A live video of this year’s Worldcon Hugo Awards (Chicon 7: The 70th World Science Fiction Convention), held in Chicago, was being streamed on Ustream until shortly after clips from three Doctor Who episodes, an episode of Community, and a clip from last year’s Hugo Awards ceremony were shown. Neil Gaiman was giving his acceptance speech, for The Doctor’s Wife, when he was suddenly cut-off and replaced by a black screen and the words “Worldcon was removed due to violation of terms of service.”
Speculation by viewers, in the chat room associated with Ustream included surmises such as “Well, someone DCMA’d the Hugo live webcast” – and yet another chatter rightly pointed out that the clips used were “clearly FAIR USE.”
Things are clearly fucked up south of the border when a private “TERMS OF SERVICE” acts in place of copyright.
The next Hugo Awards ceremony should be released via torrent.
Update:
“Samuel Montgomery-Blinn Official announcement from @Chicon7 says that Ustream won’t be bringing this back online.”
Having just watched the excellent 2008 documentary, Lovecraft: Fear Of The Unknown, I went looking for a podcast interview about it. I found one! Suvudu On Air #24 has a short interview with the filmmaker, Frank Woodward.
The doc itself is full of fascinating interviews intercut with H.P. Lovecraft inspired art (much of which comes from the H.P. Lovecraft Historical Society) and brief snippets of prose.
Writers Peter Straub, Neil Gaiman, and Caitlín R. Kiernan talk about Lovecraft and filmmakers Stuart Gordon, John Carpenter, and Guillermo Del Toro do too!
I loved it!
And here’s the documentary in it’s entirety via YouTube:
Here’s a live reading (audio only), by Neil Gaiman himself, of Shoggoth’s Old Peculiar. The story is a kind of mash up of a Peter Cook and Dudley Moore piece, that and the Cthulhu mythos, and also English pub culture.
Charles de Lint, in his review for The Magazine of Fantasy And Science Fiction (May 2005) described it thusly:
“Shoggoth’s Old Peculiar is very funny — laugh out loud funny, in places — but it’s to Gaiman’s credit that it’s not a complete farce. Somehow he manages to instill a touch of creepy dread to leaven all the humor.”
Earbud Theater is a new audio drama podcast (without a podcast feed that I can spot). Casey Wolfe, who pointed it out to me, calls them “podplays” – which is a new word but and one that fits fine.
The first episode to catch my attention is an adaptation of Neil Gaiman’s Shoggoth’s Old Peculiar!
Young American Ben Lassiter is touring the British coastline when he’s forced to take refuge from the rain at a pub in the town of… Innsmouth. Here he meets the peculiar Seth and Wilf who have something to teach Ben about life, Lovecraft, death and unspeakable horror. Adapted by Casey Wolfe and performed by Jake Borelli, Simon Verlaque, Rees Pugh and Joanne McCallin, please sit back and enjoy a pint of Shoggoth’s Old Peculiar.
I quite liked this 17 minute adaptation. It’s faithful to Gaiman’s original story and that’s always a good thing. But, I should point out the the MP3’s volume is too low – even wearing earbuds I had a hard time catching every bit of it.
Talked about on today’s show:
Not the Jonathan Davis of Korn, favourite audiobook narrators, Luke’s real job (juggling), how to become an audiobook narrator (or a professional juggler), acting, theatrical acting, voice over, New York, Testament by John Grisham, Brazil, Portuguese vs. Brazilian Portuguese, Gone For Soldiers by Jeff Shaara, long form narration, Snow Crash by Neal Stephenson, urban samurais and Aleutian assassins, binaural recording, The Shadow Of The Torturer by Gene Wolfe, The Windup Girl by Paolo Bacigalupi, London, Paris, Iowa City, Thailand, genetic engineering, Japan, accessory dogs, GMO food, graphic sex scenes in mid-juggle, Glamorama by Bret Easton Ellis, Zoolander, American Psycho, a 12 page sex scene, Star Wars, Genghis Khan And The Making Of The Modern World by Jack Weatherford, straight readings vs. impersonations, Yoda, Ewan McGregor, Liam Neeson, Luke re-edits Star Wars, alien languages, Calculating God by Robert J. Sawyer, When Gravity Fails by George Alec Effinger, Ian Mcdonald, North Africa, Egypt, Arab Spring, Bedouin, narration styles, straight narration vs. theatrical performance vs. cinematic narration, Michael Caine, scalpel vs. laser, Mike Resnick’s Starship series, voice based books, Star Trek, David Copperfield, Oliver Sacks, The Watchers by Jon Steele, Kirinyaga, The Scar by Sergey Dyachenko and Marina Dyachenko, Starship: Mutiny, Elinor Huntington, existential resonance, Harry Potter, conspiracy, dystopia, Ray Bradbury, Cool Air by H.P. Lovecraft, Starship: Rebel, no research, just fun, language, audiobooks as a collaboration between an author, a narrator and a listener, Walking Dead by Greg Rucka, espionage, comics, Neil Gaiman, Catch And Release by Lawrence Block, Hex Appeal, Jim Butcher, The Dresden Files, studio time, The Book Of The New Sun, “do your homework”, “suddenly revealed to be a Texan”, an Aleutian Rastafarian, Hiro Protagonist, Minding Tomorrow, revealing voices, American Gods, George Guidall, “the perfect audiobook experience”, Woden (aka Odin aka Mr. Wednesday), The Stand by Stephen King, reading with your ears, preferred narration styles, The Hundred Thousand Kingdoms by N.K. Jemisin, racism, Dune, Zoo City by Lauren Beukes, Johannesburg, South Africa, fantasy fiction shouldn’t have an American accent, Luke’s SFBRP review of The Scar, House Of Suns by Alastair Reynolds, an Arkansas accent, inner monologue vs. dialogue, the Sling Blade voice, Casaundra Freeman, audiobook narration is difficult, learning the characters over a series, George R.R. Martin, A.J. Hartley, Act Of Will, Will Power, working with authors, Cyteen by C.J. Cherryh, Book Of The Road, male and female narration, Gabra Zackman, Jonathan is the infodumper, Full Cast Audio, a one man show vs. theatrical collaboration, Scott Brick, Feyd-Rautha, a Jamaican brogue?, The Brief Wondrous Life of Oscar Wao, do you like computer games?, Max Payne 3, Tron, “that’s my neck fat”, Vladamir Lem, Armando Becker.
The Man Who Forgot Ray Bradbury
By Neil Gaiman; Read by Neil Gaiman SoundCloud – Approx. 14 Minutes [UNABRIDGED]
Publisher: SoundCloud.com
Published: Jun 7, 2012
Set to be published in Shadow Show: All New Stories In Celebration Of Ray Bradbury.
And if you’d like to make the file downloadable use THIS site:
