Sir Arthur Conan Doyle was a man with gigantic mentality and gigantic faith…
Myself, I prefer the mentality in his fiction to the fiction in his mentality.
[via OpenCulture]
Posted by Jesse Willis
Tag: religion
The SFFaudio Podcast #064 – READALONG: The Stars My Destination by Alfred Bester
The SFFaudio Podcast #064 – Scott and Jesse talk with Julie Davis and Luke Burrage about The Stars My Destination by Alfred Bester!
Talked about on today’s show:
Forgotten Classics, Science Fiction Book Review Podcast, Richard K. Morgan’s The Steel Remains, The Invisible Man, Robert Sheckley’s The Status Civilization, exploding volcanoes, Gulliver Foyle, jaunting as teleporting, BAMF, The Uncanny X-Men, Jumper by Steven Gould, Charles Fort Jaunte (is a reference to Charles Fort), Fortean Times, The Tyger by William Blake,Tā moko (Maori facial tattoo), religion, swearing, tabernac, future swearing, Louis Wu in Larry Niven’s Ringworld, the frivolity of the wealthy, satire, sailing as conspicuous consumption, telepathy, Paul Williams, The Stars My Destination as a “pyrotechnic novel”, the power of the narrative imagery, the audiobook (a Library of Congress Book for the Blind version), the heirs of Alfred Bester are fighting over the rights, transformation, Gulliver’s Travels by Jonathan Swift, “Most scientific!”, Alfred Bester’s years writing comics, WWII, the Wikipedia entry for The Stars My Destination, synesthesia, the long forgotten histories of synesthesia, Of Time, And Gully Foyle by Neil Gaiman, cyberpunk, a hard-boiled Philip K. Dick novel, passive schlubs, The Count Of Monte Cristo by Alexandre Dumas, Pyrenees, the induction scene in William Shakespeare’s The Taming Of The Shrew, a shotgun approach to transformation, The Stars My Destination as meta book, Peter F. Hamilton, the renaissance man, Classics Illustrated #3 The Count Of Monte Cristo, Fourmyle of Ceres, PyrE, (the inspiration for Pyr Books?), Napoleon Bonaparte, thought turning into action, our overcrowded future, Second Life, Surrogates, only in a cyberpunk future, retroactive foreshadowing, the 1991 BBC Radio Drama version of Alfred Bester’s Tiger Tiger, the old language, Hyperion by Dan Simmons, The Canterbury Tales by Geoffrey Chaucer, Pyrene, cyborgs, wired nerves, bullet time, you can’t spoil a book like this.
Posted by Jesse Willis
Review of Vampire$ by John Steakley
Vampire$
By John Steakley; Read by Tom Weiner
10 CDs – Approx. 10 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2010
ISBN: 1441727213
Themes: / Horror / Vampires / Religion / Catholicism / Mercenaries /
Suppose there really were vampires. Dark, stalking, destroying. They’d have to be killed, wouldn’t they? Of course they would. But what kind of fools would try to make a living at it? In best-selling author John Steakley’s vampire classic, one tightly knit band of brothers devotes itself to hunting down the monsters that infest the modern world—for a price. An exciting blend of horror and western genres, Vampire$ is a twenty-first-century Ghostbusters with an edge.
I first found out about John Steakley when watching John Carpenter’s Vampire$. The on screen accreditation didn’t mean much then. I figured that what goodness was found in that movie came from Carpenter. And that’s largely true. Their rather different in plot, or at least in the way the plot plots out. Its clear that John Steakey’s novel served more as the inspiration than a blueprint for the movie. The novel feels much richer, much wider, and also much more personal, than Carpenter’s version.
Now, having read this audiobook after John Steakley’s other novel, Armor |READ OUR REVIEW|, I’ve come to the conclusion that Steakley has a pattern or two. First up there’s the name thing. Two names are recycled from Armor (even though they aren’t the same characters). Felix, the gunslinger (and ex-drug trafficker) has an important role in Vampire$. Jack Crow, the lead vampire hunter, is arguably the main protagonist. Armor, which is set maybe a thousand years in the future, has two characters with those exact names too, and they play similar importance in the plot. This is a novel full of twists and turns that even a fan of the movie based on the novel can be surprised by Similarwise, the emotional impact is the primacy of the novel’s power. Sure, this novel has maybe a few innovations I’ve never read before:
1. God is real AND vampires are too.
2. A team of mercenaries, with pure hearts, are taking cash for cleaning up vampire infested towns.
3. The anti-vamp mercs are in league with the Pope and the Vatican, who know and support their efforts.
Narrator Tom Weiner gets to play a fairly wide range of characters. On top of the brooding Felix and the unstoppable Jack Crow he’s got a compassionate pope, an irate Texas sheriff, and a bloodsucking vampire (or two) too.
