Review of Steel World by B. V. Larson

SFFaudio Review

Steel World steelworldSteel World (#1 in Undying Mercenaries)
By B. V. Larson; Performed by Mark Boyett
Publisher: Brilliance Audio
Publication Date: 3 December 2013
[UNABRIDGED] – 10 hours

Themes: / dinosaurs / regeneration / military sf / alien bean counters / science fiction /

Publisher summary:

In the twentieth century Earth sent probes, transmissions and welcoming messages to the stars. Unfortunately, someone noticed.The Galactics arrived with their battle fleet in 2052. Rather than being exterminated under a barrage of hell-burners, Earth joined their vast Empire. Swearing allegiance to our distant alien overlords wasn’t the only requirement for survival. We also had to have something of value to trade, something that neighboring planets would pay their hard-earned credits to buy. As most of the local worlds were too civilized to have a proper army, the only valuable service Earth could provide came in the form of soldiers…someone had to do their dirty work for them, their fighting and dying.

I’d recommend this to anyone looking for a soft and accessible military SF walk-through. If tropes don’t pose a nuisance, this might just graze your fancy.

B. V. Larson’s Steel World is passable military SF, but it’s not a genre standout. If you’re looking to scratch that itch, this will do the trick, but it may not satisfy. All the ingredients are here. We have humans from Earth fighting on a distant planet inhabited by aliens, futuristic weapons, and the technology to make death nearly nonexistent. All the trope-trappings are here of course too, a young recruit, training, deployment, battles, technology, spaceships, etc. But what we don’t have? Genre originality. But it should be said that one doesn’t need break the mold of military SF to have good military SF. In Larson’s case though, it may have helped to step outside the lines in order to make a memorable impression.

For the most part I enjoyed the ride, but I was ready for it to end. The writing affected a forced feel. I was disappointed with the glossed over battle scenes, stereotypical gruff commander, manor in which the recruits fraternized, and the abrupt ending reinforcing the soldier’s inability to “come home” again all felt too prepackaged to ring that bell of authenticity. I struggled with the at times awkward anachronisms. Similes sporting pigs at county fairs, and basic phrases referencing the Internet, the act of brown-nosing, shopping cart wheels, horseshit, and people being pricks kept pulling me out of the future and plunking me back in the contemporary.

Mark Boyett narrates the audiobook, and does a nice job. Boyett has a clean yet slightly senior sounding voice that is incongruous with the main character’s youthful inexperience. While this is feasible to overlook, it never fully leaves the listener’s consciousness. Boyett sounds more like an old man on a porch than a jacked up soldier full of bloodlust and vitality who never stops checking out the backsides of female officers.

Posted by Casey Hampton.

Review of Starship Grifters by Robert Kroese

SFFaudio Review

griftersStarship Grifters (Rex Nihilo #1)
By Robert Kroese; Read by Kate Rudd
Publisher: Brilliance Audio
Publication Date: 24 June 2014
[UNABRIDGED] – 8 hours

Themes: / witty SF / robot sidekick / Chaotic Equilibrium / galactic irony /

Publisher summary:

A space-faring ne’er-do-well with more bravado than brains, Rex Nihilo plies the known universe in a tireless quest for his own personal gain. But when he fleeces a wealthy weapons dealer in a high-stakes poker game, he ends up winning a worthless planet…and owing an outstanding debt more vast than space itself!

The only way for Rex to escape a lifetime of torture on the prison world Gulagatraz is to score a big payday by pulling off his biggest scam. But getting mixed up in the struggle between the tyrannical Malarchian Empire and the plucky rebels of the Revolting Front—and trying to double-cross them both—may be his biggest mistake. Luckily for Rex, his frustrated but faithful robot sidekick has the cyber-smarts to deal with buxom bounty hunters, pudgy princesses, overbearing overlords, and interstellar evangelists…while still keeping Rex’s martini glass filled.

The answer is yes.
The question? Should I read this book?

