science fiction – Page 227

Review of The Harvest by Alec Sand

The Harvest
By Alec Sand; Read by John Pruskin
1 MP3-CD – 4 hours [UNABRIDGED]
Publisher: Academic MP3 Audiobooks
Themes: / Science Fiction / Space Travel / Biology / Alien life / Medicine /

Click here for an Audio Trailer

The Harvest is a short novel of future history. No, it’s a bit more than just that. Alec Sand has created a detailed future in which his characters move. It is a future in which a substance called iridium has changed things significantly – it’s a substance from which power is derived and the finding and mining of iridium occupies much of mankind’s time. The Harvest is hard science fiction in which the ideas and concepts generously flow.

In this future, Gideon and his sister Dara reside. Dara has a disease that Gideon is somehow convinced has a cure somewhere “out there”, so he takes her with him on a mining expedition to a new planet. Dara finds much there.

There was some lecturing during the story, which I felt slowed things down a bit. The author could have found smoother ways to introduce information, but it was all interesting, and I found myself eager to know what happened next. I liked the story as a whole very much.

John Pruskin narrates, and overall was very good at keeping my interest. There were a few errors in the narration, but again – I was always eager to continue, and a listener can’t ask for much more than that. He maintained a good, consistent pace throughout and read with clarity.

A unique aspect of this audiobook is its soundtrack. There are several songs that play at various times throughout the audiobook, usually as bridges between chapters or sections. A band called Silk84 provides this music, and the songs are included in full in a different folder on the MP3-CD. I’m listening to some of this music as I write this… I like it! The music ranges from upbeat dance music to beautiful piano music, and though I didn’t always feel the music matched my mood while listening, what Academic did with music in this audiobook is unique and it worked! Yeah, Silk84… I like the sound of your guitar. (You can find Silk84 on iTunes.)

You can get a copy of The Harvest from Academic MP3’s website by clicking right here.

Posted by Scott D. Danielson

Review of Speaker for the Dead by Orson Scott Card

Speaker for the Dead
By Orson Scott Card; Read by David Birney, Stefan Rudnicki, Gabrielle de Cuir, John Rubinstein, Scott Brick, Amanda Karr, Lisa Nemacheck, Don Schlossman
12 CD’s – 14 hours [UNABRIDGED]
Publisher: Audio Renaissance
Published: 2005
ISBN: 1593974760
Themes: / Science Fiction / Relativistic Space Travel / Sentient Life / Families / Communities /

Have you ever wished your computer was an intelligent entity you could interact with? Yeah . . . me either. And why don’t we? Because one day when you sit down at your terminal the computer will ask you, “Shall we play a game?” And you’ll say, “How about some Halo 2?” And it will reply back, “How about Global Thermonuclear War?” And unless you think fast and figure out some child’s game that will teach the computer the pointlessness of nuclear war, you’re in a lot of trouble.

There are many other examples of the basic evilness of intelligent computers, like Hal 9000, the recently released Stealth and the entire world of The Matrix.

But in the world of Ender Wiggin there is Jane, restoring hope to all us social skill-less speculative fiction nerds that one day we can be adored by a digital babe. (And don’t give me that “I’m not a nerd, I’ve got skills” stuff–how many other artificial intelligence characters that I didn’t list have you thought of already? Hmm?)

As a sentient, non-human being that interacts with Ender via an interplanetary network of computers, Jane is the ultimate information resource. Not only is she not threatening humanity, Jane is pleasant, caring, and humorously informative. She is easily one of the most likable non-human characters you’ll read, but that isn’t why you should listen to this book.

You should listen to this book because it is a masterwork on human behavior. Orson Scott Card is often praised as a master developer of characters, but if every other book he has written had flopped, this book itself earns him that recognition.

Andrew (Ender) Wiggin was unable to return to earth after he destroyed the Formics in Ender’s Game. Racked by guilt after learning he destroyed a (relatively) innocent form of life, he wrote a book explaining the whole situation, and by doing so became the first “Speaker for the Dead.”

Fast forward a few thousand years. Andrew is only a couple decades older, thanks to the relativistic effects of space travel, and a mythology has developed about him. He is known historically as “Ender the Xenocide,” whose name evokes the same warm fuzzy feelings we associate with the name “Hitler.” “Andrew Wiggin” is also remembered, but as the writer of the near-canonized The Hive Queen and The Hegemon and initiator of the profession of speaking for the dead.

