“In a remarkable short story, ‘The Grove of Ashtaroth,’ the hero finds himself obliged to destroy the gorgeous little temple of a sensual cult, because he believes that by doing so he will salvage the health and sanity of a friend. But he simultaneously believes himself to be committing an unpardonable act of desecration, and the eerie voice that beseeches him to stay his hand is unmistakably feminine.”
The Grove Of Ashtaroth was written by the fifteenth Governor General of Canada, John Buchan. Despite that high position, he was the viceregal representative of the Canadian monarch for five years in the 1930s, Buchan is probably better known today as the author of The Thirty-Nine Steps. Buchan’s novelette has been described as a “weird story” (by the makers of Escape) or as “high fantasy” (in The Fantastic Imagination) by editors Robert H. Boyer and Kenneth J. Zahorski, a 1977 anthology).
I’m not sure exactly what it is, except very interesting and certainly within the vague borders of the Fantasy genre. The Grove Of Ashtaroth reminds me of a short story by Philip K. Dick, Of Withered Apples.
You can judge for yourself what you think it is most like.
There’s a hurried, but unabridged, reading available |MP3|. It’s read by Libby Hill for the TV On The Internet podcast (beginning shortly after the twenty minute mark).
But your best bet, in audio, for the moment at least, is to listen to the 1948 Escape radio dramatization!
Escape – The Grove Of Ashtaroth
Adapted from the novelette by John Buchan; Adapted by Les Crutchfield; Performed by a full cast
1 |MP3| – Approx. 31 Minutes [RADIO DRAMA]
Broadcaster: CBS
Broadcast: February 29, 1948
Provider: Archive.org
Cast:
Paul Frees as John Buchan
William Conrad as Lawson
And if you were wondering, the only major difference between the original story and the dramatization is that the unnamed narrator is named (after Buchan himself) in the dramatization.
This 4,712 word story may not be among Philip K. Dick’s best, but it is certainly worth looking at, and hearing!
Tony And The Beetles is a bit unusual too, having an almost juvenile or YA feel to it. Maybe that’s because it’s not nearly as horrific as many of Dick’s fantasy tales – there are some frightening elements, but the general tone is that of an ungroundedness. I see Tony And The Beetles as a kind of historical allegory and I’m not the only one. Phil Chevernet, the narrator who recorded it for LibriVox, wrote “I think [Dick] was commenting on imperialism in the 40s and 50s.” I think he’s right, but I think the comment is somewhat ambiguous, rather depressing, and almost wholly unhopeful. Dick grew up during World War II and little PKD was a very sensitive fellow, kind of like Tony.
Here’s the setup:
Young Tony Rossi has grown up on an alien world. As a child he’s known little else than bubble helmets, pressure suits, and robot pets. His playmates and schoolmates have all been the non-human children of the planet, but around him swirl the forces of history and when news of the ongoing war breaks Tony’s parents don’t seem to hold the same opinions of what it all means.
Tony And The Beetles
By Philip K. Dick; Read by Phil Chevernet
1 |MP3| – Approx. 34 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: October 16, 2012 A ten-year-old boy grows up fast when history catches up with the human race. First published in Orbit, volume 1 number 2, 1953.
And here’s a |PDF| made from it’s original publication in Orbit.
Arguably: Essays
By Christopher Hitchens; Read by Simon Prebble
24 CDs – Approx. 28.5 Hours [UNABRIDGED]
Publisher: Hachette Audio
Published: September 1, 2011
ISBN: 9781611139068
Themes: / Non-fiction / History / War / Biography / Science Fiction / Fantasy / Iran / Afghanistan / Germany / North Korea / France / Dystopia / Utopia / Religion / Tunisia / Piracy / Terrorism / Feminism / Pakistan /
The first new collection of essays by Christopher Hitchens since 2004, Arguably offers an indispensable key to understanding the passionate and skeptical spirit of one of our most dazzling writers, widely admired for the clarity of his style, a result of his disciplined and candid thinking. Topics range from ruminations on why Charles Dickens was among the best of writers and the worst of men to the haunting science fiction of J.G. Ballard; from the enduring legacies of Thomas Jefferson and George Orwell to the persistent agonies of anti-Semitism and jihad. Hitchens even looks at the recent financial crisis and argues for arthe enduring relevance of Karl Marx. The audio book forms a bridge between the two parallel enterprises of culture and politics. It reveals how politics justifies itself by culture, and how the latter prompts the former. In this fashion, Arguably burnishes Christopher Hitchens’ credentials as-to quote Christopher Buckley-our “greatest living essayist in the English language.”
