The Space Show, interview with Donna Shirley on Science & Science Fiction

SFFaudio Online Audio

The Space ShowDavid Livingston, who hosts The Space Show, interviewed Donna Shirley, the former manager of NASA’s Mars Exploration Program. Shirley was also a director of the Science Fiction Museum and Hall of Fame (in Seattle, WA). You’ll need to bear with the programs flaws, there are lots of clicks, buzzes, pleas for donations and copyright notifications. Listen directly |MP3| or use the podcast feed:

http://www.gigadial.net/public/station/11253/rss.xml

[via Marooned: Science Fiction books on Mars]

Posted by Jesse Willis

Review of I Am Legend and Other Stories by Richard Matheson

SFFaudio Review

Science Fiction Audiobook - I Am Legend by Richard MathesonI Am Legend
By Richard Matheson; Read by Robertson Dean and Yuri Rasovsky
10 CDs – Approx. 11 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2007
ISBN: 9781433203299
Themes: / Science Fiction / Horror / Vampires / Noir / Science /

“Come out Neville!”

Would it be fair to say that I Am Legend is one of the greatest novels of the 20th century? No, I personally wouldn’t argue that. I’d argue that instead it is one of the greatest novels of all time. The very first review on SFFaudio was an out of print audiobook from Books On Tape. I bought it on eBay in 2003, I haven’t seen it for sale since. It was a “double novel” audiobook entitled I Am Legend / The Shrinking Man two of Richard Matheson most famous works. As I said in that review, “I Am Legend is one of the best audiobooks I’ve ever listened to.” That same recommendation goes for this edition. The novel alone is worth killing for. If you’re a fan of Matheson, the included short story collection is a bonus.

I Am Legend is a classic vampire story with the standard man against nature, man against himself themes. It is the psychological journey, of Robert Neville, is the very last man on Earth. Every night male vampires pelt his suburban Los Angeles home with rocks and the female vampires expose their nakedness to him – these, his former neighbors – lust for his blood. During daylight hours, Neville repairs the damage to his home, restocks his larder, and his bar, with canned foods, and whiskey. He needs the whiskey, for his other tasks are to suppress the lustful desires he has. He has a deadly lonliness within him. He’s found the only way to keep himself from going mad is to keep busy, drink heavily and try not to think about what’s happening outside his home at night. Since the plague hit, and his wife died, Neville has had to learn the lathe, for turning stakes, and become a microbiologist – he’s used all sorts of techniques to keep the vampires at bay – and he’s curious as to why some work and some don’t. Garlic works, but mirrors don’t. Holy water doesn’t, but crosses do, at least sometimes. It’s enough of a puzzle to turn an everyman into an experimental scientist – and that journey of science, and the lessons of about the world Neville learns along the way are rewarded in what I can only describe as the best ending to a novel ever.

Some will argue that I Am Legend is one of the greatest novels of the 20th century. I’d argue that it is one of the greatest novels of all time. But that said, I’d still argue that Richard Matheson is a very limited writer. He can’t seem to tell more than one kind of story. As I learned from the ten short stories that round out the later discs of this audiobook, (and my previous experience reading The Shrinking Man), breadth of storytelling is not Matheson’s strength. His strength in I Am Legend is the perfect storm of the “psychology,” “science fiction”, and “noir.” In his other works Matheson doesn’t hold all three, (or any other two) in such a perfect molecular bond. The elements that make up I Am Legend play-out absolutely perfectly. But in the later horror stories of this collection, written between the early 1950s and the late 1980s the psychological element is always present, but that’s about all. Stories included are:

Buried Talents,” “The Near Departed,” “Prey,” “Witch War,” “Dance of the Dead,” “Dress of White Silk,” “Mad House,” “The Funeral,” “From Shadowed Places,” “Person to Person.”

The premises in these tales are all drowned out by the continuing theme of ‘solitary psychology’, repetitions of ‘solitude and isolation’ in everymen, becomes wearisome and frankly boring. I found my mind wandering off in nearly every short story. None held my attention very well. There was one story about a house haunted by an angry writer “Mad House“, and that was an interesting premise, but it didn’t pay off. Another, about an everyman’s visit to a witch-doctor sounded interesting, but then it made me sleepy. The final story in the collection, “Person To Person,” started off very promisingly. An everyman is woken up by a telephone ringing late at night. But the ringing doesn’t stop when he picks up the phone. He consults doctors about this ringing, found only in his head, but there is no medical reason why it should happen. Soon thereafter, a psychiatrist suggest he try to stop the ringing by visualizing the act of answering a phone in his head. Lo and behold this works, and on the other end of the line is a man claiming to be from a top secret government agency! They are conducting telepathy trials – or at least that’s what the voice says. Unfortunately, the premise then is completely overwhelmed by that same recurrent theme: Psychology, psychology, psychology. Is the man crazy? Is it a mad scientist? Sadly you won’t care. These stories all disappoint. As a booster of short fiction I find myself surprised to be writing this – just forget about these short stories, the novel alone will provide more than enough value. But on the other hand, fans of Matheson’s short work should take note that the short stories are not included in the audible.com and iTunes versions. All ten short stories are exclusive to the CD and MP3-CD hard copies available through Blackstone Audiobooks.

