe. There weren’t really any impersonations for him to work with here except for Maul and Sidious so voices were mainly left up to him to make up. The sound effects and music were up to par with any Star Wars novel but I have to say, they really went big on the squelching, breaking, smashing sounds that accompany many of the violent/gore filled scenes in the book…to the point that I think I may have cringed a few times.

Posted by Tom Schreck

The SFFaudio Podcast #252 – NEW RELEASES/RECENT ARRIVALS

Podcast

The SFFaudio Podcast #252 – Jesse, Tamahome, and Jenny talk about NEW RELEASES and RECENT ARRIVALS.

Talked about on this episode: Original fiction from Tor.com featuring stories from Brandon Sanderson, John Scalzi, Charles Stross, and others; The Man Who Sold the Moon short story collection by Robert A. Heinlein; Jesse has fun trying to pronounce “elegiac”; the Internet Speculative Fiction Database (ISFDb); “Simon pure” science fiction; The Caves of Steel by Isaac Asimov; Heinlein’s short fiction versus his novels; Have Spacesuit Will Travel; Annihilation by Jeff VanderMeer and comparisons to The Martian Chronicles by Ray Bradbury; The Hunger Games by Suzanne Collins and the merits of the Catching Fire film; the politics of dresses in the Hunger Games universe; Archetype by M.D. Waters; gender in dystopia; listening to audiobooks at 2x speed; The Loon by Michaelbrent Collings; Christopher Golden’s Snowblind; Phantoms by Dean Koontz; 30 Days of Night; Marko Kloos’s Terms of Enlistment and Lines of Departure; The Master of the World by Jules Verne; find out where grits came from; Jules Verne’s science is awful; The Wreck of the Nebula Dream by Veronica Scott; “I’m the king of the world!”; A New Beginning by Craig Brummer; Honor Among Thieves, a Star Wars novel by James S.A. Corey; Tam gets a Star Wars geography lesson; Jenny gets a Star Wars fashion lesson (hint: the guys in white are NOT the good guys); Tam is dressed as Princess Leia; The Gods Themselves, a strange book by Isaac Asimov; Shovel Ready by Adam Sternbergh; Mystery Men; Atopia by Matthew Mather; Influx by Daniel Suarez; The Emperor’s Blades by Brian Staveley; Dawn of Swords by David Dalglish and Robert J. Duperre; The Land Across by Gene Wolfe; ruritanian romance and Bangsian fantasy; don’t call if Kafka-esque; Moon over Parador starring Richard Dreyfuss and Double Star by Robert A. Heinlein; A Darkling Sea by James Cambias (not yet in audio); V-S Day by Allen Steele (Locus review); The Martian by Andy Weir; The Scorpion Game by Daniel Jeffries (no audio, Tam’s Goodreads review); Eldrich Tales: A Miscellany of the Macabre by H.P. Lovecraft on Downpour; Stories of your Life collection by Ted Chiang now available in audio.

Posted by Jesse Willis

Review of Vision of the Future by Timothy Zahn

SFFaudio Review

Vision of the Future: Star Wars (The Hand of Thrawn Book II)
By Timothy Zahn; Narrated by Marc Thompson
Publisher: Random House Audio
Publication Date: December 2013
[UNABRIDGED] – 26 hours, 22 minutes

Listen to an excerpt: | MP3 |

Themes: / Star Wars / New Republic / Thrawn /

Publisher summary:

The Empire’s master plan is under way. The New Republic is on the verge of civil war and the rumor that the legendary Admiral Thrawn has returned from the dead is rallying the Imperial forces. Now Luke Skywalker, Han Solo, Princess Leia, and their allies face the challenge of their lives. They must infiltrate a hidden fortress filled with Imperial fanatics, rendezvous with a double-dealing Imperial commander, and journey into enemy territory to learn the identity of those responsible for an act of unthinkable genocide. But most important of all is the truth about Thrawn.

