Commentary: A “Top 100 Sci-Fi Audiobooks” List

SFFaudio Commentary

Sci-Fi ListsLast year somebody* pointed out that a list of “The Top 100 Sci-Fi Books” (as organized by the Sci-Fi Lists website) was almost entirely available in audiobook form!

At the time of his or her compiling 95 of the 100 books were available as audiobooks.

Today, it appears, that list is approaching 99% complete!

I’ve read a good number of the books and audiobooks listed, and while some of them are indeed excellent, I’d have to argue that some are merely ok, and that others are utterly atrocious.

That said, I do think it is interesting that almost all of them are available as audiobooks!

Here’s the list as it stood last year, plus my added notations on the status of the missing five:

01- Ender’s Game – Orson Scott Card – 1985
02- Dune – Frank Herbert – 1965
03- Foundation – Isaac Asimov – 1951
04- Hitchhiker’s Guide To The Galaxy – Douglas Adams – 1979
05- 1984 – George Orwell – 1949
06- Stranger In A Strange Land – Robert A Heinlein – 1961
07- Fahrenheit 451 – Ray Bradbury – 1954
08- 2001: A Space Odyssey – Arthur C Clarke – 1968
09- Starship Troopers – Robert A Heinlein – 1959
10- I, Robot – Isaac Asimov – 1950
11- Neuromancer – William Gibson – 1984
12- Do Androids Dream of Electric Sheep? – Philip K. Dick – 1968
13- Ringworld – Larry Niven – 1970
14- Rendezvous With Rama – Arthur C. Clarke – 1973
15- Hyperion – Dan Simmons – 1989
16- Brave New World – Aldous Huxley – 1932
17- The Time Machine – H.G. Wells – 1895
18- Childhood’s End – Arthur C. Clarke – 1954
19- The Moon Is A Harsh Mistress – Robert A. Heinlein – 1966
20- The War Of The Worlds – H.G. Wells – 1898
21- The Forever War – Joe Haldeman – 1974
22- The Martian Chronicles – Ray Bradbury – 1950
23- Slaughterhouse Five – Kurt Vonnegut – 1969
24- Snow Crash – Neal Stephenson – 1992
25- The Mote In God’s Eye – Larry Niven and Jerry Pournelle – 1975
26- The Left Hand Of Darkness – Ursula K. Le Guin – 1969
27- Speaker For The Dead – Orson Scott Card – 1986
28- Jurassic Park – Michael Crichton – 1990
29- The Man in the High Castle – Philip K. Dick – 1962
30- The Caves Of Steel – Isaac Asimov – 1954
31- The Stars My Destination – Alfred Bester – 1956
32- Gateway – Frederik Pohl – 1977
33- Lord Of Light – Roger Zelazny – 1967
34- Solaris – Stanisław Lem – 1961
35- 20,000 Leagues Under The Sea – Jules Verne – 1870
36- A Wrinkle In Time – Madeleine L’Engle – 1962
37- Cat’s Cradle – Kurt Vonnegut – 1963
38- Contact – Carl Sagan – 1985
39- The Andromeda Strain – Michael Crichton – 1969
40- The Gods Themselves – Isaac Asimov – 1972
41- A Fire Upon The Deep – Vernor Vinge – 1991
42- Cryptonomicon – Neal Stephenson – 1999
43- The Day of the Triffids – John Wyndham – 1951