Narrators Robertson Dean and Yuri Rasovsky split duty on this collection. Dean reads the novel and Rasovsky the short stories. Dean has a deep voice, and paints effective emotion in what is essentially a straight reading. I think I still prefer Walter Lawrence’s version (out of print) but this is a good reading. Rasovsky, on the other hand, injects a ferocity into the emotions of Matheson’s characters, his voice is raspy, almost scarred. Unfortunately the stories were not engaging, this despite Rasovsky’s best efforts. Blackstone has outfitted the audiobook with a dark out of focus cover that depicts a silhouette of a man walking a lonely street in the big city. Meh. Finally, I saw the latest movie version recently, I had low expectations so I was happy to see it was pretty good. I bring this up because, I think it important to note that the “Legend” of Robert Neville is a legend for an entirely different group in the book than in this film version. That is to say, if you only watched the movie, listen to the novel – it has a big surprise in store.

Posted by Jesse Willis

Sci-Phi Show talks Philosophy of Science with Bill DeSmedt

SFFaudio Online Audio

In what appears likely to be another series of interviews that will make another podiobook someday The Sci Phi Show podcast is following up from its “Philosophy of Science” show from last week by speaking to SFFaudio Essential winning author Bill DeSmedt. Host Jason Rennie talks with Bill about The Vurdalak Conjecture and how it plays a role in his novel, Singularity. Tied into this interview, Jason tells me, you can look for what should be a fascinating interview with physicist Lee Smolin in a couple of days. The two interviews will compliment each other as Smolin is probably going to be talking about The Trouble with Physics, his non-fiction book which is critical of string theory. I love it when a confluence of Science and Science Fiction meets in one podcast. You can download the Bill DeSmedt interview show |MP3| or subscribe to the podcast and get the whole series via this link:

http://feeds.feedburner.com/TheSciPhiShow

Documentary on The Tunguska Event set to air on Boxing Day

SFFaudio News

Television - The History ChannelBill DeSmedt, author of the SFFaudio Essential podiobook Singularity wrote in to say that there’s a cool documentary set to air on The History
Channel.

Sez Bill: “As if Christmas weren’t apocalyptic enough…”

THE HISTORY CHANNEL:
Tuesday, December 26 10:00 PM
Wednesday, December 27 02:00 AM

At 7:15AM on June 30, 1908, a giant fireball, as bright the Sun, explodes in the Siberian sky with a force a thousand times greater than the Hiroshima bomb. It decimates 1,000 square miles of forest–over half the size of Rhode Island, and was the biggest cosmic disaster in the history of civilization. What caused the apocalyptic fire in the sky? Over a hundred theories surround what is called the Tunguska event, varying from asteroids and comets to black holes and alien spaceships. Most scientists agree the Tunguska event will happen again, and next time, the human toll could be unimaginable. Now, NASA and other organizations race against time to stop the next planet killer before it ignites Armageddon.

Those planning on listening to Singularity, check this out, it’ll give you a primer.

Thanks Bill!

Review of Chrysalis by Ray Gross

Science Fiction Audiobook Review

Audio Screenplay - Chrysalis by Ray GrossChrysalis
By Ray Gross; Performed by a Full Cast and a Narrator
1 Mp3 File – 2 Hours 6 Minutes [UNABRIDGED]
Publisher: AudioCinema.com
Published: 2006
Themes: / Science Fiction / Science / Religion /

GRAHAM
Science is the purest form of religion.

Struggling genius Graham Godfrey, together with his select team of young discoverers, is led from Georgetown University to the mysterious Bainbridge Institute by his ambitious uncle in a quest to harness a new quantum energy source. But the project takes an unexpected turn and unfolding events thrust Graham into his haunted past where a dark secret shrouds an unspoken family tragedy.

