Review of Airborn by Kenneth Oppel

SFFaudio Audiobook Review

FULL CAST AUDIO Audibook: Airborn by Kenneth OppelAirbornSFFaudio Essential
By Kenneth Oppel; Performed by a FULL CAST
10 CDs – 10.5 Hours [UNABRIDGED]
Publisher: Full Cast Audio
Published: 2006
ISBN: 1933322543
Themes: / Fantasy / Parallel World / Alternate History / Airships / Swashbuckling / Pirates /

…the pirate airship was already adjusting its course, keeping pace, and as it forced us closer to the waves, we would have less space to manoeuvre. There was a great flash from the pirate ship’s underbelly and a thunderous volley of cannon fire scorched the night sky across our bow.

A voice carried by bullhorn shuddered the air. “Put your nose to the wind and cut speed.”

The story of Airborn is told by 15 year old Matt Cruse, a lowly cabin boy on the a ziz-like commercial airship called the Aurora, primarily used as a passenger liner, the Aurora also carries industrial an commercial goods between continents. Matt was actually born in the air and dreams of becoming an officer one day, not only to further his career as an airman but also to better support his family back home. One day, while aloft and on watch, Matt spies a damaged hot air balloon drifting in the South Pacificus. Only Matt’s natural aptitude in the rigging can save the dying man carried in it. When Matt rescues him the feverish old man’s words are of an amazing, and highly improbable creature he’d spotted in the sky. A year or so later, young Kate de Vries, who was granddaughter to the hot-air balloonist, comes aboard the Aurora. Kate herself has dreams of following in her grandfather’s flightpath and becoming a famous naturalist. They might never have discovered her grandfather’s secret though, had it not been for sudden and vicious pirate raid lead by the legendary air-pirate Szpirglas (pronounced Spear-glass). After the attack and crash-landed on an uncharted island off the regular air-routes it is up to Matt to discover the secret of Kate’s grandfather, repair the damaged airship along with the crew and win the heart of Kate herself. If Matt can just pull it all together he might even live long enough to attend the Air Academy and become a officer.

This is a simple, almost classically structured, juvenile adventure story in the Heinleinian tradition. What is so different about this novel is that it isn’t set in a familiar setting – no spaceships and farm boys here, instead we have an alternate history/alternate universe tale, set on Earth, but an Earth which has place names subtly altered (The city of Vancouver is called Lionsgate City, the Pacific ocean is the Pacificus). Most importantly a flourishing airship economy has made the world of Airborn a cross between a benign steampunk world and pneumatic tube etherland of alternate science and technology. The successful airships industry is buoyed not by helium or hydrogen but instead by a mango scented and plentiful noncombustible gas: hydrium. Also in use are ornithopters, which are a fun but failed technology in our world, though they seem to serve well enough in Airborn, at least for short hops. The world’s extant empires are all subtly altered too, it appears that the expansive British Empire centered in “Angleterre, is tempered, perhaps by a more vigorous Germanic or French empire? North America itself is cut-up into “Kanada” and the “American Colonies”. The Aurora itself though is the primary setting of the novel. As a commercial passenger airship it is based out of Lionsgate City (Vancouver) and plies the airways of the Pacific to Sydney, Siberia and beyond.

There is a tremendous difference between a FULL CAST reading and a regular audiobook. A full cast audiobook, and by that I mean a FULL CAST AUDIO production, is as close to an audio drama as you can get without actually becoming a dramatization. Each character has his or her own actor, this along with descriptive text and punctuating music transmogrifies the unabridged words into vibrant mental images. I’d be willing to bet that if you were to hook-up a person listening to Airborn to a Functional Magnetic Resonating Imaging machine the FMRI would show tremendous activity in the visual cortex. There is a sequel, called Skybreaker in the release pipeline coming from Full Cast Audio, if it lives up to the standard set in writing and production it will be an SFFaudio Essential too.

Review of The Magic Tree House Collection by Mary Pope Osborne

SFFaudio Audiobook Review

Audiobook - The Magic Tree House Collection, read by Mary Pope OsbourneThe Magic Tree House Collection
By Mary Pope Osborne; Read by Mary Pope Osborne
5 CDs – 5 Hours 40 Minutes [UNABRIDGED]
Publisher: Listening Library
Published: 2001
ISBN: 0807206121
Themes: / Fantasy / Children’s Fantasy / Time Travel / Magic / Dragons / Knights / Pirates / Prehistoric /

This delightful children’s fantasy series features Jack and Annie. They’re siblings that find a tree house full of books. By opening the books the children are transported across time and space. This collection contains the first eight books of this popular kids series. In each book the children find themselves going to a different place. The books contained in this audiobook are:

1. Dinosaurs Before Dark
2. The Knight at Dawn
3. Mummies in the Morning
4. Pirates Past Noon
5. Night of the Ninjas
6. Afternoon on the Amazon
7. Sunset of the Sabertooth
8. Midnight on the Moon

Each book’s setting contains the tropes you’d expect to find. So in Pirates Past Noon, for instance, you have pirates, sailing ships, booty and treasure maps. There are story arc’s that stretches over a number of the books. The first concerns—who is the owner of the Magic Tree House.