Here’s a question I was thinking about while listening to Arguably.
What is fiction for?
One answer, the bad one, is that it’s for entertainment. That’s certainly where many readers are willing go, and the fiction writers who write it too. Maybe that’s precisely why so much fiction is just so very shitty.
To me, if you aren’t exploring ideas in your fiction, then you really aren’t serving a greater purpose. Idea fiction, fiction with ideas rather than just action and plot, is to my mind a kind of supplement to the wisdom found in writings on history, biography and science.
Of the many lessons learned I in listening to the 107 essays in Arguably I was particularly struck by the wisdom Christopher Hitchens gleaned from his reading of fiction. Hitchens reviews many books in this collection, nearly half of the essays are book reviews. Books like 1984, Animal Farm, Flashman, The Complete Stories Of J.G. Ballard, Our Man In Havana, and even, surprisingly, Harry Potter And The Deathly Hallows all get fascinating, critical, and reverent reviews.
Yet Hitchens also takes the lessons with him into his writing about his travels. Hitchens writes about visits to such places as North Korea, Cyprus, Afghanistan, and Kurdish Iraq. When talking about his visit to Beirut we see what comes when Hitchens, a man of ideas, acts upon them. The essay, The Swastika and the Cedar sees the convictions of the commited anti-fascist Hitchens beaten and nearly kidnapped for an act of vandalism on a prominently displayed swastika. Writes Hitchens:
“Well, call me old-fashioned if you will, but I have always taken the view that swastika symbols exist for one purpose only—to be defaced.”
In a review of two books, Lolita and The Annotated Lolita, Hitchens applies the controversial subject in a real life look at the modern, and very non-fictional oppression and objectification of women. Indeed, the ideas he appreciated in fiction helped Hitchens to come to grips with the real world.
I think the worst essay in this collection is the one on the serving of wine and restaurants, Wine Drinkers Of The World, Unite. It was simply a waste of the talent, too light, too easy a target. And yet, even that essay, the worst essay in all 107 has a memorable anecdote: “Why,” asks Hitchens’ five year old son, “are they called waiters? It’s we who are doing all the waiting.”
As to the narration of the audiobook. I’m ashamed to admit that I was initially dismayed when I saw that Christopher Hitchens had not narrated this audiobook himself. I was wrong to worry. Incredibly, Simon Prebble seems to have have become Hitchens for this narration. Prebble perfectly captures the erudite words, so eloquently performs them, and with an accent so like that of Hitchens’ own so as to make me think that it was Hitchens who had actually read it.
I think the worst essay in this collection is the one on the serving of wine and restaurants, Wine Drinkers Of The World, Unite. It was simply a waste of the talent, too light, too easy a target. And yet, even that essay, the worst essay in all 107 has a memorable anecdote: “Why,” asks Hitchens’ five year old son, “are they called waiters? It’s we who are doing all the waiting.”
