Random House Audio – Page 18

Review of Legends II: Volume III

Legends II: Volume III
Edited by Robert Silverberg
Containing stories by Robert Silverberg, Neil Gaiman, and Orson Scott Card
Read by Jason Culp, Peter Bradbury, and Michael Emerson
4 Cassettes – 7 hours [UNABRIDGED]
Publisher: Random House Audio
Published: 2004
ISBN: 0739310860
Themes: / Fantasy / Majipoor / Mythology / Alternate History / Gods /

The cover of this audiobook prominently displays the names “Neil Gaiman” and “Orson Scott Card”, so I was a bit surprised to find a Robert Silverberg story leading off the collection. It probably shouldn’t have been unexpected, because a look at the back of the audiobook includes blurbs from all three stories – it’s just from the front, the audio appears to include two stories, not three.

“The Book of Changes” is set in Silverberg’s Majipoor universe and is a fine story about an epic poet’s discovery and subsequent writing of his masterwork. The story is steeped in the history of Majipoor, but is clear and enjoyable to a person unfamiliar with that history, as I am. Silverberg has created a world that is as much science fiction as it is fantasy. In Majipoor’s past, humans colonized then got into a war with the native inhabitants. These past events are discussed in Silverberg’s story, but the tale is firmly focused on the poet and the act of creation – something Silverberg knows much about. Jason Culp’s performance was near perfect.

The second novella in the collection is “Monarch of the Glen”, written by Neil Gaiman. The story starts in a hotel bar where Shadow (the main character from Gaiman’s American Gods) is talking to a Scotsman. It is immediately notable that the story is in good hands with Peter Bradbury, whose crisp, clear accents place the listener firmly in the setting which in this case is Northern Scotland. The scotsman offers Shadow a job as a bouncer, but Shadow knows that something is afoot beyond the obvious. Neil Gaiman provides a story that is just as mythic and mysterious and unexpected as his previous fiction. This is a Gaiman story through and through, which is as marvelous a thing as a visit from a good friend.

Last up is Orson Scott Card’s “The Yazoo Queen,” which is set in his Alvin Maker universe. It’s read by Michael Emerson, who performs a sort of old-west style voice which works very well with the prose Card writes with throughout the series – conversational with plenty of 19th century slang and pronounciation. THe story is a prologue to The Crystal City, the sixth novel in the series. In the story, Alvin Maker and Arthur Stuart meet Jim Bowie and Abraham Lincoln while travelling on the Mississippi River. Card’s world is early 19th century America where the Revolutionary War never took place and the magic (called “knacks”) that superstitious folks believed in back then really works. Alvin, the focus of all the stories, is a maker – he can see into things and change them, making them better. He’s chasing after the Unmaker and each volume in the series is building toward a confrontation between the two.

Another notable thing about this audio is that each story is preceded by a summary of what the series is all about. I found each one interesting – in the case of Silverberg’s Majipoor, it was all new information and in the case of the other two, it was a recap for me. But in all three cases it was very welcome.

Three very enjoyable stories read by three top-notch narrators – highly recommended!

Posted by Scott D. Danielson

Review of Legends II: Volume One

Legends II: Volume One
Edited by Robert Silverberg; Stories by George R.R. Martin & Anne McCaffrey
Read by Graeme Malcolm & Alyssa Bresnahan
3 Cassettes – 5.25 hours [UNABRIDGED]
Publisher: Random House Audio
Published: 2004
ISBN: 0739310828
Themes: / Fantasy / Series / Collection / Dragons / Knights / Royalty /

The tag line to this audio book is “New short novels by the masters of modern fantasy”. Would it have knocked out any teeth to use the word “novella?” It’s like calling a pack of number 2 pencils “a pallet of light-duty lumber.” A novella is not merely a novel that was born sickly or abstained from performance-enhancing drugs; it is a distinct literary form with a tighter focus in theme, setting, character, and time. Has the novella become such a bane to publishers that they seek to disguise it with a new name, as politicians have disguised the apocalypse of global warming with the ambivalence of climate change? I hope not. The literary form of Goethe, Conrad, Silverberg and Leiber still has a lot to offer us today. Its name should be spoken with pride, and its name-bearers sold, bought and read (or listened to) without shame.

A great place to start is George R.R. Martin’s “A Song of Ice and Fire: The Sworn Sword”, which is a fine example of a fantasy novella. It is tightly focused on a single, weighty event in time: The final clash between the proud, nearly-extinguished ser Eustace, and the desperately aggressive Lady Webber. Caught in the middle are our protagonists: Dunk, the simple knight with a sense of right and wrong that supersedes his own pride and safety, and Egg, whose compassion for even the lowest grows every time we see him. Heraclitus proposed that character determines destiny, and this is certainly true here. Everything that occurs within Martin’s tough, gritty, complex tale feels like an inevitable result of the characters and their choices. For those looking for lots of sword-banging, spell-casting action, this isn’t the place to find it. This story deals more in verbal confrontation, shades of revealed truth, and the nature of honor and treachery. My only quibble is that the ending, hard-won as it is, is a little pat, especially after the moral ambiguity of Dunk and Egg’s first story “The Hedge Knight” and the foregoing mass of this one. But given everything else about this absorbing tale, hewn from the same wood as the rest of the Song of Ice and Fire, this is a very minor point.

