Aural Noir review of The Monster Of Florence by Douglas Preston and Mario Spezi

Aural Noir: Review

HACHETTE AUDIO - The Monster Of Florence by Douglas Preston and Mario SpeziThe Monster Of Florence: A True Story
By Douglas Preston and Mario Spezi; Read by Dennis Boutsikaris
8 CDs – Approx. 9.5 Hours [UNABRIDGED]
Publisher: Hachette Audio
Published: 2008
ISBN: 9781600242090
Themes: / Crime / History / Mystery / Murder / Serial Killer / Conspiracy / Italy / Florence / Sardinia / The Renaissance /

In 2000, Douglas Preston and his family moved to Florence, Italy, fulfilling a long-held dream. They put their children in Italian schools and settled into a 14th century farmhouse in the green hills of Florence, where they devoted themselves to living la dolce vita while Preston wrote his best-selling suspense novels. All that changes when he discovers that the lovely olive grove in front of their house had been the scene of the most infamous double-murders in Italian history, committed by a serial killer known only as the Monster of Florence.

If you’re a fan of Douglas Preston’s fiction you’ll be all into digging the biographical details he adds to this illuminating non-fiction account of a real monster and the labyrinthine twists and turns the investigation took. Those readers looking for insight into Thomas Harris’ Hannibal novels can find this story impactful too. Myself, I was most interested in the unparalleled access this fearsome story details, namely the historical forces that shaped Florence, Tuscany and Sardinia from ancient days, through the Renaissance, the 1960s, 1970s, and on up to the present. Preston, with help from Spezi, provides elucidating details about how the killer (or killers) got away with 16 murders that took place between 1968 and 1985. Their book, this audiobook, is an indictment of Florentine and Italian journalists, the Italian national police , the Florentine investigators, and one prosecutor in particular. In short, after more than 30 years of criminal investigation the case remains an unsolved mystery. Spezi and Preston do take a guess at the culprit, and they back that guess up with a logic chain that is a helluva-lot-more compelling than the official explanation. But, just thinking about it all, a week or two later, I’m still shaking my head. The final disgrace of this story came as a result of a convergence between the Public Minister of Perugia, Giuliano Mignini, and a fraud psychic named Gabriella Carlizzi. Together they explained to themselves, and the arresting police, that Mario Spezi was actually involved in the murders and was a member of a satanic cult.

Even more worrisome, if it is possible to imagine, is what Preston argues is a fairly widespread Italian cultural embrace of something called “dietrologia.” Literally meaning “behindology,” dietrologia is the practice of assuming that nothing notable is as it actually appears – that something hidden (often sinister, cynical and/or conspiratorial) is behind any and all notable events. In Canada we might call it acting paranoid, or being a conspiracy theorist. In Italy, apparently, it is regularly practiced around the dinner table. And it’s all fun and games, I guess, until you end up throwing innocent people in jail. During the writing of The Monster Of Florence Spezi was arrested for either being a collaborator with the Monster or actually being the serial killer himself. Meanwhile Douglas Preston was interrogated, told to confess, threatened with arrest, and forced to leave Italy upon pain of prosecution. The Monster Of Florence case was completely bungled. This was a clusterfuck on par with the notorious California’s McMartin preschool investigation and trial. I guess it all goes to show that police and prosecutorial incompetence is alive and well in the new and old worlds both.

Reader Dennis Boutskaris takes full control of the narrative, becoming the voice of Preston (and Spezi) for the entire audiobook. To my untrained ears his Italian accent sounded fine. The cover art, as mentioned in the audiobook, comes from a photograph of a statue in Piazza della Signoria, in Florence (The Rape of the Sabine Women by Giambologna |JPG|). In addition, on the final disc, there is an informative interview with Douglas Preston.

Posted by Jesse Willis

Review of Press Enter_ by John Varley

SFFaudio Review

SFFaudio’s 7th Anniversary Reviewathon continues!

Science Fiction Audiobook - Press Enter_ by John VarleyPress Enter_
By John Varley; Read by Peter Ganim
2 Hours 53 Minutes – [UNABRIDGED]
Publisher: Audible Frontiers
Published: 2008
Themes: / Science Fiction / Mystery / Murder / Computers / Hacking /

This novella won the Best Novella Hugo in 1985 and the Best Novella Nebula in 1984. In 1984 I was 16, and my prize possession was a Commodore 64 computer. I recall programming on it, writing stories, and playing games. hmm. Not much has changed since then but the hardware, it looks like.

