The SFFaudio Podcast #002

Podcast

The SFFaudio PodcastThe first one they made was so good they recorded a sequel! Indeed, The SFFaudio Podcast #002 is even more blockbustery (with 20% more bluster).

In show double-oh-two Scott D. Danielson and Jesse Willis talk about audiobooks, audio drama, and the correct pronunciation of the word “orgy.” We also talked about Recent Arrivals, New Releases, LibriVox, what we’ve been listening to, and where. It’s a big, big, show!

Topics under discussion include:

The Last Theorem, Carnival, Elizabeth Bear, L. Ron Hubbard, Galaxy Press, Zeppelins, airships, Michael Chabon, our new Publishers page, Grover Gardner, The Number 23, Scott Brick, Paul Of Dune, Brian Herbert, Kevin J. Anderson, The Little Book, Selden Edwards, Brad Meltzer, The Book Of Lies, Superman, Orhan Pamuk, the Entitled Opinions podcast, Turkey, Ottoman Empire, Michael Flynn, Blackstone Audio, The January Dancer, Eifelheim, Podiobooks.com, The Kiribati Test, Jim Thompson, The Grifters, Philip K. Dick, Macmillan Audio, Anathem, Neal Stephenson, Snow Crash, The Diamond Age, Cryptonomicon, Waldentapes, Star Trek, LibriVox, Space Viking, Mark Douglas Nelson, H. Beam Piper (and our new AUTHOR PAGE for him), The Green Odyssey, The Second SFFaudio Challenge, Brandon Sanderson, Orthopedic Horseshoes, Edo van Belkom (he’s the ex-school bus driver), The Accidental Time Machine, Joe Haldeman, The Forever War, “Our Last Words”, Damon Kaswell, time travel, Peter Watts, Blindsight, Recorded Books, the Chinese room argument, artificial intelligence, Spin, Axis, Robert Charles Wilson, Robert J. Sawyer, David Brin, Startide Rising, The Immortal, Roger Zelazny, Audiofile Magazine, George R.R. Martin, A Clash Of Kings, Temüjin, audio drama, Gate, The Sonic Society, Jack J. Ward, Wormwood, acting, Michael Caine, Irwin Allen, The Swarm, Star Wars, Liam Neeson, Thulsa Doom vs. Luke Skywalker, pronunciation, mis-pronunciation, The Savage Sword Of Conan, John Varley, Audible Frontiers.

Posted by Jesse Willis

Review of The Diamond Age by Neal Stephenson

Science Fiction - The Diamond Age by Neal StephensonThe Diamond Age: Or, a Young Lady’s Illustrated Primer
By Neal Stephenson; read by Jennifer Wiltsie
12 Cassettes; Approx. 18 hours [UNABRIDGED]
Publisher: Time Warner Audio
Published: 2001
ISBN: 1586211145 (Cassette)
Themes: / Science Fiction / Nanotechnology / Computer Programming / Victorian Culture / Cyberpunk /

Earlier, I reviewed Neal Stephenson’s Snow Crash. It was one of the finest audiobooks I’d ever heard, and I feel that this one may be even better. Snow Crash was irreverent and whimsical, and The Diamond Age is that and more, with a plot that is both epic and personal.

Nell is a little girl, 4 years old when we first meet her. Her brother, Harv, gives her a stolen copy of the Young Lady’s Illustrated Primer, an interactive (“ractive”) book that was designed by an engineer who wanted his own daughter to experience a bit more than the traditional education. Nell’s mother flits from abusive relationship to abusive relationship, with Nell and Harv protecting themselves as they can. Nell spends more and more time with the Primer, which teaches Nell through stories told by real interactive actors (“ractors”) via the Net.

The story is complex and mature. The main storyline follows Nell’s life, and along the way we see an amazing world. The world has become nearly tribal again with people gathering in Claves, each with their own rules and culture. Much time is spent in a neo-Victorian Clave, a place where Victorian culture is adopted because it is felt that one has to go back to the 19th century to find a viable model for society.

Stephenson explores two technologies in the novel as well, and they are both of equal influence on the story. The first is the Net and the entire idea of interactive entertainment, which makes the Primer possible. The second is nanotechnology, which is used in everything from planet building to the creation of stuffed animals in a Matter Compiler. There are also nano-mites which float in your bloodstream and can do anything from carry information to kill you with thousands of tiny explosions.

The drawback to this novel is its ending, which, though inadequate, would not keep me from recommending it. The rest of the book is so astonishingly strong, that to miss it would be missing one of the major works of modern science fiction.

The Diamond Age could not have been an easy novel to perform, but Jennifer Wiltsie did so admirably. This is the first I’ve heard her, and I hope to hear her voice often. She had just the right tone for this, and I had no trouble at all discerning the characters in this complex novel. An excellent job.

This title is also available on Audible.com.

And now, a short intermission… Due to some ot…

SFFaudio News

And now, a short intermission…

Due to some other obligations (i.e. my day job), I’ll be out of town the week of Sep. 7th. SFFaudio will be back on Sep. 15th with some new posts.

Some of the things we’re working on – a comprehensive list of audio editions of Hugo, Nebula, and World Fantasy award-winning fiction, reviews of Orson Scott Card’s Ender’s Game and Speaker for the Dead on unabridged audio, and Neal Stephenson’s The Diamond Age, also on unabridged audio.

Back soon!

Posted by Scott D. Danielson

Review of Snow Crash by Neal Stephenson

Science Fiction Audiobooks - Snow Crash by Neal StephensonSnow Crash
by Neal Stephenson; Read by Jonathan Davis
12 Cassettes, 18 hours [UNABRIDGED]
Publisher: Time Warner Audio
Date Published: August 2001
ISBN: 158211137
Themes: / Science Fiction / Computers / Virtual Reality / Religion / Mythology / Cyberpunk /

Snow Crash is one of those rare novels; one of those that stand out, tall and unique, amongst all the novels I’ve read in my life. I know of nothing with which to compare it, but I can say that it ranks amongst my favourite novels. Neal Stephenson impressed me both with his fearless, irreverent tone and with the astonishing range of subjects touched by his characters.

Snow Crash reveals a picture of the not-too-distant future, where the only things the USA is good at are “music, movies, microcode (software), and high-speed pizza delivery.” It’s a world where people spend part of their lives in the Metaverse, a highly developed yet realistic virtual world where they use avatars of their own design to interact with each other. It’s a world divided into burbclaves, or city-states, each with its own identity, laws, and law-enforcement. In stark contrast to this future society, the main character finds himself entangled in a mystery that requires him to explore ancient Sumerian mythology and the roots of biblical religion.

All of this in an extremely fast-paced adventure story. Remarkable. This is an exciting, impressive novel.

For the audio version, Time-Warner selected a first rate reader in Jonathan Davis. I never tired of his effortless inflection changes as different characters spoke — very important in a quick moving story like this one. The production quality was excellent; I found the sounds used to mark breaks in the text to be particularly effective.

And with that, my current list of all-time favorites is complete! See the whole list here!