Vision of the Future is 2nd book of The Hand of Thrawn duology. Zahn always does a great job with Star Wars and does not disappoint here. Is the New Republic going to enter a civil war over the atrocities some Bothans helped commit? How is the New Republic going to react to these rumors that Grand Admiral Thrawn is back from the dead? Will Luke manage to save Mara and discover the secrets behind these strange craft being spotted? What or who is The Hand of Thrawn?

So many questions to answer and it’s no surprise that this book is kind of long for a Star Wars book. The book keeps up a steady pace and does manage to resolve all the different threads and plot points introduced in Specter of the Past. There are many different threads at work in this book but Zahn manages to juggle them well. At one point I got the feeling that more than half of the threads involved characters trying to recover a copy of the Caamas document in their own ways which felt like a lot. At least they were all good reasons to have some crazy adventures.

All in all I’d say that you can’t go wrong with a Zahn Star Wars book but I would definitely start with his Thrawn trilogy (starting with Heir to the Empire) or Allegiance.

Marc Thompson does a great job with impressions of all our favorite characters and the special effects are great too. There was some great use of music during more sensitive moments that helped bring them to a nice crescendo. The pirate’s voice sounded just like ones you’d find in the Caribbean – which was interesting, and the Caamas apparently have an island accent. There were a few times I found the sound effects a bit distracting but overall they are awesome.

Posted by Tom Schreck

Review of Specter of the Past by Timothy Zahn

SFFaudio Review

Specter of the Past: Star Wars (The Hand of Thrawn)
By Timothy Zahn; Read by Marc Thompson
Publisher: Random House Audio
ISBN: 9780804128483
Publication Date: 17 September 2013
[UNABRIDGED] – 14 hours, 31 minutes

Excerpt: | MP3

Themes: / Star Wars / New Republic / Thrawn /

Publisher summary:

Hugo Award-winning author Timothy Zahn makes his triumphant return to the Star Wars universe in this first of an epic new two-volume series in which the New Republic must face its most dangerous enemy yet–a dead Imperial warlord.

The Empire stands at the brink of total collapse. But they have saved their most heinous plan for last. First a plot is hatched that could destroy the New Republic in a bloodbath of genocide and civil war. Then comes the shocking news that Grand Admiral Thrawn–the most cunning and ruthless warlord in history–has apparently returned from the dead to lead the Empire to a long-prophesied victory. Facing incredible odds, Han and Leia begin a desperate race against time to prevent the New Republic from unraveling in the face of two inexplicable threats–one from within and one from without. Meanwhile, Luke teams up with Mara Jade, using the Force to track down a mysterious pirate ship with a crew of clones. Yet, perhaps most dangerous of all, are those who lurk in the shadows, orchestrating a dark plan that will turn the New Republic and the Empire into their playthings.

No one does Star Wars quite like Timothy Zahn. He knows how to play the characters just right and make good use of the different factions in the Star Wars universe to make for an interesting story. Zahn has added the most significant and lasting characters to the series after the movies themselves and is the author who really got people excited about Star Wars novels after his trilogy that starts with Heir to the Empire. Specter of the Past is a great book if you like Star Wars or science fiction, although there is some back history from Zahn’s previous trilogy that makes me recommend starting there first. If you’ve already read that trilogy, you will definitely enjoy this.

Specter of the Past is part of a two-book series from Timothy Zahn that takes place just before the books from the New Jedi Order series which takes place about 20 years after the events of Return of the Jedi. The Empire has pretty much been all but defeated by The New Republic and is only left with a considerably smaller portion of the galaxy to call home. Some in Imperial command are considering proposing a truce with the New Republic while others still want to find a way to regain the power they lost. Those other factions use a secret document from the Emperor’s cache on Wayland to polarize parts of the New Republic while promoting a new rallying point for the Empire.