A story published in 1984 in which computers play a huge role is a history lesson. Floppy disks, modems, BBS’s – made me long for the good ole days. What was science fiction in 1984 now reads like historical fiction with an SF twist.

Victor receives a phone call one day from a computer, which tells him to run next door to his neighbor’s house. It will keep calling until he does it, says the computer. So he does, entering the house of a man he didn’t know well and finding him dead, an apparent suicide. Police and others are called in because this dead neighbor was into a lot of stuff: surveillance of neighbors, hacking into government systems, manipulation and theft of big money, all through his computers and his phones. Peter Ganim narrates the mystery well.

This is the longest story I’ve reviewed so far this month; it clocks in at 2 hours, 53 minutes. I LOVE novellas, and there is so much great science fiction out there at this length. Hollywood, take note! If you are mining for material, check out the science fiction novella.

Audible Frontiers has published many novellas, including more by John Varley (The Persistance of Vision is really excellent) and some by Connie Willis and Allen Steele.

Posted by Scott D. Danielson

Review of Identity Theft by Robert J. Sawyer

SFFaudio Review

Beginning the fourth week of this SFFaudio 7th Anniversary Story-a-Day Celebration! Be careful out there…

Science Fiction Audiobook - Identity Theft by Robert J. SawyerIdentity Theft
By Robert J. Sawyer; Read by Anthony Heald
2 Hours – [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2010
ISBN: 9781441716729
Themes: / Science Fiction / Robots / Consciousness / Mystery / Detectives /

This is a great story. It originally appeared in Down These Dark Spaceways, and anthology edited by Mike Resnick and published by the Science Fiction Book Club. This version is read by Anthony Heald, a terrific narrator who was once the voice of choice for the Star Wars universe. He reads with energy and verve, great characterization and accents as needed.

Sawyer has said before that he feels that science fiction has more in common with the mystery genre than it does the fantasy genre, and this isn’t the first time he’s written an effective science fiction mystery. In the future Mars he presents, people can trade their bodies in for artificial ones, providing long life and more reliable body parts. The process requires making a copy of a person’s conscious mind, and imprinting that copy into the brain of the new body.

Like in many Sawyer stories, many of the implications of such a world are explored. What happens to the originals? What about unauthorized copies? In addition, there is a very interesting human settlement on Mars, and some fossil finding there. “Identity Theft” is a very entertaining novella, very well presented.

Posted by Scott D. Danielson

Aural Noir Review of the Improbable Adventures of Sherlock Holmes

Aural Noir: Review

The Improbable Adventures of Sherlock HolmesThe Improbable Adventures of Sherlock Holmes
Edited by John Joseph Adams; Read by Simon Vance and Anne Flosnik, John Joseph Adams (uncredited)
18 CDs – 22 hours [UNABRIDGED]
Publisher: Brilliance Audio
Published: 2010
ISBN: 1441839070
Themes: / Mystery / Crime / Alternate History / Science Fiction / Horror / 19th Century / London /

“When you have eliminated the impossible, whatever remains, however improbable, must be the truth.” This famous Sherlock Holmes quote is the impetus which drives this intelligent, inventive, and at times irreverent compilation of Sherlock Holmes stories written in the last few decades. As John Joseph Adams explains in his introduction, his aim in compiling these stories is to explore the uneasy peace between the cold clear logic of the deerstalker-wearing, pipe-smoking detective and the unanswered, perhaps unanswerable mysteries which continue to thwart human investigation to this very day. While many of the stories miss the mark of this goal entirely, the collection as a whole succeeds in pushing Holmes in new directions while staying true to the spirit of Sir Arthur Conan Doyles’s original work.

The stories in this collection fall into one of three categories. First, there are the traditional mysteries. These are stories that, with but slight alteration, might easily have found a home among Conan Doyle’s own work. The best of these tales expand upon characters or cases mentioned in the original œuvre only in passing. Mrs. Hudson’s Case by Laurie R. King, for instance, features Holmes’s protégé Mary Russell as its protagonist and reveals the character of Holmes’s long-suffering landlady. Edward D. Hoch’s A Scandal In Montreal, meanwhile, reunites Sherlock Holmes with his sometime nemesis Irene Adler. As a whole, however, this category fits rather uneasily into the collection because, by and large, there is little in the way of “the improbable” in any of these stories. All are well-written and most are engaging; they simply miss the point.

