The SFFaudio Podcast #213 – READALONG: The Cyberiad: Fables for the Cybernetic Age by Stanisław Lem

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #213 – Scott, Jesse, and Tamahome talk about the Audible.com audiobook The Cyberiad: Fables for the Cybernetic Age by Stanisław Lem

Talked about on today’s show:
reality shows, Duck Dynasty, about words, puns, rhyming, nothing, negative, was Lem a robot?, modern or timeless?, H.G. Wells, full of great ideas, fables, fairy tales, The Brothers Grimm, royalty,

“Have it compose a poem- a poem about a haircut! But lofty, tragic, timeless, full of love, treachery, retribution, quiet heroism in the face of certain doom! Six lines, cleverly rhymed, and every word beginning with the letter S!!” …

Seduced, shaggy Samson snored.
She scissored short. Sorely shorn,
Soon shackled slave, Samson sighed,
Silently scheming
Sightlessly seeking
Some savage, spectacular suicide.”

shooting an arrow at a barn, The Hitchhiker’s Guide To The Galaxy by Douglas Adams, Robert Sheckley, robots, the Google Doodle tribute to Stanisław Lem, a metaphor for our reality, the Wikipedia entry on Fables, Aesop’s Fables, Eric S. Rabkin, Scott is interested in Lem, Karol Wojtyła (aka Pope John Paul II), Poland, a small interesting country, Memoirs Found In A Bathtub, Audible’s audiobook, why did Jenny “Lem” this Lem?, Fox is not necessarily always the same fox, distant past? distant future?, “mostly harmless” palefaces, Princess Crystal, everybody’s a robot, a suitable suitor,

“Your Highness, my name is Myamlak and I crave nought else but to couple with you
in a manner that is liquid, pulpy, doughy and spongy, in accordance with the customs of
my people. I purposely permitted myself to be captured by the pirate, and requested him
to sell me to this portly trader, as I knew the latter was headed for your kingdom. And I
am exceeding grateful to his laminated person for conveying me hither, for I am as full of
love for you as a swamp is full of scum.”
The princess was amazed, for truly, he spoke in paleface fashion, and she said:
“Tell me, you who call yourself Myamlak the paleface, what do your brothers do
during the day?”
“O Princess,” said Ferrix, “in the morning they wet themselves in clear water, pouring
it upon their limbs as well as into their interiors, for this affords them pleasure.
Afterwards,
they walk to and fro in a fluid and undulating way, and they slush, and they
slurp, and when anything grieves them, they palpitate, and salty water streams from
their eyes, and when anything cheers them, they palpitate and hiccup, but their eyes
remain relatively dry. And we call the wet palpitating weeping, and the dry—laughter.”
“If it is as you say,” said the princess, “and you share your brothers’ enthusiasm for
water, I will have you thrown into my lake, that you may enjoy it to your fill, and also I
will have them weigh your legs with lead, to keep you from bobbing up …”
“Your Majesty,” replied Ferrix as the sage had taught him, “if you do this, I must
perish, for though there is water within us, it cannot be immediately outside us for longer
than a minute or two, otherwise we recite the words ‘blub, blub, blub,’ which signifies our
last farewell to life.”
“But tell me, Myamlak,” asked the princess, “how do you furnish yourself with the
energy to walk to and fro, to squish and to slurp, to shake and to sway?”
“Princess,” replied Ferrix, “there, where I dwell, are other palefaces besides the
hairless variety, palefaces that travel predominantly on all fours. These we perforate until
they expire, and we steam and bake their remains, and chop and slice, after which we
incorporate their corporeality into our own. We know three hundred and seventy-six
distinct methods
of murdering, twenty-eight thousand five hundred and ninety-seven
distinct methods of preparing the corpses, and the stuffing of those bodies into our bodies
(through an aperture, called the mouth) provides us with no end of enjoyment.
Indeed,
the art of the preparation of corpses is more esteemed among us than astronautics and is
termed gastronautics, or gastronomy—which, however, has nothing to do with
astronomy.”
“Does this then mean that you play at being cemeteries, making of yourselves the
very coffins that hold your four-legged brethren?”

