Reading, Short And Deep #396
Eric S. Rabkin and Jesse Willis discuss Narcissus by Clark Ashton Smith
Here’s a link to a PDF of the story.
Narcissus was published in The Acolyte, Winter 1945.
Posted by Scott D. Danielson Become a Patron!
Reading, Short And Deep #396
Eric S. Rabkin and Jesse Willis discuss Narcissus by Clark Ashton Smith
Here’s a link to a PDF of the story.
Narcissus was published in The Acolyte, Winter 1945.
Posted by Scott D. Danielson Become a Patron!
The SFFaudio Podcast #606 – Behind The Curtain by Francis Stevens; read by Mary Jo Escano.
This unabridged reading of the story (29 minutes) is followed by a discussion of it.
Participants in the discussion include Jesse, Paul Weimer, and Maissa Bessada
Talked about on today’s show:
Famous Fantastic Mysteries, All-Story Weekly, the original, Mary Jo Escano, Connor Kaye, an inversion of The Cask Of Amontillado, unhinged, paranoid, the slight, Reading, Short And Deep, The Purloined Letter, hiding something in plain sight, C. Auguste Dupin, Voltaire’s Zadig, the origin of Sherlock Holmes, a couple of lines in Latin, a story from ancient Greece, like most people, the content of the letter, blackmail, Poe is so twisted, feed the child to the parent, revenge, the general outline Fortunato is unlikely, don’t tread on me, a foot stamping on a snake, coded, carnival day, the way the story is framed, you who know me so well, a return to the frame, fifty years, confess to a murder crime, confessing to his confessor, a little twist, an unrepentant evil fuck, bad deal, Poe is very revengy, Francis Stevens, Terrence E. Hanley’s blog, the math, the golden age for SF is 12, a new edition of Poe came out when Francis Stevens was 12, H.G. Wells, a number of Poe stories, read and listened, a whole other story, every single line, incredibly interesting how much work each little thing does, densely short, idea matrix, dream, didn’t feel cheated, Castalia House, more Lovecrafty, Schrodinger’s Beatrice, a back frame, The Turn Of The Screw, the dream thank god was a lie, what was the dream, both, this avenging poison, really questioning, this is an actual dream Francis Stevens had, Lovecraft’s letters, Jesse’s dreams, this thesis, dreams and creative writing are basically the same thing, multiple passes, the power of dreams, if that’s not the case, that’s how the narrator tells the story, dreams are very slippery things, worried that something in the dream is reality, what you feared, neglecting pets [sooo neglecty], undo, what is actually real, everyone they say has a streak of incipient madness, the potentiality, Beatrice wants a divorce, Santallos, she was going for italiante, Spanish background, The Fall Of The House Of Usher, a mummy in his house, read stories then write based on prominent, at 3am on your birthday, a very long dream
Dreamt I traveled to a small island nation, a tourist destination, &took the usual tourist trap tour with a semi-stranger. He’d lured me there like Harley Warren, with hints& half-promises about some semi-history some semi-mythology of that island nation. A Twitter acquaintance, I was his Randolph Carter, his audience and student. We toured the caves with the others, but at a certain passage broke with the group and wound down tunnels of the known path. There he pointed out subtle signs no local guide would mention or noticed. A glyph here, a scratch there. And eventually he showed me the wall which concealed that culminating theory, or so he said. I feared my Carter might be his Fortunato and said so. But his knowing laugh reassured and also frightened me. He asked my help in rolling the wall, a large round rock, aside and I did, and with my small extra strength added to his the wall moved. We pass into the passage beyond and found evidence that the island’s rumors about a great power once visiting but somehow sparing them the devastation of similar remote island nations to be literally true. For beyond that wall we found a small group of skeletons seated round in a ring. Each a cup in their bony hands. Each cup contained a reddish residue and as I [p]awed and sniffed at the bottle between them my semi-acquaintance explained the scene to me. They’d crashed their ship upon the island’s rocky shores, he said, after being wrecked upon them by a swirling tempest. But surviving and being provisioned, their leader, a ship’s surgeon told the poxxy crew they could expect a rescue and relief. But this had been a ruse for the surgeon somehow knew that his European crew carried a disease too deadly to be treated on the isolated natives of this island nation and so instead he’d planned a party where in truth he’d drugged their wine, and collapsed the cave wall behind which lay this sordid scene.
I sat there stunned.
How could this Twitter acquaintance know all this about this hidden history, this suicidal plan, this involuntary pact, this truly tainted tontine in which all its members had only learned their fate at the hands of their deceaser doctor who himself imbibed the tainted wine?
Again
my Twitter acquaintance, nigh a friend, laughed and explained his morbid methodology.
And as I heard his terrible words, and sniffed again at that reddish residue I realized that the island’s isolated events and the ships surgeon from long ago were less a quaint [story] than a repeating pattern and as this realization dawned upon me and he laughed the final words I heard that round rock roll back into place as I awoke to write these words.”
no joke, experience the horror, deliberative cruelty, a wind so strong, a bunch of images, quite interesting, now I’ve gone too far, that happens in this story, really cool, Poe-esque, less something to be proud of than to be interested in, How Jesse Dreams podcast, 6 weird words,
HIS GREAT GRANDSIRE’S WILL by Jesse
Upon the death of his despised great grandfather, the portly boy was surprised to learn he had been bestowed his mouldering ancestral estate, consisting of a remote mountain fortress, a deep black lake, and crumbling thatch-roofed stables.
Yet when he first visited that stone citadel, that deep still tarn, and those rotting horse stalls, the ample boy was not particularly impressed with his great grandsire’s wizardry.
But the more he investigated that ancient demesne the more the big boy came to appreciate his great grandfather’s antiquarian peculiarities.
So it was particularly poignant when one November evening the rotund boy was plumbing the depths of the manor’s many cellars when, after sliding aside a purple velour curtain, he discovered the shriveled and still swinging corpse of his great grandfather in a magnificent rocking chair.
Shocked, but no longer surprised, the seemingly faithless boy instantly kicked his old ancestor’s body out of the chair, draped that sumptuous violet hanging about his still plush shoulders, seated himself, laughed and began to rock.
When in the spring sunshine they eventually found him in that basement of that shining citadel, the boy’s body was dry and desiccated, the stables had been rebuilt, the lake was lush with lively loons, and a freshly empty casket lay resplendent in an upper turret.
THE END
Jesse writes better in his dreams, the original Virgil Finlay illustration, having Poe on your mind, a Poe-ish story, in your reading gets inside of you, how this story was constructed, a cliche, and it was all a dream, genuinely what it is, it feels like it was written by a woman, the way he talks about the other male, the female gaze, he sat in the woman’s chair, he wishes he could see himself, his litheness of his body, its almost like a gay thing, sometimes Jesse’s not in his own dreams, third person dreams, an expy, Maissa doesn’t know whose in her dreams, interfering with access, designed to be forgettable, kettle on the stove, dream memory would harm reality if it persisted, looking for the cat you’ve never owned, maladaptive, I must be enjoying it while its happening, try to hold on to dreams, free association, a deliberately difficult order, the arbitrariness of dreams, how could this work?, writing your way out of it, plotters vs. pantsers, writing by the seats of your pants, the unpublished first novel of Clark Ashton Smith (The Black Diamonds), a Dungeons & Dragons adventure, an old castle, rotting tapestry, another dinner, there’s wrestling, a mysterious letter delivered by a bird, you are now my enemy, forsworn, no explanation, this wonderful imagination, he’s got the right attitude, the font is too