Mary Pope Osbourne does a wonderful job of narration. Her pacing is excellent and her voice characterization are right on the mark. She has a gentle, soothing voice that children will love.

If you know or have a young person, of about five to ten years old, that you want to turn on to audiobooks, this audio collection is a perfect introduction. For my eight year old, we used it as part of our bedtime story ritual. I’ve bought the books so we can read along some nights. Other nights we take turns reading the books out loud.

Review of The Green Odyssey by Philip Jose Farmer

SFFaudio Audiobook Review

LibriVox - The Green Odyssey by Philip Jose FarmerThe Green Odyssey
By Philip Jose Farmer; Read by Mark Nelson
10 MP3s or 10 OGG Vorbis files – 6 Hours 6 Minutes [UNABRIDGED]
Published: December 2006
Publisher: LibriVox.org
Themes: / Science Fiction / Space Opera / Planetary Romance / Swashbuckling / Pirates / Slaves / Planetary Ecology / Panspermia / Humor /

Alan Green is a space traveler stranded on a barbaric planet. He’s been taken as a slave and made a consort to an insipid and smelly queen. His slave-wife, though beautiful and smart, nags him constantly. He’s given up hope of ever returning to Earth when he hears of two astronauts who have been captured in a kingdom on the other side of the planet, and sets out on an action-packed journey on a ship sailing across vast grasslands on rolling pin-like wheels in a desperate scheme to save them and return home.

This audiobook was created on a dare. Back in November 2006 I challenged anyone to make an unabridged single-voiced audiobook from a list of titles of public domain Speculative Fiction novels that had not been previously released as audiobooks. This is the first audiobook to complete the aforementioned “SFFaudio challenge.” With its completion, the narrator, has won himself a copy of Galactic Pot Healer by Philip K. Dick as read by Tom Parker. Congratulations Mark! Now, on to the review proper…

The Green Odyssey roughly parallels the adventures of the original Odysseus, except that the Mediterranean sea here is instead a sea of grass on an endless plain on an obscure alien planet. Perhaps most original in this tale are the ships that sail that grass sea of this land-dominated planet. The idea of sails and roller ships to ply the prairie between cities is a neat one (something similar was used the Dragonlance AD&D module Dragons Of Ice by Douglas Niles). The lead character, Alan Green, is a Earthman who has been shipwrecked (or is that “spacewrecked”) on a planet inhabited by a branch of quasi-medieval Homo sapiens sapiens. If his alien origins were to be revealed they’d think him a demon. For two years already he’s been enslaved and humbled. The worst of it is his being forced into the bed of a lusty, but fickle, Duchess. Her merest whim would mean his death, so when Green hears of two strangers, like himself, who’ve come from the sky in a strange ship, his ears perk-up. Upon further investigation it seems the two “demons” are being held in a distant city. With a death sentence not too far in their futures, Green hatches a shrewd escape plan with a wily merchant. His only problem – his adopted family wants to go with!

This is a exuberant adventure. It reminds me of vintage Poul Anderson, in fact the whole novel is a kind of an inverse of Anderson’s excellent The High Crusade. Its also funny, in the same smile and smirk way, and lets not forget another of its vitures, The Green Odyssey is quick! I often think this, the classic short novel of the 1950s and 1960s, is the perfect length for SF. Moreover, Farmer has scripted lots of fun details for fans of both Robert E. Howard and Edgar Rice Burroughs – the colloquial language is also full realized and amusing. Now a word of caution, this is by no means a classic on the scale of To Your Scattered Bodies Go, Jose Farmer’s best know work. That said, it is absolutely and addictively listenable – I plowed straight through the 6 hour running time with nary a dry spell. Since it is FREE, thanks to the good efforts of Mark Nelson, I can unreservedly recommend it even to people who’d otherwise give it a miss.

Mark Nelson has a real narrators voice. He puts as much characterization into the various characters into this exposition heavy novel as is probably possible. Sound is good, loud enough and pretty clean of noise. Two minor problems, Mark pronounces a word wrong and there is one line repeated, I’d guess the latter got missed in the editing, the former is almost inevitable. I’ve heard professional productions far less “professionally” produced. I am looking forward to hearing a lot more public domain SF novels from Mark!

