science fiction – Page 231

Review of The Precipice by Ben Bova

The Precipice
By Ben Bova; Read by Scott Brick, Amanda Karr, and Cast
10 CD’s – 12 hours [UNABRIDGED]
Publisher: Audio Renaissance
Published: 2005
ISBN: 1593974906
Themes: / Science Fiction / Asteroids / Environment / Nanotechnology / Space Travel / Moon / Corporations /

The Precipice is first book in Ben Bova’s Asteroid War series, which itself is part of the larger group of novels called The Grand Tour. All of the Grand Tour novels appear on audio, the earliest ones abridged, and the later ones unabridged. Of all the Bova novels I’ve heard on audio (Mars, Return to Mars, and Venus), this is the best, possibly because it’s the first unabridged one I’ve heard, more likely because the novel was fine, traditional science fiction peopled with complex characters. The plot was interesting, and the details more so. I really enjoyed this book.

The driving force of the novel is the adversarial relationship between Dan Randolph and Martin Humphries, who are both extremely successful corporate CEO’s. The world is in environmental disarray because the “Greenhouse Cliff” has been reached – the point at which environmental change becomes rapid and unstoppable. The reaction to this by Randolph is to find a way to help. Humphries’ reaction is to find profit opportunities. They both look toward the asteroid belt, whose mineral wealth Randolph sees as mankind’s savior, and Humphries sees as a giant dollar sign. They both struggle for the upper hand as they prepare mankind’s first trip to the asteroid belt.

The novel has another character well worth mentioning. Her name is Pancho Lane, and the first time we meet her in the novel, she is on a space station conning five fellow workers out of a month’s salary. She’s a smart-mouthed, independent, strong female astronaut that plays a huge role in the plot, and is one of those characters that you miss when a novel is done.

The cover of the audiobook lists the readers as “Scott Brick, Amanda Karr, and cast”. Brick and Karr are very strong readers, and have the largest parts in the book. Amanda Karr read the portions of the novel from Pancho Lane’s point of view, and gave the character just the right amount of attitude.

The other readers also performed well. I recall in an earlier post on this site, I mentioned that I wasn’t too fond of multiple-reader audiobooks, and that I preferred single narrators. I did mention Ender’s Game as an exception, which was produced by Stefan Rudnicki, as this one was. Since then, I’ve heard enough of these multiple-reader audiobooks (all produced by Rudnicki) to realize that if an audiobook is edited properly and you have capable performers all around, then the multiple-narrator technique employed here is preferable to single-narrator audiobooks for the simple fact that I immediately know whose POV the story is coming from at any time, which makes listening a more immersive experience. The voices drew me in faster as I picked up the book after putting it down between listens, as if the characters themselves were doing the reading.

Posted by Scott D. Danielson

Review of To Say Nothing Of The Dog by Connie Willis

To Say Nothing Of The Dog – Or How We Found The Bishop’s Birdstump At Last
By Connie Willis; Read by Steven Crossley
15 cassettes – 21.25 hours [UNABRIDGED]
Publisher: Recorded Books
Published: 2000
ISBN 0788755498
Themes: Science Fiction / Time-travel / Comedy / Romance / Mystery / 19th Century /England / Near Future /

The story involves Coventry Cathedral (old, new and burned down), pen wipers, a breach in the space-time continuum, boating on the Thames, evolution, and bulldogs.
– Connie Willis in a Science Fiction Weekly Interview

For such a stunningly popular Science Fiction author Connie Willis has some very unusual obsessions: Churches, England, a neurotic lead character and cats. But then again if you take away the churches and the England all you’ve got left is Robert A. Heinlein, so don’t complain. Now before I get all reviewing let me first say that the Science Fiction elements in this novel are truly paper thin. The closest we come to real SF meat is the many characters thinking about time travel paradoxes and how to prevent them. The plot resolution, without giving anything away, centers around the reason time travel works the way it does in these Connie Willis time travel books and that revelation felt not just un-science fictiony but also down-right un-scientific. But on the other hand it has a neatly tied up happy ending, and we all need a nice happy ending now and then.

