post-apocalypse – Page 8

Review of The Voice from the Edge Vol. 1: I Have No Mouth and I Must Scream by Harlan Ellison

SFFaudio Author of the Month Review

The Voice from the Edge Vol. 1: I Have No Mouth and I Must Scream
By Harlan Ellison, read by Harlan Ellison
5 CD’s – 6 hours [UNABRIDGED stories]
Publisher: Fantastic Audio
Published: 2002
ISBN: 1574535374
Themes: / Science fiction / Collection / Series / Post-Apocalypse / Artificial intelligence / Utopia / Dystopia / Magic Realism / Love / Hell /

ed. – This is one of two Harlan Ellison collections that were released by Fantastic Audio. The second is called The Voice from the Edge: Midnight at the Sunken Cathedral.

There are two basic reasons to invest in a short story collection by a single author. The first is to experience first hand the stylistic, thematic, and technical contributions the author has made to his genre and to literature in general; the second is to sample the dynamic range the author covers, to gauge the extent of his palette.

This audio book delivers the first in spades. With Harlan Ellison’s friendly, yet curmudgeonly introduction, we are thrust immediately into the gritty rawness he helped bring to science fiction. Such stories as the harrowing, lurid, complex title story, the gleefully offensive misogyny and sociopathy of “A Boy and His Dog”, the pop-cultural, pejorative ranting of “Laugh Track”, and the sophomoric sexual preoccupation of “The Very Last Day of a Good Woman” clearly delineate the dark, adult-oriented themes he introduced, as well as his predilection for unlikable anti-heroes who often leave us feeling a bit less comfortable about ourselves. And on such material, his distinctive narrative style shines. He curses with conviction, and his voice handles guilt, revenge, and damnation with seeming familiarity.

In the overall story choice, we also have a remarkable demonstration of the range of Ellison’s writing. Compare the patient, redemptive power of “Paladin of the Lost Hour” to any of the stories mentioned above, and you’ll see what I mean. Throw in the sly, haunted twist of “The Time of the Eye”, the overwrought post-modernism and tedious beatnik vamping in “’Repent Harlequin!’ said the Tick-Tock Man”, the sublime, hellish search for love in “Grail”, and the puzzling juxtaposition of the truly horrific and the trivial in “The Lingering Scent of Woodsmoke”, and you cover quite a swath of not only the science-fiction spectrum, but the fiction spectrum in general.

Unfortunately, the use of a single narrator for all these stories blurs their uniqueness, especially since that narrator is Harlan Ellison. His delivery style can be enjoyable, but it is so raw, so exaggerated, and so pervasive that it tends to flatten the relief of the work itself. I can’t say that I question the wisdom of having Ellison narrate, for on any single story his voice adds the confident insight that only an author can bring to his own work. But this is a collection, and the diverse stories deserve a wider range of vocal performance to truly showcase their differences. My advice is to make the best of this paradox by taking the collection slowly. The quality of the material, the exceptionally crisp sound and the fine, user-friendly packaging make this an audio book you should not miss. Just make sure to pace yourself.

posted by Kurt

Destructomundo! – The Podcast To End The World With

Online Audio

Vault dweller take heed, Destructomundo! is the practical advice podcast for surviving the various scenarios that might end the world. Survialists Adam, Ted, Derek, and James tackle a different scenario for how the world will end each show and give proven advice based on the what the characters on television and film have successfully done to survive the end of the world.

Episode 017 Doppelgangers |MP3|
Episode 016 Mutants |MP3|
Episode 015 Rocks From Space |MP3|
Episode 014 Bunkers |MP3|
Episode 013 Post Apocalypses |MP3|
Episode 012 Dystopia |MP3|
Episode 011a/011b The Fourth Reich |MP3| & |MP3|
Episode 010a/010b Zombie Apocalypse |MP3| & |MP3|
Episode 009 The Antichrist |MP3|
Episode 008 The Last Man On Earth |MP3|
Episode 007 Doom Cults |MP3|
Episode 006 The Big List |MP3|
Episode 005 Science Run Amok |MP3|
Episode 004 Supervillians |MP3|
Episode 003 Aliens Attack! |MP3|
Episode 002 Rise of the Robots |MP3|
Episode 001 Road Warriors |MP3|

Shows come out on a regular basis but the end may be nigh so subscribe while you can – plug this URL into your ruggedized, EMP-proof and solar-powered podcatcher:

http://feeds.feedburner.com/destructomundo

posted by Jesse Willis

Review of Empire of the East by Fred Saberhagen

Empire of the East
by Fred Saberhagen, read by Raymond Todd
15 CD’s – 18.5 hours [UNABRIDGED]
Publisher: Blackstone Audiobooks
Published: 2005
ISBN: 0786178833
Themes: / Fantasy / Magic / Technology / Demons / Empires / Post-Apocalypse

Have you ever wondered what one modern piece of weaponry might have meant for a given side in a war in past centuries? In the world Fred Saberhagen creates in Empire of the East, it is the future rather than the past where such scenarios are explored. In this distant future magic is real, understood, and trusted, while technology from the “old world” (i.e., our time) exists in the form of mistrusted relics.

You can’t listen to this story long without comparing it to Tolkien’s Lord of the Rings, and it compares favorably. It’s a compilation (I believe with some revision) of three earlier books written by Saberhagen. The sheer breadth of the three-part story is impressive, sweeping you through a vast world where an oppressive Eastern empire is resisted by free men of the West. The main character Rolf resembles Frodo (even beyond the near-anagramatic match of names) and another reminds the reader of Aragorn.

But Saberhagen is no poor man’s Tolkien. He manages the micro- and macro-details with great skill. There are no Tom Bombadils dancing around, hinting of early ideas left in but not fully integrated. No disrespect for Lord of the Rings intended, I’m just saying that Empire of the East merits praise in its own right.

Saberhagen’s characters were believable and easy to care about. Lord Chup is my favorite character. Is he a good bad guy? A bad good guy? And making up for in evilness what they lack in nuance, the main antagonists are gripping. Lord Ekuman is evil, but he is easily outdone in the second book by Som the Dead (yes, he is as attractive as he sounds). Then, in the third book you realize Som is simply middle management. His boss (his mother named him Ominor, perhaps expecting the worst) likes to relax to the sounds of impalement.

The breadth of the milieu is matched by lush detail. I couldn’t help thinking of what a movie version of this would be like. Saberhagen describes situations and interactions with such precision that images came to mind as easily as if I’d watched it on a screen. The story aside, it was just fun listening to Saberhagen’s writing. He captures subtleties in the action, giving you the feeling like you know exactly what it would have been like to be there. Here is a random example of his writing:

As a man dragged to the edge of a precipice will throw away all his treasures and his weapons, to grab with every finger for some saving hold, so did the demon emperor now abandon all the threads of Eastern wizardry.

If you read fantasy, you often just accept that there happens to be magic in the world, and Saberhagen does a very good job explaining the magic of his world. The magic isn’t just part of the scenery, though. In a pleasant surprise at the end, just how the world came to have magic is explained and tied into the climax. There isn’t much of a denouement, perhaps the greatest contrast between Empire of the East and Lord of the Rings.

Even if a story is great, however, it does not necessarily translate to greatness when presented in other mediums. In this case, the audio production is equal to the story. Blackstone Audiobooks did a perfect job producing the Raymond Todd narration for Empire of the East. While a reader that does not distract from a story is desirable, Todd’s voice talent goes beyond and enhances it.

Some readers have interesting voices, but they soon become distracting, like a new shirt you don, but are soon irritated by when it doesn’t quite fit and rubs irritatingly against your skin. Raymond Todd’s voice, in contrast, is like a comfortable sweater that gives familiar reassurance. He uses variations of some kind of Gaelic or Scandinavian accent with the men of the West and did a great job with it.

So thank Blackstone Audiobooks for bringing us such a brilliant novel in a very impressive production. I’ll be keeping my eye out for other stories read by Raymond Todd.

If you don’t want to carry around a case with 15 CDs, you can get two MP3 CDs for just under fifty bucks, or do a digital download from their site for only $9.95 (if it’s your first time). I think anyone who appreciates his work will be glad this part of his legacy is preserved in this quality production.

Posted by Mike

Review of The City, Not Long After by Pat Murphy

The City, Not Long After
By Pat Murphy, read by Marguerite Gavin
7 CD’s – 8.5 hours [UNABRIDGED]
Publisher: Blackstone Audiobooks
Published: 2005
ISBN: 0786180862
Themes: / Science fiction / Fantasy / Magic realism / Post-apocalypse / Military / Pacifism / Art / Ghosts / War

At the root of all major religions is the simple, powerful assumption that every human being is capable of changing his character. With this premise, Nirvana, Salvation, and Enlightenment are opened to each of us, no matter what lies in our past. The logical extension beyond ourselves is that we are obliged to forgive our fellow man for his transgressions against us, because to do otherwise would deny him the possibility of redemption. Gandhi, Christ, and King have demonstrated that it takes a great deal of sacrifice and patience to follow this idea to its full conclusion, but the resulting justice for friend and foe alike cannot be won by anything less.

The vast bulk of our literature, however, belies our preference for punishing our enemies rather than enlightening them. Fantasy literature, in particular, usually frames central conflicts in terms of absolute good and evil, and shuns the possibility of change on either hand. Science fiction often simply avoids the issue by casting an inhuman force as the antagonist, such as a robot, an alien, or some crisis of scientific circumstance. But even so, these conflicts often favor a single-minded, unyielding approach to resolution, with a clear victor and a clear loser. This is especially true in the watered-down SF found in popular media.

Pat Murphy’s intriguing novel The City, Not Long After offers an exception to these rules, although it, too, flinches at the moment of truth. Apocalyptic fantasy is virtually defined by final clashes between good and evil, but Murphy’s post-apocalyptic tale pits peaceful artists against aggressive warriors in a future San Francisco that has been largely depopulated (along with the rest of the world) by a plague. The inhabitants of San Francisco are mostly bizarre artists, and they are struggling not only for their social freedom against an invasive force led by the militant General Nathan “Four Star” Miles, but for creative freedom against the incursions of a conformist society. In order to preserve their art and their free spirits, they make their resistance non-violent, and Pat Murphy takes the opportunity to make the resulting action interesting and original. In the course of it, she offers a clear-eyed examination of some darker elements from America’s past and present, and a scathing review of militant patriotism, both of which seem startlingly out of place in our current culture of eternal, chest-thumping war.

The best thing about this book is that, despite the description of its conflict above, it does not devolve into a moralistic sermon. In fact, the conflict which defines the plot takes up less than ten per cent of the novel. The rest of the time is spent developing the strange, arty, self-important characters who populate San Francisco. I’m not a big fan of characters (real or imagined) who go around proclaiming themselves artists, bemoaning society’s inability to recognize their gifts, and sculpting execrable statuary out of cold cream jars, but I ended up liking these people, especially Danny Boy and Jax, who provide the novel’s axis. They have real wounds and real tenderness that win out over their purposeful strangeness.

Marguerite Gavin’s narration was the perfect foil for these exotic, New Agey artists, for her voice is almost surgically precise and antiseptically clean. Her syllables are razor-edged for Jax and for the general narration, so the laid-back stoner voice she conjures for Danny Boy comes as a revelation. Gradually, I came to relate to almost all the voice characterizations, except for that of “Four Star”, who sounds more like a parody of a wicked military man than a real human being.

Thematically, I ultimately found the book to be a failure. The first problem is that our non-violent heroes require a discouragingly huge amount of supernatural help to stand a chance against bullets and bombs. The second is, to be vague enough not to spoil the book for you, that the climax is a cop-out. Murphy spends considerable time in the denouement trying to rub out this flaw, and she does succeed in provoking some thought, but nothing can cover the capitulation of the resolution.

That said, I still recommend this book. Murphy’s characters and situations are complex, vital, and often inspiring. It is far more interesting to watch her try and fail to deliver on her moral premise in this book than simply to wallow in the philosophical shallowness of summer-multiplex violent justice. At least The City Not Long After will make you both think and feel a little, and that is no small achievement.

