Here’s a convention panel from Readercon 2011 entitled “Capturing the Hidden History of Science Fiction.” It was recorded back in July 2011 and the panelists include Fred Lerner, Barry N. Malzberg, Jamie Todd Rubin, Darrell Schweitzer and Eileen Gunn. Apparently one of the panelists objected to it’s existence on YouTube, but it’s up and online again.
The SFFaudio Podcast #139 – The Pyramid Of Amirah by James Patrick Kelly, read by James Patrick Kelly. This is a complete and unabridged reading of the short story (16 Minutes) followed by a discussion of it (by Jesse, Tamahome, and James Patrick Kelly himself). Here’s the ETEXT.
Talked about on today’s show:
Call him Jim!, James Patrick Kelly’s FREE READS podcast, “a gift story”, PBS, Mayan temples, ancient Mayan empire, Copán (Honduras), “time passes”, “2,000 words of nothing happening and 200 words of everything changes”, is it Science Fiction or Fantasy?, David G. Hartwell, Katherine CramerYear’s Best Fantasy 3, 3D TV, the Earstone is the iPod Nano’s successor, Catholicism, religion, it’s a Horror story, sacrificial victims who volunteer, is Amirah hallucinating?, David Hume on miracles, take a miracle and make it a recipe, Memphis (Egypt), is religion a fantasy?, what is slipstream?, proto-slipstream, “Kelly Link is a goddess”, Feeling Very Strange: The Slipstream Anthology edited by James Patrick Kelly and John Kessel, cognitive dissonance, slipstream encourages cognitive dissonance, “for every religion there is an equal and opposite religion”, “making the familiar strange and the strange familiar”, horror, comedy, Fantasy, The Lord Of The Rings, Science Fiction, Nine Billion Names Of God by Arthur C. Clarke, The Crawling Chaos, James Patrick Kelly doesn’t fully understand The Pyramid Of Amirah, is the Dalai Lama happy?, stay in your god tombs, The Girl Detective, Karen Joy Fowler, Carol Emshwiller, Franz Kafka, readers are happier when they’re really really surprised, most readers don’t re-reread stories, slipstream is a balcony on the house of fiction, behind the push of science is the turbulence of religion and the fantastic, Bruce Sterling, Ted Chiang is slipstream?, J.R.R. Tolkien, some short stories are Rorschach tests, Bruce Coville’s Full Cast Audio, Robert A. Heinlein’s juvenile novels, the love hate relationship with Heinlein, Heinlein’s villains are all straw men, Starship Troopers, The Moon Is A Harsh Mistress, Heinlein’s sexy mother, Heinlein’s late career needed editing, Stranger In A Strange Land, stories in dialogue with other stories, Think Like A Dinosaur is in dialogue with The Cold Equations by Tom Godwin (and the controversy about it), The New York Review Of Science Fiction, not all problems are institutional problems (you are going to die), institutional facts vs. brute facts, John W. Campbell, was Campbell a terrible editor?, “all stories must have telepathy”, the story that must not be named (in Galaxy SF April 1975), Jim Baen, religious Science Fiction, Death Therapy by James Patrick Kelly, Terry Carr, The Best Science Fiction of the Year #8, collaborations, John Kessel, Jonathan Lethem, Robert Frazier, ISFDB, The Omega Egg, Mike Resnick, Kafkaesque: Stories Inspired by Franz Kafka, Tachyon Publications, The Secret History Of Science Fiction, The Drowned Giant by J.G. Ballard, The Lottery Of Babylon by Jorge Luis Borges, Max Brod, Joe Hill, Heart Shaped Box, You Will Hear The Locust Sing by Joe Hill, T.C. Boyle, Michael Chabon, Carter Scholz, Don DeLillo, Lucius Shepard, The Nine Billion Names Of God by Carter Scholz, A Recursion In Metastories by Arthur C. Clarke, post-cyberpunk stories, what is post-cyberpunk?, Mirrorshades: The Cyberpunk Anthology, Cheap Truth, the way technology changes the way we are, Cory Doctorow, Charles Stross, a new cyberpunk anthology is in the works, is there pre-cyberpunk?, Blade Runner, Philip K. Dick isn’t really cyberpunky, steampunk has a vision, what is the ethos of a steampunk story?, alternate history, goggles and zeppelins vs. computer hacking and mirror-shades, Pavane by Keith Roberts, William Gibson, Boneshaker by Cherie Priest, Bernardo’s House is an iconically Jim Kelly short story, Isaac Asimov, robots, a post-cyberpunk character, a prim and proper sex doll, There Will Come Soft Rains by Ray Bradbury, Mary Robinette Kowal, puppets, a stage adaptation of There Will Come Soft Rains.
