BBCR4 + RA.cc: Gulliver’s Travels – a magnificent new RADIO DRAMA adaptation

SFFaudio Online Audio

BBC Radio 4RadioArchives.ccSFFaudio EssentialI’ve just finished listening to the new BBC Radio 4 Classic Serial adaptation of Gulliver’s Travels. And now I must tell you that this version, written by Matthew Broughton and directed by Sam Hoyle for BBC Cymru/Wales, is one the finest radio drama adaptations of any book that I’ve ever heard!

It’s stupendous! Of course the acting is wonderful, it’s BBC, and the sound design is unimpeachable, it’s BBC, but it’s the writing, the choices made in what to keep and how to play it, the particular attention to the audio medium that makes this version of Gulliver’s Tavels so magnificent. The three hour production allows for a much richer experience. I found myself curious, surprised, and delighted in each of the three episodes.

Here’s a snippet of Laura Pledger’s review from the Radio Times:

“this is a rollicking adventure awash with humour, taking potshots at everything from the Brits abroad to politics — shots that hit their targets as accurately as Lilliputian arrows skewer a man-mountain.”

I think she’s totally underselling it. I was fully submerged into the world of the play, variously laughing and frightened. The interweaving of the audio and the visuals they conjured up in me made this the best audio experience of my year so far.

Part of my amazement comes from my recent close familiarity with the the novel. Over the years I’d read plenty of the adaptations, seen the parodies, collected the comics, watched the movies, even heard radio dramas. They were alright, but I really didn’t know what I was missing until I compared them with the original text. Which I did just over a year ago when we talked about the book itself, in The SFFaudio Podcast #094.

The problem with all the adaptations, abridgements, and movies is actually addressed in this production in a terrific framing story.

To fully appreciate the magnificence of this adaptation I recommend you too first experience the unexpurgated original text.

And if you do I am confident that you will be then very well placed to see just how marvelous an adaptation this three part, 170 minute, production is.

The entire three part serial is available via |TORRENT| at RadioArchive.cc.

Episode 1 – Broadcast February 5, 2012
Gulliver is shipwrecked on the Island of Lilliput where the natives are tiny people living in a miniature society. With his unique overview of this realm, Gulliver discovers a world of petty politics and small minds. Coerced into a war between two nations who disagree on the best way to eat boiled eggs, Gulliver finds himself betrayed by friends and battered by enemies – escape is his only option if he wants to survive! Gulliver’s adventures in Lilliput are hilarious, disturbing and profound. This is a story of dishonest politicians, mindless ceremony and wars based on unconvincing arguments. A satire as potent now as it ever was! Gulliver’s Travels quickly became a classic. The book has become not only the defining work of its author but also of its genre – a landmark in English Literature to which all satirists today can trace a heritage.

Episode 2 – Broadcast February 12, 2012
Gulliver’s adventures continue when he finds himself in Brobdingnag – a land where the inhabitants are enormous! Here, as a miniature man, Gulliver must fight for survival against rats the size of dogs, a dwarf who is 40 foot high, and the ridicule and humiliation of a scornful court. With his uniquely close-up view, Gulliver sees the people (even the great beauties) as if under a microscope – and they are dirty, stinking and disgusting. He becomes increasingly horrified by humankind, stranded in a frightening land where his only ally is an innocent child. Once again, escape is imperative – if he doesn’t, he won’t survive… As an exploration of of man’s vanity and complacency, Gulliver’s second voyage is an acute satire – as relevant today as ever. Beyond that, it is also a rattling good adventure story – a man lost, swashbuckling his way through manifold giant-sized dangers, desperate to find a way back home.

Episode 3 – Broadcast February 19, 2012
The last voyages of Jonathan Swift’s story are the lesser told. Gulliver finds himself on the floating Island of Laputa, where he encounters mad scientists and the terrifying ghosts of the great and the good. He flees from these intellectual and spiritual horrors, only to finally find a kind of Eden with the Houyhnhnms, a race of intelligent and gentle horses. However, in this land, humans – or as they are called, the ‘Yahoos’ – are considered vermin. The dark and traumatizing experiences Gulliver has in this land change his life (and his wife and family’s lives) forever. With the satire here focused on crazy scientific experimentation, superstition, and finally spiritual desolation – Gulliver’s Travels is as modern and potent now as it has ever been.

Cast:
Arthur Darvill as Gulliver
Matthew Gravelle
Sam Dale
Bethan Walker
Judith Faultless
Richard Nicol
Chris Pavlo
Claire Cage
Lynne Seymour
Gareth Pierce
Ewan Bailey
Phoebe Waller-Bridge

Posted by Jesse Willis

SFBRP #151: Time Travel Special, part 1 – Mark Twain – A Connecticut Yankee in King Arthur’s Court

SFFaudio Online Audio

The Science Fiction Book Review Podcast Episode #151 of The Science Fiction Book Review Podcast is a special episode on Mark Twain’s A Connecticut Yankee in King Arthur’s Court and similar time travel tales. It is both special and strange. First it’s strange because it’s the first part of a two part discussion of time travel and not a regular book review. Secondarily it is special because I participated in it!

Or as Luke puts it:

Time Travel Special part 1: Luke and Jesse discuss A Connecticut Yankee in King Arthur’s Court by Mark Twain as a jumping off point for the topic of “A being out of time.”

|MP3|

Podcast feed: http://www.sfbrp.com/?feed=podcast

Discussed on the show:
The Invisible Man by H.G. Wells, Smoke by Donald E. Westlake, romance and time travel, science fiction’s hold on time travel, the process of time travel vs. the man out of time, Army Of Darkness, A Connecticut Yankee in King Arthur’s Court is totally political, retellings and abridgements of A Connecticut Yankee in King Arthur’s Court, Jonathan Swift’s Gulliver’s Travels, framing stories, “a dispute with crowbars”, the LibriVox audiobook edition, 1889 illustrations on Gutenberg.org, the Blackstone Audio audiobook, Stuart Langton, Yankee vs. English accents, the Arthurian characters, Idiocracy, taking the piss out of the British, a very thin satire, The Marching Morons by C.M. Kornbluth, The Ugly Little Boy by Isaac Asimov, The Door Into Summer by Robert A. Heinlein, The Accidental Time Machine by Joe Haldeman, the effect on electricity on progress, Thomas Edison, dynamite, SFBRP #100, Then End Of Eternity by Isaac Asimov, comparing the 19th century man with the 21st century man, smartness man and the most moral man, democracy, “what we really need are newspapers”, the tyrannies of monarchy and religion, pick your own oppression, the man from the past comes to the present, adventures, “the Vulcan project”, great insults, Sandy’s reproach, “Mark Twain is fucking hilarious”, the characters bamboozle each other (and the reader too), attributed to Mark Twain, Oscar Wilde, Will Rogers, Groucho Marx, “he is his own target”, occupy Wall Street, Ray Nelson’s Eight O’Clock In The Morning, John Carpenter’s They Live, the 1%, the Robber Barons, Carnegie and Nobel, A Connecticut Yankee in King Arthur’s Court is an essential adult read!, “you think you might know this book, but really you don’t know this book”, Luke gives it 4 out of 5 stars, sfbrp.com/episode-lists, feedback from #150 (ebooks, audiobooks and paperbooks)

After The Explosion

Protection / Capitalism

The Chruch, The King, The Nobleman, The Freeman

Blackstone Audio - A Connecticut Yankee in King Arthur’s Court by Mark Twain

Posted by Jesse Willis

George Orwell’s Animal Farm (a 1954 animated movie like an audiobook)

SFFaudio News

One piece of criticism I like about this 1954 animated film adaptation of Animal Farm is from an IMDB reviewer named “bob the moo” who wrote: “the narration-heavy delivery makes it more like an audio book than a film.”

I can’t quite agree, it is a movie, but it does certainly leans heavily on the narration.

Most reviewers seem to think it’s a pretty good adaptation, Leonard Maltin gave it four stars, and it is fairly faithful to the novel’s plot. Despite being one of Britian’s first animated features it was apparently funded by the CIA.

[via OpenCulture.com]

Posted by Jesse Willis

New CBC RADIO DRAMA begins today – “Trust, Inc.”

SFFaudio Online Audio

CBC’s sole radio drama series, Afghanada, finished off late last year. But there’s a brand new series beginning today at 11:30am!

Trust Inc

Unlike Afghanada this new series will be podcast, making it CBC Radio’s second ever podcast radio drama series (the first being Backbencher).

Here’s the official description of Trust, Inc.:

“A new satirical drama that takes listeners within the walls of a public relations firm. The show follows the schemers and spinners who develop the messages and plot the ideal news narrative for their clients, and their counterparts in the news media who ultimately determine whether they succeed or fail in the quest for just the right headline and soundbite.”

The official Trust, Inc. site: cbc.ca/trustinc/

Here’s the promo |MP3|

Fletcher Pratt Meeting Room

Podcast feed: http://www.cbc.ca/podcasting/includes/trustinc.xml

iTunes 1-Click |SUBSCRIBE|

Episode 1 – “Serena Jordan is thrilled. Just three weeks ago, she snagged an awesome new job at the major public relations firm, Leger & Pratt. Hired to be their social media expert, she’s been assigned to the Special Projects Unit, a boy’s club made up of team members Ben Lederman, Ricardo Sandoval and Marshall Whitman. Eager to impress, she’s at the table as the team meets the new ‘brief,’ city councillor, James Yearwood.The assignment: raise his profile as he prepares to make the jump to federal politics. No sweat. Yearwood’s articulate, passionate, good-looking and social media savvy. The boys think it’s s slam dunk. And so does Serena. Until he starts sexting her, that is. Now, Serena is stuck. Should she keep quiet? Tell her team? Confront her client? And possibly risk it all.”