44- UBIK – Philip K. Dick – 1969
45- Time Enough For Love – Robert A. Heinlein – 1973
46- A Clockwork Orange – Anthony Burgess – 1962
47- Red Mars – Kim Stanley Robinson – 1992
48- Flowers For Algernon – Daniel Keyes
49- A Canticle For Leibowitz – Walter M. Miller – 1959
50- The End of Eternity – Isaac Asimov – 1955
51- Battlefield Earth – L. Ron Hubbard – 1982
52- Frankenstein – Mary Shelley – 1818
53- Journey To The Center Of The Earth – Jules Verne – 1864
54- The Dispossessed – Ursula K. Le Guin – 1974
55- The Diamond Age – Neal Stephenson – 1995
56- The Player Of Games – Iain M. Banks – 1988
57- The Reality Dysfunction – Peter F. Hamilton – 1996
58- Startide Rising – David Brin – 1983
59- The Sirens Of Titan – Kurt Vonnegut – 1959
60- Eon – Greg Bear – 1985
61- Ender’s Shadow – Orson Scott Card – 1999
62- To Your Scattered Bodies Go – Philip Jose Farmer – 1971
63- A Scanner Darkly – Philip K. Dick – 1977
64- Lucifer’s Hammer – Larry Niven and Jerry Pournelle – 1977
65- The Handmaid’s Tale – Margaret Atwood – 1985
66- The City And The Stars – Arthur C Clark – 1956
67- The Stainless Steel Rat – Harry Harrison – 1961
68- The Demolished Man – Alfred Bester – 1953
69- The Shadow of the Torturer – Gene Wolfe – 1980
70- Sphere – Michael Crichton – 1987
71- The Door Into Summer – Robert .A Heinlein – 1957
72- The Three Stigmata Of Palmer Eldritch – Philip K. Dick – 1964
73- Revelation Space – Alastair Reynolds – 2000
74- Citizen Of The Galaxy – Robert A. Heinlein – 1957
75- Doomsday Book – Connie Willis – 1992
76- Ilium – Dan Simmons – 2003
77- The Invisible Man – H.G. Wells – 1897
78- Have Space-Suit Will Travel – Robert A. Heinlein – 1958
79- The Puppet Masters – Robert A. Heinlein – 1951
80- Out Of The Silent Planet – C.S. Lewis – 1938
81- A Princess of Mars – Edgar Rice Burroughs – 1912
82- The Lathe of Heaven – Ursula K. Le Guin – 1971
83- Use Of Weapons – Iain M. Banks – 1990
84- The Chrysalids – John Wyndham – 1955
85- Way Station – Clifford Simak – 1963
86- Flatland – Edwin A. Abbott – 1884
87- Altered Carbon – Richard Morgan – 2002
88- Old Man’s War – John Scalzi – 2005
89- COMING SOON (October 15, 2012)Roadside Picnic – Arkady and Boris Strugatsky – 1972
90- The Road – Cormac McCarthy – 2006
91- The Postman – David Brin – 1985
92- NEWLY AVAILABLEStand On Zanzibar – John Brunner – 1969
93- VALIS – Philip K. Dick – 1981
94- NEWLY AVAILABLE The Cyberiad: Fables for the Cybernetic Age – Stanisław Lem – 1974
95- NOT AVAILABLE AS AN AUDIOBOOK – Cities In Flight – James Blish – 1955
96- The Lost World – Sir Arthur Conan Doyle – 1912
97- The Many-Colored Land – Julian May – 1981
98- Gray Lensman – E.E. ‘Doc’ Smith – 1940
99- The Uplift War – David Brin – 1987
100- NEWLY AVAILABLEThe Forge Of God – Greg Bear – 1987

