The Black Stone by Robert E. Howard

SFFaudio Online Audio

Robert E. Howard's The Black Stone - art by Gene Day

The Black Stone is one of Robert E. Howard’s Cthulhu Mythos stories. I happen to think it’s is one of his best – which is saying something because Robert E. Howard was an absolutely terrific Horror writer. I probably first encountered it as an adaption, it was a backup story written by Roy Thomas and illustrated by Gene Day in the March 1982 issue of Savage Sword Of Conan (#74). That was actually quite a spectacular issue of the magazine and the The Black Stone, which only took up ten pages, was wonderful. FNH has posted a two part reading of the story to his Cthulhu podcast and it’s well read too:

Cthulhu PodcastThe Black Stone
By Robert E. Howard; Read by FNH
2 MP3 Files – Approx. 41 Minutes [UNABRIDGED]
Podcaster: Cthulhu Podcast
Podcast: July 2011
|ETEXT|
A biliophile, with extensive knowledge of history, anthropology and ancient religion, reads of a forgotten geological feature in the mountains of Hungary. He decides to take his vacation there, mid-summer, and encounters legend, history and a terrible manifestation from an unspeakably distant epoch. First published in the November 1931 issue of Weird Tales.

Part 1 |MP3| Part 2 |MP3|

Podcast feed:

http://feeds2.feedburner.com/cthulhupodcast

Here’s another reading, from a cool podcast I’ve just discovered. I expect to be listening to a lot more episodes from it:

The Black Stone by Robert E. HowardThe Black Stone
By Robert E. Howard; Read by Jim Moon
1 |MP3| – Approx. 56 Minutes [UNABRIDGED]
Podcaster: Hypnobobs
Podcast: January 23, 2011
A biliophile, with extensive knowledge of history, anthropology and ancient religion, reads of a forgotten geological feature in the mountains of Hungary. He decides to take his vacation there, mid-summer, and encounters legend, history and a terrible manifestation from an unspeakably distant epoch. First published in the November 1931 issue of Weird Tales.

Podcast feed: http://hypnogoria.podomatic.com/rss2.xml

The Black Stone is also available in print. The Ballantine Del Rey collection titled The Horror Stories Of Robert E. Howard (ISBN: 0345490207) was released as an audiobook edition available from Tantor Media (read by Robertson Dean):

Horror Audiobook - The Horror Stories of Robert E. Howard by Robert E. HowardThe Horror Stories of Robert E. Howard
By Robert E. Howard; Read by Robertson Dean
2 MP3-CDs – Approx. 24 hours [UNABRIDGED]
Publisher: Tantor Audiobooks
Published: 2010
ISBN:
Sample |MP3|

And of course there have been several other talented artistic interpretations of The Black Stone, here’s just a few:

The Black Stone - illustrated by Greg Staples

The Black Stone - illustrated by Lee Brown Coye (from Sleep No More)

Wolfshead cover illustration by Paul Lehr

Wolfshead cover illustration by Paul Lehr

Wolfshead cover illustration by Paul Lehr

Wolfshead cover illustration by Paul Lehr


The Black Stone - art by Jim & Ruth Keegan

The Black Stone - art by Jim & Ruth Keegan


Posted by Jesse Willis

The Fire Of Asshurbanipal by Robert E. Howard

SFFaudio Online Audio

If you’re looking to add a Robert E. Howard story to your reading library, but don’t want to get started down the Conan path, look no farther than The Fire Of Asshurbanipal. It was the cover story for the December 1936 issue of Weird Tales!

Weird Tales December 1936 - The Fire Of Asshurbanipal by Robert E. Howard

WEIRD TALES The Fire Of Asshurbanipal - illustration by J. Allen St. John

The Fire Of Asshurbanipal was sold posthumously to Weird Tales by Howard’s father, then the only surviving member of Howard’s immediate family. The story features a pair of adventurers. One is an American, named Steve Clarney, and the other is an Afghan named Yar Ali. They make a fun pair.

Eric Wilkerson‘s depiction of Clarney, for the Call of Cthulhu Collectible Card Game, makes Clarney look like Indiana Jones (minus the whip), and that’s not wholly wrong. But Clarney isn’t an archaeologist, though he and Yar Ali are treasure hunters, and the period and setting is pretty close.