Editors note:
In a last minute email Mark has said that he does indeed expect to be reading more Science Fiction for LibriVox in the months ahead. He’d prefer titles that “haven’t been done commercially, just to increase the variety of audiobooks out there”. But here’s the problem he’s having; Mark is not super-familiar with the Science Fiction from the 50’s and 60’s. His reading thus far has tended to read much more recent. And so he asks that we come up with with some recommendations. Recommendations, in fact, from what he calls “the knowledgeable” – Hey! That’s you guys out there! So, which public domain Science Fiction novels from the 1950s and early 1960s would you like to hear Mark read?

Posted by Jesse Willis

Avast, Alessandro Cima has started podcasting his …

Avast, Alessandro Cima has started podcasting his short novel Pirate Jack. It is a terrific sounding Young Adult novel with fantastic elements (time travel methinks). If you like pirates… and who among this heathen host don’t? This one be one for you. Each chapter is under ten minutes in length me hearties, and tis released in roughly weekly installments. Plug this link into your podcatcher to hears it:

http://feeds.feedburner.com/PirateJack

Or download directly through the website. Arrggghhh matey! That be one fine podcast for the young scabbardly unns and for peg-legged old seamen alike.

And if ye choose to comment on Cap’n Alessandro’s site tell ‘im the crew of SFFaudio.com sent ye.

Review of Diabolic Playhouse by Roger Gregg

Crazy Dog Audio Theatre - Diabolic PlayhouseDiabolic Playhouse
Written, directed, and produced by Roger Gregg
1 MP3-CD – 6 hours [AUDIO DRAMA]
Publisher: Crazy Dog Audio Theatre
Published: 2004
Themes: / Fantasy / Pirates / Wild West / Magic / Ghosts / Dark Comedy / Video games / Poetry /

Where do I start with this? How about here: Crazy Dog’s Diabolic Playhouse is an absolute treasure for fans of audio drama. The scripts are smart, funny, and tightly written. The acting is believable, well-timed, and often hilarious. And it sounds terrific! Each drama included is one hour long, as opposed to the half-hour shows in Crazy Dog’s previous The Apocalypse of Bill Lizard, which allows the Diabolic Playhouse shows a depth that was hinted at in the shorter dramas. Roger Gregg has really stepped onto a different playing field with these productions, and I for one am eager to hear his next project, whatever it might be.

There are six audio dramas here:

Demons of the Deep
A saga of seductive serpents in the salty sea.
First up is “Demons of the Deep”, a farcical comedy that had me laughing out loud. The crew of the ocean-going vessel Sea Nymph head out to Rig 39, where not a survivor survived the evil that lurked. In a particularly hilarious scene, three men take the Detritus 3, a tiny sub, down into the deep. I’ll never again be in a cramped space with two other men without thinking of this scene… not that that occurs with any regularity.

The Irishman: Have Troll Will Travel
A fable of magic and firearms in the wicked wild west.
Another successful comedy in which an Irishman living in the Old West calls on the services of a magical troll whenever he finds trouble. One day, the troll is stolen, and off the Irishman goes to find it.

Bus 13B to Hell
A fantastical fable of desperate dreams and dark desires.
It was while listening to this one that I truly realized how great these dramas really are. The actors are brilliant (including guest Phil Proctor of Firesign Theatre) and the sound of it all showcases the storytelling power of audio drama. Cyril (as performed by Morgan Jones, who appears in all six of the productions) guides the story as memorable characters board Bus 13B, which breaks down. They end up at this place where the Accountant of the Universe shows up, and… are you getting all this?

Press 3
A dialectically demonic dream of constant repetition.
I’m still thinking about this one days later. It’s a moebius strip of a drama where a woman is having difficulty dealing with a totalitarian system. Consumerism, bureaucracy, and color-coded alert systems are all fodder for Gregg and his actors, who completely succeeded pulling me into this place only to make me realize that I already live there.

The Silver Tongued Devil
A documentary of poetry, pretension, and possession.
This entire piece is done like a radio documentary, NPR-style, complete with interviews of average people about the “Silver Tongued Devil”. The actors who did these segments were perfect! If I had listened to this on the radio without knowing that Crazy Dog had done it, I’d have thought it was news. Who is the “Silver Tongued Devil”? He’s an incredibly famous poet from Cork who has the god-like ability to make people swoon with his words. Again, the piece is multi-layered, achieving both hilarity and poignancy.

Gerry in the Dark Passage
A story of a virtual man who lost his virtual way.
Gerry is thirty-something, single, and works in a comic shop. Much to his girlfriend’s chagrin, he plays a lot of video games, often losing track of time. After accepting the challenge of a master gameplayer, Gerry starts losing much more than time in this powerful drama.

Diabolic Playhouse is a must-have collection from Crazy Dog Audio Theatre, who BBC Radio counted among the “most imaginative producers of radio drama in the English speaking world.” You can find this on Crazy Dog’s website, which is based in Ireland. If you are in the United States, you can pick it up at ZBS.

Remarkable!

Posted by Scott D. Danielson