In case you were wondering, the list was compiled using the following criteria:

“A statistical survey of sci-fi literary awards, noted critics and popular polls. To qualify a book has to be generally regarded as science fiction by credible sources and/or recognised as having historical significance to the development of the genre. For books that are part of a series (with some notable exceptions) only the first book in the series is listed.”

The “Next 100”, as listed over on Sci-Fi Lists, has a lot of excellent novels and collections in it too, check that out HERE.

[*Thanks to “neil1966hardy” from ThePirateBay]

Posted by Jesse Willis

Review of Wild Cards edited by George R. R. Martin

SFFaudio Review

Wild Cards edited by George R. R. MartinWild Cards (Wild Cards #1)
Edited by George R. R. Martin; Read by Luke Daniels
19 hours [UNABRIDGED]
Publisher: Brilliance Audio
Published: November 2011
ISBN: 9781455833009
Themes: / alternate history / superpowers / alien virus / superhero / urban fantasy / science fiction / horror /

Publisher Summary:

In the aftermath of WWII, an alien virus struck the Earth, endowing a handful of survivors with extraordinary powers. Originally published in 1987, the newly expanded saga contains additional original stories by eminent writers.

The stories contained in the audiobook are:
“Prologue” by George R. R. Martin
“Thirty Minutes Over Broadway!” by Howard Waldrop
“The Sleeper” by Roger Zelazny
“Witness” by Walter Jon Williams
“Degradation Rites” by Melinda Snodgrass
“Captain Cathode and the Secret Ace” by Michael Cassutt
“Powers” by David D. Levine
“Shell Games” by George R. R. Martin
“The Long, Dark Night of Fortunato” by Lewis Shiner
“Transfigurations” by Victor Milán
“Down Deep” by Edward Bryant and Leanne C. Harper
“Strings” by Stephen Leigh
“Ghost Girl Takes Manhattan” by Carrie Vaughn
“Comes a Hunter” by John J. Miller

There are also a variety of “Interludes” in between the stories, which are short bits mostly written in the form of newspaper or magazine articles or first-hand witness accounts. These interludes are often used to bridge the narrative with real events from US history, to provide the reader with insight as to the feelings in this “alternate history” type world.

Generally, this is a story of the effects of an alien virus on humanity between the time shortly following World War II through the late 70’s/early 80’s. The virus was brought to earth by aliens from a planet called Takis. It was developed as a device to give Takisians superpowers to be used as a part of large-scale family wars on Takis. The aliens wanted to test it, so sought to release it on Earth, as humans are genetically very similar to Takisians. “Prologue” introduces us to an alien who is called (by the humans, as his name is not well-suited to human speech) Dr. Tachyon and the “Wild Cards” virus. Dr. Tachyon is also a Takisian, but tried to prevent the release of the virus on Earth. “Prologue” sets the scene and tone for the world of the book. It also provides an insight into Dr. Tachyon’s values: he doesn’t ask first for the President of the US, he instead asks for the top scientists and thinkers. This is an obvious nod by George R. R. Martin to those who have true powers in the US.

“Thirty Minutes Over Broadway!” tells the story of Jet Boy, an American superhero, and the release of the Wild Cards virus over Manhattan in September, 1946. Jet Boy is a true hero, an all-American kid who came back from fighting in World War II with a superhero story of his ace flying abilities. He is the only superhero in the book who wasn’t a superhero because of the virus, but because of his innate abilities and selflessness. In a theme that becomes common through the book, the reader is reminded that a hero is a hero because of what they do, not because of their skills. Jet Boy tries—and fails—to stop the virus from being released.

The virus is brutal. It only impacts humans, with no effects on other species. It kills most of its victims, but those who survive (only about a tenth of those exposed to the virus) are not left unscathed. Through the rest of the book, the reader is introduced to various people impacted by the virus. The first stories tell mainly of “Aces,” those who get super powers from the virus (usually in the form of telekinesis and/or greatly enhanced physical abilities. Later, the reader is introduced to the concept of “Jokers,” who become horribly deformed due to the virus. The first interlude presents the concept of “Deuces,” those who get an “ace-like” ability that is not particularly useful, like “Mr. Rainbow,” whose ability is to change the color of his skin.

The narrative takes the reader through time: each story is a snapshot of a period in US history and provides a sort of “alternate history” of how that time may have been different if there had been these Aces and Jokers were around. Some of the early stories, taking place during the era of HUAC and McCarthyism, show how the aces became subjects of witch hunts and were forced into service in the US military or intelligence agencies. Jokers are looked upon as second-class beings, a theme that plays a large role during the stories set in the 60’s and 70’s, mirroring the US Civil Rights Movement. Some of the stories are sad, such as “The Sleeper” and “Witness.” Some are a bit more uplifting and triumphant, such as “Shell Games.” A lot of the stories, especially the later ones, become a bit creepy, with people using their powers for selfish reasons, as in “Strings.”

All in all, Wild Cards serves as an interesting statement on humanity through the guise of a “what if” scenario. All of the stories are eminently believable—at no time did anything that happened seem overwhelmingly unlikely. To some extent, that’s a bit of a sad statement on humanity—as the book goes on, aces and jokers alike seem to be only interested in helping themselves, looking out for their own (often misguided) interests.

The narration, done by Luke Daniels, was pretty good in the audiobook. He had a good speed and good intonation for most of the characters, and it was easy to tell each character apart. As often happens with male narrators trying to do female voices, some of the females sounded whiny, but it wasn’t so over the top so as to be unlistenable. After listening to this narration, I’ll be keeping Luke Daniels on my radar when looking at audiobooks.

Personally, I preferred the stories in the first half of the book to those in the second half. In the second half, the stories got quite a bit darker, more creepy and violent. After the strong lead-in with the Prologue and “Thirty Minutes Over Broadway,” I quite enjoyed the origin stories and the weaving-in of events in US history. As the book progressed, the stories didn’t seem quite as engaging—for one, I actually repeatedly fell asleep while listening, and ended up having rewind and re-listen to some of the others. There was also one story that was too graphic both in terms of sex and violence for me, “The Long, Dark Night of Fortunato” by Lewis Shiner. By the end, I wasn’t interested in more stories of people serving their own interests. There are other books in the series, which I have heard are more like the stories at the end of the book—I’m not sure that they’ll be for me. But I enjoyed this anthology well enough and would recommend it to others interested in a cross of science fiction, general fiction, and horror genres.

Review by terpkristin

The SFFaudio Podcast #161 – READALONG: Among Others by Jo Walton

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #161 – Jesse, Scott, Tamahome, and Jenny (of Reading Envy) talk about the Nebula-winning novel Among Others by Jo Walton.

Talked about on today’s show:
What does ‘Among Others’ mean?, “the most meta book ever”, Jo on Coode Street, what’s your favorite book?, Interlibrary Loan, the Welsh accent of the audiobook, is there a plot?, “it’s post-fantasy”, list of sf books referenced, how many have you read?, books in The Canon, Jo’s Tor blog, no cyberpunk, The Litany of Fear from Dune, learning about Judaism, Roger Zelazny, Luke’s review of Lord Of Light (not Amber), 1960’s – 1980’s only, getting book recommendations, no internet!, Harlan Ellison in The Comics Journal, used bookstores, “I’d rather have a Heinlein than a headmistress!”, non-fiction too, Plato (The Socratic Method), the fairy world, Virgil, acupuncture, were the fairies ‘real’?, Among Others on The Writer And The Critic with Cat Valente, Buffy The Vampire Slayer, The Tempest, grief, did Mor steal her sister’s identity?, The Wizard Of Earthsea, do the book choices reflect themes?, we want an index, karass (see Cat’s Cradle), I, Claudius, Chi, other Nebula nominees, God’s War has bugs, Embassytown, Jo Walton on series, Jo on the Hugos, we’re waiting for the hugo novella blog series, The Paper Menagerie (online audio), how well read do you have to be to appreciate Among Others?, Hyperion, “it’s a book-love book”, which books from the list will you read next?, The Wind’s Twelve Quarters is the best, old Delany, Sturgeon’s A Touch Of Strange, what’s that Sturgeon novel with three brains in a jello mold on Mars internet??, James Tiptree Jr., The Dispossessed (Luke’s review), Stand On Zanzibar is on audio, length of books, Jo’s Small Change series is on audio, Tor is drm-free, don’t forget Baen and Angry Robot and Nightshade, the kindle hit Wool is optioned for a movie, “umm…no”

I happened to have this old paperback:

James Tiptree Jr. - Out Of The Everywhere (cover)

Posted by Tamahome

The SFFaudio Podcast #143 – NEW RELEASES/RECENT ARRIVALS

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #143 – Scott, Jesse, Tamahome, and Kristin (A.K.A Terpkristin) talk about recently arrived audiobooks, new releases and more.