Eric Wilkerson's depiction of Steve Clarney

It is available in print as a part of easily the Ballantine Del Rey collection called The Horror Stories Of Robert E. Howard (ISBN: 0345490207); there was also a pair of deluxe releases by Subterranean Press. And most importantly there is a wonderful professionally narrated audiobook edition available from Tantor Media (it’s read by the talented Robertson Dean):

Horror Audiobook - The Horror Stories of Robert E. Howard by Robert E. HowardThe Horror Stories of Robert E. Howard
By Robert E. Howard; Read by Robertson Dean
2 MP3-CDs – Approx. 24 hours [UNABRIDGED]
Publisher: Tantor Audiobooks
Published: 2010
ISBN:
Sample |MP3|

The paper editions feature two stunning images from the story by Greg Staples.

The Fire Of Asshurbanipal as illustrated by Greg Staples

The Fire Of Asshurbanipal art by Greg Staples

Interestingly, a different version of the same novelette, The Fire of Asshurbanipal, was published in more recent times as a straight adventure story (same characters but minus the supernatural elements). That fantasy-free version and can be found in another Ballantine Del-Rey collection entitled El Borak And Other Desert Adventures (ISBN: 034550545X).

El Borak And Other Desert Adventures

And that one includes wondrous illustrations by the master of comic book covers Tim Bradstreet.

The Fire Of Asshurbanipal illustration by Tim Bradstreet

The Fire Of Asshurbanipal illustration by Tim Bradstreet

And the version available on Gutenberg Australia’s website is, of course, the original Weird Tales version, complete with references to the Necronomicon, Yog-Sothoth and other sundry Cthulhu mythos details. And that’s the version which has recently been podcast by FNH’s Cthulhu Podcast.

Cthulhu PodcastThe Fire of Asshurbanipal
By Robert E. Howard; Read by FNH
2 MP3 files – Approx. 54 Minutes [UNABRIDGED]
Podcaster: Cthulhu Podcast
Podcast: June 2011
|ETEXT|
First published in the December 1936 issue of Weird Tales.
Part 1 |MP3| Part 2 |MP3|

I think I first read this story about twenty-five years ago, and remembered it as a gripping adventure yarn with a fairly strong Lovecraftian feel. I picked it up second hand, in a used bookstore in a handsomely covered collection of ‘weird’ Howard stories called Wolfshead (ISBN: 055312353X). In that 1979 book, there is an excellent introduction by Robert Bloch in which he argues that the “stylistic excesses” found in Howard’s stories, like The Fire Of Asshurbanipal, can be “easily excused” because within Howard’s writing “lurks a dark poetry, and the timeless truth of dreams.”

That still sounds right to me. The Fire Of Asshurbanipal is exciting, happily and ornately adjectival, and carries about with it a heft that most adventure fiction can’t really come close to matching. Listening to this podcast edition I’ll admit it possesses a raw power that I still appreciate even today, much later in life. What jars most, of course, is the prominent position given to race, the reliance on instinctual knowledge, and the repeated use of jungle cat metaphors (which feel particularly out of place in the Arabian desert setting).

Over on the Black Gate blog Ryan Harvey argues that The Fire Of Asshurbanipal is cut from the same cloth as H. Rider Haggard’s King Solomon’s Mines and Rudyard Kipling’s The Man Who Would Be King. I agree.

If you’re looking for more stories like The Fire Of Asshurbanipal I highly recommend another novelette, of more recent vintage, that follows in the tradition very well – That’d be Charles Ardai’s Nor Idolatry Blind the Eye (available in audio as a part of the Audio Realms audiobook Hunt Through The Cradle Of Fear |READ OUR REVIEW| and as an |ETEXT|).

For those who are more comics inclined, check out Joseph Remy’s 40 page webcomic adaptation of The Fire Of Asshurbanipal which begins |HERE|.

And in case you were wondering, the Asshurbanipal of the title was a 7th century BC Neo-Assyrian king famed for the creation of the Library of Ashurbanipal which held among its collection the Epic Of Gilgamesh. It is reported that Alexander the Great, upon seeing the great library of Ashurbanipal in Nineveh, was himself inspired to create his own library and that one became perhaps the most famous library of all.

Detail from the Paul Lehr’s cover for Wolfshead:

Wolfshead cover illustration by Paul Lehr

Posted by Jesse Willis

The SFFaudio Podcast #114

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #114 – Scott, Jesse and Tamahome talk about recent arrivals and new releases