Here’s a list of the book’s contents, with links to the original etexts when available, along with my own notes on each:
The Private Jefferson – a review of Jefferson’s Secrets: Death And Desire At Monticello by Andrew Burstein
Jefferson Vs. The Muslim Pirates – a review of Power, Faith, And Fantasy: America In The Middle East: 1776 To The Present by Michael B. Oren
Benjamin Franklin: Free And Easy – a review of Benjamin Franklin Unmasked: On the Unity of His Moral, Religious, And Political Thought by Jerry Weinberger
John Brown: The Man Who Ended Slavery – a review of John Brown, Abolitionist: The Man Who Killed Slavery, Sparked The Civil War, And Seeded Civil Rights by David S. Reynolds
Abraham Lincoln: Misery’s Child (aka Lincoln’s Emancipation) – a review of Abraham Lincoln: A Life by Michael Burlingame
JFK: In Sickness And By Stealth – a review of An Unfinished Life: John F. Kennedy, 1917–1963 by Robert Dallek
Saul Bellow: The Great Assimilator – review of six novels by Saul Bellow (The Dangling Man, The Victim, The Adventures Of Augie March, Seize The Day, Henderson The Rain King, and Herzog)
Vladimir Nabokov: Hurricane Lolita – reviews of Lolita by Vladimir Nabokov and The Annotated Lolita edited and annotated by Alfred Appel, Jr.
John Updike: No Way – a review of The Terrorist by John Updike (with reference to The Coup too) John Updike: Mr. Geniality – a critical review of the affable Due Considerations: Essays And Considerations by John Updike
Vidal Loco – Gore Vidal went crazier, more elitist and perhaps more racist as he got older (with attention and quips for Quentin Crisp and Oscar Wilde and Joyce Carol Oates)
America The Banana Republic – Hitchens on the “socialistic” bank bailout of 2008 (“socialism for the rich and free enterprise for the rest”)
An Anglosphere Future – a review of The History Of The English Speaking Peoples by Andrew Roberts (with reference to both Sherlock Holmes and The White Company by Sir Arthur Conan Doyle as well as to Cecil Rhodes and Rudyard Kipling)
Political Animals – a review of Dominion: The Power Of Man, The Suffering Of Animals, And The Call To Mercy by Matthew Scully
Old Enough To Die – on capital punishment as applied to children In Defense Of Foxhole Atheists – a visit to the United States Air Force Academy and the tax funded proselytizing
ECLECTIC AFFINITIES Isaac Newton: Flaws Of Gravity – a stroll through the medieval streets of Cambridge with the scientists, mathematicians, and philosophers who worked there
Gustave Flaubert: I’m With Stupide – a review of Bouvard et Pécuchet by Gustave Flaubert translated by Mark Polizzotti The Dark Side Of Dickens – a review of Charles Dickens by Michael Slater a biography (Hitchens was a not uncritical admirer of the subject)
Marx’s Journalism: The Grub Street Years – a glowing review of Dispatches for the New York Tribune: Selected Journalism Of Karl Marx edited by James Ledbetter, foreword by Francis Wheen (Marx admired the United States, and other fascinating facts about the father of communism)
Rebecca West: Things Worth Fighting For – an introduction to Black Lamb and Grey Falcon: A Journey Through Yugoslavia by Rebecca West
Ezra Pound: A Revolutionary Simpleton – a review of Ezra Pound, Poet: A Portrait Of The Man And His Work: Volume I: The Young Genius, 1885-1920 by A. David Moody (a biography of the fascist poet)
John Buchan: Spy Thriller’s Father – a review of John Buchan The Presbyterian Cavalier by David R. Godine (with discussion of The 39 Steps and a fantasy novelette The Grove Of Ashtaroth)
Fraser’s Flashman: Scoundrel Time – a look at the George MacDonald Fraser series of Flashman books and the connection with The Adventure Of The Empty House
AMUSEMENTS, ANNOYANCES, AND DISAPPOINTMENTS Why Women Aren’t Funny – a controversial essay on why more comedians are male and why women laugh at them the way they do
As American As Apple Pie – a literary and chronological history of the blowjob, with reference to Valdamir Nobokov’s Lolita
So Many Men’s Rooms, So Little Time – a fascinatingly insightful argument on what’s was going on with the Larry Craig bathroom airport scandal and related phenomena
A War Worth Fighting – a persuasively systematic review of Churchill, Hitler And The Unnecessary War: How Britain Lost Its Empire And The West Lost The World by Pat Buchanan
Just Give Peace A Chance? – a critical review of Human Smoke by Nicholson Baker
Don’t Mince Words – the disenfranchisement of south Asians in Britain isn’t the cause of bombings, hatred of women is.