This is the third time travel story set in a near future where an Oxford history don named Dunworthy sends his undergraduates back in time to visit historical English churches. But unlike Fire Watch and Doomsday Book, To Say Nothing of the Dog is also a romantic comedy and a mystery. Instead of sending his students to WWII London (as in Fire Watch), or Middle Ages England (as in Doomsday Book), Dunworthy sends them to 19th century Oxford for a little R&R, and while they are there would they “mind finding the bishop’s birdstump?” – whatever that is. Now don’t get me wrong, I actually enjoyed this novel, quite a lot in fact! It’s just that Willis is such a very strange writer…. her characters, for example, they think a lot, no strike that. They think way too much. They are always overthinking every possibility of what could go wrong and then thinking it again just for luck, which is truly infuriating. Thankfully, this characteristic is slightly less apparent in this novel than it was in Doomsday Book and this book benefits from that slight reduction. No doubt this was due in part to the first person perspective. Keep writing first person Connie!

The mystery element is also rather weak. Are we really supposed to care what happened to the bishop’s birdstump? We don’t even find out what the damn thing is until about two thirds of the way through the book! What really saves this novel from becoming utterly unlistenable is the author’s attention to light humor and the characters. These are nice people, and the situations they are in are for the most part quite cute. The romantic angle is also sweet, and the text is rife with evidence that Willis really researches the heck out of the settings she writes about. I don’t recall ever laughing out loud, though many sections were quite amusing, or ever being so caught up in the romance that I couldn’t stop listening if I needed to, though I did like the way that all played out – it snuck up on me. What I liked most about To Say Nothing Of The Dog – Or How We Found The Bishop’s Birdstump At Last was the literary references included. There are characters who act like they’re in a P.G. Wodehouse Jeeves and Wooster story, the mystery element is obviously quite Dorothy L. Sayers inspired and Willis even named the novel after the biggest influence, Jerome K. Jerome’s Victorian comic novel Three Men In A Boat – To Say Nothing Of The Dog! Narrator Steven Crossley has the prototypical English accent you associate with Masterpiece Theater and costume drama. He’s called upon to stretch only a little with this one, playing mostly upper and middle class English gentlefolk from the 21st and 19th centuries. Nicely done too. Recorded Books has chosen some neat art for the cover, depicting an hourglass and a bulldog. As usual the packaging is absolutely top notch, you won’t find a more durable or attractive case for an audiobook from another publisher.

So with such a mixed review can I recommend this book? Absolutely I can, for of all Connie Willis’ weirdness, she is as gosh darned friendly and smart as you and me, just maybe a little smarter and definitely a little weirder, and I would never ever hesitate to recommend a novel that can trace its origins back to one line in Robert A. Heinlein’s Have Space Suit, Will Travel. To Say Nothing Of The Dog – Or How We Found The Bishop’s Birdstump At Last is recommended as a tonic for the weary traveler, or just as a lighthearted vacation from Hard SF.

Posted by Jesse Willis

Review of Foundation and Empire by Isaac Asimov

Science Fiction and Fantasy Audio

Foundation and Empire
By Isaac Asimov; Read by Scott Brick
8 CD’s, 10 hours [UNABRIDGED]
Publisher: Books on Tape
Published: 2005 (Re-issued with new narrator)
ISBN: None on package
Themes: / Science Fiction / Psychohistory / Galactic Empire / Mental Powers /

This classic novel contains two parts. The first is The General and is much like Foundation in tone and subject matter. Galactic Empire is dying, and the Foundation grows in strength. The story is about Bel Riose, a General in the Empire, and the Empire’s last gasp against the Foundation.

But then Asimov takes it up a notch. “The Mule” is the second part of the book, and is one of Asimov’s finest works. The Foundation is unexpectedly confronted with an enigma who calls himself The Mule. Hari Seldon could not have considered such an anomaly in his equations, and when historical events are altered by The Mule’s mental ability to influence people, the Foundation responds.

And what more can I say about Scott Brick? I really enjoy him, and look forward to his narrations. This book was written more than fifty years ago, and it holds up as much more than a historical curiosity. Brick does a fine job with it.

Posted by Scott D. Danielson

Review of ENGLISH 3020 Studies In Narrative: Science Fiction & Fantasy

SFFaudio Review

Independent and Distance Learning – ENGLISH 3020 Studies In Narrative: Science Fiction & Fantasy
Lectures by P.C. Hodgell and Michael Levy
20 MP3 Lectures
LINK: http://lrc.lib.umn.edu/Engl3020.htm
Approx 19 Hours [UNABRIDGED]
Publisher: University Of Minnesota
Published: 2002 (But recorded over several years)
Themes: / Non-Fiction / Science Fiction / Fantasy / Horror / Time Travel / Gothic Horror / Utopias / Dystopias / Religion / Vampires / Urban Fantasy / High Fantasy / Sword and Sorcery / Cyberpunk / Messiah / Apocalypse / Future War / Supermen / Robots / Feminism / Computers / Robots / Androids / Cyborgs / Dungeons & Dragons / Aliens /

Pat Hodgell and Mike Levy discuss the details of SF&F’s history in under 20 hours – no mean feat. Though in amongst the broad academic strokes there are many nice discussions listeners should note. These are academic university lectures, and not an entertainment talk show so the evidentiary schema is the primary focus.

