slavery – Page 7

The SFFaudio Podcast #378 – READALONG: The Penultimate Truth by Philip K. Dick

Podcast

The SFFaudio Podcast #378 – Jesse, Paul, and Marissa talk about The Penultimate Truth by Philip K. Dick.

Talked about on today’s show:
1964, not exactly a fix-up, this novel’s DNA, The Defenders, The Mold Of Yancy, The Unreconstructed M, the next draft, the main character’s problem was Dick’s problem, an idea, another Yance-woman, a sausage fest, did you’re arm fall off again?, “the well-informed dead rat romped under the tongue-tied pink log”, a new ACE or Ballantine book, more cohesive and clearer, all ideas are undercooked, the Wikipedia summary, The Defenders feels like junk, but translated to the novel… a sequel to The Defenders, The Mold Of Yancy is excellent, reading The Mold Of Yancy helps you understand The Penultimate Truth, conapts with wall to wall wub-fur carpeting, artiforgs (artificial organs), Yancy in the novel vs. the short story, a syndicate, a quasi-corporatist government short, the Kardashians and Gwyneth Paltrow, set on Callisto, a totalitarian government, letting in spies, his spidey-sense, he’s like Ronald Regan, a fireside chat, Dick’s analysis of our North American society is dead on, war is bad but just wars have to be fought, cats are definitely better than dogs, political correctness, media pushing (or pulling) society in different directions, a perfect fit, a nice welding, Fallout 3 and Fallout 4, worried about the overseer, strap on your vault suit, he’s a companion, a NPC, leadies are Mister Handies, the robot companions, Hugh Howey’s whole career, the same premise and ideas as Wool, ant tanks, vaults (and silos), WWIII, The Game-Players Of Titan, neo-fuedalism, squabbling fiefdoms, the MegaVac computer echoes Vulcan II or III, Isaac Asimov’s MultiVac, the plot with Brose and Lantano, re-purposing people across stories, the leadies are slaves, a good Goodreads review, the 1% and the 99%, labouring under delusion, a damn fine analysis, the scandal of the day, obedience, Paul is a history fan, a Roman society, Sulla and Pompey, the triumvirates, private armies, the land grant system is very Roman, proto-feudal (or manorial), Cheyenne is nuked again, Estes Park, Colorado, Philip K. Dick has to throw everything into the crockpot, Pretty Blue Fox, Lincoln Apartments, the Tom Mix tank, 290 movies, Tom Mix had five wives, Philip K. Dick dressed like a movie cowboy, clear evidence you’re living in a Philip K. Dick world, ask me about Plato, The Defenders and The Penultimate Truth are modeled after Plato’s the Myth of the Cave, gin and tonic vs. beer, Dog Stories Monthly vs. the Journal Of Psychological Review, a gestalt, the art of Hieronymus Bosch, everything should be about challenging and questioning, Critical Thinking should be the only class in high-school, nothing can be challenged, no critical thinking, all Yancy’s beliefs are insipid, as close as possible to no beliefs, apolitical (without a viewpoint), William Tenn, Null-P, Dick was really influenced by A.E. van Vogt, “wow, my god!”, a preference for Kriegsspiel, a cosmic wrestling match, The Cosmic Puppets, a nice six hour game of Kriegsspiel, Bach’s art of the fugue, subdued by the plot, troweling it down a bit, The Unreconstructed M stuff, fun to read, a time traveling Cherokee warrior who walked in from another Dick story, Time Pawn, Dr. Futurity, fake artifacts of a fake alien invasion, it gells as a novel, a really good speech about a squirrel, an actual living squirrel, there’s no little scurrying creature at the end, a questionable bow,

However, Adams figures out Lantano was behind the deaths as part of his plot to bring down Brose. In desperation and fear, he joins up with St. James, who discovered a cache of artificial organs, and flees into the Tom Mix tank with him. They discover that Lantano was ultimately successful but contemplate that the biggest lie is yet to come.

that’s the ending and discovery of The Defenders, meeting the quota, they don’t let you out when you don’t meet the quota, there’s no reward and punishment, appreciating The Defenders, in Plato’s The Republic, PKD knows all about Plato (and The Odyssey), the Allegory Of the Cave,