small, why it is a dream story, she read a lot of Edgar Allan Poe and she had this dream, her own personal psychology, Poe’s life, his parents, his adoptive family, super-randy, romanced everybody around, you better straighten up, defiant, West Point, excelled and kicked out, a trouble maker, Tomahawk Poe, how mean he was, Baltimore Gazette, trouble holding a job, alcoholic, Poe’s executor was his enemy, Poe was not a normal person, Francis Stevens was a normal person (extraordinarily gifted), not a Harlan Ellison type, Poe would be very tiring, we have to work with this guy, he’s the son of the boss, the narrator is upset by the actions he thought he took, he didn’t kill Beatrice, but he thought about it, jealousy, putative lover, yay my marriage failed, easy come easy go (but its not that easy), the timing of this story, 1918 vs. 1922, King Tut’s tomb, waves of Egyptmania, a little premature, The Mummy, 1940, its very short, subtle, authentic, she was 34 when this story came out, the bulk of her stories appear The Curious Experience Of Thomas Dunbar, the superhero Sampson, the very first superhero story, super-science, comic-booky, unrelated experiments, all of the metal, vibranium or adamantium, like Captain America, tremendous strength, the mythological character, written when she was a teenager, she’s got something, a real dynamism, it feels clunky at the beginning, it’s a short story, to be sure of my visitor, this is all planned, our friend, our Beatrice, it throws you off, a blast of sharp November air, each purple curtain, from Poe, ah distinctly I remember, wrought its ghost upon the floor, burn, I had to throw my weight upon the door, the storm without (he thinks), you’re very cautions, a password, this house stands somewhat alone, thieves everywhere, full of import, a feat of considerable muscles, sarcophagus, yes, the woman it contains, don’t you agree?, counterfeited a shudder, mummy horror, selling everything, tear jars and tombstones, a meme, drinking a cup full of “liberal tears”, making light, that relationship, neglecting his wife, another Poe story, The Oval Portrait, her name is not insignificant, trying to escape a bad relationship, she just wants to have it quits, the kind of chair that women love but most men loathe, like a cat, occasional blundering candor, the litheness of his body, why does he want to be understood?, with a single exception, the entire lot is going to the dealers, the costume of the mummy, he’s transferred his affection, very weird, where is Beatrice, a sea-cruise, another Poe story, The Oblong Box, its a coffin, Herman Melville’s Moby-Dick, the coffin as a flotation device, she’s in her boudoir?, we don’t know, what’s behind the curtain?, what is the curtain?, the dream?, the space between life and death?, the rosy velour curtain, constantly billowing, a rose coloured sail, must be a door behind there, huh?, my voice checked him, are you quite strong enough to close that door, chin on shoulder, his face seemed scarcely familiar?, what door is it?, his eyes fled mine, the invading winds, Annabelle Lee, you feel like you’re with them, heft to the things, the foot of the gilded case, gilded cage, a prisoner of his own thoughts and his own fear and his own making, he can’t escape them, a repulsive fantasy, yes?, you are too lovely Beatrice, you shall have your freedom, the father’s friend sent the wine, a very female story, kill with poison, enemy and himself, a murder suicide, none of us are going to survive that night, The Sleeper, a story not just a description, by the tomb by the sea by his Annabelle Lee, big frost ship poem, The Rime Of The Ancient Mariner, you’re walking down the highway, who are you?, its a story of necrophilia, a dude like