This is back from the more “golden age” of Star Wars before the prequels changed things, so it feels more like it belongs with the original trilogy. Zahn manages to weave an impressive array of factions in this book: The New Republic, The Empire, pirates, smugglers, gamblers, etc. The story keeps up a good pace throughout and keeps things interesting.

My only very minor gripe for this book is actually because it comes from the “golden age” of Star Wars books. There was less coordination between books back then so Zahn is clearly writing with reference to his previous trilogy that happened 10 years before. Characters seemed to just randomly make references in their heads to things from that trilogy or think back to events from those books even though there are something like 10+ books that happen between that trilogy and this novel. I wouldn’t comment on it except that animals and event from Wayland and things that happened with Grand Admiral Thrawn seem to come up a lot.

Audio book: As usual, Marc Thompson did a great job with the impersonations of our favorite characters and kept things lively and energetic throughout the book. He was easy to understand and I look forward to Thompson doing more Star Wars books. The usual music and sound effects commonly found in Star Wars audio books were also in there and were as good as I’ve heard them.

Posted by Tom Schreck

Review of William Shakespeare’s Star Wars

SFFaudio Review

William Shakespeare’s Star Wars
By Ian Doescher; Read by Daniel Davis, Jonathan Davis, January LaVoy, and Marc Thompson
Publisher: Random House Audio
Publication Date: 1 October 2013
ISBN: 9780804191791
[UNABRIDGED] – 3 hours, 31 minutes

Download excerpt: | MP3 |

Themes: / Star Wars / Shakespeare / poetry / saga / iambic pentameter /

Publisher summary:

Return once more to a galaxy far, far away with this sublime retelling of George Lucas’s epic Star Wars in the style of the immortal Bard of Avon. The saga of a wise (Jedi) knight and an evil (Sith) lord, of a beautiful princess held captive and a young hero coming of age, Star Wars abounds with all the valor and villainy of Shakespeare’s greatest plays. ’Tis a tale told by fretful droids, full of faithful Wookiees and fearsome Stormtroopers, signifying…pretty much everything.

Reimagined in glorious iambic pentameter, William Shakespeare’s Star Wars will astound and edify Rebels and Imperials alike. Zounds! This is the audiobook you’re looking for.

What if you went to your local Renaissance Fair expecting to watch a Shakespearean play that ended up being Star Wars: A New Hope? Shakespeare’s Star Wars is pretty much what you’d get. If you’re looking for a fun, lighthearted take on Star Wars that’s fun to listen to but can also come off a bit silly, you might enjoy this book. Don’t be intimidated by the Shakespeare part, it isn’t difficult to follow. We’re talking Renaissance Fair level of difficulty in understanding what’s going on.

This book follows the events of the first movie (Episode IV) and was more enjoyable than I thought it would be. Some fan service is paid out to small things like whether Han Shot first and Luke’s whining while on the farm. Too much fan service can be bad but I thought this was handled well and not overdone too much. It was just enough that it made me smile or laugh as the story progressed.

As for the Shakespearean side of things, Doescher does a great job of incorporating many of the more well known phrases and devices known from the more well known plays. I have to give him due credit for writing the whole thing in iambic pentameter and making fantastic use of asides (when characters speak to the audience). The asides are really great to show what characters are thinking and I especially like how they are used for R2D2 (and how he “plays the fool”). Doescher makes prolific use of many well known phrases from Shakespeare that work in most places but can be a little too jarring in others when too much of the quote is used (“we few, we happy few…”).

Audiobook: As for the audio performance, I couldn’t have been happier. I expected the Shakespearean dialogue to be difficult to follow but since it’s more like “Renaissance Fair” Shakespeare, it was no problem to understand. The cast did a great job with all the voices and I genuinely laughed after the first couple of R2D2 lines. I should note that I didn’t really like January LaVoy’s performance so much in Razor’s Edge but I thought she did great in this book. All the normal sound effects and music were also present and enjoyable as usual.

