The SFFaudio Podcast #187 – READALONG: Tarzan Of The Apes by Edgar Rice Burroughs

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #187 – Jesse, Tamahome, Julie Hoverson, Luke Burrage, and David Stifel talk about the audiobook and podcast of Tarzan Of The Apes by Edgar Rice Burroughs.

Talked about on today’s show:
the classic Tarzan yodel, the dum-dum service, Tarzana, California, those beautiful Burroughsian run-on sentences:

“From this primitive function has arisen, unquestionably, all the forms and ceremonials of modern church and state, for through all the countless ages, back beyond the last uttermost ramparts of a dawning humanity our fierce, hairy forebears danced out the rites of the Dum-Dum to the sound of their earthen drums, beneath the bright light of a tropical moon in the depth of a mighty jungle which stands unchanged today as it stood on that long forgotten night in the dim, unthinkable vistas of the long dead past when our first shaggy ancestor swung from a swaying bough and dropped lightly upon the soft turf of the first meeting place.”

A Connecticut Yankee In King Arthur’s Court by Mark Twain (and SFBRP #151), Edgar Allan Poe should be read aloud, The Return Of Tarzan, racism, Esmeralda, Gone With The Wind, minstrel shows, Chicago, Arizona, the mammy archetype, radio drama racism, Jar Jar Binks, Star Wars: Episode III, October 1912, historical dialect, Jane (the white lady), “you just shot a woman in the head”, cannibalism, Conan Tarzan lynches his mother’s killer, rope tricks, out of context vs. in context, Tarzan as a god, Ballantine Books, the dum-dum scholars, Project Gutenberg edition, ERB Incorporated, Tarzan The Censored by Jerry L. Schneider, Tarzan Of The Apes censorship and “improvements” since the original publication, “an English grammar Nazi”, The Heathen by Jack London, taking out or changing a few words can hurt the story, Earnest Hemingway and William Shakespeare are “too wordy”, Tab Cola, Tarzan’s relationship with the cannibal villagers, “mankind and civilization aren’t”, colonialism, the Belgian Congo, King Leopold II, contemplating cannibalism, “the white god of the woods”, Greystoke: The Legend of Tarzan, Lord of the Apes (1984), Wisconsin, Tarzan’s ape father is driven away by Kerchak (and turned into a museum exhibit), “the Evil village of Scotland”, the sadness that comes with the deaths is powerful, Paul D’Arno, Obi Wan Kenobi, “Tarzan was the blockbuster hit of the twentieth century”, A Princess Of Mars, Ruritania, The Mad King, “complete in one issue”, All-Story, the scanty Science Fiction elements, feral children, Romulus and Remus, Mowgli, Tarzan is a wild child, “this line from a book”, all of Burroughs characters are excellent language learners, when Tarzan writes a note, Lord Of The Jungle (Dynamite Entertainment), the mistaken dual identity, “Jane has massive bosoms”, Green Mansions (starring Rima, The Jungle Girl), Johnny Weissmuller, “the Sheena of South America”, Audrey Hepburn and Anthony Perkins, Psycho, significantly more significant, the primary driver of fiction of this period is character, Nancy Drew, book serials, Rudyard Kipling dissed Burroughs’ writing and grammar, White Fang is kind of like Tarzan Of The Apes, first person vs. third person, you can’t admire the character from afar if the story is told first person, Sherlock Holmes, “that turn towards character is a turn towards the third person omniscient POV”, “that heroic distance” (1910-1950), Raymond Chandler, “I read Chandler”, Tarzan is the only Burroughs series that doesn’t turn to first person narration, John Carter’s character, why is Tarzan such a big character, Tarzan Alive: A Definitive Biography Of Lord Greystoke by Philip José Farmer, Tarzan as a quiet sophisticate, Doc Savage, The Green Odyssey by Philip José Farmer, Farmer is a fan of character, a stranger in a strange land, what ruined Julie for religion, The Mastermind Of Mars (is PUBLIC DOMAIN), “Tur is Tur.”, copyright, copyfight, jungle Tarzan vs. cafe absinthe drinking Tarzan, “the machine”, the Weissmuller Tarzan, where does he get his razor?, “that knife was his father”, “next book please”, Tarzan And His Mate , “lots of wet people”, “skin friendly”, melon-farmer vs. motherfucker, Boy and Cheeta are Hollywood, Scrappy-do, what did Tantor have to say?, Sabor the lioness, “there are no tigers in Africa, Ed”, Crocodile Dundee, Beyond Thirty, The Mucker, yellow peril looking dudes, The Girl From Hollywood, The Man Eater, early road trips, The Land That Time Forgot, The Lost World, the Caspak series, WWI, “sheer headlong adventure”, The Asylum, closing words, “it’s not what you think”, “really really good fun”, baby ape skeleton in the cradle, a classic of writing, a touching story, “and vengeance is his”, serialization in newspapers, cliffhangers, Charles Dickens, Wilkie Collins,