Funny SF is tricky. Funny SF that holds up over an entire novel is a rarity. The writing in this book is sharp, tight, and clever. I laughed out loud enough to lose track of tally or occurrence. In a word, this novel is SMART.

Robert Kroese delivers an action-stuffed SF adventure packed with funny acronyms, believable and outlandish characters, and a plot with more twists than a page of calligraphy or a barrel of monkey tails. Set in a future galaxy, far far away, Starship Grifters tickles our nostalgia with SF references that most should recognize. From those expendable red shirt wearers to large starships that have the capacity for destroying planets, this book is accessible. It is also wonderfully layered for you deep-rooted SF aficionados. I mean when a starship is named Flagrante Delicto, which is Latin, it’s hard to go wrong.

Now, does this mean you’ll love this as much as me? Nope, it don’t. Humor is painfully relative, but I imagine you’ll at least crack a smile or whack a knee. I laughed, often, at times uproariously. It’s been a while since I’ve had such fun with an SF adventure. The key is that this doesn’t take itself too seriously, and neither should we.

Kate Rudd narrates the audiobook, and I highly recommend this for listening. Rudd is amazing! She infuses each character with a sense of individuality and the breath of life. At first I was a little anxious, but within five minutes Rudd had won me over, and within ten, I was a staunch Rudd believer.

Now, go grab a martini and let the listening begin. “It’s time for piggy to go to market!”

Posted by Casey Hampton.

The SFFaudio Podcast #268 – AUDIOBOOK/READALONG: The New Accelerator by H.G. Wells

Podcast

The New Accelerator by H. G. WellsTheSFFaudioPodcast600The SFFaudio Podcast #268 – The New Accelerator by H.G. Wells; read by Mr Jim Moon. This is a complete and unabridged reading of the short story (40 minutes) followed by a discussion of it. Participants in the discussion include Jesse and Mr Jim Moon!

Talked about on today’s show:
1901, Sir Arthur Conan Doyle, H.G. Wells, The Speckled Band, Swamp Adder, baboons, faulty sources, generous irregularities, Dracula by Bram Stoker, the science, the speed of sound, the effect of heat on fast moving objects, how do they communicate?, the sound of the band, Audacity, Edison cylinders, sloooowing doooowwn, “let it go a bit”, the effect of gravity, “let’s go out the window”, footprints in the flower bed, a giddiness?, a sketch of The Invisible Man, Gibberne, the dog, “you’ve dropped your hankie”, naughtiness -> alienated, Star Trek, Star Trek: Voyager, The Twilight Zone, The Ring Of Gyges, invisibility, The Lord Of The Rings, “a matter for the courts”, a story about methamphetamine, positive uses, what would a society with this drug widespread be like?, Victorian gentleman, dry whiskey (mescaline), opium, cannabis, Alice In Wonderland, pharmacy, a drug fearing society, writing under the influence, why a “new” accelerator, miracle cures, Coca-cola packed with cocaine, baby soothing tinctures packed full of heroin, radium condoms, a green potion, what’s the retarder for?, Ritalin, Focusyn, “become a glacier”, When The Sleeper Wakes, sleeping aids, amphetamines, WWII, chocolate bars laced with amphetamines, “go pills”, The Food Of The Gods by H.G. Wells, boomfood, Wells would have known the Invisible Man would be blind, how science effects people, a minister could dose his assistant, is Gibberne gibbering?, Gibberne looks like “Mephistopheles”, Griffin, sinful, Faust, burning in hell, Mephistophelean, the narrator as Wells, The Strand (late 1899), is the allusion to an actor dressed as Mephistopheles or Henry James?, Sartor Resartus by Thomas Carlyle, everything is just clothing, “language is the garment of thought”, the effect of the retarder, a glacier like absence of alacrity, an entire revolution of civilized existence, the time garment of which Carlyle speaks, very-meta and existential, Diogenes Teufelsdröckh (god-born devil-dung), “we put on a new garment and that changes us”, clothing as a metaphor, the purpose of uniforms, dress-codes, signifiers, bowler hats, the chef’s hat, Daniel Ellsberg, wearing a suit to get arrested, the philosophy of violence, without knowing the allusion…, “just another of those dudes”, The Clock At The End by W.F. Harvey, being bound by time, a little story about drugs is very impactful, drugs and perception, as you age your perception of the passing of time speeds up, younger people doing their thing, ahhh yes more of the same, wisdom/cyncism of age, “no matter who you vote for the government always gets in”, things were slower in the old days, the time investment vs. a couple of clicks, phone addiction, screen addiction, he’s got a book addiction, “Mr Jim Moon is like Wikipedia with a beard”, a diary as an external hard-drive for your mind, the clothing of it, hand-mirrors, selfies, dead situations, Flappy Bird, screens as retarders and accelerators, new etiquette and new protocols, the effect of gin on the U.K., the effect of a new clothing or technology needs to work itself through the culture, tobacco, coffee, designer drugs, the backlash against comics, TV, videogames, simultaneous negative reaction, an immune reaction, the Freakonomics podcast, the temperance movement, alcohol as the safe drink (before tea and coffee), small beer (weak ale), a merry afternoon, was history so bloody in Europe because people were so pissed (drunk)?, drugs as technology, “when the robots come”, the robot in your kitchen is your dishwasher, the anti-coffee movement, “the devil’s cup”, when opium was cheaper than gin, opium -> morphine -> heroin -> methadone, health panics, Mormonism, the reason people take drugs, 12% of rats and bees have a predisposition to addiction, bee hives have bouncers, fermented apples, “its a fun little story about a cute little idea”, the mad scientist story, Dr Jekyll’s potion, new relevance for The New Accelerator, smart drugs, steroids, “among the chattering classes”, it’s all happening almost unnoticed, a new frontier of pharmacy.

