science fiction – Page 222

SF has an influence in the real world. Need proo…

Online Audio

SF has an influence in the real world. Need proof? Big Brother isn’t just an idea in an George Orwell novel. Political Science Ficion is good stuff and finally there’s someone out there proving it…

Good old Doc Brown (Professor Courtney Brown Ph.D) of Emory University in Georgia (USA) is offering a Political Science course entitled Science Fiction and Politics (Political Science 190) and he’s making the lectures available as a podcast. The spring 2006 semester has already started, but don’t worry there’s no cost to audit. SFFaudio gives it an A+!

Lectures already available include:

Class #01: Introduction and Overview |MP3|
Class #02: Foundation by Isaac Asimov (1 of 2) |MP3|
Class #03: Foundation by Isaac Asimov (2 of 2) |MP3|
Class #04: Foundation And Empire by Isaac Asimov |MP3|
Class #05: Second Foundation by Isaac Asimov |MP3|
Class #06: Brave New World by Aldous Huxley (1 of 2) |MP3|
Class #07: Brave New World by Aldous Huxley (2 of 2) |MP3|
Class #08: The Left Hand Of Darkness by Ursula K. Le Guin (1 of 2) |MP3|
Class #09: The Left Hand Of Darkness by Ursula K. Le Guin (2 of 2) |MP3|
Class #10: The Uplift War by David Brin (1 of 2) |MP3|
Class #11: The Uplift War by David Brin (2 of 2) |MP3|
Class #12: Darwin’s Radio by Greg Bear (1 of 2) |MP3|
Class #13: Darwin’s Radio by Greg Bear (2 of 2) |MP3|
Class #14: How to write your essays |MP3|
Class #15: Ender’s Game by Orson Scott Card (1 of 2) |MP3|
Class #16: Ender’s Game by Orson Scott Card (1 of 2) |MP3|
Class #17: The Forever War by Joe Haldeman (1 of ?)|MP3|
Class #18: ??? |Forthcoming|
Class #19: ??? |Forthcoming|
Class #20: ??? |Forthcoming|
Class #21: ??? |Forthcoming|

Forthcoming lectures will cover Neuromancer, Do Androids Dream of Electric Sheep? and The Moon Is A Harsh Mistress.

Were I attending the classes in person I’d have banged my shoe on the desk and insist we talk about a Mack Reynolds novel. Maybe later in the course?

posted by Jesse

Review of Battlestar Galactica by Jeffrey A. Carver

SFFaudio Review

Battlestar Galactica
By Jeffrey A. Carver, based on the teleplay written by Ronald D. Moore and Christopher Eric James, based on a teleplay by Glen A. Larson
Read by Jonathan Davis
4 CD’s – 4 hours [ABRIDGED]
Publisher: Audio Renaissance
Published: 2005
Themes: / Science Fiction / War / Robots / Military / Government / Space Travel / Mythology / Religion /

Has anyone else noticed how good television has become during the past ten years? Well, 13 years. In 1993 Babylon 5 first aired, ushering in a new wave of science fiction and fantasy television that is both smart and damned entertaining. Following B5 was Joss Whedon’s Buffy the Vampire Slayer and Firefly. Many would put Farscape and Stargate in the same category. I haven’t seen enough of either to make that judgment. We could quibble about the list of this new wave all we want, but currently at the crest of that wave is the Sci-Fi Channel’s Battlestar Galactica, which is, without doubt, the best science fiction show currently in production.

This audiobook is an abridgement of the novelization of the first Battlestar Galactica show, which was a 4-hour mini-series that originally ran in 2002. I admit that even typing that makes me wince. An abridgement of the novelization of a television show. How much farther from Shakespeare can a person get? Not exactly high falutin culture here.

But this story is edgy, tense, and complex. It opens with a complacent human race that has gotten used to life without their enemy, the Cylons. The Cylons were human-built machines that rebelled, then accepted an armistice agreement around 40 years before the beginning of this audiobook, which is primarily about the sudden unexpected attack on humanity by the Cylons. The attack leaves the Battlestar Galactica as one of the very few ships that survives, and the immediate aftermath sets up several storylines that are followed in the television series.

Jonathan Davis, who keeps pretty busy with the many Star Wars audio titles, narrates, and does his typical and excellent job with it.

I’m a fan of this series, and was happy to receive this audiobook. Though the audio offers nothing new over the miniseries itself, it was an enjoyable way to experience the story while driving. I’m not sure if Audio Renaissance plans to continue releasing Battlestar Galactica titles, but because of the nature of the series, they would have to release every episode since each one is dependant on what takes place before.

