Originally published in the January 1951 issue of Fantastic Novels Magazine (on pages 118, 119, and 120) The Last War by Stanton A. Coblentz is a public domain poem that has never been reprinted.
Here it is, along with the gorgeous original art.
Thanks to Jim Moon of the Hypnobobs podcast for his wonderful reading of it.
|MP3|
Posted by Jesse Willis
The SFFaudio Podcast #166 – Jesse, Luke Burrage, and Eric S. Rabkin discuss, at length, the SFF FORMS (Short Story, Novella, Novellete, Novel, Fix-up, Trilogy, World). Here’s the premise:
Science Fiction Forms: Short Story, Novella, Fix-Up, Novel, Trilogy, and World. Respectively, they might be exemplified thus: Short Story (“Mars Is Heaven!“), Novella (“Flowers for Algernon“), Fix-Up (The Martian Chronicles, which contains a revised version of “Mars Is Heaven!” or The Seedling Stars, Accelerando, and Beggars In Spain, all of which began as novellas), Novel (originals, like 1984, and derivatives like Flowers for Algernon or Varley’s novel Millennium coming from his short story “Air Raid“), Trilogy (original Foundation series), World (the ultimate Foundation world or Heinlein’s Future History [shared with others] or Banks’s Culture or LeGuin’s Hainish series [created just for the authors, but let’s not forget about fan fiction]). What are the special challenges and rewards in reading and writing in these diverse forms? What special challenges or rewards attend on reusing material in another form? Is the formal plasticity of SF unique among literary genres?
Talked about on today’s show:
Eric’s suggestion, literature with a capital “L”, The Dead by James Joyce, The Portrait Of The Artist As A Young Man, Doomsday Book by Connie Willis, Luke’s Science Fiction Book Review Podcast, the format, the themes, the variability of short story form, the feghoot, Day Million by Frederik Pohl, Accelerando, Stories Of Your Life And Others by Ted Chiang, The Tower Of Babel, stripped away vs. embellished to the nth degree, Flowers For Algernon by Daniel Keyes, Understand by Ted Chiang, The Bells by Edgar Allan Poe, The Black Cat, fantasy, the unexplicit story, valid reactions, the etymology of “text”, Earth Abides by George R. Stewart, a persuasive existential journey, The Scarlet Plague by Jack London, San Fransisco, short stories as objects of frivolity or training, the brilliance of an idea is not always enough, a novel can act as a community to an individual, Fahrenheit 451 by Ray Bradbury vs. The Fireman by Ray Bradbury, is the novel inherently more participatory than a short story?, the failure of technology vs. the power of nature, The Masque Of The Red Death, teaching Science Fiction with short stories and novels, The Science Fiction Hall Of Fame (Volume 1), the composite novel, Winesburg, Ohio by Sherwood Anderson, A.E. van Vogt, the fix-up, The Martian Chronicles by Ray Bradbury, Accelerando by Charles Stross, Lobsters by Charles Stross, the cat changes function, “an intellectual framework”, Robert A. Heinlein’s future history, the composite novel, Isaac Asimov, future history vs. psychohistory, Michael Moorcock, I, Robot, Robbie, the three laws, Stephen Byerly and Susan Calvin, unAsimovian assumptions, the full dose of SF, Reason, The Evitable Conflict, is Stephen Byerly a robot or a man?, the Mérode Altarpiece (a medieval iconographic trope), art history, Luke doesn’t think Asimov is that clever, R. Daneel Olivaw, the three laws are fairytale laws, positronic brains are positive, the three laws are for people (not just robots), The Bicentennial Man, Asimov’s powers, Asimov’s business acumen, Brandon Sanderson, shared worlds, gods, Mormonism, Daniel Clowes, The Death Ray, Elantris, “The Alexandria Quartet” by Lawrence Durrell, reading The Martian Chronicles backwards, Luke’s fiction, Alastair Reynolds, Sherlock Holmes, Baker Street Irregulars, whodunit ain’t the attraction, The Adventure Of The Speckled Band, a matter of cutting, A Clockwork Orange, it’s better without the extra chapter, the commercial effect (or the effect of commercialism), popular literature, the flabby novel, Robert J. Sawyer, Hominids, Calculating God, William Shakespeare, The Royal Ontario Museum, horse evolution, God needs a starship!?, where to find a paleontologist, “a hundred pages of nothing happening”, a circular