Plato begins by asking Glaucon to imagine a cave where people have been imprisoned from childhood. These prisoners are chained so that their legs and necks are fixed, forcing them to gaze at the wall in front of them and not look around at the cave, each other, or themselves. Behind the prisoners is a fire, and between the fire and the prisoners is a raised walkway with a low wall, behind which people walk carrying objects or puppets “of men and other living things”. The people walk behind the wall so their bodies do not cast shadows for the prisoners to see, but the objects they carry do (“just as puppet showmen have screens in front of them at which they work their puppets”. The prisoners cannot see any of this behind them and are only able to see the shadows cast upon the cave wall in front of them. The sounds of the people talking echo off the shadowed wall, and the prisoners falsely believe these sounds come from the shadows. Socrates suggests that the shadows constitute reality for the prisoners because they have never seen anything else; they do not realize that what they see are shadows of objects in front of a fire, much less that these objects are inspired by real living things outside the cave

fake destruction of San Fransisco, false reconstructions, Stalin with Roosevelt speaking Russian at the White House, 1984 by George Orwell,

Plato then supposes that one prisoner is freed, being forced to turn and see the fire. The light would hurt his eyes and make it hard for him to see the objects that are casting the shadows. If he is told that what he saw before was not real but instead that the objects he is now struggling to see are, he would not believe it. In his pain, Plato continues, the freed prisoner would turn away and run back to what he can see and is accustomed to, that is the shadows of the carried objects. He writes “…it would hurt his eyes, and he would escape by turning away to the things which he was able to look at, and these he would believe to be clearer than what was being shown to him.”

writing lies and having your son believe the lies, Hollywood,

Plato continues: “suppose…that someone should drag him…by force, up the rough ascent, the steep way up, and never stop until he could drag him out into the light of the sun.” The prisoner would be angry and in pain, and this would only worsen when the radiant light of the sun overwhelms his eyes and blinds him. The sunlight is representative of the new reality and knowledge that the freed prisoner is experiencing. Slowly, his eyes adjust to the light of the sun. First he can only see shadows. Gradually he can see the reflections of people and things in water and then later see the people and things themselves. Eventually he is able to look at the stars and moon at night until finally he can look upon the sun itself. Only after he can look straight at the sun “is he able to reason about it” and what it is.

a sign of madness,

Plato continues, saying that the freed prisoner would think that the real world was superior to the world he experienced in the cave; “he would bless himself for the change, and pity [the other prisoners]” and would want to bring his fellow cave dwellers out of the cave and into the sunlight. The returning prisoner, whose eyes have become acclimated to the light of the sun, would be blind when he re-enters the cave, just as he was when he was first exposed to the sun. The prisoners, according to Socrates, would infer from the returning man’s blindness that the journey out of the cave had harmed him and that they should not undertake a similar journey. Socrates concludes that the prisoners, if they were able, would therefore reach out and kill anyone who attempted to drag them out of the cave.

other levels, the fake journal entries, the time scoop, in the geological strata, a critical thinking story, what makes us believe the Earth is as old as it is is evidence, pointing in the direction of a Truth, a little bit paranoid, Philip K. Dick has a whole story about it, an evidence laying assassin robot, questioning the science, then you have a Philip K. Dick story, Vulcan’s Hammer, a real theme he’s struggling with, don’t get into conversations with strangers, you’re a human being … I guess, it’s great to be in a country where you don’t understand the language, an afterword by Thomas Disch, a downhill racer of a writer,

If Dick had stopped to think (but that’s something a downhill racer can’t do), he might have realized that there was an essential dramatic disparity between the two stories he was trying to weld together. The Yancy part of the plot generated a story about dirty tricks in high places, a genre for which Dick possesses little flair (compare le Carré and his better imitators), while that element of the story that all readers remember, after the lapse of however many years, is the notion of the human race imprisoned in underground factories because they’ve been tricked into believing that a nuclear war has destroyed the world. It’s an extraordinarily resonant idea. One thinks of the dwellers in Plato’s cave who know nothing of the reality but the shadows cast on the wall; of the similar destiny of Wells’s Morlocks; of the prisoners in Beethoven’s Fidelio; and of ourselves, living in the shadows of a nuclear threat that is only bearable by pretending that it does not exist. To have recognized that our situation is a kind of madness (“What, me worry?” sang the Titanic’s passengers) has not helped us toward a solution, for our situation with respect to the bomb is not much different in 1983 than it was in 1964. And for that reason The Penultimate Truth, for all its flaws, remains a book that can speak to the terror that is the bedrock of our social order.