The Strand Magazine 1901 - THE NEW ACCELERATOR by H.G. Wells
The Strand Magazine 1901 - THE NEW ACCELERATOR by H.G. Wells
The Strand Magazine 1901 - THE NEW ACCELERATOR by H.G. Wells
The Strand Magazine 1901 - THE NEW ACCELERATOR by H.G. Wells
The Strand Magazine 1901 - THE NEW ACCELERATOR by H.G. Wells
The Strand Magazine 1901 - THE NEW ACCELERATOR by H.G. Wells

The Strand Magazine 1899 had two candidates for Mephistopheles

Posted by Jesse Willis

Review of Brad Lansky and the Alien at Planet X

SFFaudio Review

Science Fiction Audio Drama - Brad Lansky and the Alien at Planet XBrad Lansky and the Alien at Planet X
(Brad Lansky, Episode 1)
1 hour 16 minutes – [AUDIO DRAMA]
Publisher: Protophonic
Published: 2014
Themes: / Audio Drama / Science Fiction / artificial intelligence / Space Travel / cybernetics / aliens /

It’s difficult to believe that Protophonic is ten years old. I know it is because there’s a notice on their website that says so, and, in celebration, they are giving away this remake of the first installment of the Brad Lansky series for free – for a short time. I urge you to go check it out.

I’ve said it before, I’ll say it again. At Protophonic, the sound is the thing. Each track Protophonic produces is a rich soundscape that needs to be enjoyed using a pair of good headphones. I also recommend that you give it your full attention – turn everything off, and let this audio work magic.

As each track starts, the sound sets the scene. More than once, I was surprised by the images in my mind. How easily they appeared in reaction to the sound, and how vivid the scenes were in my imagination. Much to the credit of Protophonic, no time at all is spent in dialogue establishing the setting. Actors never say things like, “My, just look at this blue spaceport!” The rich audio in cooperation with my imagination provided the setting. Indeed, Protophonic has trusted the listener with more than a typical audio drama would, and I found it an exhilarating experience. I enjoy the feeling of collaboration, and I like knowing that my mental picture of this story is sure to be different from another listener’s. It’s also wonderful that the story both depends on and works with whatever the listener brings to the table.