Posted by Scott D. Danielson

Radio Drama Series: Johnny Chase

news

Johnny Chase Agent Of Space This past season we’ve had about a dozen inquiries about Johnny Chase, Secret Agent of Space the late 1970s early 1980s CBC Radio Drama series. We suspect this is mostly due to it airing on the XM Radio’s Sonic Theater channel 163 recently – which is sadly only available in the USA. More unfortuantely the series is no longer available to Sonic Theater, at least in the forseeable future, and no CD or cassette editions of the 79 episode series have been known to have been manufactured. Unlike many USA Science Fiction OTR series like X-Minus One, Johnny Chase is not in the public domain in either Canada or the USA. So what is a Johnny Chase fan to do? Well, we’ve got some contacts at CBC and we’d be happy to pass along any petition to make the show available on CD. If you’re interested in spearheading this petition, or just want to be informed when we get more info you can reply to this post with your contact details and we’ll keep you apprised of the Johnny Chase situation.

FYI: You can make your email relatively safe from spammers by turning your @ symbol into something else. For instance my email address is: [email protected]. But if I want to avoid becoming inundated with spam I can post it like this: jessewillis*yahoo.com.

posted by Jesse

Review of Soldier of the Legion by Marshall S. Thomas

Soldier of the Legion
By Marshall S. Thomas, performed by a full cast
MP3 Download – [AUDIO DRAMA]
Publisher: Timberwolf Press
Published: 2002
Themes: / Science fiction / Military / Space opera / Aliens / War

“Dat Spitz fight lak hell,” said Perrault…
“An’ dat Buck fight lak two hells,” was Francois’s answer.
— Jack London’s Call of the Wild

War is hell. Ever since Sherman put it so precisely, the rest of us have been forced to merely tip our hats and let the matter rest. Then along comes Marshall S. Thomas’s Soldier of the Legion which can’t help but pick at this scab. But even if comparing war to hell weren’t a holey sock at the beginning of the book, it would be by the end of it. Every time the slightest skirmish breaks out (which is roughly every other chapter), out trots the tired old dog of hell (Cerberus, a holdover from when the Greeks ran the place) to do his duty.

The opening hellish battle is a perfect encapsulation of the kind of mindless action and equally mindless discussion the rest of the audio play offers, proceeding from lurid descriptions of made-up, inexhaustible weapons to the effects of those weapons on the human bodies of the irredeemably evil bad guys (the Systies). Blood splatters, it sprays, it explodes, it flows, it gushes. Sometimes gore does, too, but mostly it’s blood, blood, blood. Then nearly naked women appear, and the hero tries to contain his drool and his bullets as an embarrassingly unconvincing argument breaks out among the blond-haired, blue-eyed heroes.

The rest of the book is exactly the same, with each breakout of violence a laughable attempt to supersede the hell of the previous engagement. The troops fly to another planet, kill dinosaur-like aliens in a deep cave (double hell), save and kill primitive peoples, return to a settled world to “spy” ineptly and engage in a covert operation that plays out as stealthily as a frontal assault (hell squared), and then return to a primitive planet to battle an even worse enemy than they first thought (hell convolved with hell). But it is all just a repetition of the first chapter. In between battles, there will be awkward, pointless conversations; breasts naked and otherwise that the hero will fall in “love” with; love scenes that consist of people telling each other how much they love each other and will die and/or kill for each other; and sexless sex scenes that dither about without titillation or consummation. All acted with a style reminiscent of that seen in movies where people get paid more for how they look without clothing than for how they emote. It’s uncomfortable enough to make you actually look forward to the empty-headed shooting.

Add to this an unthinking first-person narrator called “Thinker” and the attempted multiple use of the adverb “scarily” without ironic intent, and you have a brackish, gritty brew. The story ends, after its single interesting set-piece, with our heroes literally hanging from a cliff over (you guessed it) hell, but I would rather be tasered than be forced to listen to the sequel. This book is like a live grenade: If it comes at you, get the hell out of the way!

This book is available at Timberwolf Press on Audio CD and MP3-CD, or from Audible.com as a download.