the poet robot,

Trurl adjusted, modulated, expostulated,
disconnected, ran checks, reconnected, reset, did everything he could think of, and the
machine presented him with a poem that made him thank heaven Klapaucius wasn’t
there to laugh—imagine, simulating the whole Universe
from scratch, not to mention
Civilization in every particular, and to end up with such dreadful doggerel! Trurl put in six
cliche filters, but they snapped like matches; he had to make them out of pure corundum
steel. This seemed to work, so he jacked the semanticity up all the way, plugged in an
alternating rhyme generator—which nearly ruined everything, since the machine
resolved to become a missionary among destitute tribes on far-flung planets. But at the
very last minute, just as he was ready to give up and take a hammer to it, Trurl was
struck by an inspiration; tossing out all the logic circuits, he replaced them with
self-regulating egocentripetal narcissistors. The machine simpered a little, whimpered a
little, laughed bitterly, complained of an awful pain on its third floor, said that in general it
was fed up, though, life was beautiful but men were such beasts and how sorry they’d all
be when it was dead and gone. Then it asked for pen and paper. Trurl sighed with relief,
switched it off and went to bed.

Men are such beasts but we’ll be sad when they’re gone, the paperbook, kudos to narrator Scott Aiello, satire of something, Mandrillion the Greatest, ruler of the Multitudians, the perfect advisor, fantasy with Science Fiction language, lawyer soup, Escape Pod, Peter Swirski, A Stanislaw Lem Reader, reviews, people who review Lem, Lem = genius, sitting in awe, “Imagine a mixture of Borges, Calvino, Saint-Exupéry, Pynchon, Douglas Adams, Samuel Beckett, L. Frank Baum, Dr. Seuss, Lewis Caroll, and perhaps a little Philip K. Dick. That’s what this is like, sort of.”, complete impatience with reading “another one of these or another one of those”, A Perfect Vacuum, a big show-off, the ideas per story quotient, Gene Wolfe, Jorge Luis Borges, meta, overwhelming wordplay, digressions aplenty, format and rules, classic Hard SF, the hyperdrive handwaviumed away, all of language is handwavium, Sodium stars with an N, we think when we’ve named something we’ve understood it, make sense out of nonsense, stardust into toilet seats:

Feeling dismay rather
than disappointment at this neglect, I immediately sat down and wrote The Scourge of
Reason
, two volumes, in which I showed that each civilization may choose one of two
roads to travel, that is, either fret itself to death, or pet itself to death. And in the course
of doing one or the other, it eats its way into the Universe, turning cinders and flinders of
stars into toilet seats, pegs, gears, cigarette holders and pillowcases, and it does this
because, unable to fathom the Universe, it seeks to change that Fathomlessness into
Something Fathomable, and will not stop until the nebulae and planets have been
processed to cradles, chamber pots and bombs, all in the name of Sublime
Order, for only a Universe with pavement, plumbing, labels and catalogues is, in its sight, acceptable
and wholly respectable.

the are no rules in The Cyberiad, owookiee’s 1 star review of The Cyberiad, a Droopy cartoon as directed by Tex Avery, The Perfect Imitation adapted, saggy biologicals, Daniel Mróz’ illustrations, Tobias Buckell’s blog post about The Fate Of Today’s Book Bloggers, the way Luke Burrage reviews books, a constructed object vs. a piece of art, conversations between writers, how books should be talked about, the SFSignal new releases posts, zombie novels, you’re reading the books wrong, you should read by author, Donald E. Westlake, Lawrence Block, Telling Lies For Fun And Profit, Philip K. Dick, George R.R. Martin, Fred Himebaugh (@Fredosphere), Twitter fight!, looking for reasons not to read books, Your Movie Sucks by Roger Ebert, if a book sucks you usually stop reading that author entirely, Neal Stephenson, positive that tell you nothing about why it’s good, wandering through the woods eating rocks and bark, moods, Star Wars fans, get meta, reviewing novels vs. short stories, in the context, negative reviews tell you a lot more about a book than positive reviews, this book has too much science, Star Trek: Deep Space Nine, Star Trek, Battlestar Galactica, panspermia and ancient astronauts, the finite and the infinite, iTunes U, characters on Battlestar Galactica are always confronted the question “what is human?”, synthesis, the enemy is the ally, the enemy is indistinguishable from one’s self, a space fable, Caprica, Sumerian Aramaic Sanskrit and Battlestar Galactica, Babylon 5, Firefly, a gift of kindness, Porco Rosso, Hayao Miyazaki, what is IT Tam?

