serial killer – Page 4

Aural Noir review of The Monster Of Florence by Douglas Preston and Mario Spezi

Aural Noir: Review

The Monster Of Florence: A True Story
By Douglas Preston and Mario Spezi; Read by Dennis Boutsikaris
8 CDs – Approx. 9.5 Hours [UNABRIDGED]
Publisher: Hachette Audio
Published: 2008
ISBN: 9781600242090
Themes: / Crime / History / Mystery / Murder / Serial Killer / Conspiracy / Italy / Florence / Sardinia / The Renaissance /

In 2000, Douglas Preston and his family moved to Florence, Italy, fulfilling a long-held dream. They put their children in Italian schools and settled into a 14th century farmhouse in the green hills of Florence, where they devoted themselves to living la dolce vita while Preston wrote his best-selling suspense novels. All that changes when he discovers that the lovely olive grove in front of their house had been the scene of the most infamous double-murders in Italian history, committed by a serial killer known only as the Monster of Florence.

If you’re a fan of Douglas Preston’s fiction you’ll be all into digging the biographical details he adds to this illuminating non-fiction account of a real monster and the labyrinthine twists and turns the investigation took. Those readers looking for insight into Thomas Harris’ Hannibal novels can find this story impactful too. Myself, I was most interested in the unparalleled access this fearsome story details, namely the historical forces that shaped Florence, Tuscany and Sardinia from ancient days, through the Renaissance, the 1960s, 1970s, and on up to the present. Preston, with help from Spezi, provides elucidating details about how the killer (or killers) got away with 16 murders that took place between 1968 and 1985. Their book, this audiobook, is an indictment of Florentine and Italian journalists, the Italian national police , the Florentine investigators, and one prosecutor in particular. In short, after more than 30 years of criminal investigation the case remains an unsolved mystery. Spezi and Preston do take a guess at the culprit, and they back that guess up with a logic chain that is a helluva-lot-more compelling than the official explanation. But, just thinking about it all, a week or two later, I’m still shaking my head. The final disgrace of this story came as a result of a convergence between the Public Minister of Perugia, Giuliano Mignini, and a fraud psychic named Gabriella Carlizzi. Together they explained to themselves, and the arresting police, that Mario Spezi was actually involved in the murders and was a member of a satanic cult.

Even more worrisome, if it is possible to imagine, is what Preston argues is a fairly widespread Italian cultural embrace of something called “dietrologia.” Literally meaning “behindology,” dietrologia is the practice of assuming that nothing notable is as it actually appears – that something hidden (often sinister, cynical and/or conspiratorial) is behind any and all notable events. In Canada we might call it acting paranoid, or being a conspiracy theorist. In Italy, apparently, it is regularly practiced around the dinner table. And it’s all fun and games, I guess, until you end up throwing innocent people in jail. During the writing of The Monster Of Florence Spezi was arrested for either being a collaborator with the Monster or actually being the serial killer himself. Meanwhile Douglas Preston was interrogated, told to confess, threatened with arrest, and forced to leave Italy upon pain of prosecution. The Monster Of Florence case was completely bungled. This was a clusterfuck on par with the notorious California’s McMartin preschool investigation and trial. I guess it all goes to show that police and prosecutorial incompetence is alive and well in the new and old worlds both.

Reader Dennis Boutskaris takes full control of the narrative, becoming the voice of Preston (and Spezi) for the entire audiobook. To my untrained ears his Italian accent sounded fine. The cover art, as mentioned in the audiobook, comes from a photograph of a statue in Piazza della Signoria, in Florence (The Rape of the Sabine Women by Giambologna |JPG|). In addition, on the final disc, there is an informative interview with Douglas Preston.