Posted by Kurt Dietz

Review of Anne Manx on Amazonia

Anne Manx on Amazonia
By Larry Weiner; Performed by a Full Cast
2 CD’s – 2 hours – [AUDIO DRAMA]
Publisher: Radio Repertory Company of America
Published: 2005
ISBN: 0977134202
Themes: / Science Fiction / Private Eye / Cloning /

Anne Manx on Amazonia is the fourth installment in the Radio Repertory Company of America’s ongoing Anne Manx series. All four titles are available on their website, but don’t worry if you haven’t heard them. You’ll probably want to hear the other three after hearing this one, but you won’t have to to understand what’s happening.

In a nutshell, here’s the plot:
On Amazonia, they have a very unique way of replacing their queen. They clone her. The first attempt to clone the current queen fails, so they toss the baby out and try again… only the clone survives. Fast forward several years, and the flawed clone (who obviously survives) gets Anne Manx to help her get back to Amazonia. Woven throughout this is the rich, ongoing story of the conflict between Anne Manx and Richmond, her evil nemesis.

Anne Manx is played by Claudia Christian, of Babylon 5 fame. Richmond is played by Patricia Tallman, who was also on Babylon 5. Both of these actresses succeed in bringing their characters to vibrant life. The queen and her two clones were played by Barbara Harris, who was simply wonderful. I never had a problem distinguishing which character was speaking – they were three distinct people. I don’t doubt that Barbara Harris would make a superior audiobook narrator if she ever chose to try it.

To the great performances and excellent script add the sheer quality of production. RRCA is producing quality entertainment.

Anne Manx on Amazonia is funny, action-packed, and touching. Fine writing, a wonderful cast, and first-rate production make this the best installment in the Anne Manx series. Don’t miss it!

Posted by Scott D. Danielson

Review of The Time Machine by H.G. Wells

SFFaudio Review

The Time Machine
By H.G. Wells; Read by James Spencer
MP3, OGG or AAC files download – 3 hours, 2 minutes [UNABRIDGED]
Publisher: TelltaleWeekly.org
Published: 2004
Themes: / Science Fiction / Time Travel / Math Fiction /

I felt assured that the Time Machine was only to be recovered by boldly penetrating these underground mysteries. Yet I could not face the mystery. If only I had had a companion it would have been different.

Sounds suspiciously like the plot of every Doctor Who episode doesn’t it? But The Time Machine isn’t just about exciting time-travel adventures, it’s also about the class struggle in Great Britain in the late 19th century, the widening gap between rich and poor, what Humans have control over and what they don’t. Doctor Who has been known to tackle these ideas too, one of it’s serials even has H.G. Wells as a character, but the fact that The Time Machine did it first, and so well, speaks volumes.

Scientifically explained SF stories of time travel take their cue for explanation, when they do it at all, from this novel. Prior to its publication stories of travel in time went unexplained, the Connecticut Yankee, of Mark Twain’s comedic time-travel novel got a knock on his head that sent him back to Middle Ages England – and that was explanation enough in its way. But The Time Machine isn’t played for comedy, Wells’ futures are allegories for his worries about capitalism and communism, for his notation about gender blurring in the industrial age and his realization that not only are all men mortal, but so in fact is Mankind itself!

In just three hours Wells posits two futures: 1. A relative near term future humanity which has bifurcated into two distinct species (Eloi and Morlock) – they stand as the evitable result of aristocrat and proletariat class calcification present in the political theory at the time of it’s writing. 2. A vision of a far future Earth, showing the inevitable and unavoidable physical reality of the universe. Were this not a public domain text, and were not the plot so familiar to us we’d have to think ourselves blessed by this excellent reading. As it is, and as cheap as it is this classic of science fiction can be judged only by it’s audiobook. Thankfully the reading keeps pace with the text.

Sound quality is excellent, but the reader, James Spenser, doesn’t have much to do in the way of voices. He does however a marvelous job engendering anticipation, fear, disgust and sympathy through pacing. Spencer’s lack of an English accent for this Englishman’s tale doesn’t really matter, only one character in the novel is named, she couldn’t sensibly be called English and she doesn’t even have a speaking part. Much of the difficulty in this story comes from the stilted way it is rendered. Told in first person by an unnamed witness to the recounting of the main events, we are regaled second hand with the time traveler’s adventures in time. I can charitably call it “quaint.” Arthur C. Clarke later took up this kind of storytelling with his “Tales Of The White Heart” series of short stories, likely I think in homage to Wells. I’ve heard several audiobook renditions of The Time Machine now, of the non British reader’s Spencer’s is “the definitive edition.” And at just $5.00 it’s a deal.

Posted by Jesse Willis