Martin’s pacing is slow and deliberate, shining a light into all the crevices of the personal, moral and physical terrain covered here. Graeme Malcolm’s reading is fittingly unhurried and considered. A British accent is a must for high fantasy like this (in my opinion), and Malcolm’s is dignified and readily intelligible to the American ear. There is even a compelling, extensive introduction to tune your ear to it. I think you’ll enjoy Malcolm’s voice characterizations, as well, as they are subtle, yet distinct, and seem well matched to the characters. Some music is present, mostly as punctuation between the book title, the introductory material, and the story itself, which is helpful. It also accompanies the brief prologue and epilogue to the story, which is not helpful, but also not too distracting.

Anne McCaffrey’s story “Pern: Beyond Between” is much less successful. It seems less a novella (let alone a wee novel) than a doughy short story that got rolled out a little too thin. The main ingredient is the disappearance of Lessa and Hoth into the great unknown of Between, but sifted in are travels in space, time, and Between; a few changes in viewpoint; and even a digression into a different genre. Sadly, the result never quite rises off the page. You will never quite taste the wistful loss and the painful discovery this story hints at, nor feel the fullness of the characters in your belly. It will leave you hungry for the Pern you remember from the original novels. And should you have missed these rightfully revered classics, I highly recommend skipping the appetizer-sized review of it which precedes the story. It gives a little too much away.

As with the first story, the reading of this one is wonderful. If Alyssa Bresnahan’s voice isn’t the voice I heard in my head while reading the original Pern series, no one’s is. It is the perfect complement to McCaffrey’s prose, flawed as that may be. Again, music is used to separate the introductory material from the story, and this time it is kept sensibly out of the narration.

The sound and production quality of both these stories are exceptional; however, they make an oddly matched pair. McCaffrey’s story could be safely given to your emotionally stable ten-year-old niece, but some of the language and themes of Martin’s would blister the poor child’s ears. And the packaging? Even calling it bland would imply an effervescence it sorely lacks. And of the 11 authors represented in the hardback version of this book (which lists only a tiny bit more than this audio book), only two are represented here. How much would you have to shell out to hear the novellas from all these distinguished authors? I shudder to imagine it. In short, while one of these stories is outstanding and the narrations excellent, this audio book does little to attract a new audience to the novella, and it certainly does not provide great value for the money.

Posted by Kurt Dietz

Books on Tape was purchased a couple of years ago …

SFFaudio News

Books on Tape was purchased a couple of years ago by Random House. Last week, they decided to close the rental division of the company. Most of the unabridged titles that have been produced during that time were available in retail editions on the Random House Audio imprint – I expect that will continue to be the case. Questions abound regarding their backlist, which includes books by Isaac Asimov, Robert Jordan, Frank Herbert, and Terry Brooks.

Right now, the company is selling their used rental copies at rental prices – that is, whatever they charged to rent a title is now the purchase price. While supplies last, as they say.

Posted by Jesse Willis

Review of I, Robot By Isaac Asimov

I, Robot
By Isaac Asimov; Read by Scott Brick
7 CDs – Approx. 8 Hours [UNABRIDGED]
Publisher: Random House Audio
Published: 2004
ISBN: 0739312707
Themes: / Science Fiction / Robots / Mystery /

The debate rages on. Most don’t know how much the film I, Robot (to be released in July) resembles Isaac Asimov’s original work. A badge-toting Will Smith gracing the cover of this audiobook suggests that the resemblence will be tenuous at best… many say that it doesn’t matter. Whatever your opinion, the result for audiobook listeners is an excellent unabridged version of some classic SF.

I, Robot is a collection of 9 short stories, connected by an ongoing discussion between a reporter and 75 year-old Susan Calvin, robo-psychologist. She is talking to the reporter about the history of robots, or the history of U.S. Robot and Mechanical Men, Inc, the company which produces the world’s robots, and for which she works. The stories she relates to the reporter are:

“Robbie”
A small girl enjoys the family robot – a bit too much, according to her mother, who arranges its disappearance.

“Runaround”
On a manned expedition to Mercury, a robot named Speedy doesn’t return from an important mission. Unfortunately, Speedy’s mission is vital to the survival of the human crew.

“Reason”
A robot believes the unbelievable – is it possible?

“Catch That Rabbit”
A robot used for asteroid mining goes wrong, and U.S. Robots representative Gregory Powell is sent to make it right.

“Liar!”
Could be subtitled: The Mystery of the Mind-reading Robot.

“Little Lost Robot”
Susan Calvin is called in to solve a problem with a collection of robots – which one is lying and why?

“Escape!”
A supercomputer called “The Brain” is asked a question, and it answers.