This is a case where a good movie was based on an very good novel and a good novel got made into a great audiobook. Vampire$ is an emotionally impactive audiobook that surprises with its innovate approach to an old foe: those old evil vampires fucks that you gotta love, and Jack Crow’s gotta hate.
Posted by Jesse Willis
The SFFaudio Podcast #060
The SFFaudio Podcast #060 – Jesse and Scott talk about recently arrived audiobooks!
Talked about on today’s show:
Roger Ebert’s review of The Human Centipede, BoingBoing, World Horror Convention 2008, Salt Lake City, how the horror genre has changed, Hater by David Moody |READ OUR REVIEW|, anti-Americanism, Your Movie Sucks by Roger Ebert, Awake In The Dark by Roger Ebert, Roger Ebert’s review of Reservoir Dogs, recent arrivals, Tantor Media, The Horror Stories Of Robert E. Howard, Pigeons From Hell, Worms Of The Earth, The Cairn On The Headland, I Am Not A Serial Killer by Dan Wells, Dexter as a teenager, Columbine by Dave Cullen |READ OUR REVIEW|, the Writing Excuses Podcast, LUTE Brigham Young University, Mr. Monster by Dan Wells, The Eerie Silence by Paul Davies, science, SETI, Scott’s Pick Of The Week: Goodreads.com, social networking that works, Beowulf by Anonymous, Seamus Heaney‘s translation, The Epic Of Gilgamesh BBC Audio Drama, RadioArchive.cc, City Of Dragons by Kelli Stanley, the Bish’s Beat blog, private investigation, San Fransisco, The Spanish Civil War, Brilliance Audio, High Deryni by Katherine Kurtz, The Tales Of Dying Earth, Rhialto the Marvelous by Jack Vance, Seeing Ear Theatre, The Moon Moth by Jack Vance |READ OUR REVIEW|, social science fiction, Tale Of The Thunderbolt by E.E. Knight, vampires, alien invasion, The Space Vampires by Colin Wilson, Lifeforce, Vampires by John Steakley, what Steakley is doing with his novels (examining one small aspect of violence), The Guns Of August by Barbara Tuchman, Heist Society by Ally Carter, Luke Burrage’s review of Robert J. Sawyer’s Calculating God on the Science Fiction Book Review Podcast, WWW: Watch by Robert J. Sawyer, The Windup Girl by Paolo Bacigalupi, the Nebula awards, reading the Hugo nominees, Sinner, Baker, Fabulist, Priest; Red Mask, Black Mask, Gentleman, Beast by Eugie Foster |READ OUR REVIEW|, Lawrence Santoro, Eros Philia Agape by Rachel Swirsky, Blackstone Audio, Enchantment by Orson Scott Card, Stefan Rudnicki, Sleeping Beauty, Jesse’s Pick Of The Week: Snow Glass Apples by Neil Gaiman, Snow White And the Seven Dwarfs, Bebe Neuwirth, The Dreaming blog, Murder Mysteries by Neil Gaiman, Nadya by Pat Murphy, werewolves, Poland, California, 19th century, Rachel In Love by Pat Murphy, Vampire Zero by David Wellington, civil war, The Bradbury Report by Steven Polansky, The Island, did Ray Bradbury write a cloning story?, what’s the best cloning novel you’ve ever read?, cloning doesn’t really live in fiction, Surrogates, Kiln People by David Brin, Cyteen by C.J. Cherryh, Where Late The Sweet Birds Sang by Kate Wilhelm, Mimic by Donald A. Wollheim, Red Dwarf is a great hard Science Fiction series!, “what’s the best cloning novel?”, Blood Oath by Christopher Farnsworth, Bronson Pinchot, “shadowy conspiracy” = “secret secret”, The Bradbury 13 by Ray Bradbury, radio drama, The Hitch-hiker’s Guide To The Galaxy isn’t audio drama’s best exemplar (The Bradbury 13 is), City Of Truth by James Morrow, satire, religion, The Invention Of Lying, This Is The Way the World Ends by James Morrow, PaperbackSwap.com, Dan Carlin’s Common Sense podcast, oligarchy, talking points, The Daily Show with Jon Stewart, Obamacare, “-gate” is not a suffix meaning scandal, the difference between English and French, words map the world, words are the magic in our world, ZBS Foundation, Dinotopia: The World Beneath (audio drama), Yuri Rasovsky, a kid who doesn’t like dinosaurs?, Blake’s 7: The Early Years: Zen: Escape Velocity, Robin Hood, Zen and the Liberator is like Blake’s Sherwood Forest! Babylon 5, J. Michael Straczynski’s City Of Dreams.