All-Story, October 1912

Maureen O'Sullivan as Jane in Tarzan And His Mate

Dynamite Entertainment - Lord Of The Jungle

Posted by Jesse Willis

The Heathen by Jack London

SFFaudio Online Audio

Here’s a terrifically interesting story of romantic adventure, and love, between two very heterosexual men.

Did I mention they are heterosexual?

Well they are.

They have wives!

That’s all there is to it.

The Heathen interweaves Jack London’s racist ideas with his experiences as a sailor to make a truly he-manish tale of two macho sailors who form an unbreakable seventeen-year bond after being shipwrecked in the South Pacific. This is manly beefcake Jack London from 1910, working the blood and breed obsessed vein of fiction and friendship that Robert E. Howard did so masterfully in stories like Queen Of The Black Coast and Hills Of The Dead.

Unfortunately, the version that my good friend Gregg Margarite read for LibriVox, a couple years back, was abridged (or perhaps sanitized) – the PDF version below includes a couple of extra lines here, there, and at the end. Important lines. It also includes more swearing.

Damn those abridgers and sanitizers.

Gregg is dead.

I’m confident he’d have wanted to have read the unsanitized and unabridged original had it been available.

The Heathen by Jack London

The Heathen by Jack London - illustration by Anton Fischer

LibriVoxThe Heathen
By Jack London; Read by Gregg Margarite
1 |MP3| – Approx. 46 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: December 3, 2009
First published in Everybody’s Magazine, August 1910.

Here’s a beautiful |PDF| made from a scan of the magazine.

Here are the rest of the terrific illustrations by Anton Fischer:

The Heathen by Jack London - illustrated by Anton Fischer
The Heathen by Jack London - illustrated by Anton Fischer
The Heathen by Jack London - illustrated by Anton Fischer

Posted by Jesse Willis

BBCR4+RA.cc: Metropolis (2006) RADIO DRAMA

SFFaudio Online Audio

Ace Books F-246 - Metropolis by Thea Von Harbou

The Tower of Babylon in MetropolisI wrote about it airing six year ago, but I’ve just now heard it.

Metropolis, an astoundingly great radio dramatization of a famous novel that was turned into a famous movie, is nuanced, deep, surprising, and totally, idea based.

I’m astounded, really and truly astounded and amazed too at the depth and power an hour long program is able to achieve.

The script has humor, skepticism, cynicism, hope, sex, romance, informative infodumps, and a city full of pathos.

The production, acting, pacing, and composite audio experience is completely awe inspiring.

What gets me most is that even though it is based on a 1926 novel by Thea von Harbou, this version of Metropolis is, arguably, even more relevant than either Brave New World (1931) or 1984 (1949).

Those two classics don’t feel wholly and completely modern – this production of Metropolis does. It’s modernity is ripe, it’s like an episode of Black Mirror, and it should be on your radar.