plotting the distance away from a nuclear target in order to survive, a nuclear wasteland in every movie, an insipid Kardashianism seems to have taken over, we seem to have gotten worse, the fading away of the nuclear threat, the 99% accepting the 1%, breaking free from the cave seems impossible, the internet is our Yancy, like the same things on Facebook, we all have the same opinions, political correctness is like fascism except you can’t use that word, John Wayne day backlash (because he was apparently super-racist), Donald Trump is a power word, he’s willing to say whatever he wants to say, you have to come to that, arguing with the racism, Hieronymus Bosch are loveley, the Kriegsspiel argument, everyone should struggle with this, a dictate from on high or social mimesis, walking by the lottery counter, there’s no way to fix that, think about it, don’t just think the right thing because its the right thing, the re-writing rooms, the proles kind of ignore the prole-feed, the tankies who don’t know, the meek inheriting the Earth, maybe we aren’t meek enough, sprawling demesnes, the human condition, a good book, pulling the veil or reality aside, back to the shadows, from The Republic, the leadies are the leaden weights, the armies of the 1%, how much do you need to be educated, is it for gold or for lead?, Mr. Dick you did something with it, a downhill skier of a writer, add The Mold Of Yancy, he’s such a great idea man, he really engages with the situation, Souvenir by Philip K. Dick, The Defenders is improved upon reflection,

The wonder is how often Dick was able to produce work of real interest and wit in these marathons of typewriting. For readers who read at a pace proportioned to his speed of writing (as most sf fans learn to do, or else cease being fans), the dull patches disappear into a haze of white powder as they careen down the slopes of the narrative. It is the ideas they are after, and Dick always provides more than a sufficiency of these.

Disch knew what Dick was all about, the longer novelettes, he has to pay the bills, too much plot, not enough story, welding together three stories, what was your process, MAN!?, Marissa attended a conference with a bunch of Dick wives and lovers, how much is reflected in what Marissa heard?, how much he loved everyone, feeling betrayed and angry, how funny he is, playing tricks on people, I love that Dick is seemingly incapable of being self-concious about what he loves, Roog, can you pick a subject that is less cosmic in scope, passionate about weird little things, watching a pilot for a new Science Fiction show, Colony (TV show), domesticity, “yeah, I’m out”, sympathy for the characters, overlaying crappily manipulative music, engaging with them in a real way, that dog was a real dog named Snooper, Jonathan Lethem, so good at self-examination, he’s the anti-facsist, he’s wise as well as crazy, he’s blind but he’s glimpsed greater truths, gnosticism, his fallout stories, we will miss them, you should be reading these PKD books, our listeners aren’t watching the Kardashians, are they?

The Defenders by Philip K. Dick - Galaxy Science Fiction, January 1953

The Mold Of Yancy by Philip K. Dick - IF: Worlds Of Science Fiction, August 1955

The Unreconstructed M by Philip K. Dick - illustration by Frank Kelly Freas

Posted by Jesse Willis

The SFFaudio Podcast #326 – READALONG: The Lost World by Sir Arthur Conan Doyle

Podcast

The SFFaudio Podcast #326 – Jesse, Mr Jim Moon, and Bryan Alexander talk about The Lost World by Sir Arthur Conan Doyle