Posted by Kurt Dietz

Review of The Voice from the Edge Vol. 1: I Have No Mouth a…

SFFaudio Review

The Voice from the Edge Vol. 1: I Have No Mouth and I Must Scream
By Harlan Ellison, read by Harlan Ellison
5 CD’s – 6 hours [UNABRIDGED stories]
Publisher: Fantastic Audio
Published: 2002
ISBN: 1574535374
Themes: / Science Fiction / Collection / Series / Post-Apocalypse /Artificial intelligence / Utopia / Dystopia / Magic Realism / Love / Hell /

This audio book delivers the first in spades. With Harlan Ellison’s friendly, yet curmudgeonly introduction, we are thrust immediately into the gritty, rawness he helped bring to science fiction. Such stories as the harrowing, lurid, complex title story, the gleefully offensive misogyny and sociopathy of “A Boy and His Dog”, the pop-cultural, pejorative ranting of “Laugh Track”, and the sophomoric sexual preoccupation of “The Very Last Day of a Good Woman” clearly delineate the dark, adult-oriented themes he introduced, as well as his predilection for unlikable anti-heroes who often leave us feeling a bit less comfortable about ourselves. And on such material, his distinctive narrative style shines. He curses with conviction, and his voice handles guilt, revenge, and damnation with seeming familiarity.

Unfortunately, the use of a single narrator for all these stories blurs their uniqueness, especially since that narrator is Harlan Ellison. His delivery style can be enjoyable, but it is so raw, so exaggerated and so pervasive that it tends to flatten the relief of the work itself. I can’t say that I question the wisdom of having Ellison narrate, for on any single story his voice adds the confident insight that only an author can bring to his own work. But this is a collection, and the diverse stories deserve a wider range of vocal performance to truly showcase their differences. My advice is to make the best of this paradox by taking the collection slowly. The quality of the material, the exceptionally crisp sound and the fine, user-friendly packaging make this an audio book you should not miss, just make sure to pace yourself.

Posted by Scott D. Danielson

Review of Magic Time: Angelfire By Marc Scott Zicree and Maya Kaathryn Bohnhoff

Magic Time: Angelfire
By Marc Scott Zicree and Maya Kaathryn Bohnhoff
Read by Mark Bramhall, Ann Marie Lee, Ned Schmidtke, and Robertson Dean
12 CDs – 14.5 hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2004
ISBN: 0786183799
Themes: / Fantasy / Magic / Science / Post-apocolypse /

Magic Time: Angelfire is the second book in what could become a long series of novels. Marc Scott Zicree personally introduces the book, saying that it was originally pitched as a TV series, and very well might have been a good one.

In book one (called Magic Time), the world changed. Technology is erased and replaced with magic, with people all across America become infused with powers of different sorts, often dark. I have not read the first book, so I don’t know any of the specifics. (Blackstone Audio has the first volume, too.)

Here in this novel, Cal Griffin and a band of people travel the post-apocalyptic, non-technological, magic-filled America in search of the source of it all. The book seems written for TV; the characters are strong, distinct, and quirky. The dialog is full of current colloquialisms. The images are vividly visual. And the action comes fast and constant, with the characters fighting dark creatures while getting closer and closer to their goal.

The novel’s chapters are each told in first person from one of the character’s point of view. A different reader is used for each character, and the actors all do a very good job portraying their character. Ann Marie Lee has a fantastic voice, but had to maintain an intense angry attitude throughout that made me wish her character would calm down, maybe have a decaf latte or something.

The idea behind the novel was good, and, if it ever makes it to TV, would be a series I would check out. I wouldn’t stick with it, though, if the series didn’t go any deeper than a formulaic string of action sequences designed to increase tension. I was interested in the characters and what they were going through, but longed for something a bit more. Of course, leaving a reader wanting more is good thing for a storyteller to do.

The cover is graced with an excellent piece of artwork by Iain McCaig of what I believe is a “flare” – a type of creature that some folks were transformed into when the world went awry.

Posted by Scott D. Danielson