Audible - The Cyberiad: Fables for the Cybernetic Age by Stanislaw Lem

Posted by Jesse Willis

The SFFaudio Podcast #211 – AUDIOBOOK/READALONG: Beside Still Waters by Robert Sheckley

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #211 – Beside Still Waters by Robert Sheckley, narrated by Julie Davis. This is a complete and unabridged reading of the short story (9 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Julie Davis, and Rose Davis.

Talked about on today’s show:
Futurama, The Odyssey, Argos (Odysseus’ dog), a cup of sadness, depressing and beautiful, packed in sensitivity, The Status Civilization by Homer, Ray Bradbury, Amazing Stories, cold war worries, racism, Genesis, Psalms, Philip K. Dick, Eric S. Rabkin, there is no truth about what’s really happening in fiction, the final arbiter is the word, Martha, the 23rd psalm, Martha’s story, Julie’s patron saint, an expensive ointment, this slab of rock, “no girl he had ever known”, make a C.L.A.I.M., how many characters are in this story?, three?, Four?, robots, it was always night on Martha, everything is alive, Look! Language!, bedtime forever, Charles is Adam, a man created in the image of man, God isn’t interested in girls, the father he had never known, the “immaculate” shack, God is hard to find, the pallor of space, deprogramming the slave circuit, Willis the robot, the etymology of Charles (coming from Carl), the robot is a “free man”, …, “he restoreth my soul”, “I will fear no evil”, graveside usage, Robert Alter’s translation of Genesis, familiar yous, soul vs. spirit vs. breath vs. ghosts, God breathes, Gospel of John, Pentecost, neither water nor air, Martha’s tapped out, a Wall-E situation, was Charles sent by God?, was he an Angel?, once we start down the name path…, Mother Theresa, the guest/host relationship, God as the shepherd, in the shadow of death, flail and crook, rod and staff, Charles as Mark’s better self, Science Fiction, Martha as bitter, the “black tamed soil”, Martha as one, the Aramaic meaning, baby name websites, prefigurement, Exodus, graveyards, the purpose of slabs in graveyards, R.U.R. by Karel Čapek, Galactic Pot-Healer, Eldorado by Edgar Allan Poe, Don Quixote, “over the mountains of the moon”, it was not good for Man to be alone, bone of his bones, the end miracle, something from outside of the story, rusted servos, “Where’s my hankie?”

Beside Still Waters by Robert Sheckley - Illustration by Virgil Finlay

Posted by Jesse Willis

The SFFaudio Podcast #207 – READALONG: Galactic Pot-Healer by Philip K. Dick

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #207 – Jesse, Julie Davis, and Rose Davis talk about Galactic Pot-Healer by Philip K. Dick.