Talked about on today’s show:
The Lost World is a great read, Tom Barling illustrations of The Lost World, the Ladybird editions, King Kong, The Valley Of Gwangi, full of jokes, slapstick, witty banter, an awesome character, a role model for us all, Professor Challenger is Brian Blessed, every audio drama, every movie, Edgar Rice Burroughs, The Land That Time Forgot, a sideways angle Gilles deLEuze’s A Thousand Plateaus, Professor Challenger made the earth scream, “his simian disposition”, When The World Screamed, The Poison Belt, The Land Of Mist, The Disintegration Machine, an end of the world story, you could do it as a stage play with a single set, the humiliation chair, Challenger and his wife embracing, The Strand Magazine (U.K. vs. American editions), they knew what gold they’d found, competing with Argosy and the colourful pulps, Herland by Charlotte Perkins Gilman, it’s the same story, Lost Horizon, the 1998 quickie movie of The Lost World, other adaptations, Summerlee as a woman, the 2011 2-part BBC Radio drama adaptation, Diana Summerlee, a male book, Dracula, assembling a team of adventurers, the sacrificial American, a mad Texan, Maple White Land, From The Earth To The Moon by Jules Verne, both books have a major role played by a noble, Lord John Roxton, he rocks, the 3 part BBC Radio drama (available as a 3 CD set), the wise sage, comic relief, a double act, a towering bastard, a modern day Munchhausen, the frame story, an evolutionary biology exemplar, the central lake, a vaginal symbol, a 1912 book, becoming soft, the Boy Scouts, a moral equivalent to war, a testosterone shot, it’s a cartoon, Roxton’s test, Boys adventure, a genocide, slavery, the 1960 adaptation, the 2001 adaptation, a romance, ahistorical women, the 1960 adaptation, the prince is turned into a princess, every Edgar Rice Burroughs book makes this change, otherwise we couldn’t go back to our women, ape city from Planet Of The Apes, the Rod Serling scripted movie, one of the great scenes of history, The Red Queen: Sex and the Evolution of Human Nature, it’s not about gender roles, it’s about racism, these Indians are so degraded their barely above the average Londoner, stupid and wise, every magazine story in the 19teens is about race and going soft and miscegenation, their good negro, the description of rage, the red mist, getting savage, Heart Of Darkness, the white feather, spiritualism, anticipation WWI, Roxton has a ton of rocks (diamonds), evolutionary psychology, Hungerford, proving the ability to care for a large number of children, a classic case (undermined at the end), Gladis Potts, an amazing amount of stuff happens in this book, good scientific analysis, poor Malone, there’s reason to fear reporters of this era, a sophisticated view of the press, that’s always been the case, news was a big business in 1912, wire services, 15 years earlier (in Dracula), The New York Times, TV journalism, pointing at pictures and saying “oh dear!”, Charlie Brooker, Newswipe or Screenwipe, a high information culture, 5 posts a day, 3 editions a day, The War Of The Worlds, Now It Can Be Told by Philip Gibbs, the hoax aspect of the book, Doyle’s problem with science, quasi-hoax in the original illustrations, the way Sherlock Holmes stories are told, the Maple White illustrations, playing with the nature of the evidence, preserving an information and financial monopoly, meticulous description, the British tradition of the novel, a very realistic novel, protestant novel, is Robinson Crusoe real?, The Castle Of Otranto by Horace Walpole, Edgar Allan Poe, The Balloon Hoax, meta-textual questions, assorted deranged individuals, the imitators of H.P. Lovecraft, Dracula is a found footage novel, future proofing the story, At The Mountains Of Madness, Ruritanian romance, Mount Roraima, a partial pterodactyl wing, the trump card, pterodactyl wing, founding a private museum, the Evolution Museum in Kentucky, a fairy museum, The Structure Of Scientific Revolutions, science studies, the Royal Society, “we’ve discovered everything”, “we’re all done inventing”, the aether of the vacuum, “extraordinary claims requires extraordinary evidence”, an antecedent for Professor Quatermass, Bryan’s beard is intimidating, Bryan with beard and axe, The Horror Of The Heights, star jelly, Eadweard Muybridge, Sherlock Holmes as a the great Asperger’s hero, Neal Stephenson’s new novel is offensively hard SF, Larry Niven, you don’t have to understand science to do it, Jurassic Park, the movie, Steven Spielberg, the betraying geek, what saves them, kids and dinosaurs, American conservative standard American movie, Schindler’s List, A.I., the Americans are very repressed,

“I have wrought my simple plan
If I give one hour of joy
To the boy who’s half a man,
Or the man who’s half a boy.”

C.S. Lewis, Gomez the traitor, Lord John Roxton’s private war, the flail of the lord, half-breed slavers, hewers of word and drawers of water, this is totally colonialism, Rhodesia, Mungo Park, Water Music by T. Coraghessan Boyle, the 1925 silent film version, Willis O’Brien, the Brontosaurus, the 1960 version, the sound effects, the dinosaurs sound like tie fighters, The 39 Steps, show me the lizards, Jules Verne’s Journey To The Center Of The Earth, 1860s paleontology, Ray Bradbury: ‘dinosaurs are awesome’, Ray Harryhausen, creationism, the poor iguanodon, dinosaurs are inherently partly mythical, the dinosaurs are all female, parthenogenesis, Eaters Of The Dead by Michael Crichton, The Andromeda Strain, The First Great Train Robbery, Sean Connery and Donald Sutherland, Beowulf vs. neanderthals, Ahmad ibn Fadlan, Congo, intelligent apes, Gorilla Grodd, DC Comics, Planetary, Lord Greystoke, loving riffs on SF classics, Doc Savage, The Shadow, too much incident (for a modern book), value for money, Speed, the whole bus gimmick, Interstellar, shallow water planet, weird ice planet, the O’Neil colony, ideas are of primacy, a humorous bombastic semi-psychotic reading, Bob Neufeld’s narration for LibriVox, John Rhys Davies, the 2001 TV adaptation with Matthew Rhys as Malone, The Americans, the science, The Andromeda Strain‘s scientific density, Andy Weir’s The Martian: “we’re going to science the shit out of this”, five-dimensional beings, the Nolan brothers, Elysium, in the geography of the public mind, Conan Doyle’s passions, “I’m obsessed with fairies now!”, FairyTale: A True Story, science runs the risk of P.T. Barnum, we need a Conan Doyle and a Houdini.

