Review of Chrysalis by Ray Gross

Science Fiction Audiobook Review

Audio Screenplay - Chrysalis by Ray GrossChrysalis
By Ray Gross; Performed by a Full Cast and a Narrator
1 Mp3 File – 2 Hours 6 Minutes [UNABRIDGED]
Publisher: AudioCinema.com
Published: 2006
Themes: / Science Fiction / Science / Religion /

GRAHAM
Science is the purest form of religion.

Struggling genius Graham Godfrey, together with his select team of young discoverers, is led from Georgetown University to the mysterious Bainbridge Institute by his ambitious uncle in a quest to harness a new quantum energy source. But the project takes an unexpected turn and unfolding events thrust Graham into his haunted past where a dark secret shrouds an unspoken family tragedy.

Audio Cinema’s Chrysalis is a screenplay done for audio – when you listen what you’ll hear is a new hybrid – you could think of it as a complete table reading of a film script by the cast of a film prior to the filming. Added to the reading are a soundtrack and sound effects. A narrator reads all the non-dialogue lines in the script, in an conspiritorial, almost whispering, voice. The character’s lines are all performed by individual actors. Sound effects and music accompany the action. Now you might think this sounds like audio or radio drama, but it isn’t, nor is it a full cast reading of a novel, instead it is something I’ve never heard before, a completely new thing. This is a movie screenplay 9/10ths of the way to completion – a complete movie without the visuals. The experience is comparable to listening to the Descriptive Visual Service® found on some WGBH (PBS) television dramas.

The script is interesting and the production moves along at a nice clip. There are few, difficulties here and there, the narrator mispronounces “facade,” one or two other minor things ruffle the experience. I quite liked the ideas. The plot is thoughtful and in some respects echoes like a happier version of Theodore Sturgeon’s short story Microcosmic God. In structure it’s like the 1983 film WarGames. I worry about the format though. I’m a fan of audio tracks of film and tv. Sometimes the narration, the sound of the story, will tip you to things you’d have missed in the visual landscape. If you take the audio track from Babylon 5 and just listen to an entire show you’ll get 90% of the story. Stories, good stories, are idea driven, whether it is narration or dialogue, good ideas come from the soundtrack not the visuals. The ideas in Chrysalis resonate. I don’t need to see the movie of Chrysalis, I’ve heard it.

Posted by Jesse Willis

Review of The Answer by Philip Wylie

SFFaudio Audiobook Review

Science Fiction Audiobook - The Answer by Philip WylieThe Answer
By Philip Wylie; Read by Joel Grey
1 Cassette – Approx. 90 Minutes [UNABRIDGED]
Publisher: Dove Audio
Published: 1996
ISBN: 0787105139
Themes: / / / / / / /

“What egotism, what stupid vanity, to suppose that a thing could not happen because you could not conceive it!”
– Philip Wylie & Edwin Balmer from When Worlds Collide

This audiobook of The Answer (subtitled A Parable For Our Times), was produced by Stefan Rudnicki. You should care because whenever Rudnicki gets involved with a project you’re pretty much guaranteed of two things: 1. A quality story. 2. A quality production. Rudnicki is himself a talented narrator, he’s been involved with some of the best short story collections on audio, won two big fistfuls of Audie awards and even a Grammy. Most impresive of all he was the mastermind behind the SFFaudio essential audiobook edition of Ender’s Game by Orson Scott Card! I was only vaguely familiar with Philip Wylie’s work prior to this novellette, I’d heard his dystopian novel The End Of The Dream and known that he had co-written the novel that became the feature film When Worlds Collide. So I did some research, The Answer was originally published in “The Saturday Evening Post” in 1955, adapted to television the same year and then republished several times in paper-book form since. The story was written in the shadow of the cold war the context for which the unstated question is asked – with that shadow faded the story still has power, but I suspect that it has been somewhat diminished.