“Evidence”
A prominent politician is accused of being a robot.

“The Evitable Conflict”
The Machines take an even greater role in the affairs of humanity.

The behavior of all of Asimov’s robots are governed by his famous Three Laws of Robotics (see them below), and the stories themselves are all about the effects of robots on humanity on both the personal and societal levels. These stories are excellent, intelligent, classic science fiction – some of the finest work by one of the finest science fiction writers ever – Isaac Asimov.

Scott Brick, a narrator I always look forward to hearing, performs. He is engaging throughout and reads as if he truly enjoyed doing it. He’s one of the best.

And here, as promised, are the Three Laws:
The Three Laws of Robotics
1) A robot may not injure a human being or, through inaction, allow a human being to come to harm.
2) A robot must obey orders given to it by human beings except where such orders would conflict with the First Law.
3) A robot must protect its own existence as long as such protection does not conflict with the First or Second Law.

NOTE: For more unabridged Asimov, check out Books on Tape, where Scott Brick has narrated more of his titles. Asimov’s robot novels, the first two of which are The Caves of Steel and The Naked Sun have not been produced as audiobooks, as far as I know. A glaring omission! The BBC has produced an audio drama of The Caves of Steel, however.

Posted by Scott D. Danielson

Review of Vitals By Greg Bear

Vitals
By Greg Bear; Read by Jeff Woodman
3 Cassettes – 5 hours 16 minutes [ABRIDGED]
Publisher: Random House Audio
Published: January 2002
ISBN: 0553714953
THEMES: / Science Fiction / Genetic Engineering / Immortality /

The edge of immortality is the deadliest place of all…Hal Cousins is one of a handful of scientists nearing the most sought after discovery in human history: the key to short-circuiting the aging process. Fueled by a wealth of research, an overdose of self-confidence, and the money of influential patrons to whom he makes outrageous promises, Hal experiments with organisms living in the hot thermal plumes in the ocean depths. But as he journeys beneath the sea, his other world is falling apart.

I like Greg Bear’s work, I really do. Or at least I did before listening to Vitals. I truly savored previous Greg Bear audiobooks, the novels Blood Music and Queen Of Angels and the collection of his short work entitled The Wind From A Burning Woman are all really great listens even though somewhat difficult to follow. Unfortunately Vitals sounds more intriguing in theory than it is in execution. I really cannot think of a single good thing to say about the novel’s construction. It takes the interesting ideas from Blood Music and then ineffectually recycles them into an aimless plodding story. The central conceit, that bacteria are taking over the world in an unpredictable way, is blatantly stolen from Blood Music, Bear’s best work. But Bear doesn’t refine his ideas, instead he adds in a completely bizarre character viewpoint switch in the middle of the story, and later another non-sequitor changes the time period for even more exposition, backing and filling to detrimental effect.

What’s worse, Bear decides to eliminate what few interesting characters there are and finally puts us out of our misery with an unresolved ending. Vitals is like a bad action movie jumping from one scene to another without rhyme or reason. It’s one big train wreck of a novel. Bear has truly fallen and he can’t get up!

This is an abridgement and surely we could argue that a bad abridgement can really hurt an audiobook, but somehow I doubt adding more words to this mess could have helped. Jeff Woodman did his best with what he was given; his narration was very good and clear, with distinct characterization of voices. The cover art falls into the category of “bland non-specific” which so pervades novels these days.

Posted by Jesse Willis

Review of A Clash of Kings by George R.R. Martin

A Clash of Kings
By George R.R. Martin; Read by Roy Dotrice
21 Cassettes – 37 Hours [UNABRIDGED]
Publisher: Random House Audio
Published: 2004
ISBN: 073930870X
Themes: / Fantasy / Medieval setting / Power struggle / Dragons /

A Clash of Kings continues the saga started by George R.R. Martin in A Game of Thrones. There are six projected volumes in this series. The first three novels are currently in print, and all three of them are now available on unabridged audio from Random House Audio or Books on Tape. A Game of Thrones and A Clash of Kings are also available on Audible.com.

This volume is frankly more of the same kind of thing experienced in A Game of Thrones. (See the SFFAudio review of A Game of Thrones here). In this case, that’s a good thing. A Clash of Kings is a direct continuation of the first volume with the addition of several new characters. The stories of members House Stark and House Lannister were again the center of the plot – their struggle for power in the land of Westeros continues, while the supernatural threat from the North continues to gather, and Daenerys Targaryen, with her dragons, gains power. Tension runs high throughout the book, and resolution is left for future volumes.

George R.R. Martin has created a medieval world filled with interesting characters that I continue to care about. The plot is complex, and each time I felt a question was answered, a new mystery unfolded.

The myriad of characters created a challenge for narrator Roy Dotrice, but again he does a fabulous job. With captivating skill and range he charges on, unfolding the story chapter by chapter, character by character, event by event. The book is certainly a marathon for the listener, but by the end, after 37 hours, I was (and am) still eager to continue listening to this truly excellent fantasy series.

posted by Scott D. Danielson