Those around him don’t know that both the Xenocide and the original Speaker were the same person, or that Andrew is him. Andrew is drawn to the colony planet Lusitania to help preserve another sentient species (the piggies). Speaker for the Dead picks up with events that lead to conflict between the piggies and humans, and Ender’s decision to go to Lusitania to help. There he meets the family of a man whose death he is to speak, and who are in the middle of the piggy problems via their scientific/anthropological roles.

As Ender comes to know the family we come to know and love them too. We learn what understandable need or desire or pain is behind their choices. For example, at no point do you agree with the mother’s behavior as years of angry distance from her children starts to bear bitter fruit. But you also see how love, pain and loss have distorted her reality. You despise her behavior, feel compassion for her suffering and understand her intentions. That is reality in all its rich, painful complexity.

But Speaker for the Dead does something even more amazing. It accurately shows the process of change. Change for an individual is a complicated enough process. Showing how a family changes is much more complicated. I am astonished at how accurate that process is portrayed in the book. I have yet to read another book that comes close to describing family change as well as Speaker for the Dead.

Having David Birney and Stephan Rudnicki both narrate the book is like have Shaq and Michael Jordan both on your team in a pick-up game. Those are the only two listed on the CD case, which is really unfair because there is an entire cast and not one person falls short of absolute excellence in their narration. They are the U.S. Olympic Team of readers. The others include Gabrielle de Cuir, John Rubinstein, Scott Brick, Amanda Karr, Lisa Nemacheck, and Don Schlossman.

And while I’m complaining about the case, couldn’t they have put a relevant picture on it? That funky tower thing and the planet surface below it looks like Capitol, but that’s a whole other set of Orson Scott Card stories. I guess the publisher wants the association with the original book cover, but Jane or a pequenino, or any other image actually related to the story would have been nice.

And why stop my spiral of increasingly trivial complaints there? I decided I really don’t like cardboard flap-around cases for the CDs. They are harder to handle, which matters if you are listening while driving, and I think it is easier to scratch a CD in that than in the hard plastic cases with soft sleeves.

I find that I especially like listening to books I have read in the past. If you’re already a fan of Speaker for the Dead, the audio version is a must.

Posted by Mike

Review of The Road to Dune by Frank Herbert, Brian Herbert, and Kevin J. Anderson

SFFaudio Review

The Road to Dune
By Frank Herbert, Brian Herbert, and Kevin J. Anderson; Read by Scott Brick
12 CD’s – 14 hours [UNABRIDGED]
Publisher: Audio Renaissance
Published: JUST RELEASED – September 2005
ISBN: 159397776X
Themes: / Science Fiction / Dune / Desert / Religion / Commentary / Journal / Short Fiction /

In a sentence, The Road to Dune is an intriguing collection of Dune “extras” that should please any fan of Frank Herbert. Including myself.

A quick background on me as far as Dune goes – I read the first novel once, then listened to George Guidall’s unabridged narration of the same book. I also heard The Butlerian Jihad, which was written by Brian Herbert (Frank Herbert’s son) and Kevin J. Anderson. I mention all this so that you can know my level of Dune knowledge – I am by no means an expert. With that said, I thoroughly enjoyed this book.

Brian Herbert and Kevin J. Anderson, as you may know, have continued Frank Herbert’s Dune series by adding two trilogies of prequels to Herbert’s existing books. They’ve consulted notes that Frank Herbert left behind, and the opening of this book explains that to some degree. Bill Ransom, who collaborated with Frank Herbert on a few books, also weighs in, describing his writing life with Frank.

Next up is a short novel called Spice Planet which represents the first version of Dune, or what Dune could have been. The novel is certainly better, but Dune World was also engaging and interesting from the perspective of a person who has read the novel (what’s different, what’s the same) and as a very good story in its own right.

Also included are deleted scenes and alternate endings from Dune and Dune, Messiah, letters and notes from Frank Herbert during the time he was trying to get Dune published. Especially interesting are some letters to and from John W. Campbell, Jr., the editor of Analog Science Fiction Magazine, which serialized the first Dune novel, but declined the second one.

