Here is H.P. Lovecraft’s novelette The Horror At Red Hook. The story was first published in the January 1927 issue of Weird Tales and later in the March 1952 issue (which is where I found the terrific Jon Arfstrom at the bottom of the post).
Red Hook is a mysterious slum in New York City, full of gangs, crime, and just perhaps a terrible cult. Detective Malone had a case that had tendrils extending into Red Hook. It seems that one Robert Suydam, a corpulent and scruffy recluse, has been looking younger, more radiant and prosperous. What does that have to do with the recent spate of kidnappings?
Lovecraft described his inspiration for the story in a letter written to Clark Ashton Smith:
“The idea that black magic exists in secret today, or that hellish antique rites still exist in obscurity, is one that I have used and shall use again. When you see my new tale “The Horror at Red Hook”, you will see what use I make of the idea in connexion with the gangs of young loafers & herds of evil-looking foreigners that one sees everywhere in New York.”
First published in the magazine Orbit, No. 2, (which was published in 1953), this story did not have it’s copyright renewed. HERE is the copyright renewal form showing same.
The SFFaudio Podcast #142 – Accessory Before The Fact by Algernon Blackwood, read by Gregg Margarite. This is a complete and unabridged reading of the short story (16 Minutes) followed by a discussion of it (by Jesse, Tamahome, and Gregg Margarite).
Talked about on today’s show: Accessory Before The Fact was published in 1911, Jesse doesn’t understand this story, Wilkie Collins, ethereal planes are the hook (rather than the detail), Gilligan and The Skipper vs. Laurel and Hardu vs. Harold and Kumar, “this is not a time-slip story”, “this is a precognative story”, paranoia, “spirtitualized”, Germanophobia, WWI, bigotry on display, L. Frank Baum’s racism, Teutonic invasion, how many characters are in this story (4 or 3)?, peeling away the layers, déjà vu, see/feel the future, quantum theory, is time a superimposition onto real reality?, slipstream, fantasy, should we dismiss this story?, Ten Minute Short Stories, adventure, Accessory Before The Fact is at the genesis of all this, an accountant on vacation, “what do you do when you have one of these events and you can’t prove it”?, The Moment Of Decision by Stanley Ellin, 13 More Stories They Wouldn’t Let Me Do On TV edited by Alfred Hitchcock, An Occurance At Owl Creek Bridge by Ambrose Bierce, time is an illusion, “time is a serious problem…”
Talked about on today’s show:
alternate history, Luke Burrage, “if it leaves a lasting impression that says something about its artistic character”, why write alternate history, Nathaniel Hawthorne, The Scarlet Letter, historical fiction, 1941 vs. 1978, what is the relationship between Science Fiction and detective fiction, tales of ratiocination, Fatherland by Robert Harris, the Fatherland TV movie, BBC audio drama, Philip K. Dick’s The Man In The High Castle, what would it be like under Nazi rule?, utopia vs. dystopia, fantasy, Dracula vs. Frankenstein, Karl Marx, “alternate history does what Science Fiction does without pretending to set it in a logical future – it sets it in a logical past”, racism, bureaucracy in 1978 London, Michael Caine, Operation Sea Lion, why did Len Deighton set SS-GB in 1941?, The Plot Against America by Philip Roth, are historical forces inevitable?, fate and destiny in alternate history, the great man vs. social forces, Adolph Hitler, Alexander The Great, Napoleon Bonaparte, The Decline And Fall Of The Roman Empire, Behold The Man by Michael Moorcock, Lest Darkness Fall by L. Sprague de Camp, the individual vs. the community, Douglas Archer, if there was a just war it was WWII, the Holocaust, collecting militaria, Spain’s fascist dictatorship, the tale of the great detective, Sherlock Holmes, John le Carré, Agatha Christie, complicated vs. simple (le Carré vs. Christie), fathers and sons, historical fiction, The Battle Of Britain, Inside The Third Reich by Albert Speer, Mother Night by Kurt Vonnegut, when you’re helping the bad guys aren’t you one of them?, King George VI is a MacGuffin, The King’s Speech, Mackenzie King, police are the most cynical people in the world, the role of ambiguity in fiction, Channel Islands, every fiction is alternate history, is history a collection of things that happened or is it forces and rules?, The Sun Also Rise by Ernest Hemingway, The War Of The Worlds by H.G. Wells, Startide Rising by David Brin |READ OUR REVIEW|, uplift, The Island Of Doctor Moreau by H.G. Wells, disarming puns, Arma virumque cano, “I can’t imagine anyone smarter than me”, Sir Arthur Conan Doyle, The Remains Of The Day, Pavane by Keith Roberts, Catholicism, the Protestant Reformation, the Industrial Revolution, Inglourious Basterds vs. Dirty Rotten Scoundrels, The Most Powerful Idea In The World by William Rosen, steam engines (and atmospheric engines).
The SFFaudio Podcast #086 – Jesse talks to Ben Aaronovitch. Aaronovitch is an SFF author, a former Doctor Who scriptwriter, and the lead writer of the Blake’s 7 audio drama series.