Talked about on today’s show:
the upside-down dog cover, Jesse doesn’t like the cover, Eric finds hidden meaning in the cover, Sir Arthur Conan Doyle, is it mainstream or a mystery or YA?, Asperger’s or autism?, what is it like to be inside another person’s head?, generates tolerance, Elaine’s post on TED Talk: Elif Şafak on The Politics Of fiction, neurotypical characters, extraordinary abilities and extraordinary deficits, Constituting Christopher: Disability Theory And Mark Haddon’s by Vivienne Muller, Scott loves lists, the reader is ahead of the narrator, unreliable narrators, Flowers For Algernon by Daniel Keyes, The Speed Of Dark by Elizabeth Moon, mystery vs. family drama, Oedipus, “Sophocles not Freud”, Christopher Robin, (Winnie The Pooh), “there is something naively wonderful going on”, information vs. meaning, who did it? vs. why did it get done?, moving from what to why, Eric found the book joyful and uplifting, at the end?, abusive vs. human vs. murderous, PETA would not be pleased, “sometimes people want to be stupid”, Occam’s Razor, “now I know what box they fit into”, Cinderella, the Grimm Brothers, Jesse loves the infodumps, the asides are a highlight, where is Siobhan?, the Recorded Books audiobook version has a great narrator (Jeff Woodman), prime numbered chapters, are the pictures necessary?, Orion (the hunter in the sky), the most common word in the book is ‘and’, “he’s adding things up”, “this is a very true book”, “lies expand infinitely in all directions”, what Science Fiction and mystery look for, “sometimes people want to be stupid”, prime numbers are like life, rationalism vs. empiricism, Christopher yearns for uniqueness, right triangles, the appendix (is not in the audiobook), the brown cow joke, unreliable narrator, Conan Doyle’s beliefs, information vs. understanding, Harriet The Spy, dude don’t stab people, “a tag cloud of the novel”, Alexander And The Terrible, Horrible, No Good, Very Bad Day by Judith Viorst, Slaughterhouse Five by Kurt Vonnegut, Jr., “Repent Harlequin!”, Said The Ticktockman by Harlan Ellison, sense of wonder, Toby the rat (Algernon), Uncle Toby, The Life And Opinions Of Tristram Shandy by Laurence Sterne, the poet “does not number the streaks of the tulip 18th century”, The History of Rasselas by Samuel Johnson, Candide by Voltaire, books inside books, Have Spacesuit, Will Travel by Robert A. Heinlein, Three Men In A Boat by Jerome K. Jerome, Donald E. Westlake, Lawrence Block, Jo Walton’s Among Others, the third season of Star Trek, art making reference to itself, The Time Machine by H.G. Wells, Star Trek‘s third season, Spectre Of The Gun, “we just need the skeleton to tell the story”, “most of the protagonists in Science Fiction novels don’t read Science Fiction”, Jenny’s review of Ready Player One, The Emperor Of Mars by Allen_Steele (audio link), standing the test of time, Jesse’s extended metaphor about winnowed books washing up on beaches 100 years later, Eric is reading Uncle Tom’s Cabin by Harriet Beecher Stowe, propaganda melodrama, Super Sad True Love Story by Gary Shteyngart, Light In August by William Faulkner, the humanizing influence, comparing The Curious Incident Of The Dog In The Night-Time with The Speed Of Dark, the novel’s form shapes the novel market, Jesse thinks series hurt readers, wondering what’s going to happen next vs. what idea is being explored, the value of series, the train trip, the maths exam, “the walls are brown”, in Science Fiction metaphors are real, clarified butter and clarified mother, the word “murder”, Julie Davis’s reading of Uncle Tom’s Cabin, Carrot Juice Is Murder by Arrogant Worms, the fairy tale that is Sherlock Holmes, is the father good?, a clarified father, Jesse was tricked into reading this book, Jenny likes Margaret Atwood’s trilogy, “get ‘im Jenny”, Oryx And Crake, H.G. Wells didn’t need any sequels!, sequel is as sequel does, David Copperfield by Charles Dickens, The Godfather, the market rules, the world building is the point (for series and authors), Agatha Christie, The Tyranny Of The “Talented” Reader, The Wheel Of Time by Robert Jordan, has Neuromancer by William Gibson passed it’s prime? (tune in next week to find out), Home Is The Hunter by Henry Kuttner, Jesse looks to books to deliver on ideas (not to make time pass).