Four short stories by Brian Herbert and Kevin J. Anderson are here, too. The first, “Whisper of Caladan Seas” was originally published in Amazing Science Fiction and takes place during the first Dune novel. The other three, “Hunting Harkonnens”, “Whipping Mek”, and “Faces of a Martyr” are set in the prequel times that Brian Herbert and Kevin J. Anderson write about in their trilogies. They are very good stories, all.

Scott Brick narrated, and I am reminded why I enjoy him so much. His narration is energetic, dramatic, and powerful, but never over the top. I never tire of his rich voice and the believable, living characters he performs.

I wholeheartedly recommend this book on several levels. For a person writing a thick tome of a science fiction novel, this glimpse into Herbert’s process is very educational. For a fan of Dune, this look into what could have been is very entertaining. For a fan interested in the history science fiction, the correspondence between Campbell and Herbert and the story of the novel’s purchase and publication by Chilton are pure gold. And for a fan of good stories, there’s plenty here to enjoy.

Posted by Scott D. Danielson

Review of Travel by Wire by Arthur C. Clarke

SFFaudio Review

Travel By Wire
By Arthur C. Clarke; Read by David Zinn
11 minutes – [UNABRIDGED]
Published: 2005
Themes: / Science Fiction / Hard SF / Teleportation / Humor /

Arthur C. Clarke’s early stories all seem to reflect some shade of his particularly British sense of humor – something which is almost completely absent from his later work. It is as if he was a “playful writer” in his youth and then a “serious writer” later on. This one is particularly playful, and has some good science fiction content too. Also nice is a brief introduction to the story written by Clarke, taken from the The Best Of Arthur C. Clarke 1937-1955. This story, Clarke’s first, was originally published in “Amateur Science Fiction Stories” magazine in December 1937. Reader David Zinn doesn’t sport an English accent but his reading is otherwise
appropriate. Available, for free, on the excellent AssistiveMedia.org website.

REALAUDIO LINK:
http://www.assistivemedia.org/amrams/TravelByWire.ram

Posted by Jesse Willis

Review of The Vor Game by Lois McMaster Bujold

The Vor Game
By Lois McMaster Bujold; Read by Grover Gardner
9 CDs – Approx. 10 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2005
ISBN: 9780786178308
Themes: / Science Fiction / Space Opera / Military / Espionage /

I’ve listened to several space operas lately. Sometimes it works out that way when reviewing science fiction audio, no matter how eclectic I try to be in my listening. So, I approached this with a bit of a sigh, expecting more of the same. I should have known better, though, because Lois McMaster Bujold is one heck of a fine storyteller, and Grover Gardner is a fine reader, too. The Vor Game showed me how good space opera can be. It doesn’t take itself seriously, the characters are people you’d like to meet, the situations (and their resolutions) are plausible, and, only because you care enough about the characters, exciting.

The Vor Game is one of a series of books collectively called The Vorkosigan Saga. Technically, this Hugo Award-winning book is the fourth in the series, but each stands alone. It starts with Miles Vorkosigan, the son of the famous Count Vorkosigan and subject of most of the Vorkosigan novels, graduating from the Barrayaran military academy. He’s anticipating an assignment in all sorts of interesting places, but he lands a spot as a weatherman in a frozen northern training base. An infantry training base no less – something for which his short stature (from genetic damage suffered by his mother while pregnant with Miles) is simply not built. And it all goes downhill from there in a story that spans this frozen tundra to the depths of space, and includes ensigns and emperors. The characters are very witty, especially Miles.

Grover Gardner is an excellent reader. He is not a flamboyant dramatic reader, but a precise steady reader with a very pleasant voice. I enjoy his performances, like I did this one.

Blackstone Audio is going to publish more of the Vorkosigan titles – the next in line is The Warrior’s Apprentice. Looking forward to it!

Posted by Scott D. Danielson

Review of Posing As People: Three Stories, Three Plays by Orson Scott Card

Posing As People: Three Stories, Three Plays
By Orson Scott Card, Scott Brick, Emily Janice Card, and Aaron Johnson
Performed by 3 FULL CASTS and Various Readers
Limited Edition Hardcover with 4 CDs – 4.5 Hours [UNABRIDGED]
Publisher: Subterranean Press
Published: 2005
ISBN: 1596060158
Themes: / Science Fiction / Love / Time Travel / Psychology / Aliens / Artificial Intelligence /

“Clap Hands and Sing” shows us a lonely — but rich and powerful — old man who has only one wish before he dies: To go back in time and take an opportunity for love that he once let slip by. But what will it do to the young girl who used to love him?

