Orson Scott Card – Page 9

The SFFaudio Podcast #026

Podcast

The SFFaudio Podcast #026 – Jesse and Scott argue about how long books should be, talk about audiobooks, audio panels, Audible’s new audio format (higher quality). We also ask the questions:

“If Stephen King was your dad and reading you a bedtime story, would you ever get to sleep?” and “Why does Epic Fantasy have to be so long?”

Talked about on today’s show:
Science Fiction Symposium @ BYU, Writing Excuses podcast, Brandon Sanderson, I Am Not A Serial Killer by Dan Wells, Howard Tayler, The Immortals by Tracy Hickman, The Science Fiction Hall Of Fame Vol. 1, Elantris |READ OUR REVIEW|, L.E. Modesitt, Jr., David Farland, Eric James Stone, James Dashner, Orson Scott Card, Audible’s new Enhanced Audio Format, Blackstone Audio‘s forthcomings: new Harlan Ellison (and old), Stir Of Echoes by Richard Matheson, Passage by Connie Willis, Bellwether by Connie Willis, CBC Radio Between The Covers, Wake by Robert J. Sawyer, Battlestar Galactica, the Story Speiler podcast, And All The Earth A Grave by C.C. MacApp, The Space Merchants by Frederik Pohl and C.M. Kornbluth, 20th Century Ghosts by Joe Hill |2 FREE STORIES|, Heart Shaped Box by Joe Hill, On Writing by Stephen King, Telling Lies For Fun And Profit by Lawrence Block, Inferno by Larry Niven and Jerry Pournelle |READ OUR REVIEW|, Escape From Hell, Wikipedia is full of spoilers, Exit Door Leads In by Philip K. Dick [is full of swearing], The Most Brilliant Sci-Fi Mind on Any Planet: Philip K. Dick |PDF|, Starship Rebel by Mike Resnick |READ OUR REVIEW|, and a 5 sound review of Babylon 5, A Song Of Ice And Fire by George R.R. Martin, Wild Cards would make good audio, HBO’s True Blood, is it all ‘too much conversation, not enough sword?’

Posted by Jesse Willis

Orson Scott Card Selects #8 – Rocannon’s World by Ursula K. Le Guin

SFFaudio Online Audio

Orson Scott Card’s latest aural essay is up on Audible.com. Card talks about Ursula K. Le Guin’s first novel Roccanon’s World and the Blackstone Audio audiobook of it that’s narrated by Stefan Rudnicki!

Go check it out, or just grab the |MP3| and listen immediately.

Posted by Jesse Willis

National Endowment for the Arts: Big Read – Fahrenheit 451

SFFaudio Online Audio

SFFaudio contributor and podcaster Julie Davis sez:

I stumbled across this in the new podcasts … the NEA’s The Big Read. First up, looking at Fahrenheit 451. Many good reminiscences from Ray Bradbury with comments from Orson Scott Card and others. Really good.

I know I’m going to have a listen |MP3|!

Subscribe via the feed:

http://feeds2.feedburner.com/neabigread

Posted by Jesse Willis

Review of Stonefather by Orson Scott Card

SFFaudio Review

Stonefather
By Orson Scott Card; Read by Emily Janice Card
Audible Download – 3 hours – [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2008
Themes: / Fantasy / Magic / Nature / Politics / Youth /

Runnel is nothing special. He was never good at anything nor exceptionally bad at anything, just plain ordinary. He is frequently beat by a just as frequently angry father. He lives in a house with more than a dozen children. “Runnel” is a water name, which he was given out of piety to the god Yegut. Even though he has a water name, the only thing that Runnel is better than the other children at is rock climbing. He can find footholds and crevices where other children can’t.

As Runnel approaches his “man height” the other kids begin playing mean jokes on him. During one of these jokes Runnel finds himself on the top of a mountain all alone looking at a road heading to Mitherhome, the city of water mages. He decides to leave and starts to walk towards Mitherhome which is an island surrounded by a deep gorge in the land. He walks to the town of Hetterfairy, the only way to get to Mitherhome. Here he meets a servant named Lark who becomes his first friend. Runnel persuades her to take him to her masters house where he gets a job and discovers something amazing about himself.