The second category I would call historical, or pseudo-historical. In most respect these stories are similar to those of the first category, with one redeeming addition: Sherlock Holmes crosses paths with historical figures from the Victorian era. Stephen Baxter’s The Adventure of the Inertial Adventure sees our detective join forces with author of scientific romances H.G. Wells, while Tony Pi’s Dynamics Of A Hanging brings mathematician Charles Dodgson (better known as Lewis Carroll) into the Holmesian world. The highlight of this grouping, though, is The Adventure Of The Field Theorem by Vonda N. McIntyre, in which Sherlock Holmes investigates crop circles at the behest of none other than Arthur Conan Doyle.

The last category throws Sherlock Holmes–and let’s not forget Doctor Watson, through whose eyes we see most of these tales unfold–into genres as wide-ranging as alternate history, horror, and science fiction. Subjectively, I liked these stories best because they fall into genres which I most commonly read. Objectively, these stories succeed because they deliver on the promise of “improbable adventures.” The collection opens with a chilling tale by horror master Tim Lebbon, which unlike most Holmes stories is never intellectually resolved. The Singular Habits Of Wasps by Geoffrey A. Landis, perhaps my favorite story in the collection, puts a fascinating otherworldly spin on the mysterious murders of Jack the Ripper. Robert J. Sawyer’s closing story, You See But You Do Not Observe, pits Holmes’s intellect against the fermi paradox concerning extraterrestrial life. The collection is worth the price of admission for these entries alone.

Simon Vance carries the bulk of the narration, with Anne Flosnik reading only a few stories featuring female protagonists. Flosnik performs solidly in her few appearances. Simon Vance’s portrayal of Holmes and Watson is spot-on; the former speaks with a whip-sharp voice, while the latter lumbers along in a more lugubrious manner. He falls short only when narrating the few “New World” characters who figure in the stories, but these cases are uncommon and Vance’s accent isn’t off by much. John Joseph Adams himself narrates the collection’s introduction, as well as introductory passages to each story.

Whether you’re a fan of mystery, history, or something further afield, chances are high you’ll find something to sate your appetite in The Improbable Adventures of Sherlock Holmes. I’ll venture out on a limb and say that visitors to this site will likely be most interested in the tales of speculative fiction. I assure you, in particular, that you’ll not be disappointed.

Posted by Seth Wilson

Ellery Queen Mystery Magazine podcast

Aural Noir: Online Audio

Ellery Queen's Mystery Magazine PodcastHere is a terrific find for fans of mystery and crime tales! Hosted by Ellery Queen Mystery Magazine‘s editor, Janet Hutchings, comes a new podcast the Ellery Queen Mystery Magazine podcast! It features:

“Monthly readings and dramatizations of stories by the world’s leading writers of suspense chosen from the magazine’s archives. The full range of the genre is represented in these riveting audio renditions, from the drawing-room mystery to urban noir—including police procedurals, private-eye tales, psychological suspense, and locked-room and impossible-crime stories.”

I’ve been listening to these for hours today. The audio dramatizations are actually pretty good. The short stories tend to be very solid too (and are mostly read by their authors). Sound quality varies though and sometimes the recording level volume is set far too low. Additionally, the proof-listening is occasionally very shoddy (with repeated lines remaining unedited). The latest episode (#7) has three stories all based on the same newspaper article. The results are mixed, but I really like the idea of stories based around a story seed like that. In fact, it reminds me of something John Joseph Adams and David Barr Kirtley were talking about in a recent Geek’s Guide to the Galaxy podcast. They mentioned the John W. Cambpell story seed that lead to the writing of Isaac Asimov’s Nightfall and Robert A. Heinlein’s Orphans Of The Sky. Two SF stories that are both very different and very terrific.

My favourite Ellery Queen Mystery Magazine podcast episode so far is #5, Dear Doctor Watson, a Steve Hockensmith short story. Its a kind of Sherlockian pastiche set in the Victorian West. It’s protagonist a kind of amateur Sherlock Watson team that’s only half-hampered by being illiterate and in Montana. Dear Doctor Watson is both fun and well read by two narrators.

I truly hope to see the “Ganelon” stories by James Powell and the “Black Widowers” tales by Isaac Asimov showing up in future episodes. They’re the absolute tops!