“Lifeloop” pretends to be reality TV twenty-four hours a day. In fact, they’re really actors. But when your character is you, without any break, how exactly do you have a “real” life? And how can a fellow actor tell you that he loves you, when that’s what the script also calls for him to say?

“Sepulchre of Songs” is about a heartbreakingly lovely girl who lost her arms and legs many years ago, and now yearns to be free, not just of the rest home where she lives, but of her body. So is the alien being who wants to trade places with her real or the product of her own imagination? And can her therapist’s growing love for her keep her from fleeing — either into space or the dark recesses of her own mind?

Three Orson Scott Card short science fiction stories and three one-act adaptations of the same comprise the bulk of this limited edition (only 750 were published) hardcover book and audio CD set. Posing As People: Three Stories, Three Plays was released in the wake of the 2004 premiere of the stage play of the same name. Everything found on the four Compact Discs can be found in the paper book – minus the actual aural performances. The paper book also includes a foreword by Card, an introduction to the play “Clap Hands And Sing” by author Scott Brick, an afterword to play “Life Loop” by author Aaron Johnston, an afterword to the play “A Sephulcre of Songs” by author Emily Janice Card, and three afterwords, one for each of the original short stories, by Orson Scott Card.

The CDs of course are the heart of our real interest here at SFFAUDIO. On the CDs, first come the three plays, all multi-actor performances with sound effects – basically exactly what you would have experienced were you sitting in the theater in Los Angeles with your eyes closed. Following the three plays are the original three short stories as read by one individual reader each.

I think the plays all fail to deliver as audio drama. This is not due to any adaptational problems of the play’s adaptors, rather I think it was a mistake not to make the plays video DVDs. Each play was specifically adapted for the stage – and not constructed to work on their own as audio dramas. For instance – there is very little sense of place in the audio of the plays – but there is a great sense of place in the audiobooks that the plays are based on. By simply recording the audio they’ve cut off that sense of space. Thus I think they don’t work on their own as audio dramas. On the other hand, if you saw the original plays in Los Angeles these might adequately allow you to revisit the performances.

All three adaptations, or what I experienced of them, are very well performed and the sound effects are used to good effect but the true power of the stories doesn’t materialize without the visual component. Contrarywise, the readings of the original short stories all work perfectly. The original text is very evocative visually, and provide a emotional richness lacking in the soundtrack to the three plays. That said, some work better than others. “Lifeloop” is the best of the three plays as it the most talky of the dramatizations. Of the unabridge short story readings “A Sephulcre Of Songs” works best, narrator Robert Forster reads with a poignant sadness that is truly heart-rending. The only drawback is there is a slight hiss in this particular recording.

The Plays:
“Clap Hands And Sing”
By Scott Brick, based on the Short story by Orson Scott Card; Directed by Orson Scott Card
Lawyer 1 — Eric Artell
Lawyer 2 — Sara Ellis
Sportscaster — Lara Schwartzberg
Lucy Host — Sara Ellis
Ronco Pitchperson — Victoria Von Roth
News Anchor — Kelly Lohman
Charlie — Stefan Rudnicki
Jock — Scott Brick
Rachel Carpenter — Emily Janice Card
Mrs. Carpenter — Victoria Von Roth

“Lifeloop”
By Aaron Johnston, based on the Short story by Orson Scott Card; Directed by Orson Scott Card
Aaron Handully — Lara Schwartzberg
Felice — Kelly Lohman
Hamilton — Eric Artell
Truiff — Victoria Von Roth
Technician — Scott Brick

“A Sepulchre Of Songs”
By Emily Janice Card, based on the Short story by Orson Scott Card; Directed by Orson Scott Card
Therapist — Kirby Heyborne
April — Kelly Lohman
Elaine — Emily Janice Card
Doug — Eric Artell
Wallace — Stefan Rudnicki
Becky — Lara Schwartzberg

The Stories:
“Clap Hands And Sing”
By Orson Scott Card; Read by Scott Brick

“Lifeloop”
By Orson Scott Card; Read by Emily Janice Card

“A Sepulchre Of Songs”
By Orson Scott Card; Read by Robert Forster

Posted by Jesse Willis