Aboard a United States aircraft carrier in the South Pacific a distinguished team of nuclear scientists, politicians, naval and air-force officers await the impending test of an atomic bomb. The test, code named Operation Bugaboo, makes one officer question the very fabric of his belief, or rather his lack thereof. Major General Marcus Scott is an agnostic and skeptic, a veteran of WWII with a long and distinguished career behind him. But after the test is conducted and a single unforseen casualty is reported Scott’s entire worldview is shaken to its foundations. Discovered, as an apparent casualty of the tremendous hydrogen bomb blast is a winged figure, one even his ubelieving eyes can only describe as an angel.

While at first very satisfing on a level of sheer storytelling I noticed upon repeated listening Wylie’s writing scaffolding, the somehat forced structure upon which the story relies for power. For believability’s sake there are really too many coincidences. The scientifically testable circumstances, which are what you are buying when you listening to science fiction – are flushed away into circumstances no easier to swallow than ‘historical’ reports of angels, as the subtitle suggests “a parable for our times?”. Is it really meant to be a parrallel with historical reports of angels? Or is the structure simply in place to give narrative meaning to the story? I don’t know. But no matter how it was made, the story is only going to be offering comforting evidence to a believer, and however well meaning the point of the story, “the answer” of the title is at very best, in my opinion, only a wishful maxim. Flavour me unconvinced while still having been emotionaly involved by the tale.

An added music consists of a pipe organ, woodwind and stringed instruments. These are used to subtly underscore the emotions of the two viewpoints shown. Varied music gives ethereal holiness, timelessness or thoughtful reflection to specific scenes and to underscore others with their absence. Though generally I prefer unaccompanied readings it isn’t overwhelming here. Reader Joel Grey shines, by packing an emotional wallop witout doing much in the way of characterization. He’s able to confer the general mood of frustrated sadness that the story requires given the limited role the characters have. This audiobook is now out of print but you can still get it through Audible.com.

Posted by Jesse Willis

Our friends at AssistiveMedia.org have been offe…

Online Audio

Assistive MediaOur friends at AssistiveMedia.org have been offering online audio to persons with disabilities since 1998, unfortunately the website doesn’t currently offer easy access to their terrific resources (regrettably the promised podcast feed dedicated to Science Fiction hasn’t materialized yet either). In an effort to make the unnavigable navigable we are compiling a collection of the best SF&F related links for you to enjoy:

Science:
The Quantum Physics Of Time Travel
By David Deutsch and Michael Lockwood; Read by Chris Purchis
38 Minutes | RealAudio |
Copyright © Scientific American 1994
“Common sense may rule out such excursions–but the laws of physics do not.”

Artificial Intelligence And Human Nature
By Charles T. Rubin; Read by Vi Benner
40 minutes | MP3 | RealAudio | [UNABRIDGED]
Copyright © 2003, The New Atlantis

Essay:
The Fisherwoman’s Daughter
By Ursula K. LeGuin; Read by Melissa Stewart
63 minutes | RealAudio | [UNABRIDGED]
copyright © 1990, The New York Times Book Review

Science Fiction:
Nemesis
By Arthur C. Clarke; Read by Ken Phifer
37 Minutes | MP3 | RealAudio | [UNABRIDGED]

Technical Error
By Arthur C. Clarke; Read by David Zinn
37 Minutes | RealAudio | [UNABRIDGED]

Travel By Wire
By Arthur C. Clarke; Read by David Zinn
11 minutes | RealAudio | [UNABRIDGED]

Enjoy!

***NOTE*** Because of the CBC strike, these links …

SFFaudio Online Audio

***NOTE***
Because of the CBC strike, these links aren’t working. Sorry! I’ll post an update when things are cleared up. –sd

Quirks And Quarks, CBC Radio’s excellent and long running Saturday afternoon science program is not only a great source of science news – it’s also a great Science Fiction resource! The show’s host, Bob McDonald, has even narrated an SF novel and is obviously a fan of both science and Science Fiction.