Romeo outside of a house, she’s either dead or asleep, The Sleeper, curtains, superhard to understand, a nice tomb (she deserves it), to hear the echo (that’s a ghost), the horror of your loved one being dead, your in-laws, if Beatrice is to die, she should be given the most grand tomb imaginable, the mummy’s tomb, be with her (kinda), definitely thinking about it, the underdog stand, one more try, my father’s jealous blood, the mummy or his wife?, he was paying more attention, let her mate with who she would, my brown perfect princess of the Nile, as I had seen it in my vision, did he do that?, he was prepping, prepping for the murder, so good, page 41, erect in the doorway, more beautiful, bound across her bosom, amulets, the amulet of purity of the heart, Dante Alighieri, lost in the dusk of her hair, the flesh of any of us three, what he says about her hair, pallor, an interesting growth, the billowing of the titular curtain, the same totem, the catacombs, a distraction to Fortunato, the niter, it grows, an indication of growth in death, bird poo, an alchemical idea, crystalline growth, do you notice the curtain it blows?, half the estate, even to the sarcophagus itself, the unclosed frozen eyes, a motif used again again, Dream-Land, there the king hath forbid the uplifting of the fringed lid, the courtesy due a guest, a gauge, a measure of his suffering, drive home the jest, you’re joking with me, dressed in motley, a jester, Beatrice had seen, Romeo And Juliet, Pyramus and Thisbe, any use, the melting pot of dissolution, almost Lovecraftian, you asked what door, there are doors and doors dear, charming friend, close it now in my face, wither you have, the heavy heavy door of the Osiris, very cool story, so many layers, more notes from Connor, pretty much a reasonable person, to consummate their affair, juicy horror elements, without plot being committed, a reasonable person, your writing sucks, dude, a magician’s act, the whole dream is a magic trick, the stage assistant has not been sawn in half, a comparison between Beatrice and the dead princess, changed vs. unchanging, the dead princess, he can project all his stuff onto her, no, no I hate those, watching movies with his mummy bride, their all independently wealthy, take your stuff home to work with you, one story in Weird Tales, Sunfire, running out of Francis Stevens to read, alas!, three stories to go, The Thrill Book, Impulse, set in the Society Islands Of The South Pacific, how much we will enjoy this story, completely gone, Friend Island, make sure you keep a copy, and that’s that, evocative, stuff to say, Unseen—Unfeared, Google Books, one photo of Francis Stevens (unattributed), why she stopped, some falling out with her kid, alternative dates for her birth and death, changed her name again?, R.M. Burrows, with women its hard, Lovecraft’s name is unusual, we don’t quite have the technology yet, new stuff gets scanned, 1948 newspaper Washington, D.C., Book Club called The Outsiders, first order of business, write a stern letter to the government, Weird Tales was banned in Washington, D.C., “different stories”, like a television channel, “The Unique Magazine”, those misfits, the weird stories, this isn’t a science fiction story, its not even a fantasy story, a horror story, a Poe story, not following a particular set of tropes, why I like Francis Stevens.
Posted by Jesse WillisBecome a Patron!
Reading, Short And Deep #168
Eric S. Rabkin and Jesse Willis discuss Strange Eden by Philip K. Dick
Here’s a link to a PDF of the story.
Strange Eden was first published in Imagination, December 1954.
Posted by Scott D. Danielson
The SFFaudio Podcast #262 – Jesse, Jenny, Tamahome, and Seth talk about NEW RELEASES and RECENT ARRIVALS.