The lectures are vaguely sequential to the history of science fiction and fantasy. The first lectures by Levy discusses the origins of Science Fiction, tackling the progenitive triumverate of Mary Wollstonecraft Shelley, H.G.Wells, and Jules Verne. The second lecture explores the early and mid twentieth century figures in the field: Edgar Rice Burroughs, Hugo Gernsback, John W. Campbell, Robert A. Heinlein. For the third and fourth lectures Fantasy author Pat Hodgell and the course’s instructor presents the origins of modern Fantasy from its roots in gothic novels and romanticism and then the various 19th century fantastic writings.

Levy’s turn on the fifth lecture covers the early Utopian and Dystopian stories with particular attention to the novels We, 1984 and Brave New World. His insightful commentary continues into the sixth lecture and covers post World War II SF with Astounding Vs. Galaxy Science Fiction Magazines, and the novels Frederik Pohl and C.M. Kornbluth’s The Space Merchants, Kurt Vonnegut’s Player Piano and John Brunner’s Shockwave Rider. For lectures seven and eight Hodgell investigates English Fantasy authors Charles Williams, C.S. Lewis and J.R.R. Tolkien. Handing off to Levy again for lectures nine and ten covering the general theme of Religion and the specific themes of Messiah and Apocalypse with the novel examples of James Blish’s A Case Of Conscience, Walter M. Miller Jr.’s A Canticle For Leibowitz, Arthur C. Clarke’s Childhood’s End and Robert A. Heinlein’s Stranger In A Strange Land.

Lecture eleven covers the theme of evolutionary Supermen – homo superior in his early fictional incarnations and where the strange motivation to write about them comes from. Lecture twelve is similar to eleven except its focus is on the manufactured heirs to humanity in the form of Computers, Robots, Androids and Cyborgs. This is also the first lecture to include a guest, SF author William F. Wu! Lectures thirteen and fourteen cover the ever popular Time Travel theme, including Connie Willis’ Firewatch, Mark Twain’s A Connecticut Yankee In King Arthur’s Court, Michael Moorcock’s Behold The Man and two of Heinlein’s excellent SF short stories All You Zombies and By His Bootstraps.

Lectures fifteen and sixteen investigate fantasy fiction after Tolkien’s influence covering the various themes of Horror, Vampires, Urban Fantasy, High Fantasy, Sword and Sorcery and the influence of the role playing game Dungeons & Dragons. Among the stories specifically discussed are Fritz Leiber’s Smoke Ghost, Richard Matheson’s I Am Legend, Ursula K. Le Guin’s “Earthsea” novels, Terry Pratchett’s “Discworld” novels and Robert E. Howard’s “Conan” stories. Lectures seventeen and eighteen examine women’s role in science fiction, with the themes of Utopias and Feminism, discussion of the novels Venus Plus X by Theodore Sturgeon and The Left Hand Of Darkness by Ursula K. Le Guin, as well as discussion of it’s authors, the likes of Joanna Russ, Ursula K. Le Guin, James Triptree Jr. and Octavia Butler.

Lecture nineteen breaks from the lecturing professor mold with Pat Hodgell doing an interview in the home of Minnesota SF author Gordon R. Dickson. He talks about how he writes, where he gets his ideas (from history dontcha know) and about the writing process – and this is a very valuable interview as Dickson is now deceased. Dickson novels discussed include among others Dorsai! and Soldier Ask Not. Pat Hodgell concludes the lecture series with a roundtable discussion with herself, Levy and SF author Elanor Arnason. Together they talk about Cyberpunk, William Gibson’s Neuromancer and the film Blade Runner, the use of Aliens in SF and some final thoughts about where they thing SF and F is going.

The sound quality of these lectures isn’t great. There are many background noises, people whispering, lecturers too close and too far from the mic, Gordon R. Dickson coughs a bit and various other aural annoyances are legion. But, it was recorded at a good level and I don’t think I missed one word that was above a whisper – these are lectures and they are free so don’t complain! The funny thing is after hearing these lectures I feel a very strange urge… to learn more about Minnesota. I’ve never had that urge before but Pat Hodgell and Mike Levy manage to include so many Minnesota references and connections into their lectures they sold me on the whole ‘10,000 Lakes to Explore’ deal! Hmmm, maybe these lectures are being given away for free because their underwritten by the Minnesota Tourism Bureau? In any case I heartily recommend you give one or some of these lectures a try they are good listening and good edjamacation.