Tunnel in the Sky By Robert A. Heinlein; Read by David Baker and cast
10 hours 15 minutes [UNABRIDGED]
Publisher: Full Cast Audio
Published: 2011
Themes: / Science Fiction / Survival / Space Travel / Society /
Publisher summary: When Rod Walker decides to take the final test for “Deacon” Matson’s interplanetary survival course, he knows he will be facing life-or-death situations on an unsettled planet. What he doesn’t expect is that something will go wrong with the “Tunnel in the Sky” and he and his fellow students will not be able to return to Terra.
Stranded on a hostile planet, Rod and his friends are faced with the challenge of carving a civilization out of the wilderness. They must deal with hunger, deprivation, and strangely savage beasts. But the bigger question is, can they survive each other?
This science fiction classic pits a savage world against the most untameable beast of all: the human animal. Chock full of high adventure, futuristic speculation, witty repartee, and profound philosophy, Tunnel in the Sky represents the greatest SF writer of all time at his peak.
Survival stories are frequent in YA literature, and Tunnel in the Sky was probably one of the first, originally published in 1955. It is referred to as one of “Heinlein’s Juveniles,” and is a great tale of adventure with a life-threatening scenario. Rather than making a statement, as some of Heinlein’s works attempt to do, this book is just danger and kids using what they have learned to create a new society and survive on an alien planet. Anyone who enjoyed The Hunger Games or Ender’s Game would probably also enjoy this story, as it has similar themes. The time period of its original publication is evident in a few moments, but not to the extent I am used to when reading Heinlein.
This was my first experience with Full Cast Audio, and I felt the story was greatly enhanced by being in audio form. There is sometimes transition background music, but it isn’t distracting, and the voice actors do a good job. The narrator manages not to blend in with the other adult characters, making it clear when the story is being told. A few occasions of the word “Huh?” are quite jarring screamed into the listener’s ear, but I think I’ll blame Heinlein for that. After all, the main character of Rod needs to be a little naive for the story to work, and he is, more than a little.
The Boat Of A Million Years by Poul Anderson Genesis by Poul Anderson Shadow On The Sun by Richard Matheson Other Kingdoms by Richard Matheson Farnham’s Freehold by Robert A. Heinlein The Stainless Steel Rat Gets Drafted by Harry Harrison The Stainless Steel Rat For President by Harry Harrison The Stainless Steel Rat Sings The Blues by Harry Harrison The Stainless Steel Rat Goes To Hell by Harry Harrison The Stainless Steel Rat Joins The Circus by Harry Harrison Count Zero by William Gibson
The Alloy of Law by Brandon Sanderson, read by Michael Kramer The Hum and the Shiver by Alex Bledsoe, read by Emily Janice Card and Stefan Rudnicki The Apothecary by Maile Meloy, read by Cristin Milioti Why Read Moby Dick? by Nathaniel Philbrick, read by the author The Walking Dead: The Rise Of The Governor by Robert Kirkman and Jay Bonansinga, read by Fred Berman Psycho 2 by Robert Bloch, read by Paul Michael Garcia Steel and Other Stories by Richard Matheson, read by Scott Brick We’re Alive: Season Two by Kc Wayland, performed by full cast Bad Moon Rising by Jonathan Maberry, read by Tom Weiner Beggars Ride by Nancy Kress, read by Judy Young Vacation by Matthew Costello, read by Peter Macon To Sail Beyond the Sunset by Robert A. Heinlein, read by Bernadette Dunne