The Strand Magazine, April 1912
The Lost World by Sir Arthur Conan Doyle
Professor Challenger and Sir Arthur Conan Doyle
The Lost World - Chapter 8 from The Sunday Star June 23, 1912

The Lost World (1925) film poster

The Lost World by Sir Arthur Conan Doyle - Illustration by Jesse
Professor Challenger - Illustrated by Jesse
Best Of Look And Learn, No. 14, page 10 - Professor Challenger

Posted by Jesse Willis

The SFFaudio Podcast #282 – READALONG: Ancillary Justice by Ann Leckie

Podcast

The SFFaudio Podcast #282 – Jesse, Tamahome, Bryan Alexander, and Julie Davis discuss Ancillary Justice by Ann Leckie.

Talked about on today’s show:
a recent novel, Hugo Award, Nebula Award, a long novel, a genderless society, an absence of vocabulary, a politics-biology-language fusion, a light space opera, a murder mystery, a multi-body perspective, foreshadowing a sequel, confusing historical allusions, empire, imagination, personal story, dialogic, magnetic fiction in space, a puppet-like main character, mysterious actions, an unsatisfactory explanation, slave women, a fight for emancipation, Do Androids Dream of Electric Sheep? by Philip K. Dick, auxiliaries, the story of Spartacus, Roman family bonding, Jane Austen, dystopia, slaves into servants, expected violence, Roman colonization, a distinct approach to human ethics, the Old Testament, old-fashioned faith, short stories, key words, views of reality, spiritual progress, omnipotent deities, reconstructed ancient religions, J.R.R Tolkien, Lieutenant Ahn, Hindu deities, tea, Jo Walton, coffee, Japanese morality, Shintoism, Horrible Histories, Scholastic books, Frank Herbert, religious engineering, Hellstrom’s Hive by Frank Herbert, government religion, Dune by Frank Herbert.

Ancillary Justice by Anne Leckie WORD CLOUD

Posted by Jesse Willis

The SFFaudio Podcast #281 – READALONG: Do Androids Dream Of Electric Sheep? by Philip K. Dick

Podcast

Do Androids Dream Of Electric Sheep? by Philip K. Dick

The SFFaudio Podcast #281 – Jesse, Mr Jim Moon, and Bryan Alexander discuss Do Androids Dream Of Electric Sheep? by Philip K. Dick.

Talked about on today’s show:
1968, science fiction by Philip K. Dick, Blade Runner, abridged version, audiobook, repetition of theme, an introductory novel to Philip K. Dick, The Man In The High Castle by Philip K. Dick, jam packed with action, one long day, the fake police station, a classic Dick move, how many androids are there in this book?, movies, androids, legitimate slavery, Luba, minority, androids v. slaves, reality of humans, psychological tests, visuals, dialogic science fiction, Wilder Penfield, The Terminal Man by Michael Crichton, mood organ, existential humor, satire, artificial, unbelievable world, endless competition, goat glands, Sydney’s Catalog, the BBC Radio 4 audio drama by Jonathan Holloway & Kerry Shale, parallel characters, undercut truth, an animal theme, religious allusions, Mercer, Unbreakable (M. Night Shyamalan), lurker, detective story, lack of world descriptions, less striking scenes in the movie, Galactic Pot Healer by Philip K. Dick, tomb world, fraud corpses, Mercer v. Jesus, lack of introduction in the movie, Frankenstein by Mary Shelley, the maker, hope of freedom, androids as fiends, humans yet not humans, what is the definition of human?, the question, the title, empathy to androids, Deckard’s predictions, Ubik by Philip K. Dick, predestination, fake things, simulacra, electrically modified ecology, emotional drug, consumerism, The Days of Perky Pat by Philip K. Dick, Nanny by Philip K. Dick, the vale of reality, the cuckoo clock in Blade Runner, layered symbols, visualizing future technologies, Kayla Williams, unobvious connections, paranoia, suspicion of government, The Exit Door Leads In by Philip K. Dick, unimportance of religious reality, environmental awareness, Silent Spring by Rachel Carson, dehumanization in war, androids = inverted human, Fahrenheit 451 by Ray Bradbury, television, The Veldt by Ray Bradbury, 1984 by George Orwell, podcasting, Metropolis (Fritz Lang), Max Headroom, “Five Minutes Into the Future”, The Red Room by H.P. Lovecraft, haunted media.