Here’s a breakdown of the lectures::

Lecture 1 – 29 Minutes 6 Seconds – SF FOUNDATIONS
(LINK: http://lrc.lib.umn.edu/dai/P131_1A.MP3)

Lecture 2 – 27 Minutes 8 Seconds – SF FOUNDATIONS
(LINK: http://lrc.lib.umn.edu/dai/P131_1B.MP3)

Lecture 3 – 26 Minutes 46 Seconds – FANTASY
FOUNDATIONS
(LINK: http://lrc.lib.umn.edu/dai/P131_2A.MP3)

Lecture 4 – 27 Minutes 10 Seconds – FANTASY
FOUNDATIONS
(LINK: http://lrc.lib.umn.edu/dai/P131_2B.MP3)

Lecture 5 – 26 Minutes 7 Seconds – THE FUTURE
(LINK: http://lrc.lib.umn.edu/dai/P131_3A.MP3)

Lecture 6 – 26 Minutes 3 Seconds- THE FUTURE
(LINK: http://lrc.lib.umn.edu/dai/P131_3B.MP3)

Lecture 7 – 28 Minutes 2 Seconds- HOBBITS AND INKLINGS
(LINK: http://lrc.lib.umn.edu/dai/P131_4A.MP3)

Lecture 8 – 27 Minutes 9 Seconds- HOBBITS AND INKLINGS
(LINK: http://lrc.lib.umn.edu/dai/P131_4B.MP3)

Lecture 9 – 27 Minutes 18 Seconds- SCIENCE FICTION AND
RELIGION
(LINK: http://lrc.lib.umn.edu/dai/P131_5A.MP3)

Lecture 10 – 26 Minutes 57Seconds – SCIENCE FICTION
AND RELIGION
(LINK: http://lrc.lib.umn.edu/dai/P131_5B.MP3)

Lecture 11 – 27 Minutes 18 Seconds – SUPERMEN
(LINK: http://lrc.lib.umn.edu/dai/P131_6A.MP3)

Lecture 12 – 28 Minutes 11Seconds – ROBOTS, ANDROIDS
AND CYBORGS
(LINK: http://lrc.lib.umn.edu/dai/P131_6B.MP3)

Lecture 13 – 26 Minutes 7 Seconds- TIME TRAVEL
(LINK: http://lrc.lib.umn.edu/dai/P131_7A.MP3)

Lecture 14 – 27 Minutes 11 Seconds – TIME TRAVEL
(LINK: http://lrc.lib.umn.edu/dai/P131_7B.MP3)

Lecture 15 – 28 Minutes 2 Seconds – MODERN FANTASY AND
HORROR
(LINK: http://lrc.lib.umn.edu/dai/P131_8A.MP3)

Lecture 16 – 43 Minutes 47 Seconds – MODERN FANTASY
AFTER TOLKIEN
(LINK: http://lrc.lib.umn.edu/dai/P131_8B.MP3)

Lecture 17 – 27 Minutes 30 Seconds -WOMEN IN SCIENCE
FICTION
(LINK: http://lrc.lib.umn.edu/dai/P131_9A.MP3)

Lecture 18 – 27 Minutes 57 Seconds -WOMEN IN SCIENCE
FICTION
(LINK: http://lrc.lib.umn.edu/dai/P131_9B.MP3)

Lecture 19 – 44 Minutes 16 Seconds – AN INTERVIEW WITH
GORDON R. DICKSON
(LINK: http://lrc.lib.umn.edu/dai/P131_10A.MP3)

Lecture 20 – 43 Minutes 46 Seconds – CYBERPUNK AND
ALIENS
(LINK: http://lrc.lib.umn.edu/dai/P131_10B.MP3)

Posted by Jesse Willis

Review of The Voice from the Edge Vol. 1: I Have No Mouth a…

SFFaudio Review

The Voice from the Edge Vol. 1: I Have No Mouth and I Must Scream
By Harlan Ellison, read by Harlan Ellison
5 CD’s – 6 hours [UNABRIDGED stories]
Publisher: Fantastic Audio
Published: 2002
ISBN: 1574535374
Themes: / Science Fiction / Collection / Series / Post-Apocalypse /Artificial intelligence / Utopia / Dystopia / Magic Realism / Love / Hell /

There are two basic reasons to invest in a short story collection by a single author. The first is to experience first hand the stylistic, thematic, and technical contributions the author has made to his genre and to literature in general; the second is to sample the dynamic range the author covers, to gauge the extent of his palette.

