New Releases – Wonder Audio, Leiber and Weinbaum

SFFaudio Recent Arrivals

Did you know you can get either of these titles, as well as any other Wonder Audio title for free?  Just sign up at Audible.com/WonderAudio

The Night of the Long KnivesThe Night of the Long Knives
By Fritz Leiber; Read by Mark Douglas Nelson
3hr,  37 min.- [UNABRIDGED]
Publisher: Wonder Audio
Published: 2009

Available at Audible & iTunes

A Deathlander’s life is a rough one. Atomic radiation, murder and sex preoccupies the sparse inhabitants of what used to be a great portion of America’s West. Kill or be killed is the law of this sickened land. Multicolored radioactive dusts floats in the atmosphere of this nuclear desert.

When Ray Baker meets a woman on his sojourn, he doesn’t know if he wants to kill her or sleep with her. Ray doesn’t understand his urge to murder. But he feels it like all the other Deathlanders. Just as he knows the girl feels it. Laying down their arsenal of weapons will leave them both vulnerable. The cost of a moment of intimacy may lead to the last moments of their lives. And what to do when the act is over, and both their minds turn back to murder.

Parasite Planet: The Ham & Pat StoriesParasite Planet: The Ham & Pat Stories
By Stanley G. Weinbaum; Read by Mark Douglas Nelson
3hr, 47 min.- [UNABRIDGED]
Publisher: Wonder Audio
Published: 2009

Available at Audible & iTunes

The short and meteoric career of Stanley G. Weinbaum produced many instantly hailed classics. None had the breadth of wonder, and adventure with philosophic insight as the trilogy of stories that feature Ham Hammond and Patricia Burlingame.

Parasite Planet begins with Ham Hammond trekking across the surface of Venus. The environment is parasitic, filled with bizarre alien life forms like the lasso throwing Jack Ketch Trees and the doughpots, a mindless omnivorous ball of animate cells that devour all living things in their path. When Ham meets the contentious Patricia Burlingame, they have to march across Venus to safety. It’s not clear what is going to kill them first, Venus’s hostile environment or each other.

In The Lotus Eaters, Ham and Pat are on a special scientific expedition to the dark-side of Venus. They discover a strange warm-blooded plant. The most disconcerting thing about the plant is when it begins speaking English and waxing philosophically.

The Planet of Doubt brings the duo to Uranus on another special scientific expedition. The cloudy shrouded terrain strikes terror into the heart of Ham as tries to find the lost Pat who he hopes is still be alive!

Posted by The Time Traveler of the Time Traveler Show

Review of Gravity By Tess Gerritsen

Gravity by Tess GerritsenGravity
By Tess Gerritsen; Read by Campbell Scott
4 Cassettes – 4.5 Hours [ABRIDGED]
Publisher: Simon & Schuster Audio
Published: 2002
ISBN: 0671046187
Themes: / Science Fiction / Disease / Disaster / Biology / Scientist / Medical /

Emma Watson, a brilliant research physician, has been training for the mission of a lifetime: to study living beings in space. Jack McCallum, Emma’s estranged husband, has shared her dream of space travel, but a medical condition has grounded and embittered him. He must watch from the sidelines as his wife prepares for her first mission to the International Space Station. Once aboard the space station, however, things start to go terribly wrong. A culture of single-celled organisms known as Archaeons, gathered from the deep sea, is to be monitored in the microgravity of space. The true and lethal nature of this experiment has not been revealed to NASA. In space, the cells rapidly multiply and soon begin to infect the crew-with agonizing and deadly results

If I had to write a review of this novel in one sentence it would read: “Gravity is like Blood Music for people who’ve never heard of Greg Bear.” Gravity is described by the publisher as “A Novel Of Medical Suspense”, which to me sounds like a crooked way of saying “science fiction for people who don’t like to get caught reading science fiction.” I used to have contempt for the writers of such deceptive doublespeak, but these days I’m more likely to save my contempt for the people who in actuality demand their literature be named in such disingenuous ways. The publishers really aren’t to blame. If they label it as science fiction it won’t get reviewed in the mainstream media – and it won’t be purchased by the fickle public who’d willfully pass up a book with a “science fiction” label in favor of a “medical thriller” or “techno thriller” label. Can someone please explain to me what is so wrong about being caught reading a novel with the words “science fiction” on the spine? I’ve heard people say they won’t buy books because the cover looked too “science-fictiony”. I suggest to you that to not like science fiction is to shut one’s self off from ideas. And though many people claim not to like science fiction, I think if they’d look critically at what they are reading they’d find themselves reading it – just under another name. Be honest with yourself, admit it, you do like it, that is all I ask.

But I stray from the path. Gravity reads a bit like Robin Cook’s Coma, but the major theme has more in common with Michael Crichton’s The Andromeda Strain than it does with hospital politics. The abridgement here is successful and Tess Gerritsen’s descriptions are clear but a bit dumbed-down. As an M.D. she should be fully capable of ratcheting up the science-speak, but for one reason or another chose not to. Despite this, I have few complaints. This is a good time passer. The story has an interesting setting and overall I was left with a satisfactory feeling. That said, I felt no pressing need to track down more of Gerritsen’s ‘Novels Of Medical Suspense.’

A few other problems: Simon & Schuster Audio has not spaced the tapes properly. Each side is of unequal length requiring much fast-forwarding. They also declined to mention when a side is ending, so the reading of a sentence ends as if it were simply a thoughtful pause and then tape plays on for many minutes. This is bad planning – for such a big company there are no good excuses.

Reader Campbell Scott’s precise intonation and clinical reading matches the medical perspective taken by Gerritsen in Gravity. Scott is no cuddly-dear of a voice, nor is he a cuddly-dear of a film actor and yet I find myself always pleased to spend some time with him now and again – he always manages to somehow draw me in even though his stiff demeanor makes me want to shy away.

Posted by Jesse Willis