Talked about on today’s show:
the premise, a Lovecraftian monster, malign desires upon the Earth, The Call Of The Cthulhu, H.P. Lovecraft and Philip K. Dick, dead and not dead, city vs. cathedral, what if Cthulhu was a nice god?, Robert Sheckley, Voltairian style of comedic adventure, even the ending is a joke, super-depressing dystopian earths, “a machine-like” state of being, everyone in the book is suicidally depressed, the Glimmung, everyone is afraid of failure, I want you to map all the themes and the rising action, an existential book, the value and importance of work, the best pot-healer on Earth, failed marriage, “the game is so depressing”, clever but not uplifting, this is about our society (Twitter and podcasts), totally relevant for the internet age, Molly Yoyez, Richard Matheson’s repeated theme of the disconnection between people, “he you should listen to my podcast”, at least you can laugh, the last line of the book, the best of them, instead of just fixing or healing what is broken he is becoming a creator, “the pot was awful”, Philip K. Dick’s personal relationship with religion, history, church history, Roman history, wordplay, the meaning of “Mare Nostrum”, medicine of secret composition a placebo or patent medicine, to give them hope, agape, keritas, Happy Catholic, a body of Christ analogy, the power of Jesus, Christ stands empty handed, pointless existence, existential ennui or a disaffection with a lack of meaning in the universe (going back to Lovecraft), a symbolic version of deep time, a Jungian interpretation, the collective unconscious, is Joe Fernwright trying to find his soul?, his dead self, come to terms with death, “it’s your corpse”, “I have a box I’ve made”, it’s a coffin, distraction, the book title game, there are more allusions per square inch than other novels, Faust, albatrosses, “what Christ really was”, Willis the robot, unlimited power and unlimited knowledge, why does this cathedral need to be raised?, you love things that are stronger than you, forbidden love, “he felt apathy and there was nothing to be apathetic about”, incest, Amalita and Borel, God the creator, what is a cathedral essentially?, it is a church or THE Church, the bivalve character, the Book of the Calends, people being saved through work, “the robots are more alive (and human) than the people”, “the whole thing about robots”, ignoring your programming, Costco robots, “you can’t take pictures in here”, she could disregard the policy but she chooses not to, buckle your seat-belt, “whether you have a fate or not”, Willis doesn’t just do this roboting thing (he has aspirations to be a writer), thinking of other people not as people, The Best Exotic Marigold Hotel, LEGOing, WiFi vs. wireless, “be a human being for a minute”, programmed dreams, is the book prescient?, colostomy bag installation, it is inhumane not to be full of agape and keritas and worry for other people, the scene at the spaceport, THX-1138, We by Yevgeny Zamyatin, “I gaze across the silence of the marshes”, the padre booth scene, Zen, “you have worked and not worked”, Puritan Ethic, Roman Catholic, Allah, Judaism, “a bowl of Martian fat-worm soup”, the dystopia of regulation and efficiency, friending and unfriending, if this is a book about religion…, pots are what he loves, why didn’t Joe break pots?, the spider in the cup, the little fisherman of the night, “the great fisherman of the night”, this is a book about doing not having done, aspiring and aspiration, busy work and the game, Snake by D.H. Lawrence, But even so, “from out the dark door of the secret earth”, The Rime Of The Ancient Mariner by Samuel Taylor Coleridge, the bottle in the toilet tank, was there a giant snake down there?, the bones of a Black Glimmung, the bones looked like the bones of an Ark, come and be saved (a new Testament ark), beings in distress, the Glimmung is forcing their hands, “he loved us because we were alive”, Amalita means hard work, Calends -> Calendar, taxes, the ides of March, the allusions to Faust, Faustian-man striving upwards never satisfied, overcoming our bad-selves, reconcile yourself to death, overcome a fear of failure, the pot at the end of the world, “why didn’t you try something”, God in Genesis was very Faustian, Johann Wolfgang von Goethe, co-creators with God, the swamp is the flooding of the perfect and the beautiful, Midnight In The Sunken Cathedral by Harlan Ellison, the fog-things of antiquity, infirm and senile, you can get a lot done on the telephone, Mr. Job and Mr. Lawyer, the robots are just as inhumane as the humans, the interplan corn and wheat bank, communism as absorbed into capitalism, crumbles as a unit of currency, Ploghman’s Planet, manifesting, the hovercraft, hello to you too, reading into it more, Julie wants to force Scott to read this book, poetry, Jesse reads The Raft Builders by Lord Dunsany, “hastily making rafts”, The Epic Of Gilgamesh, Robert Silverberg, other Philip K. Dick books, Philip K. Dick’s common book (The Exegesis), Galactic Pot-Healer is a piece of art, it was crafted, weaved, A Scanner Darkly, plots vs. ideas, having once thought to kill a senator, suicide, suicide by cop, upon re-reading, the use and abuse of drugs, ‘archaeologists will find him and know he was a misunderstood superman because he was holding a copy of Ayn Rand’s The Fountainhead‘, nihilism, Kurt Vonnegut, Harrison Bergeron, 2081, whack-job libertarian idea, the problem isn’t “the nanny state”, the inexplicably of Kurt Vonnegut’s popularity, the hopelessness of his books, triteness, Philip K. Dick’s deeper themes, Philip K. Dick’s simple short stories, “what is it that you find that’s better?”, the people are the pot = mind blown!, the cover art of Galactic Pot-Healer, how Glimmung manifests himself in the world is how Jesse imagines Julie, and Scott and Rose see God in the world, Glimmung has no concern for self-dignity, “Don’t lose faith. -G.”, this book is about depression, being out of work, suicide, “I have my own black dog I need to fight”, “I love this book”, “It is a great book.”