This audio book delivers the first in spades. With Harlan Ellison’s friendly, yet curmudgeonly introduction, we are thrust immediately into the gritty, rawness he helped bring to science fiction. Such stories as the harrowing, lurid, complex title story, the gleefully offensive misogyny and sociopathy of “A Boy and His Dog”, the pop-cultural, pejorative ranting of “Laugh Track”, and the sophomoric sexual preoccupation of “The Very Last Day of a Good Woman” clearly delineate the dark, adult-oriented themes he introduced, as well as his predilection for unlikable anti-heroes who often leave us feeling a bit less comfortable about ourselves. And on such material, his distinctive narrative style shines. He curses with conviction, and his voice handles guilt, revenge, and damnation with seeming familiarity.

In the overall story choice, we also have a remarkable demonstration of the range of Ellison’s writing. Compare the patient, redemptive power of “Paladin of the Lost Hour” to any of the stories mentioned above, and you’ll see what I mean. Throw in the sly, haunted twist of “The Time of the Eye”, the overwrought post-modernism and tedious beatnik vamping in “’Repent Harlequin!’ said the Tick-Tock Man”, the sublime, hellish search for love in “Grail”, and the puzzling juxtaposition of the truly horrific and the trivial in “The Lingering Scent of Woodsmoke”, and you cover quite a swath of not only the science-fiction spectrum, but the fiction spectrum in general.

Unfortunately, the use of a single narrator for all these stories blurs their uniqueness, especially since that narrator is Harlan Ellison. His delivery style can be enjoyable, but it is so raw, so exaggerated and so pervasive that it tends to flatten the relief of the work itself. I can’t say that I question the wisdom of having Ellison narrate, for on any single story his voice adds the confident insight that only an author can bring to his own work. But this is a collection, and the diverse stories deserve a wider range of vocal performance to truly showcase their differences. My advice is to make the best of this paradox by taking the collection slowly. The quality of the material, the exceptionally crisp sound and the fine, user-friendly packaging make this an audio book you should not miss, just make sure to pace yourself.

Posted by Scott D. Danielson

Review of Shadow of the Giant by Orson Scott Card

Shadow of the Giant
By Orson Scott Card; Read by David Birney, Scott Brick and cast
10 CD’s – 12 hours [UNABRIDGED]
Publisher: Audio Renaissance
Published: 2005
ISBN: 1593974965
Themes: / Science Fiction / World Politics / War / Leadership /

I’ve been a fan of Orson Scott Card’s Ender series for a long time. I’ve read them all in print, some more than once. When Card started to be published in unabridged audio (a medium that Card really likes) I listened to them all, too. And I loved them again.

As I did this one. Shadow of the Giant is the fourth book in the Shadow series, which started with Ender’s Shadow, then continued with Shadow of the Hegemon and Shadow Puppets. The novels follow Ender’s jeesh – the fellow students who helped him defeat the Buggers in Ender’s Game. Ender himself is off-planet, on his way to help colonize a planet. The Battle School students that were left behind are desired by the world’s governments, since they are jockeying for position after the defeat of the common enemy.

There’s a ton of things going on before this novel even starts. It works stand-alone, though, because Card takes time to let the reader know what needs to be known before moving on.

The book basically has two fronts. First, the real-life game of Risk© that is going on between nations of the world – nations ruled by past Battle School students – and Peter Wiggin’s efforts to unify everyone under a single government.

Second is the story of Bean, Petra, and their children. In a previous book, Bean and Petra have several embryos created with hopes of being able to have a normal child. Several of them were stolen and implanted in other women with hopes of creating another brilliant person that could be under the control of others. Bean and Petra search for these women while having the child they had planned on.

The audiobook is just excellent. David Birney, Scott Brick, and others perform the book. It flows so well, and there are moments to listen to again and again, like the deeply affecting conversation between Ender and his brother Peter in the last part of the book. For a person who has followed the story from the beginning, those moments are gold – filled with both the weight of the moment and the weight of all that came before. The audio performances enhance those moments, adding another layer of depth as the actors interpret the text. This book was in the right hands.

Card says that we are not quite at the end here. According to notes on his website, the writing of this book created another story to be told. So we’ve all got that to look forward to.

Posted by Scott D. Danielson