argument, writing to the story’s demands, Kevin J. Anderson, commercial constraints shouldn’t be points of pride, the thickness of books, The Lord Of The Rings, does more succinct = more better?, novellas are novels with threads missing?, The Hobbit, the ambition of the author, Luke is rejecting the basic premise, The Stand by Stephen King, is it a better story short or long?, changes and updates and additional material, don’t let Asimov near a typewriter unless you want something written, Against The Fall Of Night by Arthur C. Clarke, The City And The Stars, expanding everything, Monster Story, “it came to me in a dream”, Minding Tomorrow, Nightfall (the short story) vs. Nightfall (the novel), “it’s a lot like a perfectly nice novel that eventually becomes a masterpiece”, The Lion of Comarre, it’s not a commercial podcast, a civil rowdiness, Eric’s Coursera course: Fantasy and Science Fiction: The Human Mind, Our Modern World, rechunking, forums, essays, 18,000 registered students, University of Michigan, only the competitors are qualified to judge the competitors, a history of the U.S. Civil War, Luke’s kitchen, grades, “there is no absolute abstract grade for anything”, Science Fiction and Politics (Courtney Brown), the governor of a steam engine, Luke confuses two professors, “yes, by golly, that was a very good thing of it’s kind”, The Odyssey by Homer, a foundational classic, The Bible, the Benjamin Franklin bible, there should be an SFBRP review of The Odyssey, Luke’s Matthew Mark Luke Skywalker, Star Wars, Joseph Campbell, time for coffee!
Posted by Jesse Willis
The SFFaudio Podcast #164 – Jesse, Wayne June and Mirko Stauch talk about The House On the Borderland by William Hope Hodgson.
Talked about on today’s show:
Wayne undersold the novel, it’s shockingly interesting, you can really see the influence on Lovecraft, Supernatural Horror In Literature by H.P. Lovecraft, blasphemous hybrid anomalies, “a classic of the first water”, the framing sequence, The Willows by Algernon Blackwood, description of sense experience, the best you can expect from the universe is indifference, cosmic horror, Olaf Stapledon, Star Maker, Last And First Men, reading in translation, Chad Pfifer, the readalong concept, getting into the book, Under The Knife by H.G. Wells, the swine beasts, the sister – “she knows he’s fucking nuts”, there’s a lot of going to bed in this book, a very relatable character, Arthur C. Clarke, one of the finest works of Science Fiction ever written, marking the transition from Gothic horror to cosmic horror, 2001: A Space Odyssey, the cover art, the Corben comic book cover, the town (or street) that can’t be found, it’s a kind of haunted house story, compression of time, Einsteinian relativity, Pepper is dead and dust, Brian Stableford, Camille Flammarion, The Night Lands by William Hope Hodgson, Edgar Rice Burroughs, Percival Lowell, S.T. Joshi, parallel development, authors write cosmic horror in cosmic horror time, astronomy,
“In the future, when the end of things will arrive on this earth, the event will then pass completely unperceived in the universe. The stars will continue to shine after the extinction of our sun, as they already shone before our existence.”
Enlightenment thinking and the decline of religion – tying your own shoes for eternity, The Raven by Edgar Allan Poe, you can’t love anything in this universe, the jade house in the arena, mythological creatures, Kalpas (is Sanskrit for aeons), it’s meta, before this book we’re living in a world run by God and after this book were living in a post God world, deep time, the recluse, are the swine people are the villagers, what book is the recluse reading?, two incommensurable realities, Messrs Tonnison and Berreggnog, haunting, Clarke’s third law, Poltergeist, the door inward, the start as poets but they don’t end that way, the unnamed lover (let’s call her Lenore), The Crawling Chaos (SFFaudio Podcast #138), The Conqueror Worm by Edgar Allan Poe, The House Of Usher, Roger Caillois: “The fantastic is always a break in the acknowledged order, an irruption of the inadmissible within the changeless everyday legality” (from Au Coeur Du Fantastique), reading old literature, C.S. Lewis, a passion for commas, a gripping book (while the character’s mind wanders), a pregnant book.
Posted by Jesse Willis
November 12, 1971, on the eve of Mariner 9 going into orbit at Mars, Ray Bradbury took part in a symposium at Caltech with Arthur C. Clarke, journalist Walter Sullivan, and scientists Carl Sagan and Bruce Murray. In this excerpt, Bradbury reads his poem, “If Only We Had Taller Been.”
[via BoingBoing]
Posted by Jesse Willis
Set in either 2026 or 1985, this story – the tale of a lonely house in California is the first that sprung to mind after I heard about Ray Bradbury’s death this morning.
Part of The Martian Chronicles, but first published in the May 6th, 1950 issue of Collier’s Weekly, the entire text of Ray Badbury’s classic There Will Come Soft Rains is viewable at UNZ.org:
Here’s a printable |PDF|.
Audiobooks:
There Will Come Soft Rains
By Ray Bradbury; Read by Burgess Meredith
1 |MP3| – Approx. 18 Minutes [UNABRIDGED]
Publisher: Lively Arts
Published: 1962
Product #: LA 30004
There Will Come Soft Rains
By Ray Bradbury; Read by Leonard Nimoy
1 |MP3| – Approx. 15 Minutes [UNABRIDGED]
Publisher: Caedmon
Published: 1975
Radio dramatizations:
Dimension X – There Will Come Soft Rains
Adapted by George Lefferts; Performed by a full cast
1 |MP3| – Approx. 29 Minutes [RADIO DRAMA]
Broadcaster: NBC
Broadcast: June 17, 1950
X-Minus One – There Will Come Soft Rains (and Zero Hour)
Adapted by George Lefferts; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: NBC
Broadcast: December 5, 1956
There’s only a snippet from the beginning of this one…
There Will Come Soft Rains
Adapted by Malcolm Clarke
1 |MP3| – Approx. 2 Minutes [RADIO DRAMA]
Broadcaster: BBC Radio 4
Broadcast: May 11, 1977
Wally Wood’s depiction of the house from the comic adaptation in Weird Fantasy #17:
Video adaptations:
There will fall soft rains by DublinBen
There Will Come Soft Rains from Peter Cotter on Vimeo.
Fallout 3 homage:
The original poem:
And finally, part of the inspiration for the story, here is the Sarah Teasdale poem as read by Ruth Golding for LibriVox: |MP3|
Posted by Jesse Willis
Just crossed the border, literally (it came in the back of a Subaru), here’s a Brilliance Audio audiobook collection that does almost everything right! First, check out the awesome cover art for Welcome To Bordertown:
Next, note the detailed track listings on the back:
So that’s a look at the outside, inside the discs themselves don’t detail their contents, which is bad, but not fatal (considering you’ve got the back of the audiobook to go by). As to the audio content itself, well I’m looking forward to picking up stories here and there as I research the authors more – that’s usually how I listen to collections these days.
This is the official description:
Bordertown: a city on the Border between the human world and the elfin realm. A place where neither magic nor technology can be counted on, where elf and human kids run away to find themselves. The Way from our world to the Border has been blocked for thirteen long years. . . . Now the Way is open once again — and Bordertown welcomes a new set of seekers and dreamers, misfits and makers, to taste life on the Border.
Here are thirteen interconnected stories, one graphic story, and eight poems — all new work by some of today’s best urban fantasy, fantasy, and slipstream writers
Now I’ve already checked out Neil Gaiman’s entry, which is a poem entitled The Song Of The Song. And I listened to Holly Black reading her own introductory essay. In it she credits the original Bordertown books as ‘creating the urban fantasy subgenre’. Ellen Kushner, Black’s co-editor, reads Terri Windling’s introductory essay, which details the background for the Bordertown series itself. It’s is described as a “Thieves’ World for teens.” Windling also talks about the phenomenon of shared worlds. Also, and this is pretty cool, there’s an additional editorial introduction written, and read, by Ellen Kushner (one that’s not found in the paperbook edition at all).
The only thing missing from this great audiobook edition is the story named Fair Trade by Sara Ryan and Dylan Meconis. But that’s probably because it’s actually a comic and so it would have been very hard to translate into audio (there are two panels of it HERE). And finally, here’s a promo video for the book:
Posted by Jesse Willis