Still not sold? Then imagine a Science Fiction version of Fight Club but set in the world of The Space Merchants or Judge Dredd and imagine it written by either Philip K. Dick or Frederik Pohl.

Here’s a review by Elisabeth Mahoney of The Guardian:

An audacious portrayal of a futuristic city as much as a state of mind, and an iconic film to boot, Metropolis (Radio 4, Friday) doesn’t exactly scream radio adaptation. But writer Peter Straughan and director Toby Swift, who won the Prix Italia in 2004 for their adaptation of Fritz Lang’s M, clearly aren’t put off by such hurdles. Their Metropolis was all deliciously claustrophobic intensity and dark interiority; their mega-city full of bubbling, menacing sounds you soon wanted to shut out. Without the famous visuals, you never really got a sense of the scale of Lang’s vision – you didn’t believe in the 62 million workers in Metropolis – but you did get the chilling psychological dimension of the dystopia. Edward Hogg, as Freddy, though sounding like a young Woody Allen at times, convinced as the alienated, lonely outsider who manages to subvert the mega-state from within. There were laughs, too, at least early on. “When was the last time you slept?” a therapist asks a suicidal Freddy. “About eight years ago,” says Freddy. “No,” the therapist concludes, “I don’t think that’s significant.”

Peter Straughan, the adaptor, and Toby Swift, the director, have achieved a classic for our time and for the ages – this is highly, highly recommended!

BBC Radio 4RadioArchives.ccThea von Harbou’s MetropolisSFFaudio Essential
Adapted by Peter Straughan; Performed by a full cast
MP3 via TORRENT – 57 Minutes [RADIO DRAMA]
Broadcaster: BBC Radio 4 (Friday Drama)
Broadcast: March 24, 2006
Available via RadioArchive.cc
Freder, the protagonist of Metropolis is an underworked “captain” in a high level position in the futuristic consumer society of the mega city named Metropolis. Feeling suicidal, but unable to understand why, Fredor switches identities with a low level “product insertion” – a kind of telemarketing – but failing at that Fredor soon finds himself working for Maria, an imperfect beauty with all the answers. Maria plunges Fredor into the depths of her underground conspiracy to disrupt the workings of society.

Directed by Toby Swift

Cast:
Freder – Edward Hogg
Maria – Tracy Wiles
Josaphat – Damian Lynch
Schmale – Peter Marinker

Michael W. Kaluta illustration of Maria and Freder

Posted by Jesse Willis

[Use Omitron! Omitron, use it! Use Omitron, it’s great!]

LibriVox: The Highwayman by Lord Dunsany (aka The Highwaymen)

SFFaudio Online Audio

The Highwayman by Lord Dunsany

Sometimes titled The Highwayman, sometimes The Highwaymen, Lord Dunsany’s elegant prose poem is an 1,800 word tale about a scabrous gang of bastard highwaymen. And it has something for almost everyone.

I think, despite the sacrilege and desecration in the story, that my Christian friends will like it – it’s got a lot of that redemption stuff they are big on.

I’m confident that fans of capital punishment will like it – because it certainly doesn’t repudiate legalized killing.

And my friend, Gregg Margarite, who didn’t believe in any of the underlying mythology, liked it enough to read it for LibriVox.

And me?

Yep, I like The Highwayman too.

I like the overarching premise, about friendship, I think it’s heartwarming.

Plus it’s got lot of ghoulish shit in it, and I like that stuff too.

Ronald Clyne illustration of The Highwayman (from Famous Fantastic Mysteries, December 1944)

LibriVoxThe Highwayman
By Lord Dunsany; Read by Gregg Margarite
1 |MP3| – Approx. 12 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: January 13, 2010
First published in 1908.

Here’s a |PDF| made from the publication in Famous Fantastic Mysteries, December, 1944.

And here’s the Sidney H. Sime illustration from the original 1908 publication in The Sword Of Welleran and Other Stories:
The Highwayman - illustration by Sidney H. Sime (1908)

Posted by Jesse Willis