This book is written by Orson Scott Card and is read by his daughter Emily Janice Card. Orson Scott Card is the famous award-winning author of the Ender series, Bean Series, and the Earthfall Series. “Stonefather” is a story set in a series he is writing, an introduction you might say.

Emily Janice Card read this book amazingly. This is the first audio book that I have heard that she has read and I was pretty surprised. She is not the best reader in the world but she is very very good. I could see the same voice in all the characters but this did not distract me from the story.

Card’s clever use of words had me from the beginning as all of his books do. I could tell each character not only from their voice but from their style of words. Some had very similar styles but there was always a little tweak in it that I could see and it made it all the better. I dislike books in which I can not tell who is speaking.

Posted by DanielsonKid (Age 14)

Joe Haldeman speaking about The Craft of Science Fiction

SFFaudio News

I’ve had The Craft of Science Fiction, a Massachusetts Institute of Technology video on my hard drive for more than a year. In it MIT professor and SF author Joe Haldeman reads from The Accidental Time Machine. He also talks candidly about his work (teaching writing at MIT), the problem of “faith based initiatives” (they’re too effective), and plenty more. For those who’ve read or heard Haldeman’s The Hemingway Hoax, there’s value here too as Haldeman explains his through fascination with Hemingway. He ruminates on the relationship between Heinlein’s Starship Troopers, his own The Forever War and OSC’s Ender’s Game and plenty more. I’m kind of glad I waited, there are plenty of spoilers for Haldeman’s The Accidental Time Machine in the vid – but, for those who’ve read or listened to it already – you’ll definitely dig it. The video runs about 2 hours 20 minutes – I got it through iTunes U but the video can be watched here below for those who aren’t portable.

Personally, I think it’s full of the very best kind of ivory tower goodness. What do you think?

Posted by Jesse Willis

Review of Ender In Exile by Orson Scott Card

SFFaudio Review

Ender in Exile
By Orson Scott Card; Read by David Birney, Cassandra Campbell, Emily Janice Card, Orson Scott Card, Gabrielle de Cuir, Kirby Heyborne, Don Leslie, Stefan Rudnicki, and Mirron Willis
12 CDs – Approx. 14 Hours [UNABRIDGED]
Publisher: Macmillan Audio
Published: 2008
ISBN: 9781427205124
Themes: / Science Fiction / Colonization / Starships / Religion / Politics / War / Aliens /

Over the last six years or so, Orson Scott Card has had nearly everything he’s written published as an audiobook. His writing is particularly suited to audio; his style is dramatic, clear, and driven by conversations, both internal and external. Card’s storytelling ability is also first rate.

The other half of an audiobook is its presentation, and here Card’s audiobooks also excel. In the Ender and Ender’s Shadow series of audiobooks, Stefan Rudnicki has led a talented crew of narrators in expert productions. Ender in Exile is the ninth novel written in the universe started by Ender’s Game, and all of them have been produced in a similar manner – with multiple narrators that change with shifts in the point of view of the story.

The entire novel takes place between the last two chapters of Ender’s Game. I’ll try not to spoil Ender’s Game for those who haven’t read it, but the main events of that book have finished, and the teenaged Ender Wiggin can not stay on Earth for various and interesting reasons. He is put on a colony ship, and much of the book takes place there. The conflict for him is not over. He’s distrusted by powerful adults, and because of his fame he distrusts the motives of everyone else. He’s still very much alone.

You’d think after four novels about Ender Wiggin that there wouldn’t be anything else to say about him. But Ender in Exile is one of the best novels in the series, mostly because of the insight it provides into the most interesting aspect of Ender Wiggin’s life: his transformation from Battle School student to Speaker for the Dead.

An atypical aspect of this novel is that it is really a sequel to two books: Ender’s Game and Shadow of the Giant. Because of the relativistic effects of space travel, three of the four Shadow novels take place while Ender is en route to his colony. Some of the things that happen in those books affect events in this one.

Despite all that, this book can be read standalone, though a good experience is made even better by knowing the whole story.

And, a bonus mini-review from DanielsonKid: It was very good, but I wouldn’t call it one of his best.

Posted by Scott D. Danielson