Clarkesworld July 2008 features When The Gentlemen Go By by Margaret Ronald

SFFaudio Online Audio

Clarkesworld # 22, the July 2008 issue, has an audio short story on offer…

Clarkesworld issue #22When The Gentlemen Go By
By Margaret Ronald; Read by Cat Rambo
1 |MP3| – [UNABRIDGED]
Publisher: Clarkesworld Magazine
Published: July 2008

So who of you’ll do a listener review of this and post a comment below?

Posted by Jesse Willis

LibriVox Science Fiction: The Highest Treason by Randall Garrett

SFFaudio Online Audio

Here’s the cover story from the January 1961 issue of Analog Science Fact & Fiction magazine. The tagline for it is:

“The highest treason of all is not so easy to define—and be it noted carefully that the true traitor in this case was not singular, but very plural . . .”

LibriVox Science Fiction Audiobook - The Highest Treason by Randall GarrettThe Highest Treason
By Randall Garrett; Read by Lee Elliot
8 Zipped MP3s or podcast – 2.5 Hours [UNABRIDGED]
Publisher: LibriVox.org
Published: June 2008
Set in a future in which humanity’s dream of total equality is fully realized and poverty in terms of material wealth has been eliminated, humanity has straight-jacketed itself into the only social system which could make this possible. Class differentiation is entirely horizontal rather than vertical and no matter what one’s chosen field, all advancement is based solely on seniority rather than ability. What is an intelligent and ambitious man to do when enslaved by a culture that forbids him from utilizing his God-given talents? If he’s a military officer in time of war, he might just decide to switch sides. If said officer is a true believer in the principles that enslave him and every bit as loyal as he is ambitious, that’s tantamount to breaking a universal law of physics, but Colonel Sebastian MacMaine has what it takes to meet the challenge.

Subscribe to this yummy podcast audiobook via this feed:

http://librivox.org/bookfeeds/the-highest-treason-by-randall-garrett.xml

Posted by Jesse Willis

BBC 7 performs James Follett’s Earthsearch

SFFaudio Online Audio

BBC Radio 7 - BBC7Rich Carlson writes in to tell us that “James Follett’s 1981 science fiction classic Earthsearch” began today with part one, and is continuing each weekday for two weeks. This was a BBC Radio 4 production from 1981. Attentive listeners will note that many of the cast member in this production also appeared in the BBC R4 adaptation of The Lord of the Rings (they were recorded the same year).

Science Fiction Radio Drama - Earthsearch by James FollettEarthsearch
By James Follett; Performed by a full cast
10 half hour parts – Approx. 5 Hours [RADIO DRAMA]
Broadcaster: BBC 7 / The 7th Dimension
Broadcast: June 30th to July 11th 2008
On a mission to find Earth-like planets for colonization the starship Challenger encountered a meteoroid shower that killed all of the adult crew and seriously damaged the ship. The only human survivors were four babies – two boys, Telson and Darv, and two girls, Sharna and Astra. The four have been raised from childhood by androids and tutored by two disembodied voices called Angel One and Angel Two.

Episodes:

1. Planetfall
2. First Footprint City
3. Sands of Kyros
4. The Solaric Empire
5. The Pools of Time
6. Across the Abyss
7. New Blood
8. Marooned
9. Star Cluster: Tersus Nine
10. Earthfall

And don’t forget, you can use the “listen again” feature to catch missed episodes for up to a week after they air!

Posted by Jesse Willis

ZBS’s Ruby 5 set to be podcast June 30th

SFFaudio Online Audio

ZBS FoundationThe ZBS Foundation, the creators of Ruby, the Galactic Gumshoe, will be podcasting all of Ruby 5, “The Land of Zoots”, starting on June 30th! Episode one is already in the feed. Jerry Stearns of Sound Affects fame describes it as: “a fun, romping story set on an archipelago on Ruby’s home planet, Summa Nulla, Crossroads of the Galaxy.”

And here’s the description from wikipedia entry on Ruby The Galactic Gumshoe:

Ruby is hired by the President Koonstar Bootstar to find out who created the Land of Zoots, a fantasy land that has stated to be made real by the inhabitants of the Awakening Archipelago.

Ruby 5 was intended as a daily continuing story for radio, so it’s gonna be podcast that way too. It will be released in daily 4-minute (or so) episodes for 64 days!