Galactic Pot Healer by Philip K. Dick
Blackstone Audio - Galactic Pot-Healer by Philip K. Dick

Posted by Jesse Willis

Beside Still Waters by Robert Sheckley

SFFaudio Online Audio

Recorded for an upcoming podcast discussion, here is Julie Davis‘ 9 minute reading of Beside Still Waters by Robert Sheckley.

|MP3|

Beside Still Waters by Robert Sheckley - Illustration by Virgil Finlay

When people talk about getting away from it all, they are usually thinking about our great open spaces out west. But to science fiction writers, that would be practically in the heart of Times Square. When a man of the future wants solitude he picks a slab of rock floating in space four light years east of Andromeda. Here is a gentle little story about a man who sought the solitude of such a location. And who did he take along for company? None other than Charles the Robot.

First published in Amazing Stories Oct.-Nov. 1953.

And here’s the |PDF| made from that original magazine publication.

Posted by Jesse Willis

Dimension X: Almost Human adapted from a story by Robert Bloch

SFFaudio Online Audio

Almost Human illustrated by Rod Ruth

This is a truly terrible story, by someone who is normally perceived to be a great author, Robert Bloch. I suspect Bloch chose the pseudonym for this one because it is so bad. Indeed, I suspect this is precisely the kind of story Isaac Asimov was trying to defeat with his Three Laws of Robotics. But beyond the dangerous robot trope it also features, at least to my ears, the most creepily lascivious robot ever!

Junior is oily, immoral, and oversexed.

Ewww!

Dimension XDimension X – Almost Human
Adapted from the story by Robert Bloch; Adapted by George Lefferts; Performed by a full cast
1 |MP3| – Approx. 29 Minutes [RADIO DRAMA]
Broadcaster: NBC
Broadcast: May 13, 1950
A gun moll answers an ad to be a nursemaid to a baby robot, things are fine until her boyfriend, a professional thief, shows up and teaches the robot a few things. First published in Fantastic Adventures, June 1943.

UPDATE:
Here’s Robert Bloch’s introductory essay to Almost Human (as written for My Best Science Fiction Story a 1949 anthology edited by Leo Margulies and Oscar J. Friend):

Robert Bloch - "My Best Science Fiction Story" - Almost Human

Posted by Jesse Willis

The SFFaudio Podcast #198 – READALONG: The Martian Chronicles by Ray Bradbury

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #198 – Jesse, Tamahome, Jenny, and Professor Eric S. Rabkin discuss The Martian Chronicles by Ray Bradbury.

