Review of Adventures in Time and Space with Max Merriwell by Pat Murphy

Adventures in Time and Space with Max Merriwell by Pat MurphyAdventures in Time and Space with Max Merriwell
By Pat Murphy; Read by Johanna Ward
7 Cassettes – Approx. 9.5 hours [UNABRIDGED]
Publisher: Blackstone Audio
ISBN: 0783128577
Date Published: 2004
Themes: / Science Fiction / Quantum Physics / Pseudonyms / Multiple Universes / The Nature of Fiction /

In this novel by Pat Murphy, the main character (Susan) and her friend Pat (er… Pat Murphy) take a cruise from New York to Europe. On this cruise is a fiction writer named Max Merriwell who offers a writing class that an uncertain Susan is eager to take. Max Merriwell writes not only under his own name, but also under the pseudonyms Mary Maxwell and Welton Merrimax. Rather quickly, Welton Merrimax starts to appear at various places on the cruise ship, and so does Mary Maxwell, which confuses everyone because, well, they’re supposed to be just pseudonyms. Thus begins an entertaining, wild ride of a novel in which alternate realities intersect and events from Max’s novels start to become real.

I visited Pat Murphy’s website and was pleased to find out that the novel is the third book in a wild experiment. Pat Murphy says, “Adventures in Time and Space with Max Merriwell is an adventure story about the nature of fiction.” This nugget opened up so much more of the novel for me – enough so that I’m eager to listen again. It turns out that Murphy published three novels: There and Back Again by Max Merriwell (which is described as the story of The Hobbit retold as space opera), Wild Angel (which “borrows its premise from Tarzan of the Apes“) by Mary Maxwell, and this novel, Adventures in Time and Space with Max Merriwell by Pat Murphy. All the novels were published as written by Pat Murphy because her publisher felt the confusion would be too great to overcome here in the real world.

Click here for some notes from Pat Murphy (who apparently is real) to unravel the full story.

With all that said, this delightfully quirky novel works stand-alone. I enjoyed it enough to desire the added depth that finding and reading these other two books and re-listening to this one will undoubtedly provide. Listening again will be a pleasure because Johanna Ward performs well, deftly handling the mayhem that must have had her scratching her head a time or two during production. Her voice is pleasant and a very nice match to this material.

Posted by Scott D. Danielson

Review of 84.2 Minutes with Algis Budrys

84.2 Minutes with Algis Budrys84.2 Minutes Of Algis Budrys
By Algis Budrys, Read by Algis Budrys
1 Cassette – 84.2 Minutes [UNABRIDGED]
Publisher: Unifont Company
Published: 1995
ISBN: 1886211019
Themes: Science Fiction / Interstellar Travel / War / Immortality / Post Apocalypse / Fairy Tales / Alternate History / Parallel Worlds /

The four stories in this rare collection are densely packed with terrific science fiction ideas and all four share a haunted bittersweet quality. Algis Budrys lets the power of his text completely rule over his performance. Budrys barely distinguishes between the characters; he reads it in an almost conspiratorial style saying, “If you don’t like them, there’s very little more I can say. But I secretly think you will like them, in which case there’s nothing much more I need to say”. His philosophy has extended into the production as well, this is a very utilitarian audiobook, pages can be heard turning in the background while he reads, the cover art is completely non-existent and the title is hardly evocative of much at all, but despite it all 84.2 Minutes Of Algis Budrys is a worthy addition to any science fiction audio fan’s library. The only hard part may be getting a hold of one!

Stories Included:

“The Distant Sound Of Engines”
Severely maimed in an automotive accident, a patient recovering in hospital listens as his roommate, a dying man spouts formulas for faster than light travel, the alloy specifications for ultra strong spacecraft hulls and everything else necessary to make humans an interstellar species. First published in The Magazine of Fantasy and Science Fiction’s March 1959 issue.

“Explosions!”
On a distant water-world that was long ago colonized by humans, a pirate king comes up with a plan to unify the many islands of his planet, and do it by force. “Explosions!” was written under the pseudonym William Scarff and first appeared in Tomorrow Speculative Fiction’s April 1993 issue.

“The Price”
The Earth’s civilizations have been destroyed, fewer than 100 people survive, mankind’s last hope is an enigmatic hunchback who’s been imprisoned for more than 150 years. He’d been chained in various dungeons or enslaved in forced labour camps, but when Europe was annihilated in a global war, and every person there was destroyed, he alone walked out. First published in The Magazine of Fantasy and Science Fiction’s February 1960 issue

“Never Meet Again”
England surrendered in 1940, by 1941 German U-boats ruled the Atlantic, by 1942 the Russian’s had surrendered at Stalingrad. Now fifteen years later a respected researcher in the Greater German Reich has finished his life’s work, a machine that can access alternate worlds. “Never Meet Again” was first published in the 1958 anthology The Unexpected Dimension.