Subscribe to the podcast for it via this feed:

http://www.zbs.org/podcasts/ruby5Podcast.php

Also available, “Meatball’s Meatballs” podcasts. Which is described as “Fabulous info on the making of some of the best audio theater in the last 30 years. Great tips on music, field recording and writing for audio, and just stories full of fun.”

Subscribe to that via this feed:

http://www.zbs.org/dircast/dircaster.php

[Thanks to Jerry Stearns for the tip!]

Posted by Jesse Willis

Subterranean Online’s SPRING 2008 audios: After The Seige by Cory Doctorow

SFFaudio Online Audio

Subterranean PressA FREE audio version of Cory Doctorow’s After The Seige has just been added to the Spring 2008 issue of the Subterranean Online magazine. Doctorow described the novelette/novella as “optimistic SF.” When Doctorow was writing it he said that it took inspiration from his grandmother’s stories of living through the Siege of Leningrad. More recently, it was lauded with the Locus Award for best novella.

Subterranean Online Spring 2008After The Seige
By Cory Doctorow; Read by Mary Robinette Kowal
5 MP3s – [UNABRIDGED]
Publisher: Subterranean Online (Spring 2008)
Published: June 2008

Part 1 |MP3| Part 2 |MP3| Part 3 |MP3| Part 4 |MP3| Part 5 |MP3|

There is also a different reading of the same story, by Cory Doctorow himself HERE.

Posted by Jesse Willis

Review of Little Brother by Cory Doctorow

SFFaudio Review

Science Fiction Audiobook - Little Brother by Cory DoctorowLittle BrotherSFFaudio Essential
By Cory Doctorow; Read by Kirby Heyborne
MP3 Download – 11 Hours, 54 Minutes [UNABRIDGED]
Publisher: Random House Audio
Published: May 2008
Themes: / Science Fiction / Young Adult / Terrorism / Philosophy / The Internet /

Marcus, a.k.a “w1n5t0n,” is only seventeen years old, but he figures he already knows how the system works-and how to work the system. Smart, fast, and wise to the ways of the networked world, he has no trouble outwitting his high school’s intrusive but clumsy surveillance systems. But his whole world changes when he and his friends find themselves caught in the aftermath of a major terrorist attack on San Francisco. In the wrong place at the wrong time, Marcus and his crew are apprehended by the Department of Homeland Security and whisked away to a secret prison where they’re mercilessly interrogated for days. When the DHS finally releases them, Marcus discovers that his city has become a police state where every citizen is treated like a potential terrorist. He knows that no one will believe his story, which leaves him only one option: to take down the DHS himself.

I rarely feel uncomfortable when reading a book. Cory Doctorow made me feel uncomfortable. I had a deep and growing unease as I listened to Little Brother. Talking about it with a friend, in between early chapters, I at first had a hard time pinning down exactly what was bothering me so much. But, after explaining what the book was about I suddenly realized what the one nagging issue was that was causing this growing unease: It was the villains. They were “all straw men” I told my friend, “not three-dimensional, or believable.” Their villainy “wasn’t realistic,” said I. But soon after that, in cataloging their various villainies, I realized that everything that was happening in the near future USA where Little Brother is set, was already actually happening in the United States (or its offshore territories). It was at that point when I realized that what I had at first been seeing as a poor choice on Doctorow’s part (making the villains one dimensional, completely unsympathetic, and therefore unrealistic) – was not valid. Doctorow is talking about the United States in the very same way George Orwell was talking about the Soviet Union in 1984, or Margaret Atwood, the world, in The Handmaid’s Tale. I can’t effectively argue that real world villainy is unrealistic. The villains of 1984 and The Handmaid’s Tale are not unrealistic and neither are those of Little Brother. After I realized that, my attitude of dissatisfaction changed to one of alliance with the book. And the longer I’ve thought about it, the more I am convinced. This is a book that people, especially young people, should be reading. This is an important book. It addresses in a very accessible way, some of the very pressing issues confronting our new age.