Talked about on today’s show: We help Jesse clear off his desk by discussing books in paper (dead trees and rags), “like e-books but thicker”; Tropic of Serpents by Marie Brennan, second in the Lady Trent series, gorgeously illustrated, Darwin meets dragons; why are illustrations dying out, even in e-books?; Scott Westerfeld’s Leviathan features good illustrations; The Raven’s Shadow, third in Elspeth Cooper’s Wild Hunt series; how many print pages in an hour of audio?; more from L.E. Modesitt Jr’s Imager series; John C. Wright’s The Judge of Ages, with allusions to Cordwainer Smith; The Goblin Emperor by Katherine Addison, smarter steampunk?; a tangent on translating page to screen; Tam likes more fantasy in his fantasy; a tangent on Game of Thrones; a tangent on Citizen Brick and the expiration of the LEGO patent; The Revolutions by Felix Gilman; science fiction was once planetary romance; The Prestige; Best Science Fiction and Fantasy of the Year vol. 8 edited by Jonathan Strahan, now published by Solaris, featuring a lot of great stories; and we finally reach audiobooks!; The Scottish Fairy Book, Volume 1; the timeless quality of folktales; Classics Lesson of the Day: Ovid’s a boy, Sappho’s a girl; Steles of the Sky by Elizabeth Bear; we try to puzzle out what a stele is; we praise Bear’s interview on Geek’s Guide to the Galaxy; Elizabeth Bear’s Hammered isn’t romance “because fifty-year-olds never have romance”; Without a Summer, third in Mary Robinette Kowal’s Glamourist Histories series, expertly narrated by the author; Dreamwalker by C.S. Friedman doesn’t seem to be your run-of-the-mill urban fantasy (suburban fantasy?); Indexing by Seanan McGuire, urban fantasy with a postmodern twist; mimetic incursion and Jorge Luis Borges’s Averroes’s Search; Night Broken by Patricia Briggs, eighth in her Mercy Thompson series; a tangent on midriff tattoos and names for tattoos on other parts of the body; Jenny has created a new genre, Scientific Near Future Thrillers!; in the future, iPods will be merged into our eyebrows; science and technology don’t evolve quite how we expect; Neil Gaiman discusses the influence of Ballard and other classic SF writers on the Coode Street Podcast; Sleep Donation by Karen Russell; Strange Bodies by Marcel Theroux; Boswell is Samuel Johnson’s biographer; Afterparty by Daryl Gregory is blowing up on Goodreads; pre- and post-apocalyptic fiction–no actual apocalypse this time; The End is Nigh, first in the Apocalypse Triptych edited by John Joseph Adams and Hugh Howey; the tech gremlins didn’t want us to discuss Dust, the third in Hugh Howey’s Silo series; Lagoon by Nnedi Okorafor; The Forever Watch by David Ramirez, Jesse thinks the protagonist has too many jobs; “pause resister”, WTF?; Dark Eden by Chris Beckett, already reviewed here at SFFaudio; we struggle to define Pentecostal; religious opposition to the film adaptation of Philip Pullman’s The Golden Compass; Hiroshi Sakurazaka’s The Edge of Tomorrow (originally entitled All You Need Is Kill), Groundhog Day meets Fullmetal Jacket, film adaptation features Tom Cruise; Red Planet Blues by Robert J. Sawyer, a hardboiled detective story on Mars; Noggin by John Corey Whaley; Decoded by Mai Jia; Desert of Souls by Howard Andrew Jones is a refresh of The Arabian Nights; Frank Herbert’s Direct Descent is about a library planet; novella is the best length for SF; Night Ride and Other Journeys by Charles Beaumont, a “writer’s writer” who wrote for The Twilight Zone; Christopher Moore’s The Serpent of Venice is an irreverent Shakespeare/Poe mashup.
Posted by Jesse Willis
Just in, this very interesting anthology, edited by Stefan Rudnicki! I couldn’t find a Table of Contents on this package or on the Audible site, so I included it below. Why don’t audio publishers find the Table of Contents important when it comes to anthologies and collections? Because… THEY ARE.
After seeing the contents, I’m eager to dive into this. Oliver Onions, Guy de Maupassant, Harlan Ellison, John Crowley… Harlan Ellison reading John Crowley… this is terrific!