Talked about on today’s show:
SFFaudio gets ‘slashdotted’ by Windows Weekly, get Go The F To Sleep for free (and see video), Scott’s stack of new audiobooks (2:15), The Initiate Brother by Sean Russell has a nice cover, Farnham’s Freehold by Robert A. Heinlein, time travel with nuclear bombs, castration, Dark Mist Rising by Anna Kendall has no tattoos, Who Fears Death by Nnedi Okarafor is heavy, Nnedi was on Geek’s Guide to the Galaxy, should we have note timestamps? (13:41?), Luke does notes like us on his new podcast, discussions are more fun than interviews, can you link to a time offset of an mp3?, youtube subtitles, search the text in podcasts (podzinger or podscope?), the Warriors anthology by Gardner Dozois and George R.R. Martin is split up (into 3 actually), A Game of Thrones tv show, Peter Dinklage rocks as Tyrion, Warriors audiobook could be an Sffaudio Essential, Shadowchaser by Alexey Pehov is Russian fantasy, Kevin Hearne’s Hounded (cover) and Hexed, hopefully they’re fantasy, a triptych from Harry Harrison:  The Stainless Steel Rat Sings The Blues (#8), The Stainless Steel Rat Goes To Hell (#9), and The Stainless Steel Rat Joins The Circus (#10), what’s the right order??, John Barnes’s Daybreak Zero, pay attention!, Selected Stories Of Philip K. Dick (vol 1 & 2), Jesse’s big paper stack (32:34), graphic novels: Locke & Key Volume 1: Welcome To Lovecraft by Joe Hill (it’s not just one issue, I was wrong), Invincible by Robert Kirkman (creator of The Walking Dead) , “his mom would see those heads being chopped off”, Fresh Ink comics review video podcast, Robert E. Howard’s Savage Sword, Jesse got some nice book deals (36:14), Jolly Olde Bookstore received $12,000 worth of books, Star Science Fiction Stories #3, The Best of Henry Kuttner, 4 Philip K. Dick Ace Doubles, also finished Ex Machina (graphic novel) by Brian K. Vaughan, the series that isn’t Y: The Last Man, Runaways, The Desert of Souls by Howard Andrew Jones — interviewed on I Should Be Writing #202, some ‘dirty’ magazines, more Scott stuff (45:55), Scott on LibraryThing.com, LibraryThing Early Reviewers, The Generation Starship in Science Fiction by Simone Caroti, Heinlein generation starship novel (it’s Orphans of the Sky), Wall-E, Scott starts new releases (51:23), Leviathan Wakes by James S.A. Corey, fantasy author name and science fiction author name, “system opera”, The Speed of Dark by Elizabeth Moon (about autism), Chicks Kick Butt anthology, no list of short story titles…again, different urban fantasy butts, Audible micro-credits?, our weekly plead to get Ted Chiang on Audible, Free Apocalypse Al, Stanislaw Lem’s Solaris gets a direct translation (before it was Polish->French->English), The Cyberiad robot short stories, wait…Jesse has more books (59:19), We by Yevgeny Zamyatin, lured by the introduction, Other Worlds, Other Gods: Adventures In Religious Science Fiction anthology edited by Mayo Mohs, perfect for Scott’s podcast, clockwork Jesus, next readalong?, Space Merchants by Frederick Pohl, “he knows which side his bread is oiled on”, Scott’s having a shootout, “big dying words”, quality of The Marching Morons and C.M. Kornbluth, Hex by Allen Steele, “why is there a hole?”, Allen Steele’s article on whatever.scalzi, what it means to finish

Fantasy And Science Fiction Magazine
Ace Doubles
Ace Doubles

Posted by Tamahome

SSOC #022 featured Voice Of The Bloodstained God by Fred Blosser

SFFaudio News

Dark Horse comics has been releasing affordable phone book sized collections of the old Savage Sword Of Conan stories for a few years now. I’ve got a couple of them. That got me flipping through my old back issues, and in so doing noticing just how much content isn’t in the reprints. What is mostly missing is the bonus material: the pinups, maps, photo-essays, letters columns and of course all the ads. But just today I noticed that SSOC #22 has something I’d never seen in it, at least not with SFFaudio eyes, before. Check out this review, by Fred Blosser, of this vintage 1976 LP entitled Conan: The Bloodstained God/The Curse of the Monolith:

Voice Of The Bloodstained God by Fred Blosser

Here’s an excerpt:

The Renaissance Man of fantasy fiction.

So one might describe L. Sprague de Camp.

Novelist, essayist, world traveller, engineer, poet, collegiate fencer, popularizer of science and history. You name it, and de Camp has probably done it. To Conan fans, de Camp perhaps is most familiar as the writer who continued and expanded the saga of the mighty Cimmerian after the death of Robert E. Howard. Whatever one thinks of this work – and opinions differ – it still is difficult to deny the importance of de Camp in the genre. Recently, in association with II Vermont-based studio called Moondance Productions. Inc” de Camp took microphone in hand to essay a new role – that of oral storyteller.