Posted by Tom Schreck

Review of Razor’s Edge by Martha Wells

SFFaudio Review

Razor’s Edge: Star Wars (Empire and Rebellion)
By Martha Wells; Read by January LaVoy
Publisher: Random House Audio
Publication Date: 24 September 2013
ISBN: 9780804148269
[UNABRIDGED] – 9 hours, 57 minutes

Excerpt: | MP3 |

Themes: / Star Wars / rebels /

Publisher summary:

Times are desperate for the Rebel Alliance. Harassment by the Empire and a shortage of vital supplies are hindering completion of a new secret base on the ice planet Hoth. So when Mid Rim merchants offer much-needed materials for sale, Princess Leia Organa and Han Solo lead an Alliance delegation to negotiate a deal.But when treachery forces the rebel ship to flee into territory controlled by pirates, Leia makes a shocking discovery: the fierce marauders come from Leia’s homeworld of Alderaan, recently destroyed by the Death Star. These refugees have turned to pillaging and plundering to survive—and they are in debt to a pirate armada, which will gladly ransom the princess to the vengeful Empire . . . if they find out her true identity.

Struggling with intense feelings of guilt, loyalty, and betrayal, Leia is determined to help her wayward kinspeople, even as Imperial forces are closing in on her own crippled ship. Trapped between lethal cutthroats and brutal oppressors, Leia and Han, along with Luke, Chewbacca, and a battle-ready crew, must defy death—or embrace it—to keep the rebellion alive.

Razor’s Edge takes place between Episodes IV and V and involves Leia trying to acquire funding for the new rebel base on the planet Hoth. It’s part of a new trilogy taking place during that time period that has each book focusing on all of our three favorite main characters: Leia, Luke, and Han. I was excited about the idea of another book during this time period because Allegiance was so good. I’m sad to say that the book didn’t completely live up to my expectations.

Considering that the Empire is the major force in the galaxy during this time period, I was surprised that they only play a minor part in this story. The Empire is there, but the majority of the story involves a group of pirates. The result is that you have lots of new characters to get to know during a time period when you’d potentially expect to be on more familiar ground. There are so many new characters that when they’re all finally together, Wells has to list all of them to describe who is doing what when the group splits up (this happens a few times and is kind of awkwardly worded). Don’t get me wrong, the book was full of the action and adventure you’d expect from a Star Wars book, it just didn’t really feel like a Star Wars book to me.

There were times in the book that it felt like I was being reminded that this was a Star Wars book – such as random lists of Star Wars races when a group passes by (2 Bith, a Rodian, and an Ithorian…or something like that happened a few times) or describing a messy office as looking like it was hit by an ion cannon (wouldn’t that just short circuit all their electronics? What would that actually look like?). The thing that really got me was that Han suddenly has a satchel he keeps having to grab or secure…is that supposed to be like Indiana Jones constantly having to grab his hat?

So why do they get roped in with these pirates? Now that is a good question. Leia is still coping with the loss of Alderaan and makes some rash/irrational/impulsive decisions based on those feelings. That would be fine except this is the same Leia that stared down Darth Vader and Grand Moff Tarkin and lied to their faces while facing torture…I just didn’t buy that she would irrationally put the hopes of the Rebel Alliance on the line because of the actions of some people from Alderaan.

Overall, I’d say that this book is good for die hard Star Wars fans but not really the casual reader. I’d give a much stronger recommendation for Allegiance by Timothy Zahn since that was a much better ride that fit really well in the same time period.

As for the audio performance, I can’t say I’d give much of a higher recommendation on that part. I’m sure January LaVoy does a great job on other books, but she just didn’t fit this book very well. Every other Star Wars book I’ve listened to did a great job with impersonations of characters we all know but they weren’t very noticeable here. Most of the male characters sounded pretty similar to each other and the female characters’ voices sounded pretty similar to the narration voice.

Star Wars books are also normally known for their effects and music. The production was decent, but there were moments where some sound effects sounded more like a game of Galaga than Star Wars.

Posted by Tom Schreck