History And Mystery – al-Qaeda in Iraq, jihadists, or “insurgents”? Do words matter? Of course they bloody well do.
Words Matter – political slogans make of “every adult in the country” an “illiterate jerk who would rather feel than think”
This Was Not Looting – how can a government “loot” it’s own weapons manufacturing facility? The government of Iraq managed it according to The New York Times.
The “Other” L-Word – a lighthearted piece on the prominence of the word “like” and it’s use
The You Decade – what’s wrong with you (marketing to the selfish)
Suck It Up – the Virginia Tech shootings prompted the wrong response from the world (namely that it prompted one)
A Very, Very Dirty Word – the English empire, in centuries to come, may only be remembered for soccer and the phrase “fuck off”
I bet most folks think that the closest Robert A. Heinlein came to tackling the topic of religion was Stranger In A Strange Land. But I think that novel has got too much other stuff going on in it. To get a better idea, check out his terrific 1941 short story Universe (later combined with another short story for the fix-up novel entitled Orphans Of The Sky).
The people of Universe live under an oppressive theocracy, with the death penalty given for heretical ideas. In the script for the radio dramatizations one character describes it as a society of “regimented slaves.”
Universe offers many, many sparky ideas – all of which are centered around religion and cosmology.
When asked about heaven the main character says this:
“The peasants believe [in] it literally but many of the younger scientists, like myself, know that it is figurative, symbolic.”
Turns that he’s wrong, that the foundations of his religion are based in a real history, that his god was once alive, and that the belief he scoffs at (and others kill in the name of), are based facts about their universe. It’s absolutely thought provoking soft sf bounded by a hard SF that only someone like Robert A. Heinlein could pull off.
And, unlike the original short story, which is rather hopeful, the end of the radio dramatization is deeply noir.
Dimension X – Universe
Adapted by George Lefferts; Adapted from the story by Robert A. Heinlein; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: NBC
Broadcast: November 26, 1950
Provider: Archive.org
X-Minus One – Universe
Adapted by George Lefferts; Adapted from the story by Robert A. Heinlein; Performed by a full cast
1 |MP3| – Approx. 28 Minutes [RADIO DRAMA]
Broadcaster: NBC
Broadcast: May 15, 1955
Provider: Archive.org
Illustrations of strong>Universe by Hubert Rogers and Charles Schneeman from the May 1941 of Astounding:
The SFFaudio Podcast #174 – The Temple by H.P. Lovecraft, read by Mirko Stauch. This is a complete and unabridged reading of the short story (37 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Mirko, and Julie Hoverson.
Talked about on today’s show:
who’s the womanish Rhinelander?, Rhinelanders are manly(!), superstitious swine, Julie has a transsexual voice in the morning, Julie’s reading of The Temple, renaissance fairs, big crazy hats, Julie’s audio dramatization, the explanation, what’s with the curse, the practical and science-minded captain, insanity, The Call Of Cthulhu RPG, “panzaism”, WWI, unrestricted submarine warfare, The Crime Of Crimes by H.P. Lovecraft (a poem written in response to the sinking of the Lusitania), The Abyss, supernatural dolphins?, a heroic action villain, The Horror At Red Hook by H.P. Lovecraft, Herbert West: Re-animator, The Call Of Cthulhu, Cool Air vs. Sunset Boulevard, a consistent philosophy, WWI vs. WWII, Kaiserliche Marine, Portland, New York, a proto-nazi, an “iron German will”, unrestricted submarine warfare, submarines don’t have windows, “stop hitting yourself”, the laurel wreathed figure, Atlantis, The City In The Sea by Edgar Allan Poe, Below (2002), Zach Galifianakis, cosmic horror vs. karmic punishment, teasing the insane, creepy sped up dolphin laughter, […UNTRANSLATABLE…], The Island Of Doctor Moreau by H.G. Wells, nautical tales, William Hope Hodgson, 20° North, 35° West, Yucatan, S.T. Joshi, Mu and Lemuria, wrong ocean(!), the cousin of Cthulhu, Dagon by H.P. Lovecraft, a collection of short stories, poems, and propagandistic essays.