Posted by Jesse Willis
SFBRP: The Status Civilization by Robert Sheckley
My friend Luke Burrage has, on his Science Fiction Book Review Podcast (it’s episode #92), a detailed review of the Wonder Audio audiobook The Status Civilization by Robert Sheckley! Luke was supposed to be a participant in SFFaudio Podcast #56, but some particularly inopportune volcanic eruptions prevented it (that’s about the only excuse we accept for missing an episode by the way).
Luke talks about many aspects of the novel we hardly touched on, and makes a terrific case for checking out the novel for yourself! Luke gave it only three and a half stars (out of five), but it’s clearly a book he enjoyed sinking his teeth into. Have a listen |MP3|!
Podcast feed: http://www.sfbrp.com/?feed=podcast
iTunes 1-Click |SUBSCRIBE|
Posted by Jesse Willis
Aural Noir Review of Dimiter by William Peter Blatty
Dimiter
By William Peter Blatty; Read by William Peter Blatty
8 Hours – [UNABRIDGED]
Publisher: Macmillan Audio
Published: 2010
Themes: / Thriller / Religion / Christianity / Espionage /
In 1973 a nameless prisoner is being tortured in an Albanian prison, where “grace and hope had never touched.” Colonel Vlora, known as “The Interrogator,” is frustrated and mystified by a man they have come to call The Prisoner because they cannot even make him speak. Is he an American spy, Paul Dimiter, known as the “agent from hell?” The solution to this stalemate while expected on one level is a complete surprise on another. This turns out to be emblematic of William Blatty’s book. Part 1 is an appropriate foretaste of this complex, suspenseful, and fast paced thriller.
The scene shifts to Jerusalem where we meet Moses Mayo, a neurologist, who is investigating a series of seemingly natural deaths that are nevertheless linked. He also is plagued by a gruesome murder, reports of apparitions and mysterious miraculous healings. We also meet Mayo’s life-long friend, Peter Meral, an Arab Christian, who is a police detective. Among other things, Meral is investigating a strange car explosion and the mysterious disappearance of the men involved, a CIA cover-up, and a body found at the Tomb of Christ.
The body count climbs and complications arise from the interweaving of all the events. This sounds somewhat like a standard thriller, however, it is anything but. We know the deaths are real but what about the reported miracles? Is everything really connected and, if so, what could possibly be the logical link? The solution is not only surprising but also provides an extremely moving moment of redemption.
Dimiter‘s suspense keeps the listener fascinated while also raising it above the ordinary by not being afraid to have characters who care about spiritual searching, loss, redemption, and love. The spiritual element will make this work especially interesting to those who are drawn to themes that investigate good versus evil. This is not an element that should surprise those who remember that Blatty is the author of the justly famous horror novel The Exorcist. Although this novel is strictly in the thriller vein, I must admit that I did find the torture scenes rather horrific and did fast forward through a few of them.
The author narrates his work and does such an effective job that I often forgot I was not listening to a professional voice talent. The only downfall was that during fast-paced scenes with more than two male characters, such as CIA interrogations, there was not enough differentiation between all the voices to make it easy to tell when dialogue shifted from one person to another. This was not a huge problem but it did require me to back up a couple of times until I figured out the tempo. Otherwise, William Blatty’s reading was a sheer pleasure, especially in voicing his more eccentric characters who he brought to life in a most vivid fashion.
Highly recommended.
Posted by Julie D.