This first Brad Lansky production opens with a Ship AI (called Echolocator) telling co-pilot Dieter Rothman news of a distress call. Dieter and Captain Sandy Larkin meet at the main control console to discuss the situation, and things get tense quickly. Soon after, at Shanghai Spaceport, Brad Lansky and co-pilot Alex John meet with Zara, a life-form scientist, who tells them that Sandy Larkin is missing. Lansky and John immediately start searching. What follows includes alien life, artificial intelligences, cybernetic persons, and space travel.

In short: Brad Lansky and the Alien at Planet X is a very enjoyable work of science fiction, highly recommended for superior audio presentation. This is a remake of the first installment, and there are currently four other episodes to enjoy. The last two (episodes 4 and 5) are winners of the Mark Time Award for Best Science Fiction Audio Production of the Year.

Posted by Scott D. Danielson

Review of Little Fuzzy by H. Beam Piper

SFFaudio Review
littlefuzzyLittle Fuzzy
By H. Beam Piper; Read by Jim Roberts
Publisher: Brilliance Audio
Publication Date: 11 February 2014
[UNABRIDGED] – 7 hours

Themes: / alien intelligence / human intelligence / corporate greed / pipe smoking / science fiction / aliens /

Publisher summary:

On the planet Zarathustra, a sunstone prospector named Jack Holloway receives a strange guest at his door one night – a mysterious, small, fuzzy alien – which promptly makes itself at home. Before long, “Little Fuzzy’s” whole family joins him. Hardened Jack is transformed into their “pappy” and chief protector, and his life is forever changed. The creatures, however, turn out to be quite intelligent. Sapient life on Zarathustra, however, would be disastrous; this leads Jack and his friends on a quest to discover the answer. The quest becomes a matter of urgency when the company that has been growing rich from mining the planet decides to exterminate the Fuzzies to protect their contract. What follows is murder, deceit, kidnapping and intrigue at its best.

Jack Holloway is a human prospector on the planet Zarathustra. As Holloway works his claim, he encounters an indigenous life form dubbed Little Fuzzy. These creatures appear quite intelligent. But if the Little Fuzzy proves to hold sapient intelligence, it’ll cram a giant monkey wrench into the industrial machine that is planetary mining and mineral extraction. It’s Little Fuzzy verses big money in this quaint 1962 SF adventure.

While H. Beam Piper’s Little Fuzzy might show its age, its message still holds an edge. At what point do we as sentient beings stop exploiting natural resources/habitat for profit. Since we are still struggling to come to terms with this question today, it’s fun to examine this problem when set against a distant planet with cute fuzzy tool-wielding prawn-eating creatures.

I discovered Piper’s Little Fuzzy through John Scalzi’s Fuzzy Nation. Scalzi wrote his book in tribute to Piper’s work, and I can see why. Piper writes a fun SF story that evokes thought and problem solving. Scalzi’s book possesses more immediacy than Piper’s Little Fuzzy, and Scalzi creates a character in Holloway that is less heroic than Piper’s Pappy Jack. I prefer Scalzi’s interpretation to Piper’s, but that is due to writing style more than anything else. Piper’s work possesses more content while Scalzi’s work holds more character intimacy and action.

Jim Roberts narrates this audiobook, and initially I wasn’t thrilled with his slow-paced delivery. It seemed too deliberate and too aged for my perception of Holloway. But then I realized that my mental image of Jack Holloway was from Scalzi, and Piper’s Pappy Jack is different. When I concluded this, I realized that Roberts was a great match for Piper’s Holloway. And while the POV doesn’t entirely rest upon Pappy Jack’s shoulder, it does for the majority of the story. Roberts and Holloway became one, and I came to truly enjoy the reading style of Jim Roberts.

I recommend this to anyone who enjoys classic SF. It’s more thought-provoking than action driven, and in this light, it succeeds.