TABLE OF CONTENTS
INTRODUCTION
Lofty Ambitions by Harlan Ellison, read by Harlan Ellison
PART 1: THE MYTHS WE LIVE BY
A Youth In Apparel That Glittered by Stephen Crane, read by Stefan Rudnicki (poem)
After the Myths Went Home by Robert Silverberg, read by Stefan Rudnicki
Novelty by John Crowley, read by Harlan Ellison
Pan And The Firebird by Sam M. Steward, read by Stefan Rudnicki
Murderer, The Hope Of All Women by Oskar Kokoschka, performed by cast
The Touch Of Pan by Algernon Blackwood, read by Stefan Rudnicki
The Lost Thyrsis by Oliver Onions, read by Roz Landor
The Bacchae (excerpt) by Eurpides, performed by cast
PART 2: MYTHS THAT BITE
A Noiseless Patient Spider by Walt Whitman, read by Stefan Rudnicki
Mystery Train by Lewis Shiner, read by John Rubenstein
Continued On The Next Rock by R.A. Lafferty, read by Stefan Rudnicki
Diary Of A God by Barry Pain, read by Enn Reitel
The Repairer of Reputations (excerpt) by Robert W. Chambers, read by Stefan Rudnicki
The Yellow Sign by Robert W. Chambers, read by Stefan Rudnicki
An Inhabitant Of Carcosa by Ambrose Bierce, read by Danny Campbell
The Horla by Guy de Maupassant, read by Arte Johnson
PART 3: SHOCKING FUTURES
Kubla Khan by Samuel Taylor Coleridge, read by Stefan Rudnicki (poem)
City Come A’Walkin (excerpt) by John Shirley, read by Don Leslie
A Pail Of Air by Fritz Leiber, read by Stefan Rudnicki
The Machine Stops (excerpt) by E.M. Forster, read by Roz Landor
Looking Backward and Equality (excerpts) by Edward Bellamy, read by David Birney
Gulliver’s Travels (excerpt) by Jonathan Swift read by Scott Brick
Utopia (excerpt) by Sir Thomas More, read byChristopher Cazanove
Monument To Amun by Queen Hatshepsut, read by Judy Young
PART 4: TRAVELING FOOLS
La Bateau Ivre by Arthur Rimbaud, read by Stefan Rudnicki
Inspiration by Ben Bova, read by Stefan Rudnicki
The Bones Do Lie by Anne McCaffrey, read by Stefan Rudnicki
A Princess Of Mars (excerpt) by Edgar Rice Burroughs, read by John Rubinstein
The Great Stone Of Sardis (excerpt) by Frank R. Stockton, read by David Birney
Alice’s Adventures In Wonderland (excerpt) by Lewis Carroll, read by Michael York
Diary Of A Madman (excerpt) by Nicolai Gogol, read by Stefan Rudnicki
The Inferno (excerpt) by Dante, read by Stefan Rudnicki
The Odyssey of Homer (excerpt), read by David Birney
PART 5: TRANSFORMERS
The Stolen Child by William B. Yeats, read by Stefan Rudnicki
The Porcelain Salamander by Orson Scott Card, read by Gabrielle de Cuir
Let’s Get Together by Isaac Asimov, read by Arte Johnson
Dracula (excerpt) by Bram Stoker, read by Simon Vance
Dr. Jekyll And Mr. Hyde (excerpt) by Robert Louis Stevenson, read by John Lee
Goblin Market by Christina Rossetti, read by Gabrielle de Cuir
Frankenstein (excerpt) by Mary Shelley, read by Stefan Rudnicki0\ *
The Laidly Worm of Spindleston Heugh (Traditional English Fairy Tale), read by Judy Young
A Midsummer Night’s Dream (excerpt) by William Shakespeare, performed by cast
The Ballad of Tam Lin (Celtic ballad), read by Stefan Rudnicki
Metamorphosis (excerpt) by Ovid, read by Cassandra Campbell
PART 6: REST IN PIECES
Hearse Song
The Conqueror Worm by Edgar Allan Poe, read by Stefan Rudnicki
The New Testament: Revelations (excerpt), read by Stefan Rudnicki
The Colloquy of Monos & Una by Edgar Allan Poe, read by Stefan Rudnicki and Gabrielle de Cuir
From the Crypts of Memory by Clark Ashton Smith, read by Danny Campbell
The Comet by W.E.B. DuBois, read by Mirron Willis
Sand (excerpt) by Stefan Rudnicki, performed by cast
Transience by Arthur C. Clarke, read by Bahni Turpin
The Illusionist by Gareth Owen, read by Stefan Rudnicki
Unchosen Love by Ursula K. LeGuin, read by Stefan Rudnicki
In Lonely Lands by Harlan Ellison, read by Harlan Ellison
News from Nowhere (excerpt) by William Morris, read by Stefan Rudnicki
PART 7: COMMENTARIES
The Special And General Joys of Science Fiction by Ben Bova, read by Stefan Rudnicki
Edgar Allan Poe 1809-1849 by Elliott Engel, read by Gabrielle de Cuir
Adolescence And Adulthood In Science Fiction by Orson Scott Card, read by Stefan Rudnicki
Posted by Scott D. Danielson
The SFFaudio Podcast #072 – Jesse and Scott talk with Julie Davis, of the Forgotten Classics podcast about Assam And Darjeeling by T.M. Camp |READ OUR REVIEW|.