Talked about on today’s show:
The origin of the name ‘Terpkristin’, Scott has a pile of audio, (see also the NewAudioBookIn twitter feed), Hominids and Humans from Robert J. Sawyer, evolved Neanderthals, Farseer (the dinosaur book), Flashforward, Kristin’s scientific evaluations, “needs more ego”, Pamela Sargent’s Earthseed (Seed, #1), Greg Bear’s Forge of God, memorable earth destruction, Peter F. Hamilton’s Void Trilogy (‘Hawking m-sink’ weapon), the Star Trek movie, Burning Chrome anthology by William Gibson includes Johnny Mnemonic, when will they list all the short stories on the audiobook package?, precursor to Neuromancer, William Gibson’s non-fiction Distrust That Particular Flavor is out from Tantor (Jesse will establish later), he’s a crossover, who will read Sisterhood Of Dune?, extending a series, Zelazny’s Amber series, Glasslands (Halo, #8) by Karen Traviss (she also did a lot of Star Wars books), “stuff happens fiction”,  Eve Online, “gateway books”, James Blish Star Trek books, Splinter Of The Mind’s Eye, The Thirteen Hallows by Michael Scott and Colette Freedman, I Am Number Four, YA series, “contractual sweatshop”, Infernal Devices by K.W. Jeter, a steampunk pioneer, “quick off the mark”, Little Big by John Crowley narrated by the author, Stephan Rudnicki was denied Aegypt (at 43 min), the legend of the Cottingley Fairies, Sir Arthur Conan Doyle believed it, “the Fairy Gap”, Larry Niven’s The Ringword Engineers and The Ringworld Throne, The Protector, the Security Now science fiction episode, “The Ringworld is unstable!  The Ringworld is unstable!”, A Canticle For Leibowitz by Walter M. Miller Jr., NPR dramatized it, good for Scott and Julie’s A Good Story Is Hard To Find podcast?,  Working For The Devil (Dante Valentine, #1) by Lilith Saintcrow, Dante is a woman?, Neal Stephenson’s Currency (The Baroque Cycle, Book 3, Vol. 7), they broke it down, Kristin read the whole thing!, Tantor has drm-free downloads, A Fall Of Moondust by Arthur C. Clarke, a Poseidon adventure on the moon, BBC Radio drama version, Timecaster by Joe Kimball, sounds like Minority Report, an idea for someone else to write, the Assassin’s Creed game, Brent Weeks’s Night Angel trilogy, hoodies are popular, the comic Chew‘s gruesome premise, Mur Lafferty likes it (5 stars on Goodreads!), Aces High (Wild Cards, #2) edited by George R.R. Martin, Jenny’s special message about A Wrinkle In Time, the 50th anniversary, a parallel world thing, the Pern series, The Greg Mandel trilogy by Peter F. Hamilton, my review of Mindstar Rising (Greg Mandel, #1), psychic powers, Lady And The Tramp, Scott’s box of audio has become infected with a zombie virus, Rise by Gareth Wood, “we’re not desolate or empty!”, entering New Releases territory, Blackstone, Raylan by Elmore Leonard, Justified tv show does a good Leonard, style, Out Of Sight movie and book, it was J-lo’s best, Sixth Column by Heinlein, Jesse can’t remember it, The Voice From The Edge series by Harlan Ellison, he’s got a passion, I Have No Mouth And I Must Scream was dramatized on BBC radio too, Robert Sheckley’s Immortality, Inc. (our readalong should be out next week), Bronson Pinchot narrated, (I think this is where I lost my mic because I was trying to say “transplant!” from that audiobook), A Door Into Ocean by Joan Slonczewski, a classic feminist science fiction novel, no men needed, Brilliance audiobooks are cheap!, “Someone explain the point of Audible” (at least I can still text), “What’s the fascination with zombies?”, societal significance or commercial? (I’m starting to think they’re ignoring me), Twilight and their ilk, Night Of The Long Knives by Fritz Leiber, how these subgenres are grouped together, vs the U.K., Dragonflight by Anne McCaffrey is fantasy or science fiction?, Star Wars gadgetry, Alan Moore’s Lovecraft salute comic Neonomicon, the Audible app, Tamahome is in the hole

Posted by Tamahome

The SFFaudio Podcast #098 – NEW RELEASES/RECENT ARRIVALS

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #098 – Scott and Jesse talk with Luke Burrage about the new audiobook releases. And we also play Philip K. Dick’s “Preserving Machine” game in which you pick a piece of music and transform it into an animal.