Posted by Jesse Willis

Review of Soundings by Jeff Green

Review

Audio drama - Soundings by Jeff GreenSoundings
Radio drama by Jeff Green
1 MP3-CD – 7.75 hours [AUDIO DRAMA]
ISBN: 0788763334
Date Published: 1998
Themes: / Science Fiction / Fantasy / Radio drama / Private Investigator / Atlantis / Christmas / Vigilante / Psychiatry / Plague / Sound /

Jeff Green has really created something special here. Included in Soundings are eleven full cast radio dramas. The stories are very good, and the sound? Fantastic. Green really knows how to tell stories in this medium. Sound is used to excellent effect – it is not there to enhance the story in many cases, it is a vital part of the story itself. In “Somebody Talking To You”, voices heard through the media have effects on people. The sound of those voices stays with me. In “Spaxterback”, a computer creates an image of a person known only through the machine’s memory of past media (comic books, television, etc.). The conversations between computer and Spaxter sound both powerful and intimate. In “Vigilante”, a TV obsessed psychic kills people he’s sees on the news – the sound of him flipping through the channels in search of a victim is disturbing indeed. And in “Flash”, the sound of the characters being shown visions of what might be past lives is mesmerizing.

I enjoyed the stories as well. “Plague”, the story of the survivors of a plague that forces them to live under domes, was a particularly excellent example, though I would have preferred less exposition in the form of news stories (though they were riveting) and a longer drama to tell the story instead. I enjoyed “Spaxterback” which I mentioned earlier, for its dialogue between creator and created. “Psychotherapy” was a twisted pretzel of a horror story made even more enjoyable if you are a fan of Edgar Allen Poe. “Xmas is Coming to the District of Drudge” is an atypical Christmas story that reminds us all to live a little.

The actors did a great job at keeping everything believable, and the music was first-rate. This is some fine storytelling. I really enjoyed it.

Check out Jeff Green’s Stranger Media website for a rich multimedia experience.

Posted by Scott D. Danielson

Review of Volitar: Murder, Mystery, Mayhem Music

Volitar: Murder, Mystery, Mayhem
Music by Andrew Engstrom; Dramatic scenes performed by a full cast
1 Music CD with dramatized connecting scenes – 47 Minutes [UNABRIDGED]
Publisher: www.volitar.com
Published: 2002
UPC: 803680208120
Themes: / Music / Science Fiction / Experimental / Mystery / Suspended Animation / Aliens /

“Well according to the Navi-computer we’re right on target Mr. Braiden. We should be landing on Volitar in oh…. a quick year and a half.”

The year is 2117. Mining moon owner Trevor Braiden, along with planetary geologist Dr. Desiree Lear, return to Volitar in search of a new mining site. Just hours after their arrival a bomb blast rips through the mining compound leaving Trevor bewildered from the loss of his best friend. Someone is trying to him, but why?

Tracks included:
1. Blast-off
2. Deep Freeze
3. Soul Searching
4. Landing
5. Gateway Theatre
6. Faces
7. The Secret
8. Just One Look
9. Machine Shop
10. Nightmare
11. Laser Research
12. The Fire of Section 17
13. Dead
14. Mourning
15. Desiree For Dessert
16. Free

Volitar’s creator, Andrew Engstrom, wrote this concept album as a hybrid between science fiction audio drama and straight rock music CD. He personally wrote and played multiple instruments in all of the songs, sang in others, co-wrote the dramatic storyline and even performed the lead character’s role. I’m of two minds on this one, I liked the idea, though I admit to not being a devotee of the concept album, but I didn’t come away from it thoroughly convinced. The dramatic elements are probably most to blame here. Unfortunately Engstrom came up with a milieu and some characters but the story isn’t quite finished. What little of it I could follow didn’t make a whole lot of sense to me, and each of the eight dramatic scenes that it is composed of seemed to be written only as introduction to the following song. One example of this is where our characters go into a seedy bar, where an alien rock group is just taking the stage. Before the band starts to play one of the characters asks another to dance. – Cue the music track. – After that song finishes, they tell each other how much they enjoyed the dance they just had and ask to dance again…

While I really and truly appreciated the enthusiasm and the follow through in production of the CD and fit and finish of the packaging, the content itself left me bewildered. The voice acting was only fair and for some scenes the actors sounded like they were simply reading their lines straight off the page. And though the album was recorded between 1998 and 2002, the music felt very 1985, with lots of heavy metal riffs and indecipherable or inaudible lyrics. Not my favorite. But then my tastes in music may not be yours; several other reviewers have noted how much they enjoyed the music. Musically it may work well for you. As far as the fiction goes … I like to be able to follow the story. And I couldn’t here. BUT, taking it in as a serious attempt at SF, that should be followable may have been a mistake on my part.