Talked about on today’s show:
the original Doctor Who, how to break into TV (in the mid 1980s), Andrew Cartmel, the price of VCRs in 1985, Caroline Aulton, Remembrance Of The Daleks, big budget BBC, Geoffrey Palmer, do it again with 40% more fear, Ben Aaronovitch’s blog Temporarily Significant entitled: I shall eviscerate you, Daleks and An Unearthly Child, racism, The Hand Of Omega, two sets of Daleks, proto-U.N.I.T., Battlefield, what killed the original Doctor Who?, the BBC!, the fetishization of the writer, Russel T. Davies, Queer As Folk, “a Doctor Who shaped whole in the British psyche”, Jon Pertwee, KVOS-TV, the abortive FOX Doctor Who reboot, Doctor Who as an episode of The X-Files, Paul McGann, The New Adventures of Doctor Who:Transit by Ben Aaronovitch, Rivers Of London by Ben Aaronovitch (aka Midnight Riot), Moon Over Soho, Whispers Underground, Peter F. Hamilton, “extruded fantasy product”, Michael Moorcock, Charlaine Harris, Diana Gabaldon, Harry Potter meets The Sweeney (the British version of Kojak), The Dresden Files (is “Gandalf noir”), reviews of Rivers Of London (aka Midnight Riot), Midnight Riot on GoodReads.com, negative reviews are very helpful, The Steel Remains by Richard K. Morgan, Morgan’s screed against J.R.R. Tolkien, Joe Abercrombie and China Miéville are good because they are good not because they are grim, the Blake’s 7 audio dramas started on The Sci-Fi Channel UK, Andrew Sewell, Rebel, Traitor, Liberator is an SFFaudio Essential |READ OUR REVIEW|, “Star Trek: British or Robin Hood in space”, Terry Nation, Chris Boucher, Avon’s one liners, Firefly, Farscape, the Blake’s 7 prequel series, Cally: Blood & Earth and Flag & Flame |READ OUR REVIEW|, Alistair Lock, the quality of the actors on Blake’s 7, Colin Salmon, Michael Praed, B7 is real Science Fiction ideas in a space opera setting, the internet is a huge echo chamber, the effect of torrents on Blake’s 7, B7 is on Audible.com (and Audible.co.uk), Bernice Summerfield, Big Finish, Blake’s 7: The Early Years: Zen: Escape Velocity (Volume 2.1), Series 2 of Blake’s 7 is already written, the rebooting of Battlestar Galactica, the Pegasus episode of BSG, landing a Battlestar was badly though through, Ronald D. Moore‘s Cylons didn’t have a plan, Lost, J. Michael Straczynski, television is like life, Dexter, detective shows can run longer, The Mentalist, Law & Order, why Doctor Who need never die, the Pertwee years, Doctor Who as the “universal television format”, Frankenstien = The Brain Of Morbius, Greek myth = The Myth Makers, there’s no end-game in Doctor Who, writers are used as a crutch by British TV executives, the credit given to writers by UK television, USA TV vs. UK TV, the writer’s room is very attractive, the homogeneous end product, Castle is beautifully written fluff, the psychic episode of Castle was soul-deadening, HBO, True Blood, Downton Abbey is kind of like Upstairs Downstairs, the problems of USA and UK TV, DaVinci’s Inquest, Intelligence, Downton Abbey, Highlander, Seacouver, The 4400 lake (is Buntzen Lake), “Caprica city is decaying”.
Here’s another pair of recent arrivals. Ummm… 2008 is recent right?
The final book in Rankin’s long running Inspector Rebus series. “Gritty Scottish urbanism” and “tartan noir” never get old right? Right?
Exit Music
By Ian Rankin; Read by James MacPherson
6 CDs – Approx. 7.5 Hours[ABRIDGED]
Publisher: Hachette Audio
Published: September 2008
ISBN: 1600244548 It’s late autumn in Edinburgh and late autumn in the career of Detective Inspector John Rebus. As he tries to tie up some loose ends before retirement, a murder case intrudes. A dissident Russian poet has been found dead in what looks like a mugging gone wrong. By apparent coincidence a high-level delegation of Russian businessmen is in town, keen to bring business to Scotland. The politicians and bankers who run Edinburgh are determined that the case should be closed quickly and clinically. But the further they dig, the more Rebus and his colleague DS Siobhan Clarke become convinced that they are dealing with something more than a random attack – especially after a particularly nasty second killing. Meantime, a brutal and premeditated assault on local gangster ‘Big Ger’ Cafferty sees Rebus in the frame. Has the Inspector taken a step too far in tying up those loose ends? Only a few days shy of the end to his long, inglorious career, will Rebus even make it that far?
Author George Pelecanos wrote for The Wire, narrator Dion Graham was an actor on The Wire. Perhaps Pelecanos asked Hachette to get Graham to do the narration after seeing the fine actor, in a scene from one of the best episodes (below) – be the only actor in the room without a line.
The Turnaround
By George Pelecanos; Read by Dion Graham
5 CDs – Approx. 6 Hours [ABRIDGED]
Publisher: Hachette Audio
Published: August 1, 2008
ISBN: 1600242367 On a hot summer afternoon in 1972, three teenagers drove into an unfamiliar neighborhood and six lives were altered forever. Thirty five years later, one survivor of that night reaches out to another, opening a door that could lead to salvation. But another survivor is now out of prison, looking for reparation in any form he can find it.
First up, as recorded in three parts for Quentin Lewis’ When Elvis Died podcast back in 2010.
Next, a two part recording, for the Cthulhu Podcast, read by FNH. The first part begins at 14 minutes in and the second part begins at 34 minutes in. 