Posted by Casey Hampton.

Review of To Honor You Call Us by H. Paul Honsinger

SFFaudio Review

tohonorTo Honor You Call Us (Man of War #1)
By H. Paul Honsinger; Read by Ray Chase
Publisher: Brilliance Audio
Publication Date: 18 February 2014
[UNABRIDGED] – 13 hours

Themes: / military SF / swords in space / rat-faced aliens /

Publisher summary:

The Terran Union is engaged in a vast interstellar war against the KragRuthless aliens intent on exterminating humankind. In 2315, the wily Max Robichaux is given command of the USS Cumberland, a destroyer with state-of-the-art capabilities but a combat record so bad, she’s known as the “Cumberland Gap.”Capt. Robichaux’s first mission: to take his warship to the Free Corridor, where the Krag have secretly been buying strategic materials, and to seize or destroy any ships carrying enemy cargo. Far from the fleet and under enforced radio silence, Max relies only on his determination and guile…and the support and friendship of his chief medical officer, the brilliant Dr. Sahin.Because even as he deals with the ship’s onboard problems and the stress of carrying out her risky assignment, Max and the doctor discover that the Cumberland and her misfit crew are all that stands in the way of a deadly Krag attack that threatens to end the war—and humanity—once and for all.A far-future story in the tradition of “ships of wood, men of iron” novels, To Honor You Call Us and the Man of War series combine the adventure of exploration, the excitement of war, and the dangers of the unknown through the eyes of a ship and her crew.

H. Paul Honsinger’s To Honor You Call Us is on the softer side of Military SF. Rat-faced aliens religiously motivated and determined to exterminate humans play the role of villain. The stage is the stars, and the stars teem with alien life. Some species resemble catfish; others appear to mirror carnivorous teddy bears.

The year is 2315. Rough and tumble Max Robichaux is promoted to Captain, and the story follows his journey into deep space to fight the dreaded rat-faced Krag. In this era of FTL (Faster Than Light) space jumps, pulse cannons, and universal interspecies translators, we also encounter boarding parties, cutlasses, traditional firearms, beer and liquor rations, and battle-axes.

I struggled with this book. The characters are not very engaging, the dialogue feels clunky, and neither of these are helped by a novel written entirely in passive voice. Honsinger overloads his prose with anachronistic stumbling blocks jarring the reader from the 2315 present-day. I didn’t want to at first, but I was willing to accept sword wielding boarding parties in space. I drew the line at the ships commissary selling t-shirts (all sizes), ball caps, pins, coffee mugs, pillowcases, pendants, charm bracelets, polo shirts, shotglasses, workout shorts, throw pillows, Christmas tree ornaments, etc. When I encounter a character saying, “Maybe Santa Claus will come by in his sleigh and act as a missile decoy,” I stop and scratch my noggin. The year is 2315, what character drops this antiquated holiday reference? And why does a character observe, “The sounds reminded Max of a child playing with his oatmeal by using a drinking straw to make bubbles.” Are there really still straws and oatmeal in 2315? Don’t get me wrong, I like oatmeal, but I’ve never used a straw with it before.

The struggle lies in Honsinger’s earnest desire for his story to be taken seriously. If this had been presented as a farce, a jape upon the genre of Military SF like the film Galaxy Quest poked good-naturedly at its contemporary counterparts, I could have better rolled with the punches. Unfortunately, that is not the case. Honsinger’s incessant desire to drop knowledge in the form of military history on the reader is tiring, and does nothing to advance the story. When it’s all said and done, this reads like fanfic, poorly written fanfic.

I listened to the audiobook. Ray Chase is the narrator, and damned if he didn’t make this book better.

Since To Honor You Call Us is the first in the Man of War series, I fully expect Honsinger’s writing to improve as the story continues. And while I do feel burned by this book, I might be willing to pick up the next volume, in time, if Honsinger figures out what he is writing, drops the passive voice, and commits to more intensive revision.

Posted by Casey Hampton.