Talked about on today’s show:
Rock Hudson, The Martian Chronicles (TV adaption), Eric’s Coursera course (Fantasy and Science Fiction: The Human Mind, Our Modern World), The Million Year Picnic, I, Mars, The Moon Be Still As Bright, Usher II, the hot dog stand on Mars, fix-up, The Long Years (a robot family), Night Call Collect, There Will Come Soft Rains, a book of poems, novels of recurring characters, “composite novels”, “the culminating image of the whole book”, Cortez burning his ships, “were definitely going to need the daughters” (if the daughters are willing), Joanna Russ, Picnic On Paradise, The Million Year Picnic, “tamed nature”, the publisher’s motivation, Walter Bradbury, the market change (with Ballantine Books), “Mammon rules again”, the table of contents, Way In The Middle Of The Air, a more Edenic ending, 1984, North Korea, Earth Abides, the Golden Gate Bridge, getting a sense of the author, H.P. Lovecraft, colour, repetition, word choice, Spender, The Moon Be Still As Bright, Captain Wilder, the instinct to be cruel, the instinct to minimize the horror, the instinct to shoot the tomb robbers, feeling the emotion he’s trying to give us, the physics, nostalgic, seeing it from all sides, Farewell Summer, Bradbury’s gut reactions, The Martian Chronicles as a fairy tale, Isaac Asimov’s reaction, Fantasies set in space, Usher II and censorship, “the Poe machines”, the colour of Mars’ sky (blue and pink), the Martian canals, The Green Morning, Johnny Appleseed, the epigraph, “…space travel has again made children of us all.”, Christopher Columbus, the Chicken Pox plague, Another America, telepathy, the noble savage, a symbolic America, The Pedestrian, Bradbury was a strange guy, Fahrenheit 451, Edgar Rice Burroughs, the Martian high culture, the second expedition, “look up in space, we could go to the Moon!”, dinosaurs!, Mars Is Heaven, Science Fiction is supposed to have knowledge in it, imagery (sight, light, and fire), the brass band, Columbia, The Gem Of The Ocean, music, Humans are technological, Martians are emotional, the window, Beautiful Ohio, music dominates (not intellectual knowledge), Genevieve Sweet Genevieve, “fully lyrical”, the fire lay in the bed and stood in the window, the dog symbolizes the entire loss of the human race, the long monologues, getting it without filtering it, The Musicians, Rocket Summer, “it made climates”, the silences, the music as a symbol for American culture, the killing spree, The Off Season parallels with the second expedition, an inversion, Bradbury has it every way, Emma Lazarus, The New Colossus, Sam Parkhill, an epitome of perverted American ideals, Bradbury loves hot dogs, Dark Carnival, Something Wicked This Way Comes, mournful Mars, America by Ray Bradbury, the Wikipedia entry for The Martian Chronicles, The Taxpayer, the urge to improve, alas, the silhouettes on the house, Chernobyl vs Hiroshima, a grim meme, what gives this book it’s staying power?, Nightfall by Isaac Asimov, L’Anse aux Meadows and Roanoke, maybe it’s circular, “we’re the Martians now and we will be again”, Night Meeting, Stephen Hoye narrated Blackstone Audio, Bradbury’s reading, Bradbury’s first flight, Harlan Ellison, wasting time on the internet, Ylla, The Ray Bradbury Theater, Mardi by Herman Melville, making this book cohere, what part doesn’t fit?, reading it as short stories, “it’s an American book”, robots, decommissioning is murder, Ray Bradbury and Philip K. Dick had a shared contempt for litterers, crassness, The Electric Ant, Do Androids Dream Of Electric Sheep?, I Sing The Body Electric, Walt Whitman, “it’s the music!”, there’s no switch, gingerbread and tea, Helen O’Loy by Lester Del Rey, are there stories not included in The Martian Chronicles that should have been?, Way In The Middle Of The Air, The Other Foot, different editions of The Martian Chronicles, The Illustrated Man, The Fire Balloons, Stranger In A Strange Land, Grouch Marx (Lydia the Tattooed Lady), The Penal Colony by Franz Kafka, The Veldt, The City, Rod Steiger, Dandelion Wine, The Canterbury Tales by Geoffrey Chaucer.

The Martian Chronicles illustration by Michael Whelan
The Martian ChroniclesThe Off Season by Ray Bradbury - illustration by Vincent Napoli
Way In The Middle Of The Air by Ray Bradbury - illustrated by Robert Fuqua
The Earth Men by Ray Bradbury - Thrilling Wonder,  August 1948
Dwellers In Silence by Ray Bradbury - Planet Stories
The Million Year Picnic by Ray Bradbury - illustrated by Leydenfrost

Posted by Jesse Willis