Talked about on today’s show:
Assam & Darjeeling by T.M. Camp, Podiobooks.com, iTunes, serialized fiction, entertaining copyright notices, where do you do your podcast listening?, I’ve got my hands full of car, the volume on Assam And Darjeeling is way too low!, remastering Assam And Darjeeling for audiobook, listening to podcasts at double speed (only on iTouch and iPhone), the premise of Assam And Darjeeling, Hades, the underworld, Inferno by Larry Niven and Jerry Pournelle |READ OUR REVIEW|, Escape From Hell by Larry Niven and Jerry Pournelle , The Divine Comedy: The Inferno by Dante Alighieri, Virgil’s The Aeneid, Ovid, the Brothers Grimm, witches, Greek Mythology, Edgar, no one can be as cruel as a kid, Joss Whedon, in the hands of a skillful author, Matters Of Mortology by T.M. Camp, Kij Johnson‘s The Fox Woman, the Black Gate blog, foxes in mythology, Aesop’s Fable The Fox And The Grapes, Cernunnos, Herne the Hunter, making the switch from comedy to horror and horror to comedy, the Shaggy Man (in the Oz series), Tom Bombadil, he has psychic powers too?, page 18, masterly dialogue put into the mouths of young children, the PDF version of Assam And Darjeeling, What Dreams May Come by Richard Matheson, life after death, Inception, Edgar Alan Poe should go into the underworld to get his wife Virginia, The Memory Palace episode about Edgar Allan Poe’s death (Episode 20 strong>This Ungainly Fowl), This American Life is really bleak, WNYC’s Radiolab isn’t, general fiction is generally bleak, A Good Man Is Hard To Find by Flannery O’Connor, Science Fiction vs. general fiction, Social Science Fiction, Science Fiction has a second layer, it’s not all style, The Cold Equations by Tom Godwin, Staggerford by Jon Hassler, there are ways to tell powerful stories, A Man In Full by Tom Wolfe, Bangsian Fantasy, Fantasy, re-reading The Lord Of The Rings, the more I think about it the more I think I don’t like Fantasy, SFSite.com, derivative Fantasy, romance novels, Jane Austen, John Thorne, The Long Walk by Stephen King (Richard Bachman), The Stand, It, Salem’s Lot, The Shining, Under The Dome, Shirley Jackson, Ray Bradbury, long vs. short, The Cell by Stephen King, 28 Days Later, Desperation by Stephen King, The Rapture, if you were a character in this book who would you be?, the rule that makes any book better: talk about food, Lawrence Block, the economy of the afterworld, lampshading, I’m done with sequels, Mike Resnick’s Starship series, Jim Butcher’s Dresden series, The Fall Of Hyperion by Dan Simmons, Make Room, Make Room by Harry Harrison, Soylent Green, Adventures by Mike Resnick, mammoths vs. mastodons, Brave New World by Aldous Huxley, Nineteen Eighty-Four by George Orwell, The Star Beast by Robert A. Heinlein, The Great Gatsby by F. Scott Fitzgerald, The Scarlet Letter by Nathaniel Hawthorne.
Posted by Jesse Willis