Marvel Comics Blade Runner

Blade Runner Haffmans Entertainer

Blade Runner Illustrated by Syd Mead

Do Androids Dream Of Electric Sheep? WORD CLOUD

SIGNETDoAndroidsDreamOfElectricSheepByPhilipK.DickCOVER565

SIGNET - Do Androids Dream Of Electric Sheep? by Philip K. Dick

Chris Moore illustration of Do Androids Dream Of Electric Sheep? by Philip K. Dick

Donato Giancola illustration for Do Androids Dream Of Electric Sheep?

Posted by Jesse Willis

The SFFaudio Podcast #266 – READALONG: When The Sleeper Wakes by H.G. Wells

Podcast

The SFFaudio Podcast #266 – Jesse, Luke, and Juliane Kunzendorf discuss When The Sleeper Wakes by H.G. Wells

Talked about on today’s show:
Julianne’s first SFFaudio Podcast, what do we call them?, readers and talkers, 1899/1910/1923, When The Sleeper Wakes, The Sleeper Wakes, The Sleeper Awakes, Blackstone Audio’s audiobook version, the serialization in The Graphic magazine, the 1910 preface, “an editorial elder brother”, going to the original sources, a forecast of technology, technological changes between the revisions, aeroplanes and aeropiles, the introduction to the 1923 edition, “fantasias of possibility”, “suppose these forces go on novel”, H.G. Wells thought the rich were evil geniuses (prior to meeting them), “rather foolish plungers”, “vulgar rather than wicked”, Ostrog, “a nightmare of capitalism triumphant”, capitalist/socialism (kind of like Japan), The Unincorporated Man is pretty much the same story, yay Marxism!?, when Graham wakes up, Chapter 7, there only audiobooks in the future, The Man Who Would Be King by Rudyard Kipling, The Madonna Of The Future by Henry James, Heart Of Darkness by Joseph Conrad, phonetic spelling, an H.G. Wells way of writing, is it the nature of a serial, the reader transplanted into the year 2100, The War Of The Worlds, suicide, Isbister, Warming, Ostrog, Lincoln, “body fag is no cure for brain fag”, “while he was breaking his fast”, the language, lying in a crystal box, a passive character, establishing the genre, space elevators, Buck Rogers has the same premise, Idiocracy, Eine Billion Dollar by Andreas Eschbach, A Connecticut Yankee In King Arthur’s Court by Mark Twain, the importance of money, the gilded age, wealth disparity, the labour company, a dystopia along the lines of Brave New World, the Martian invasion, The Time Machine, is this the start of the Morlocks and the Eloi?, 1984 by George Orwell, the proles, the pleasure cities, distractions, the value of work beyond being paid, a class trap, what is Wells saying?, Wells’ ambivalence towards the proles, there are no more school examinations, is this a meritocracy?, technological dystopias (like 1984), social dystopias, Brave New World is a medical dystopia, genetic dystopias, knowing you live in a dystopia, North Korea, knowledge of other societies, the time before Big Brother, Julia, the Anti-Sex League, genetically dumbified, Flowers For Algernon by Daniel Keyes, religious dystopia, advertizing Christianity, prosperity gospels, church revivals, advertising, the babel machines, movies and television, what will this culture do to the culture?, “people don’t read”, airplanes, heavier-than-air aircraft, smashing airplanes into other airplanes, aerial ramming, flying machine vs. aeroplane vs. airplane vs. aeropile, My First Aeorplane by H.G. Wells, rocketships, the pilot’s union, the look of the airplane, the clothing, Victorian age dresses, the church, hanging in the air, the Thames has run dry, megalopolis, the building material, the Eiffel Tower, steel, concrete, plastic, glass, carbon fiber, biotech, Pandora’s Star, a coral house, 3D printing, Ikea Hacks, print on demand houses, economics, factories and automation, The Roads Must Roll by Robert A. Heinlein, The City And The Stars by Arthur C. Clarke, slide-walk, edamite, Ostrog, Ostrogoths, Lincoln, foment a revolution, race and racism, Senagalese, ostrog as “fortress”, a Serbian Orthodox Church, Ostrog will boss the show, “in bounds”, are these are revolutionary names?, Che Guevara, Abraham Lincoln’s freeing the slaves, thug force, Berlin, June 17th, 1953, the Berlin Wall, outside forces, Dan Carlin’s Hardcore History, Gurkhas, “see we’re all friends”, smiling bright shiny teeth, “they are fine loyal brutes”, racism is in there but it is not the point of the book, The War Of The Worlds, a little hypocritical, we can’t see the issue, massive economic suppression, calculating boys, hypnotism, economic slavery, the wealth gap, the White Council, the blaring speakers, the media firehouse, talk radio, people wearing their headphones everywhere, podcasts, each one of those streams are newspapers, a newspaper for everybody, broadsheets vs. tabolids, your newspaper tells your class, daily free newspapers, Jack The Ripper, Melville Macnaghten, Michael Ostrog (thief and con-man), the symbolism of the aircraft, the three books, Helen is the Madonna of the future, it’s a joke, the novel’s end, ‘my Graham dies without certainty of victory or defeat’, ambiguous airplanes, “literally that’s his dream”, flying dreams, cliffs and high places, Isbister and Warming -> Lincoln and Ostrog, “its fun”, “in such a fall as this countless dreams have ended”, dream falling, the different endings, the future of that future, Olaf Stapledon’s The Last And First Men, many futures, Olaf Stapledon takes what Wells does a little farther, Graham as a Christ figure, risen from the dead… etc., in Graphic detail, full colour holographic Jesus, the empty tomb moment, allusions to other literature in the Bible, Arthur C. Clarke, the Son of Man, A Story Of The Days To Come, the emptying of the countryside, the enclosures, Scotland, Canada, Glasgow, Berlin, well more than 50% of the world’s population lives in cities now, Among Others by Jo Walton, Wales, the merits of country living, the economic theory behind everything, access to internet, staring at the internet, services, live entertainment, “my choice of Christian girls was three girls”, poor Luke.