Becky Jo Engstrom, who plays one of the characters, noted in an exclusive audio interview available with the bonus eBook CD “The Making of Volitar,” that they planned the CD as an homage to “The Rocky Horror Picture Show” and the ‘B-movie’ influences of their youth. So, if before you insert the CD and hit play, you tell yourself, ‘this is light entertainment, just music with dramatic scenes’ and not ‘dramatic scenes with music’, you may have a heck of a lot of fun with it! As an aside, special mention should go to artist, Bud Curtis (http://www.alaskagrafix.com/), who’s responsible for the CD’s digital imagery in the fold out packaging; he’s done a terrific job! I found the bonus eBook quite interesting too, well presented and chock full of production details. Andrew Engstrom and his team seem like really cool people and I look forward to their follow up album tentatively titled “Volitar: War In Ganthros.”

Posted by Jesse Willis

Review of Dune By Frank Herbert

Science Fiction Audiobooks - Dune by Frank HerbertDune
By Frank Herbert; Read by George Guidall
16 Cassettes – 24 hours [UNABRIDGED]
Publisher: Recorded Books
ISBN: 0788763334
Date Published: 1998
Themes: / Science Fiction / Politics / Space travel / Culture / Ecology /

George Guidall is a tremendous narrator. His nuanced performances continually make his audiobooks easy on the ear yet insistent – his performances demand attention. Matched with the Frank Herbert’s Dune… well, this is as good as it gets, folks. A detailed, meaningful, and entertaining piece of science fiction performed by a narrator with fine voice, excellent timing, and utmost attention to those very details… magnificent.

Dune is a masterpiece of world-building. In the novel, Frank
Herbert creates Arrakis, the desert planet that is also called Dune.
The natives of this planet are people called Fremen, a mysterious desert-dwelling people that the characters in this novel don’t fully understand, at least at the beginning. They are proud people, and though a family from the galactic empire rules them, they project an aura of power and resiliency. Arrakis is important to the galactic empire because it is the world where Spice is mined. Spice is of supreme importance in Herbert’s universe for a host of reasons I won’t list here.

The fully realized culture of Arrakis is merely backdrop at the beginning of the novel, which immediately takes up the story of Paul Atreides, son of Duke Atreides. The Atreides family takes over as the ruling family of Arrakis from a rival family called the Harkonnens. From the moment they arrive on Arrakis, the Fremen treat Paul in a special way, since Paul fits the description of someone for which the Fremen have been waiting a long time. The story follows Paul from his departure from his home planet to his arrival on Arrakis and his eventual survival in the desert, during which much about the fascinating culture of the Fremen is revealed.

Frank Herbert wrote a novel here that works on so many levels that it can be read several times. From one angle, you’ve got a novel about the effects of a Messiah on a culture. From another, you’ve got an ecological novel about survival in a desert and the ethical questions about whether to disturb that harsh but natural environment to make it more habitable for humans. Still another gives you a novel of brutal political intrigue as Harkonnen plots against Atreides (and vice versa) in the pursuit of the power that is ownership of the Spice. Each of these subplots is fully developed an intertwined with the others in this novel, which succeeds in every way in print and now succeeds again as an audiobook thanks to the wonderful performance of George Guidall.

Posted by Scott D. Danielson

Review of Martian Time-Slip By Philip K. Dick

Science Fiction Audiobooks - Martian Time-Slip by Philip K. DickMartian Time-Slip
By Philip K. Dick; Read by Tom Parker
6 Cassettes – 9 hours [UNABRIDGED]
Publisher: Blackstone Audio
ISBN: 0786113529
Date Published: 1998
Themes: / Science Fiction / Mars / Politics / Time-travel / Mental Illness / Aliens / Philosophy /

On the arid colony of Mars the only thing more precious than water may be a ten-year-old schizophrenic boy named Manfred Steiner. For although the UN has slated “anomalous” children for deportation and destruction, other people–especially Supreme Goodmember Arnie Kott of the Water Workers’ Union -suspect that Manfred’s disorder may be a window into the future.

While the Mars of our reality is a fascinating planet in its own right, the Mars of fiction is far more accessible, and nearly as alien! Ray Bradbury’s Mars was a walk through the pastoral and allegorical mind of Bradbury’s youth. Edgar Rice Burrough’s Mars, a fantasyland where many buckles were swashed and princesses were saved. But Philip K. Dick’s Mars is the strangest of them all, a place where everyday reality is malleable and where political corruption continues as it does on Earth. Martian Time-Slip, as read exceedingly well by Tom Parker, is a poignant and utterly fascinating journey both across the newly colonized Martian landscape and through the lives of its varied central characters. A journey not to be missed, I have no doubt that eventually the real colonists on the real Mars will be reading Philip K. Dick’s Martian Time-Slip – and a few of them may even be listening to Parker’s excellent performance of this amazing novel.

More and more it seems you can count on Blackstone Audio to pick a great book, match it with an appropriate narrator and follow through with high production values. Martian Time-Slip just adds to this reputation. It comes in a library style clamshell binding with a cool cover featuring the original art from the paperback release. And to top it all off this superb production includes every single word in the book, including the teaser back cover. There is little else to say except: Martian Time-Slip, highly recommended!

Posted by Jesse Willis