Ellery Queen's Mystery Magazine - September 1956Episode 1: Cut! Cut! Cut!
Based on a story by Ellery Queen; Adapted by Ed Bogas; Performed by a full cast
1 |MP3| – Approx. 12 Minutes [AUDIO DRAMA]
Podcast: Ellery Queen Mystery Magazine podcast
Podcast: August 2009
Ellery Queen receives a phone call from a murder victim in this clever play involving a witness of another species. First published in Ellery Queen’s Mystery Magazine September 1956 issue.

Ellery Queen’s Mystery Magazine - November 2001Episode 2: Groundwork
Based on the story by Neil Schofield; Performed by a full cast
1 |MP3| – Approx. 25 Minutes [UNABRIDGED]
Podcast: Ellery Queen Mystery Magazine podcast
Podcast: September 2009
A nosy neighbor alerts police to suspicious digging in the garden next-door—and she isn’t the only one to get an unexpected comeuppance. First published in EQMM in November 2001.

Ellery Queen’s Mystery Magazine - June 2003Episode 3: The Talking Dead
By Melodie Johnson Howe; Read by Melodie Johnson Howe
1 |MP3| – Approx. 27 Minutes [UNABRIDGED]
Podcast: Ellery Queen Mystery Magazine podcast
Podcast: October 2009
A TV writer goes missing, leaving her show’s star without a script and opening up a perfect scenario for murder. In this fourth installment in her series of Diana Poole mysteries, former Hollywood actress Melodie Johnson Howe takes a penetrating look at the off-stage life of a TV idol. First published in EQMM June 2003.

Ellery Queen’s Mystery Magazine - February 1953Episode 4: A Lump Of Sugar
Adapted from a story by Ellery Queen; Adapted by Ed Bogas; Performed by a full cast
1 |MP3| – Approx. 9 Minutes [AUDIO DRAMA]
Podcast: Ellery Queen Mystery Magazine podcast
Podcast: December 2009
Ellery Queen returns in a case involving a cryptic dying message. First published in EQMM in February, 1953. The story later appeared under the titles Murder In The Park and The Mystery Of The 3 Dawn Riders.

Ellery Queen’s Mystery Magazine - February 2007Episode 5: Dear Doctor Watson
By Steve Hockensmith; Read by Steve Hockensmith and Mike Willtrout
1 |MP3| – Approx. 36 Minutes [UNABRIDGED]
Podcast: Ellery Queen Mystery Magazine podcast
Podcast: December 2009
A pair of Old West cowboys try to prove they’re worthy of joining a detective agency by retrieving an incriminating letter. But things are not all they appear to be in Missoula, Montana, circa 1890… First published in the February 2007 issue of EQMM.

Ellery Queen's Mystery Magazine - May 1976Episode 6: The Problem Of The Locked Caboose
Based on the story by by Edward D. Hoch; Performed by a full cast
1 |MP3| – Approx. 27 Minutes [AUDIO DRAMA]
Podcast: Ellery Queen Mystery Magazine podcast
Podcast: January 2010
The solving of so-called “impossible crimes” is the hallmark of Edward D. Hoch’s series character Dr. Sam Hawthorne. In this episode, the New England country doctor is on board a night train when a body is discovered in its locked caboose. First published in EQMM in May, 1976.

Ellery Queen Mystery Magazine - March/April 2007Episode 7: Say That Again, The Old Story and Wheeze
By Peter Lovesey, Liza Cody, Michael Z. Lewin; Read by Peter Lovesey, Liza Cody, Michael Z. Lewin
1 |MP3| – Approx. 73 Minutes [UNABRIDGED]
Podcast: Ellery Queen Mystery Magazine podcast
Podcast: February 2010
Three stories (Say That Again by Peter Lovesey, The Old Story by Liza Cody, and Wheeze by Michael Z. Lewin) that take their lead from a single newspaper article provide an entertaining look at how a common creative impetus can take the imaginations of different writers in wonderfully different directions. Includes a short interview with the authors, all leading writers of suspense, recorded at the 2009 Bouchercon World Mystery Convention.

Podcast feed:

http://eqmm.podomatic.com/rss2.xml

iTunes 1-Click |SUBSCRIBE|

Posted by Jesse Willis

Aural Noir review of Killing Floor by Lee Child

Aural Noir: Review

BRILLIANCE AUDIO - Killing Floor by Lee ChildKilling Floor
By Lee Child; Read by Dick Hill
12 CDs – Approx. 14 Hours 48 Minutes [UNABRIDGED]
Publisher: Brilliance Audio
Published: 2004
ISBN: 9781423339854 (cd)
Themes: / Thriller / Murder / Mystery / Detective / Georgia / Conspiracy / Counterfeiting / Music /

All is not well in Margrave, Georgia. The sleepy, forgotten town hasn’t seen a crime in decades, but within the span of three days it witnesses events that leave everyone stunned. An unidentified man is found beaten and shot to death on a lonely country road. The police chief and his wife are butchered on a quiet Sunday morning. Then a bank executive disappears from his home, leaving his keys on the table and his wife frozen with fear. The easiest suspect is Jack Reacher – an outsider, a man just passing through. But Reacher is not just any drifter. He is a tough ex-military policeman, trained to think fast and act faster. He has lived with and hunted the worst: the hard men of the American military gone bad.