Every week, the program presents the people behind the latest discoveries in the physical and natural sciences, from the smallest sub-atomic particle to the largest objects in the sky and everything in between. The program also examines the political, social, environmental and ethical implications of new developments in science and technology. And now Quirks And Quarks has also got into podcasting too! Show segments are available in MP3 format for FREE!

Here’s a list of links to show segments that deal with
Science Fiction concepts:

Multiple Worlds & Parallel Universes (April 16, 2005)
LINK: http://www.cbc.ca/quirks/media/2004-2005/mp3/qq-2005-04-16a.mp3

Telepathy (November 20, 2004)
LINK: http://www.cbc.ca/quirks/media/2004-2005/mp3/qq-2004-11-20a.mp3

First Contact (March 9, 2002)
With SF writer Robert J. Sawyer
LINK to Part 1:
http://www.cbc.ca/quirks/archives/01-02/mp3/qq090302a.mp3

LINK to Part 2:
http://www.cbc.ca/quirks/archives/01-02/mp3/qq090302b.mp3

Settling The Stars (February 23, 2002)
With SF writers Joe Haldeman, Charles Sheffield and
Geoffrey Landis
LINK: http://www.cbc.ca/quirks/archives/01-02/mp3/qq230202a.mp3

Terraforming Mars (May 12, 2001)
LINK: http://www.cbc.ca/quirks/archives/00-01/mp3/qq120501a.mp3

Review of Timescape By Gregory Benford

Science Fiction Audiobook - Timescape by Gregory BenfordTimescape
By Gregory Benford; Read by Simon Prebble and Peter Bradbury
11 Cassettes – 15.75 Hours [UNABRIDGED]
Publisher: Recorded Books LLC
Published: 2001
ISBN: 0788763180
Themes: / Science Fiction / Hard SF / Time Travel / Alternate History / Quantum Physics / Science / Ecology / Philosophy / Astronomy / Britain / USA /

Winner of both the Nebula Award and the John W. Campbell Awards for best science fiction novel, Timescape is an enduring classic that examines the ways that science interacts with everyday life to create the many strange worlds in which we live. In a future wracked by environmental catastrophe and social instability, physicist John Renfrew devises a longshot plan to use tachyons–strange, time-traveling particles–to send a warning to the past. In 1962, Gordon Bernstein, a California researcher, gets Renfrew’s message as a strange pattern of interference in an experiment he’s conducting. As the two men struggle to overcome both the limitations of scientific knowledge and the politics of scientific research, a larger question looms: can a new future arise from the paradox of a forewarned past? With multiple plot lines and diverse characters, Timescape offers something for all lovers of fascinating science and great fiction. Simon Prebble and Peter Bradbury combine for a narration that skillfully uncovers the mysteries beneath our understanding of the universe.

Timescape is a deep novel that explores characters, causal paradoxes, politics, history and physics over time all with equal skill. And despite the serious nature of the narrative there are even a few laughs in there! This isn’t just science fiction it is scientist fiction, that is it is fiction that shows how scientific experimentation in the modern university setting works. Benford, is himself a scientist and he doesnt dumb down the book for us amateurs. I was very surprised that I hadn’t heard how good this novel was previously. I count myself as a fairly knowledgeable fan of science fiction and yet somehow the certain fame of this novel slipped under my radar. I was pleased and surprised as Timescape approaches greatness in it’s chosen domain.