The series is supported with a few fake websites, with real links (like legerpratt.com for the fake firm being portrayed ), the usual social media websites like Twitter and Facebook and such. There is also a promise of YouTube videos.

The “flacklife blog” – a blog about public relations – has a substantial interview with the series creator, Gregory J. Sinclair, HERE.

Posted by Jesse Willis

X-Minus One: Skulking Permit by Robert Sheckley

SFFaudio Online Audio

skulk (v.) /skəlk/ – Keep out of sight, typically with a sinister, evil or cowardly motive
Example: The thief skulked in the shadows.

Skulking Permit is a cute Robert Sheckley story. Frankly, it is not one of his best. His best stuff will send your brain into a week long head-shaking fugue state that’ll leaving you both laughing and crying at the pathetic beast called man. But, Skulking Permit definitely is cute and it definitely does deliver the anthropological satire that Sheckley is so very fond of.

In this case there’s a Earth colony, called New Delaware, which had been cut-off for more than two hundred years. Luckily, it has recently been informed that it’ll be receiving a visit from a representative from Earth. To prepare for the occasion they colonists have decided to make everything familiar to the coming representative – make it all homey, like back on Earth – and so they’ve assigned societal roles to every member of the colony’s community. Everyone is getting used to their characters: the mayor is telling everyone what to do (he’s got to write up some laws real quick) and the police chief has to make his own badge. The little red school house and the little white church are being built and painted and the “no aliens allowed within city limits” sign is being put up. But the plan to make New Delaware a little mirror of Earth aren’t going perfectly smoothly. For what exactly is a criminal? And who can possibly play such a demanding role?

“Wanted: one man to do a totally impossible job. Salary: the knowledge that a planet’s life depends upon his being able to do it!”

X-Minus OneX-Minus One – Skulking Permit
Based on a story by Robert Sheckley; Adapted by Earnest Kinoy; Performed by a full cast
1 |MP3| – Approx. 29 Minutes [RADIO DRAMA]
Broadcaster: NBC Radio
Broadcast: February 15, 1956
Provider: Internet Archive
|SCRIPT|
A small colony, cut off from Earth for generations, must prove they are a model of Earth culture when a ship arrives to effect their ‘reclamation’. They strive to provide archetypes of Earth society, including a town criminal… First published in the December 1954 issue of Galaxy Science Fiction magazine.

Cast:
Dick Hamilton
Wendell Holmes
Joe DeSantis
Joseph Boland
Alan Hewitt
Bill Quinn
Mandel Kramer
Ruby Dee

Announcer …. Jack Costello

Directed by Daniel Sutter

Illustrations, by Mel Hunter, from the original Galaxy publication:

Skulking Permit by Robert Sheckley - illustration by Mel Hunter (Galaxy Magazine's December 1954 issue)
Skulking Permit by Robert Sheckley - illustration by Mel Hunter (Galaxy Magazine's December 1954 issue)
Skulking Permit by Robert Sheckley - illustration by Mel Hunter (Galaxy Magazine's December 1954 issue)
Skulking Permit by Robert Sheckley - illustration by Mel Hunter (Galaxy Magazine's December 1954 issue)

Posted by Jesse Willis

The SFFaudio Podcast #116 – READALONG: The Space Merchants by Frederik Pohl and C.M. Kornbluth

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #116 – Scott, Jesse, Tamahome and Professor Eric S. Rabkin talk about The Space Merchants (aka Gravy Planet) by Frederik Pohl and C.M. Kornbluth