I’d heard about Lee Child for a while before I started reading his books. For a time there there was some confusion in my mind about who he was and what he wrote. I heard vague talk down the isles of bookstores. “Got any Child?” They’d say. “Lincoln?” They’d whisper. Or was it “Lee?” Then I’d hear about some character called “Repairman Jack” – or was it “Jack Reacher?” So with the confusion in the hearing it took a while longer than usual for the facts about who wrote what to float up from my unconscious to the part of my brain that thinks: “interesting.” The last time I heard about Lee Child was in Jolly Olde Books in Port Moody. That’s a used bookstore I frequent. The guy who runs the place reads Lee Child, and a couple of other booksellers I see in their from time to time were reading him too. They got to talking about how addictive the series was and that was the final clincher. When you run a used bookstore you really have your pick of books. They were reading Lee Child, so I thought I’d better get on the case too. Luckily Brilliance Audio has released most of this series, with at least one other done by Random House Audio.

But, even having the audiobook in hand, I had a hard time getting interested in listening to it. It sure doesn’t help to have such a generic title. And just look at it, the cover art is boooring. Apparently this is a very popular series, a bestselling series. That explains both the generic cover and the generic title. Killing Floor, the name sounds like just about every other techno-thriller/courtroom thriller/forensics thriller you’ll find in the supermarket paperback book rack; and that cover art only tells you vaguely about the genre – nothing about the story. The story starts out promisingly enough though. The story is told in first person, past tense (my preferred person and tense) by the protagonist, Jack Reacher. He tells us what is happening without much embroidery. When Reacher is arrested for murder, within the first few seconds of the novel, I was intrigued. It seemed like some sort of variation on David Morrell‘s First Blood: A stranger walks into small town USA and is arrested by corrupt cops. Fun. When the facts of Reacher’s backstory eventually drip out I still found myself fairly interested. Child’s explanation as to why Reacher is such a bad-ass actually makes pretty good sense too. What kind of police deal with the world’s most dangerous criminals? Child’s answer is: Military Police. The criminals the US Army deals with have been trained with every conceivable deadly art: firearms, hand to hand combat, artillery, grenades, demolitions – the many different ways of killing. A military policeman (MP) has to be trained better with these weapons than the criminals he confronts. And so an MP has to deal with the army’s best trained criminals: Green Berets, Rangers, Delta Force. Jack Reacher, we eventually find out retired from the army as a Major, having run his own criminal investigation unit (homicide investigation). A bit convienient but not too implausible. The mystery itself seems fairly interesting and Child wants to play fair. But there is one giant co-incidence that badly mars the narrative. It’s fairly well lampshaded by Reacher, but even in doing that I wasn’t wholly willing to forgive Child.

This novel has plenty of good characters and characterization. I can also see the seeds of themes that will probably reappearing in later books in the series. Like many novels of the last 25 years that I complain about Killing Floor is overly-long for the material it contains. The action sequences in the later chapters of the book are solid, but there were too many for the machinations of the plot. After listening all the way through I’d say this a solid novel with fairly good storytelling. I can see exactly what Lee Child is doing and am not particularly impressed. He’s gonna make a lot of money, but I can’t imagine anyone would ever bother to re-read one of these books. More likely they’ll just pick up another in the series and get more of the same kind of thing, just a bit different. It’s a slightly less obvious Mack Bolan story, a romance novel for men. So this is several steps removed from anything like spectacular.

Narrator Dick Hill has been a major audiobook narrator for longer than I’ve been an audiobook listener (that’s a long time). In Killing Floor he personifies Jack Reacher with a conspiratorial first person voice. When playing the other major players, criminals, love interests and fellow investigators he switches tone just enough to make it clear who’s speaking. I hope he reads more books in this series as if he does, and I get up enough interested to read another, I’d like him to narrate it.

Posted by Jesse Willis