Talked about on today’s show:
Not the Jonathan Davis of Korn, favourite audiobook narrators, Luke’s real job (juggling), how to become an audiobook narrator (or a professional juggler), acting, theatrical acting, voice over, New York, Testament by John Grisham, Brazil, Portuguese vs. Brazilian Portuguese, Gone For Soldiers by Jeff Shaara, long form narration, Snow Crash by Neal Stephenson, urban samurais and Aleutian assassins, binaural recording, The Shadow Of The Torturer by Gene Wolfe, The Windup Girl by Paolo Bacigalupi, London, Paris, Iowa City, Thailand, genetic engineering, Japan, accessory dogs, GMO food, graphic sex scenes in mid-juggle, Glamorama by Bret Easton Ellis, Zoolander, American Psycho, a 12 page sex scene, Star Wars, Genghis Khan And The Making Of The Modern World by Jack Weatherford, straight readings vs. impersonations, Yoda, Ewan McGregor, Liam Neeson, Luke re-edits Star Wars, alien languages, Calculating God by Robert J. Sawyer, When Gravity Fails by George Alec Effinger, Ian Mcdonald, North Africa, Egypt, Arab Spring, Bedouin, narration styles, straight narration vs. theatrical performance vs. cinematic narration, Michael Caine, scalpel vs. laser, Mike Resnick’s Starship series, voice based books, Star Trek, David Copperfield, Oliver Sacks, The Watchers by Jon Steele, Kirinyaga, The Scar by Sergey Dyachenko and Marina Dyachenko, Starship: Mutiny, Elinor Huntington, existential resonance, Harry Potter, conspiracy, dystopia, Ray Bradbury, Cool Air by H.P. Lovecraft, Starship: Rebel, no research, just fun, language, audiobooks as a collaboration between an author, a narrator and a listener, Walking Dead by Greg Rucka, espionage, comics, Neil Gaiman, Catch And Release by Lawrence Block, Hex Appeal, Jim Butcher, The Dresden Files, studio time, The Book Of The New Sun, “do your homework”, “suddenly revealed to be a Texan”, an Aleutian Rastafarian, Hiro Protagonist, Minding Tomorrow, revealing voices, American Gods, George Guidall, “the perfect audiobook experience”, Woden (aka Odin aka Mr. Wednesday), The Stand by Stephen King, reading with your ears, preferred narration styles, The Hundred Thousand Kingdoms by N.K. Jemisin, racism, Dune, Zoo City by Lauren Beukes, Johannesburg, South Africa, fantasy fiction shouldn’t have an American accent, Luke’s SFBRP review of The Scar, House Of Suns by Alastair Reynolds, an Arkansas accent, inner monologue vs. dialogue, the Sling Blade voice, Casaundra Freeman, audiobook narration is difficult, learning the characters over a series, George R.R. Martin, A.J. Hartley, Act Of Will, Will Power, working with authors, Cyteen by C.J. Cherryh, Book Of The Road, male and female narration, Gabra Zackman, Jonathan is the infodumper, Full Cast Audio, a one man show vs. theatrical collaboration, Scott Brick, Feyd-Rautha, a Jamaican brogue?, The Brief Wondrous Life of Oscar Wao, do you like computer games?, Max Payne 3, Tron, “that’s my neck fat”, Vladamir Lem, Armando Becker.