When The Sleeper Wakes by H.G. Wells

H.G. Wells' 1921 Preface to The Sleeper Wakes
Amazing Stories Quarterly, Winter 1928 - illustration by Frank R. Paul

Posted by Jesse Willis

Review of A New Beginning by Craig Brummer

SFFaudio Review

A New Beginning
By Craig Brummer; Narrated by Jack Nolan
Publisher: C&S Press
Publication Date: August 2013
[UNABRIDGED] – 7 hours, 32 minutes

Themes: / slavery / space / bureaucracy / mega-corporations / politics /

Publisher summary:

A New Beginning is the story of a young woman who is ordered by the courts of Earth to serve as an indentured slave to the corporation that held her college debt. Life as a slave brings her to the brink of suicide and an attempt to kill her tormentor. She is sold to Spacers, who are themselves rebelling against the corrupt control of Earth’s mega-corporations. In space she finds a chance at a new life, a chance to maybe help her sister avoid the same fate, but only if Spacers succeed in gaining their freedom. The course of her life will be determined by the outcome of politics far outside of her control… but she has a chance, however slim, to save her sister and start a new life herself.

In some way, this was a really odd book for me to read. The main character is named Kristin. She works on a space ship as a systems engineer. I work on satellites as a systems engineer. And, honestly, her description is really similar to mine when I was in my early 20’s. So it was seriously trippy to read this at times.

A New Beginning is set in the near future, a future where space travel is common place, as is living in space aboard ships or other space stations. On Earth, it’s a rather bleaker picture of the world today. Corporations have taken over the world, bought out most of the politicians. It’s a society, world-wide, where the class gap is as wide is it can be and only those born into or who marry into privilege have assurance of a “normal” life. The rest are sold into indentured service to pay of their debts, whatever they are; for main character Kristin, this is the price of her college education. It’s also a future where faster-than-light travel has been made possible, but communication–visual and audio (in the form of communiques between spacecraft)–is limited to light speed. I’m not quite sure how that is possible, to be honest, but it sets up some interesting potential so I decided not to worry about it.