Doctorow is both revolutionary and conservative. He wants to overthrow those who would shackle us to an old business model and preserve the long and honourable tradition of revolution. In the book, Marcus, the main character, has a couple of internet handles. The first, “w1n5t0n,” is a tip of the hat to the oppressed victim-protagonist of 1984, and the second is “Mikey.” That one’s a nod towards the proactive leader of the Luna revolution in The Moon Is A Harsh Mistress. I think Little Brother takes equal inspiration from both these masterworks of Science Fiction. That’s a strong recommendation in itself. Whether this will turn out to be a tenth as influential as either of those classics will turn on how much it resonates with you. This is a book I want people to read.

Another friend, who stopped listening to the book, said Little Brother was full of “infodumps”, and he has a point. It is full of infodumps. But, I think that term gets a bad rap. Science Fiction, as Cory Doctorow himself points out, has a long tradition of the infodump, and, since this is more than just a novel, it has to have a good share of technological and mathematical explanations. In my opinion, the way the novel is written, it doesn’t at all come off as particularly hard to take. Cory Doctorow, in fiction and in real life, is a clear and concise explicator of technologies. He comes up with terrific analogies that illustrate his points, and I therefore think the charge of excessive infodumping is like saying “her hair is too red,” it says more about your predilection for blondes or brunettes than about any particular red-head’s hair colour. Check out one of the infodumps from the book:

If you ever decide to do something as stupid as build an automatic terrorism detector, here’s a math lesson you need to learn first. It’s called “the paradox of the false positive,” and it’s a doozy.

Say you have a new disease, called Super-AIDS. Only one in a million people gets Super-AIDS. You develop a test for Super-AIDS that’s 99 percent accurate. I mean, 99 percent of the time, it gives the correct result — true if the subject is infected, and false if the subject is healthy. You give the test to a million people.

One in a million people have Super-AIDS. One in a hundred people that you test will generate a “false positive” — the test will say he has Super-AIDS even though he doesn’t. That’s what “99 percent accurate” means: one percent wrong.

What’s one percent of one million? 1,000,000/100 = 10,000

One in a million people has Super-AIDS. If you test a million random people, you’ll probably only find one case of real Super-AIDS. But your test won’t identify one person as having Super-AIDS. It will identify 10,000 people as having it. Your 99 percent accurate test will perform with 99.99 percent inaccuracy.

That’s the paradox of the false positive. When you try to find something really rare, your test’s accuracy has to match the rarity of the thing you’re looking for. If you’re trying to point at a single pixel on your screen, a sharp pencil is a good pointer: the pencil-tip is a lot smaller (more accurate) than the pixels. But a pencil-tip is no good at pointing at a single atom in your screen. For that, you need a pointer — a test — that’s one atom wide or less at the tip. This is the paradox of the false positive, and here’s how it applies to terrorism:

Terrorists are really rare. In a city of twenty million like New York, there might be one or two terrorists. Maybe ten of them at the outside. 10/20,000,000 = 0.00005 percent. One twenty-thousandth of a percent. That’s pretty rare all right. Now, say you’ve got some software that can sift through all the bank-records, or toll-pass records, or public transit records, or phone-call records in the city and catch terrorists 99 percent of the time. In a pool of twenty million people, a 99 percent accurate test will identify two hundred thousand people as being terrorists. But only ten of them are terrorists. To catch ten bad guys, you have to haul in and investigate two hundred thousand innocent people.

Guess what? Terrorism tests aren’t anywhere close to 99 percent accurate. More like 60 percent accurate. Even 40 percent accurate, sometimes. What this all meant was that the Department of Homeland Security had set itself up to fail badly. They were trying to spot incredibly rare events — a person is a terrorist — with inaccurate systems.

That all struck a chord with me. I don’t live in The States, yet I know that at least some people down there are blindly accepting these “safety measures” as not only a necessary evil, but as at least somewhat effective. The last time I took an airplane in The States I overheard a conversation in which a woman was telling her family that the Transportation Security Administration’s confiscation of her own lip gloss was for her protection. And she wasn’t being ironic!

Narrator Kirby Heyborne comes from a theater, movie, and music background. His youthful voice captures Marcus and his friends in an effective straight reading. This is audiobook narration as it should be. Two interesting afterwords by people mentioned in the book and a detailed bibliography cap the novel. There is no hardcopy edition of this audiobook available, but a DRM-free MP3 download is. GET THAT HERE.

Posted by Jesse Willis