Talked about on today’s show:
Frederik Pohl’s blog, differences between Gravy Planet and The Space Merchants Coca-Cola vs. Yummy Cola, com-pocalypse (a commercial apocalypse), advertizing, conservationists -> connies (or consies) is an analogue for communists -> commies, Tristan Und Isolde, Costa Rica, Chicken Little, Fowler Shocken, 1950s. Jews in “the Science Fiction ghetto”, H.L. Gold, Phlip Klass (William Tenn), Ray Bradbury, Isaac Asimov, the Wikipedia entry for The Space Merchants, a study guide for The Space Merchants, Levittown, Man Plus, The Merchants War, Pohl’s interest in psychiatry, Gateway, structural problems in The Space Merchants, identity theft, a hero’s journey, The Odyssey, katabasis, banana republic, the United Fruit Company, Cuba, U.S. Marines in Columbia, Vance Packard’s The Hidden Persuaders, Jack O’Shea, little people are the perfect astronauts, pilots tend to be small people, the continuing relevance of The Space Merchants, “transformed language”, The Left Hand Of Darkness by Ursula K. Le Guin, “the Glaciers didn’t freeze overnight” (Rome wasn’t built in a day), what side do you oil your bread on, pedaling your Cadillac into the future, are there more cars in the U.S.A. than people?, William Gibson, The future is already here — it’s just not very evenly distributed, corporatocracy, Oliver Stone, does Wall Street run the world or is it Madison Avenue?, representative government per capita (per head) or ad valorem (to value), The Marching Morons, dystopia, utopia, citizen vs. consumer, CBC’s The Age Of Persuasion podcast, the effectiveness of advertizing, feminine hygine products, “it has wings”, coffiest vs. Starbucks, Jon Huntsman, Tim Pawlenty, how effective is advertizing?, saturation of advertizing vs. the message of advertizing itself, does advertizing work?, who consumes dog food?, soyaburger, Chlorella, algae, soylent red, despite what he says Eric is not a jerk vegetarian, seitan (wheat gluten food), Moby Dick, Mountain Dew in the U.S.A. vs. Mountain Dew in Canada, energy drinks, Jolt Cola, phial vs. vile, Philip K. Dick’s Do Android Dream Of Electric Sheep?, the Penfield Mood Organ, caffeine, Tamahome likes unsweetened chocolate, what did Montezuma drink all day long?, does has the internet lessen the impact of advertizing?, the spillage from penis enhancement, Eric bought a wide cross section of pornography, “genuine spurious placebo”, Boeing “forever new frontiers”, the Dubai Ports controversy, Cisco Systems, I, Robot, Minority Report, gesture recognition, Yelp, Wikileaks: U.S. diplomats pressed Boeing deals, Bombardier, “he came from an old family”, Kennedy, Bush, Heddy and Hester, Hedy Lamarr, Hester Prynne, The Scarlet Letter by Nathaniel Hawthorne, Alfred Bester’s The Demolished Man, The Stars My Destination, “Eight sir, seven sir, six sir, five sir, four sir, three sir, two sir, one. Tenser, said the Tensor, Tenser said the Tensor. Tension, apprehension, and dissension have begun.” Rebecca Black’s Friday is a train wreck, Arthur C. Clarke‘s Tales From The White Heart, colonizing your brain, “you haven’t read a book until you’ve talked about it”, is solitary reading a different kind of thing than social reading?, satire, Monty Python’s “The Funniest Joke In The World” sketch, advertizing in books, advertizing in paperback novels, propaganda, recommendation vs. advertizing, making something available vs. thrusting it upon you, metaSFFaudio, The Reapers Are The Angels by Alden Bell, Flannery O’Connor with zombies, why SFFaudio doesn’t link to Amazon.com, Morning Joe, Fox News, Scott is now a politician, Douglas Adams, political debate being replaced by sound bites, Jon Stewart vs. Sean Hannity, Jon Stewart’s appearance on Crossfire, Will Rogers, communication vs. advertizing, jokes are revelations, brand awareness, why do kids want to see Transformers 3?, Cedar Rapids is a coming of age movie about the nature of friendship, why is there no commercial released audiobook of The Space Merchants?, The Puppet Masters by Robert A. Heinlein, Them!, anti-consumerism (anti-Americanism), tobacco packaging warning messages (are ads), the tobacco industry vs. the anti-tobacco industry, church advertizing, Scientology doesn’t sell the same message as many other religions, L. Ron Hubbard, A.E. van Vogt, Dianetics, the premise of Null-A, Friedrich Nietzsche.

Illustrations from the original serialization of Gravy Planet (aka The Space Merchants) in Galaxy Science Fiction magazine’s July August and September 1952 issues:

Gravy Planet illustrations by Don Sibley
Gravy Planet illustrations by Don Sibley
Gravy Planet illustrations by Don Sibley
Gravy Planet illustrations by Don Sibley
Gravy Planet illustrations by Don Sibley
Gravy Planet illustrations by Don Sibley
Gravy Planet illustrations by Don Sibley
Gravy Planet illustrations by Don Sibley
Gravy Planet illustrations by Don Sibley
Gravy Planet illustrations by Don Sibley
Gravy Planet illustrations by Don Sibley
Gravy Planet illustrations by Don Sibley
Gravy Planet illustrations by Don Sibley
Gravy Planet illustrations by Don Sibley
Gravy Planet illustrations by Don Sibley

Posted by Jesse Willis