As the story starts, a newly formed “Federation,” comprised of those living and working on the ships and stations, those without ties to Earth, decide to break ties with Earth and form their own…well, federation. Think of it like Star Trek. Where once they were tied to Earth, they now consider themselves independent entities, willing and happy to trade with Earth, but not bound by any of their laws–or taxes. This has important ramifications for Kristin Hayes, whose indentured service was just sold from an Earth corporation to a ship in the Federation. She left behind a life of debt and slavery (including sexual slavery) on Earth and, upon joining the ship, was freed. The Federation, her ship The Valiant Lad, bought her indenture contract (along with that of others) and gave her the option to return to Earth as a free woman or to join the Federation, join the ship’s crew. Kristin decided to join the ship’s crew and for the first time in her life, have a real job, earn real wages, and be allowed to be a “normal” person.

Kristin’s story comprises most of the book. There are two story lines (that are sort of broken into 3 in places), one of the Federation officers who are actually coordinating the secession from Earth, and Kristin’s story line, telling of her life, both on and off the ship. Kristin’s story is about 2/3 of this book, though I suspect that this is the first in a series and provides decent setup for the rest of the series. Kristin acclimates to life on the ship slowly, but without much adversity. If anything, it seems that everything is just too easy. She finds friends, support, a job she can do…which is interesting, given the description of how the space-ers grow up and are educated compared with how Earth-ers are raised. Growing up in space seems a lot more intense, it seems that anybody from Earth would be at a significant disadvantage. When the Federation makes new laws, allowing families to be on ships and for crew to “fraternize,” she enters into a relationship with a crew mate fairly easily, despite her emotional scars. Kristin decides that she should use this opportunity to earn money (and save it) so that she can get her sister and her father off Earth, to help them avoid the troubles she had. One way she earns money is by selling her journal as a book; the journal she wrote of what her life was like on Earth as a child and then as an indentured servant for one of the corporations. It became an overnight success (almost literally) and made her into a celebrity. As I said, the only “trouble” I really had with this part of the book is how easy everything was. Kristin had a few small stumbling blocks to overcome, but the narrative made it sound like they were easily triumphed over, so overall she didn’t face much adversity.

Similarly, the second story line–comprising a third or less of the book–seemed….easy. The main thrust is told from two viewpoints, one of the ship captain (Marshall?) who announced the secession, and one of another ship captain (Matthews? A woman, in either event, which was nice) who oversaw some of the battles between the Earth ships and the Federation ships. This is where I think the book truly had a miss. It was odd enough that it was all too easy–the battles were short, sweet, and rarely with any Federation losses–but there was an opportunity for Brummer to capitalize on some interesting tactics, an opportunity lost in this book. As I mentioned earlier in the review, technology has evolved to a point where faster-than-light travel is possible (and used) but faster-than-light communication is not. This means that when battling on a large scale, your information is only as good as your distance (in light years/hours) from the source. This was touched on briefly in Kristin’s narrative. One of her co-workers mentioned that for spare money, he makes games to teach kids about battle tactics and the math used in FTL travel and war. He mentioned that all kids who grow up in space have to learn this, and have to use it…but then, nobody did. In all of the battles, it seemed like the information at hand was “good enough” and that the Federation mostly won without issue. While the battle scenes were mercifully short (nothing drives me up a wall than too much detail on weaponry or super-detailed tactics), they were almost too dry. It seemed, once again, too easy.

Some of the issues with the battle scenes might have been owed to the narration. The narration, while mostly fine, was just that, fine. Nolan didn’t add much excitement or change in tone for any of the scenes. He didn’t use different voices for the characters (except maybe some of the characters on the primary Federation ship–the Freedom?–they sounded like they were lifted from the scenes in Star Trek). The recording itself occasionally echoed or sounded like it was recorded with an unfiltered microphone. It often sounded like there was a low-level hiss in the background, or air flowing. This was noticeable when I used earphones and in my car audio and was occasionally distracting.

All in all, the book wasn’t a bad entry novel for a first-time author, though the science fiction elements were more window dressing than actual story components. I suspect some of the audio issues were due to it not being one of the larger publication houses, and that’s okay. I would recommend this book to someone looking for some light science fiction that frankly isn’t much of a downer (because let’s be honest, a lot of it can be extremely depressing). It will be interesting to see where Brummer goes with this universe. If all the novels end up having this same tone/lack of adversity, it could get boring, but for a first-in-a-series by a new author, it was pretty alright.

Posted by terpkristin.