Talked about on today’s show:
New releases, The Adjustment Bureau by Philip K. Dick, Kermode and Mayo’s Film Review, Roger Ebert, “Meet Cute”, Phil Gigante, The Stainless Steel Rat, Gregg Margarite, Russian Ark, Hermitage, The SFBRP Podcast, Your Movie Sucks, Dune, “This movie is a real mess, an incomprehensible, ugly, unstructured, pointless excursion into the murkier realms of one of the most confusing screenplays of all time.”, Korean movies mix humor, horror, drama, “the tone is off” in Shakespeare too, Unknown (a special edition of Out Of My Head), Berlin, Bronson Pinchot, Richard Matheson, On Stranger Tides, Bronson Pinchot has “a whole crew full of pirates in his mouth”, Audible.com, Beverly Hills Cop, Gideon’s Sword by Douglas Preston and Lincoln Child, Tom Clancy, Clive Cussler, Arthur C. Clarke’s Richter 10 by Mike McQuay, a Gene Wolfe writing exercise, The Unincorporated Man by Dani Kollin and Eytan Kollin |READ OUR REVIEW|, “trickster, prodigy, master thief”, techno-thriller-ish, Planet Of The Damned by Harry Harrison, West Of Eden, Bill The Galactic Hero, Long After Midnight by Ray Bradbury, Tantor Media, Michael Prichard, Drink Entire: Against the Madness of Crowds, The Odyssey of Homer, “he’s in a boat, Poseidon hates him, then he’s home”, the origins of Necromancy are in The Odyssey, Philip K. Dick was directly inspired by The Odyssey, An Improvised Life: A Memoir by Alan Arkin, James Randi, The Black Widowers, The Trapdoor Spiders, Isaac Asimov, the Amazing Larry, Luke jumps on giant balloons |VIDEO|, Galaxy Science Fiction magazine, Arnold Schwarzenegger, Physics Of The Future: How Science Will Shape Human Destiny And Our Daily Lives By The Year 2100 by Michio Kaku, Art Bell and Coast To Coast AM, Jesse thinks string theory is bullshit, 2012, Higgs boson, Tachyons, what’s wrong with futurism, Popular Mechanics/Popular Science and the flying car, filtering metastases, The Troubled Man by Henning Mankell, Cynical-C, Kenneth Branagh as Wallander, the relationship between Science Fiction and detective fiction is that both allow the reader to participate in them, who-dun-it? vs. what happened?, Sherlock Holmes vs. Columbo, Agatha Christie vs. Sir Arthur Conan Doyle, The Heroes by Joe Abercrombie, The Blade Itself, The Writing Excuses Podcast, The Orbit Books Podcast #1, Jack Womack, Tamahome, sycophantic interviews are bad, Robert J. Sawyer, “the best stuff happens after the interview”, Richard K. Morgan’s article on Tolkien, The Space Dog Podcast, Ballentine Books, The Fountains Of Paradise by Arthur C. Clarke, Lester del Rey, Utopia by Sir Thomas More, Simon Prebble, Gulliver’s Travels, dystopia, A Truly Golden Little Book, No Less Beneficial Than Entertaining, of the Best State of a Republic, and of the New Island Utopia, Steen Hansen, “immersed in Americanism”, The United States vs. Canada, American utopianism vs. Canadian muddling through, British North America Act, the long gun registry, Winston Churchill, did Winston Churchill write SF?, Newt Gingrich as an alternate history novel, Plato’s The Republic, Mein Kampf, Dianetics, Meatball Fulton (aka Tom Lopez), Ruby, Lady Windermere’s Brass Fantabulous, Part 2, “purposefully ridiculous”, new Audible.com releases, Audible Frontiers, When Gravity Fails by George Alec Effinger, Jonathan Davis, The Prefect by Alastair Reynolds, “grimy and grungy and punky”, Pushing Ice, mining the Oort cloud, Century Rain, Journey To The Center To The Earth, Gulliver’s Travels, Heart Of Darkness by Joseph Conrad, Kenneth Brannagh, Jorge Luis Borges, Stromboli, The Wise Man’s Fear (Kingkiller Chronicles, Day 2) by Patrick Rothfuss, Random House Audio, The Vampire Archives: The Most Complete Volume of Vampire Tales Ever Published edited by Otto Penzler, Atlas Shrugged by Ayn Rand, undeadliest, Dreamsongs by George R.R. Martin, Heart Of Darkness, Alas Babylon by Pat Frank, Heavy Time by C.J. Cherryh, Lord Of Light by Roger Zelazny, Sri Lanka, Death Cloud by Andrew Lane, Venus by Ben Bova, The Children Of Dune by Frank Herbert, Dune Messiah by Frank Herbert, “talented readers” is a compliment?, “horribly unreadable” “throwthemacrosstheroomable”, family curse, Christopher Tolkien and Brian Herbert, Kevin J. Anderson, Saga Of Seven Suns, Hellhole, sickmyduck, The Preserving Machine by Philip K. Dick |ETEXT|, Doc Labyrinth, Mozart bird, Beethoven beetle, Wagner animal, this is Dick talking about music, “Hey Jesse you must be the coolest teacher out there”, what would The Beatles be, put Lady Gaga in out comes Lady Gaga?, Vampire Weekend into meercats, what gender is this website?, Band Of Horses would yield themselves, “Weird Al” Yankovic?, “I wonder what will happen next?”, A Scanner Darkly, Radiohead would be an owl, if the term “sellout” applies to anyone in the universe it applies to Kevin J. Anderson and Brian Herbert, planetary romance vs. space opera, Greenland vs. Iceland, Berlin means bogtown, are Malad residents are Malodorous?

Posted by Jesse Willis