Audio Cinema’s Chrysalis is a screenplay done for audio – when you listen what you’ll hear is a new hybrid – you could think of it as a complete table reading of a film script by the cast of a film prior to the filming. Added to the reading are a soundtrack and sound effects. A narrator reads all the non-dialogue lines in the script, in an conspiritorial, almost whispering, voice. The character’s lines are all performed by individual actors. Sound effects and music accompany the action. Now you might think this sounds like audio or radio drama, but it isn’t, nor is it a full cast reading of a novel, instead it is something I’ve never heard before, a completely new thing. This is a movie screenplay 9/10ths of the way to completion – a complete movie without the visuals. The experience is comparable to listening to the Descriptive Visual Service® found on some WGBH (PBS) television dramas.

The script is interesting and the production moves along at a nice clip. There are few, difficulties here and there, the narrator mispronounces “facade,” one or two other minor things ruffle the experience. I quite liked the ideas. The plot is thoughtful and in some respects echoes like a happier version of Theodore Sturgeon’s short story Microcosmic God. In structure it’s like the 1983 film WarGames. I worry about the format though. I’m a fan of audio tracks of film and tv. Sometimes the narration, the sound of the story, will tip you to things you’d have missed in the visual landscape. If you take the audio track from Babylon 5 and just listen to an entire show you’ll get 90% of the story. Stories, good stories, are idea driven, whether it is narration or dialogue, good ideas come from the soundtrack not the visuals. The ideas in Chrysalis resonate. I don’t need to see the movie of Chrysalis, I’ve heard it.

Posted by Jesse Willis

Review of The Answer by Philip Wylie

SFFaudio Audiobook Review

Science Fiction Audiobook - The Answer by Philip WylieThe Answer
By Philip Wylie; Read by Joel Grey
1 Cassette – Approx. 90 Minutes [UNABRIDGED]
Publisher: Dove Audio
Published: 1996
ISBN: 0787105139
Themes: / / / / / / /

“What egotism, what stupid vanity, to suppose that a thing could not happen because you could not conceive it!”
– Philip Wylie & Edwin Balmer from When Worlds Collide

This audiobook of The Answer (subtitled A Parable For Our Times), was produced by Stefan Rudnicki. You should care because whenever Rudnicki gets involved with a project you’re pretty much guaranteed of two things: 1. A quality story. 2. A quality production. Rudnicki is himself a talented narrator, he’s been involved with some of the best short story collections on audio, won two big fistfuls of Audie awards and even a Grammy. Most impresive of all he was the mastermind behind the SFFaudio essential audiobook edition of Ender’s Game by Orson Scott Card! I was only vaguely familiar with Philip Wylie’s work prior to this novellette, I’d heard his dystopian novel The End Of The Dream and known that he had co-written the novel that became the feature film When Worlds Collide. So I did some research, The Answer was originally published in “The Saturday Evening Post” in 1955, adapted to television the same year and then republished several times in paper-book form since. The story was written in the shadow of the cold war the context for which the unstated question is asked – with that shadow faded the story still has power, but I suspect that it has been somewhat diminished.

Aboard a United States aircraft carrier in the South Pacific a distinguished team of nuclear scientists, politicians, naval and air-force officers await the impending test of an atomic bomb. The test, code named Operation Bugaboo, makes one officer question the very fabric of his belief, or rather his lack thereof. Major General Marcus Scott is an agnostic and skeptic, a veteran of WWII with a long and distinguished career behind him. But after the test is conducted and a single unforseen casualty is reported Scott’s entire worldview is shaken to its foundations. Discovered, as an apparent casualty of the tremendous hydrogen bomb blast is a winged figure, one even his ubelieving eyes can only describe as an angel.

While at first very satisfing on a level of sheer storytelling I noticed upon repeated listening Wylie’s writing scaffolding, the somehat forced structure upon which the story relies for power. For believability’s sake there are really too many coincidences. The scientifically testable circumstances, which are what you are buying when you listening to science fiction – are flushed away into circumstances no easier to swallow than ‘historical’ reports of angels, as the subtitle suggests “a parable for our times?”. Is it really meant to be a parrallel with historical reports of angels? Or is the structure simply in place to give narrative meaning to the story? I don’t know. But no matter how it was made, the story is only going to be offering comforting evidence to a believer, and however well meaning the point of the story, “the answer” of the title is at very best, in my opinion, only a wishful maxim. Flavour me unconvinced while still having been emotionaly involved by the tale.

An added music consists of a pipe organ, woodwind and stringed instruments. These are used to subtly underscore the emotions of the two viewpoints shown. Varied music gives ethereal holiness, timelessness or thoughtful reflection to specific scenes and to underscore others with their absence. Though generally I prefer unaccompanied readings it isn’t overwhelming here. Reader Joel Grey shines, by packing an emotional wallop witout doing much in the way of characterization. He’s able to confer the general mood of frustrated sadness that the story requires given the limited role the characters have. This audiobook is now out of print but you can still get it through Audible.com.

Posted by Jesse Willis