The result? A new record album titled. simply. Robert E. Howard’s Conan. Featuring L. Sprague de Camp. In his liner notes, Moondance producer Alan B. Goldstein calls the LP “an historic event … the first recorded Conan story by a living author of the Conan literature.” Actually, the record contains dramatic readings of not one, but two stories. But Goldstein may well be correct about the “historic” part. At least where Conanophiles are concerned.

Side one of the LP features “The Bloodstained God,” a riproaring talc in which Conan tangles with human and demonic foes while searching for a long- lost idol of gemencrusted gold. “The Curse of the Monolith,” on side two, brings the Cimmerian up against a Hyborian Age version of the Blob while on another treasure hunt. Both yams were co-authored by deCamp- “Monolith” in collaboration with Lin Carter, “God” as a rewrite of a non-fantasy Howard swashbuckler collected in The Swords of Shahrazar (FAX, 1976) as “The Curse of the Crimson God.”

How does de Camp fare on vinyl? Very well. I think. He gives the stories a careful, unhurried reading that most listeners should find appealing. His interpretation of the various voices is also fine. I liked the surly growl that he gives Conan , and the singsong inflections for the Oriental characters.

The sound effects and music blend in nicely with the narration, indicating that a lot of technical work went into the album. “The Bloodstained God” in particular provides a field day for the special effects crew. Swords c lash, hoofbeats clop on Slone, men yell in horror as they are pitched into bottomless chasms. There’s even the creaking of a living statue climbing down from its pedestal in search of prey! These effects provide a keen sense of realism without interfering a bit with de Camp’s storytelling.

In short, if you liked Moondance’s first Conan LP (a dramatization of “The Frost Giant’s Daughter” and “The Tower of the Elephant.” reviewed in SSOC #11), you’ll find more of the same here. With of course, the added novelty of de Camp’s performance.

The LP was a limited edition printing (1500 copies made) and contained two abridged short stories with music/quasi-sound effects. I’ve never reviewed it, not being a huge fan of dramatized readings, but it is certainly interesting.

Conan: The Bloodstained God/The Curse of the MonolithConan: The Bloodstained God/The Curse of the Monolith
By Robert E. Howard, L. Sprague de Camp and Lin Carter; Read by L. Sprague de Camp
1 33 1/3 RPM LP – [ABRIDGED]
Publisher: Moondance Productions
Published: 1976

On the other hand I do heartily recommend the two Conan audio dramas produced by Moondance that were, apparently, reviewed in SSOC #11 (I’ll try to find my copy of that issue).

Fantasy Audio Drama - Conan by Robert E. HowardRobert E. Howard’s Conan – The Tower Of The Elephant & The Frost Giant’s Daughter
Adapted by Roy Thomas & Alan B. Goldstein; Performed by a FULL CAST
33 1/3 RPM LP – Approx. 46 Minutes [AUDIO DRAMATIZATION]
Publisher: Moondance Productions
Published: 1975
|READ OUR REVIEW|

Posted by Jesse Willis

LibriVox: King Of The Khyber Rifles by Talbot Mundy

SFFaudio Online Audio

LibriVoxKing Of The Khyber Rifles is an war and espionage novel by one of Robert E. Howard’s favourite writers. Described as “fantastic” (in the literary sense), perhaps because of the inclusion of a fair amount of Theosophy amongst all it’s action and intrigue.

I kind of like Brett W. Downey’s narration too. His rendering of the text sounds very 1920s to me and his voice seems designed to say stuff like: “the kid’s got a lot of moxie I tell you.”

LIBRIVOX - King Of The Khyber Rifles by Talbot MundyThe King Of The Khyber Rifles
By Talbot Mundy; Read by Brett W. Downey
18 Zipped MP3 Files or Podcast – Approx. 9 Hours 57 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: May 12, 2010
Athelstan King is a British Secret Agent stationed in India at the beginning of WWI. He is attached to the Khyber Rifles regiment as a cover, but his real job is to prevent a holy war. “To stop a holy war single-handed would be rather like stopping the wind–possibly easy enough, if one knew the way.” King is ordered to work with a mysterious and powerful Eastern woman, Yasmini. Can King afford to trust her? Can he afford not to? First published in Everybody’s Magazine May 1916 to January 1917.

Podcast feed: http://librivox.org/rss/4127

iTunes 1-Click |SUBSCRIBE|

Here’s the Talbot Mundy biography from the Classics Illustrated edition of King Of The Khyber Rifles:

Classics Illustrated's Talbot Mundy biography

[via TriciaG and Annise]

Posted by Jesse Willis