Posted by Jesse Willis

Review of Very Bad Deaths by Spider Robinson

Very Bad Deaths
By Spider Robinson; Read by Spider Robinson
10 CDs – [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2005
ISBN: 0786182431
Themes: / Science Fiction / Serial Killer / Psychic /

Many listeners don’t like it when the author narrates his own story. I’ve never understood this, especially when it comes to science fiction, which has a long history of this. Early Caedmon titles featured Frank Herbert, Arthur C. Clarke, and Isaac Asimov reading their own works. Live readings are common events at science fiction conventions. And I find that I usually like author-read audiobooks. The author lends an extra dimension to the reading that a third-party narrator simply can’t provide.

Every now and then you run across an author/narrator who is good enough at narrating that you’d like to see him narrate some other author’s books too. Harlan Ellison is that good, for example. And so is Spider Robinson. He reads in such a comfortable, personable way that it’s easy to imagine that this guy you know popped in for lunch and is telling you this story over the kitchen table. I enjoyed his reading so much that I wondered first how good his Callahan Chronicals would be read by him (not that Barrett Whitener did a bad job – he didn’t), and further, how Spider would be narrating another author’s work, like, say, a Heinlein novel. The answer? He’d be pretty damn good. I found myself eager to return to this audiobook every time I was forced to put it down.

Along with Russell, who is the loosely autobiographical main character, the story involves a serial killer with a fetish for inflicting pain, a psychic roommate who is appropriately named “Smelly”, and a female cop who is not a lesbian. The story flits from the past, where Russell first met Smelly, to the present, where Smelly seeks him out to tell him that he read the mind of the serial killer as he flew over his house in an airplane and they better by God do something about him.

The story is mainly about these characters going after the serial killer, having many conversations about whether they should go after him. Robinson keeps it interesting throughout, but doesn’t hesitate to move off the plot for some tangential opinion dumps, or some science fiction references, or some puns. The story moves, and is personal, enjoyable, often funny, and touching. And the bad guy is flinchingly bad. Enjoy this one.

Posted by Scott D. Danielson

Review of Koko By Peter Straub

Koko
By Peter Straub; Read by James Woods
2 Cassettes – Approx. 3 hours [ABRIDGED]
Publisher: Simon & Schuster Audio
Published: November 1988 – Out Of Print
ISBN: 0671652397
Themes: Fantasy / Horror / Mystery / Vietnam / Serial Killer /

“Koko…” Only four men knew what it meant… Vietnam vets. One was a doctor. One was a lawyer. One was a working stiff. One was a writer. All were as different as men could be – yet all were bound eternally together by a single shattering secret.

A group of Vietnam vets flies back to Asia in search of a former member of their old unit, someone who they think may have become a serial killer, someone calling himself “Koko”. Koko’s motivation and identity are inextricably linked to their tour in ‘Nam, and specifically to one experience they all shared in a Vietnamese village. But in order to discover Koko’s true nature, a few of them may have to die.

Simon & Schuster Audio have used the same cool cover art from the paperback for this audiobook, which is great, but they’ve heavily abridged the novel, which isn’t. Thankfully, the story still works despite the abridgement, and the reader, James Woods, has the chops to become a full time narrator if that Hollywood thing doesn’t work out. Also added to the production is suitably accented music, which works well despite happening at seemingly random intervals. Peter Straub is really able to carve the words into your mind in such a way as to freak you right out of your skin. But it’s not just the words themselves; it’s the characters and the thoughts they have, and the motivations that drive them. It’s certainly a horror novel, but more in the tradition of Joseph Conrad’s Heart Of Darkness than Stephen King’s It. What’s really weird though is that Koko won the World Fantasy Award for best novel. Despite lacking any fantastic elements, Koko is more mystery than fantasy and more horror than fantasy. But don’t get me wrong, Koko deserved the award. It’s just that it is so far outside the boundaries of typical fantasy fiction that only a phrase like “speculative fiction” can capture it at all. Were the work not so impressive nobody would bother debating whether it was fantasy or not. It’s definitely worth the debate.

Posted by Jesse Willis