Appropriately Simon Prebble, with his English accent, reads the 1990s chapters of the novel, which are primarily set in England, while Peter Bradbury with his American accent reads the 1960s chapters, set mostly in California. This is the kind of book that was a natural for dual narration. Bradbury and Prebble are both excellent, pronouncing nearly every technical term correctly, in this hard science heavy novel that is no small feat! Recorded Books’ original cover art for this audiobook is even more evocative than the paperback and hardcover editions. Nice work RB! But it’s not all praise. First is an attribution mistake on the front cover of the audiobook, the copy reads “narrated by Simon Prebble and Peter Bradley” (it should read “Bradbury” not “Bradley”). There was also a problem plaguing my copy of Recorded Books cassette audiobooks – the sound level. It may have been only a problem with my copy, but in order to hear this audiobook I had to crank up the stereo to its maximum output level. Recorded Books does however offer to replace defective cassettes, and if the recording level were any lower I’d have to seriously consider taking them up on it. Likely this wouldnt be a factor at all with the CD version but there isn’t a CD version available at this time.

Posted by Jesse Willis

Review of Foundation by Isaac Asimov

Science Fiction Audiobooks - Foundation by Isaac AsimovFoundation
By Isaac Asimov; Read by Scott Brick
7 CD’s, 9 hours [UNABRIDGED]
Publisher: Books on Tape
Published: 2005 (Re-issued with new narrator)
ISBN: 1415917760
Themes: / Science Fiction / Psychohistory / Galactic Empire / Energy / Science /

I could write this review in one sentence: A first-rate science fiction classic performed by a top-notch narrator. Whew! I’m exhausted. I better relax with another audiobook…

But first, a few more comments. Foundation is one of Isaac Asimov’s earliest works. One of the joys of reading this novel is recognizing it as an influence on so many other works in science fiction. Since Foundation was published, countless empires have risen and fallen in the pages of science fiction novels and on flickering movie screens. Most obviously, the latest Star Wars movie includes a visit to Coruscant, a planet that is one huge city, just like Asimov’s Trantor.

Like I, Robot, another of Asimov’s best known books, this is not a novel, but a collection of stories. The first (Book 1) is called “The Psychohistorians”, which follows Gaal Dornick as he visits the planet Trantor for the first time. Trantor is a planet completely covered in city – it serves as the capital of the Galactic Empire. Dornick visits Hari Seldon, who is under persecution for predicting the fall of the empire using psychohistory, a mathematical method for predicting probable futures for large numbers of people. The story concludes with the establishment of the Foundation, where a group of scientists will be charged with collecting all human knowledge into a great Encyclopedia.

Book Two is “The Encyclopedists”. It is 30 years after the first story, and it is here that the reader first encounters Salvor Hardin, a political rival of the mayor of Terminus, the name of the planet where the Foundation resides. The story is of a political struggle between two factions, with Hardin winning the day in grand fashion as a holographic Hari Seldon makes his first appearance to tell folks what’s really going on here.

Book Three, “The Mayors”, again stars Salvor Hardin, much later in his career. He is now being challenged as he challenged others in the previous story. Hardin has discovered that the only thing he’s got that surrounding systems don’t have is knowledge of atomics (a knowledge that has been lost at the edge of the empire). So, to keep from being attacked, he creates a sort of religion out of atomic science, trains “priests” to deal with it, and sends these priests out to threatening worlds to keep them at bay. Works great, but now there’s a challenge.

“The Traders” is Book 4, again taking place years after the previous story. Hardin is long gone, and the Foundation now is home to a sub-class called Traders, who are largely independent, but still loyal to the Foundation…

…who evolve into “The Merchant Princes”, the subject of Book 5, the longest installment. The traders have grown rich, and there’s a serious threat to the Foundation. Questions about the further validity of the “religion” are questioned, toss in some espionage, and the struggle is on.

Scott Brick does an amazing job with Asimov’s work. This first book was published in 1951, so Brick has to say things like “Great leaping galaxies!” while keeping a straight face. Apart from these occasional exclamations, the book works extremely well here in 2005. Asimov deserves his place amongst the Grand Masters of the genre, and Scott Brick’s performance adds a worthy dimension to the classic. I’m very much looking forward to hearing the rest of the trilogy.

Posted by Scott D. Danielson